Some films at AFI Latin American Film Festival

7 Days in Havana

Did you enjoy “Paris, I Love You?”  Then you may enjoy this film as well.  It’s a compilation of 7 different short films (directed by some famous directors from all over the world).  The setting is modern-day (communist) Cuba, where people are struggling in their personal and professional lives (just like anywhere else). 

In the first film, a young American film student (who knows only a little Spanish) goes out to a club with his cabbie looking for a beautiful girl.  He finds a rather unusual individual who defies stereotype, as does the American in his reaction. 

In another tale, a jaded/drunken Serbian director comes to Cuba to get an award.  But the highlight of his trip is meeting a  cabbie with a great talent for music.

A beautiful/ambitious singer is torn between two men- her loving/long-time boyfriend (a struggling basesball player) and a smooth-talking stranger who offers her a contract to work in Spain.  (To heighten the contrast- one man is a dark-skinned Afro-Cuban and the other is fair/redheaded.)

Calvet

This is a documentary of Jean Marc Calvet, a French artist living in Nicaragua, who is still struggling with demons (though he’s settled with a family and earns good money).  In his own words, he recounts his boyhood, addictions, various jobs (legal/illegal), and especially- his intense regret in not being there for this 18 y.o. son.  (He speaks in both French and Spanish.)  Will he be able to find his son?  If so, how will his son react to his long-absent father?       

Clandestine Childhood

Juan is an observant/sensitive 11 y.o. boy who comes from Cuba to Argentina (in 1979) with his family and a group of their comrades.  He attends school (under the name Ernesto), makes some friends, and gets a big crush on a pretty classmate.

But he’s not quite like the others- his parents and uncle are guerrillas, and the family is hiding out in an uncle’s house.  Juan also has a baby sister, Vicky.

His grandmother comes for a brief visit, and says she can care for the kids.  But Juan’s mother angrily insists that her children belong with her.

“Garrow’s Law” (Series 1)

Who’d have thought late 18th century London (just a few years after our American Revolution) would be such an exciting setting for a courtroom drama!?  The cases you see on this TV show are based on real cases of the Georgian era.  The protagonist is a confidant, intelligent, and passionate young man  ahead of his time.  He doesn’t just want to practice the law- he wants to change it (as the system is rigged heavily against defendants).  Hmmm… sounds a bit like the young John Adams!

All lawyers aren’t bad- LOL!  William Garrow, the son of a humble headmaster (principal), didn’t go to Oxford.  He learned at his father’s school, then studied with a mentor (a solicitor) in Billingsgate.  Being ambitious and energetic, he eventually pushed aside paperwork (writing briefs) and became a barrister.  He tried his first case at age 23- unthinkable in our time!  Garrow is the one credited w/ the the phrase “innocent until proven guilty.”  He didn’t play it safe, even in his personal life.

Garrow (Andrew Buchan, who had supporting roles in the newest Jane Eyre and Cranford) is an eager hothead when we first meet him.  His mentor, Mr. Southouse (musical theater and TV veteran Alun Armstrong), cautions him against speaking too boldy in court and losing the sympathy of the (very powerful) judges.  Garrow wants to address the jury, and does on several occasions, though this is frowned upon.

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MP Sir Arthur Hill (Rupert Graves, most recently seen in Sherlock), is impressed by Garrow’s performance in court.  His beautiful, well-read, and opinionated wife, Lady Sarah (Lyndsey Marshal from Rome) is also impressed.  However, at their dinner party, we quickly learn that Garrow’s politics are quite different from Sir Arthur’s.

 

Lady Sarah admires Garrow’s strong convictions (in line with many of her own forward-thinking ideals).  She often observes trials, sitting beside the judge and other notable people.  Lady Sarah even pays for Garrow to help a poor young servant.  Their mutual respect and admiration eventually grows into more (you’ll have to see).  Also, politics and his ambition create a big distance between Arthur and Sarah.

The dialogue on this show is very well-written!  (It sounds fresh, though it’s not modern.)  The production value is very high.  The sets, costumes, and music are all perfect for the period.  Buchan even looks boyishly handsome in a powdered white wig, black robe, and chunky heeled shoes.

Buchan played clergyman St. John Rivers, Jane’s buttoned-up (and very emotionally repressed) cousin/suitor, in the 2006 BBC version of Jane Eyre.

In Cranford and Return to Cranford, Buchan played carpenter/family man Jem Hearne.

NOTE: Do NOT read further unless you want to know details from S1 eps.

Episode 1

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You will learn that the law is not a game for gentleman. -Garrow to Silvester (an Oxford-educated prosecutor)

Garrow has been buried in paperwork, but gets a case at the Old Bailey in Ep 1. Everything was rigged against the defendant, as Southouse explains after giving Garrow the brief the night before the trial. He can’t visit his client in jail. He won’t be given a copy of the indictment. He won’t get to hear re: the evidence the prosecution has against his client. (Yikes, we’ve come a LONG way!)

The prisoner in the dark has too long been left to rot for want of counsel. -Garrow says to Sir Arthur Hill, a minister at Parliament

You lack manners. You were too angry and you lost control. -Southouse says to a disenchanted Garrow after his loss

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The second case Garrow gets is thanks to Lady Sarah, who insists that her involvement be kept a secret, b/c it’d be like “an infidelity” in the eyes of her more conservative husband. A young unmarried washerwoman, Elizabeth Jarvis, has been accused of “infanticide” (though she insists her baby was stillborn). Garrow and Lady Sarah interview the defendant in Newgate Prison (VERY unusual), then have an independent doctor (“surgeon”) examine Elizabeth, then the body of her deceased child.

How can it be an improvement in my court where I play a lesser part? -Judge Bullard says (bemused) to Lady Sarah during lunch break from court

Episode 2

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By now, Garrow has some claim to fame, and he likes getting the approval (since his parents are deceased). He (hesitantly) takes on the VERY unpopular case of a young man accused of cutting beautiful young gentlewomen in broad daylight. The defendant’s doting mother insists her son could never do such things, though he loves drinking, pros, and runs through money. The media refers to him as “The Monster,” and in time, so do the public. BUT just b/c a defendant is unlikeable doesn’t mean he’s guilty!

Episode 3

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This ep focuses a BIT more on Garrow’s petsonal life; we see that he has more to learn still (though in court, he has a way w/ juries). When he thinks Silvester insulted Lady Sarah (who Garrow is in love w/), he challenges his nemesis to a duel. Mr. Southouse is bewildered, thinking Garrow is crazy and needs to bow out. But Garrow’s hot-headed/stubborn side wins over!

The main case Garrow handles is that of a noted “thief-taker” (bounty hunter to us modern folk) who could be using less clever/scared thieves to commit bigger crimes for his gain.

Episode 4

We are of like minds, you and I. -Garrow says to Lady Sarah

Sir Arthur tells Garrow his good news, which could mean that Lady Sarah could be lost to him forever. She insists that she won’t leave her husband.

The crux of this ep centers on the case of a businessman/husband/father to 3 young children, Joseph Hamer. He has been imprisoned in Newgate for 3 mos. ONLY for gathering w/ those who think like him and exercising free speech. His wife, Mary, impresses Southouse and Garrow w/ her convinction and strength; she wants the BEST defense for the man she loves. There has been NO charge (reminds one of Guantanamo cases) yet, BUT Garrow will take the case.

Your case, Joseph, is played out in the shadow of the guillotine. They [the aristocracy] fear you. -Garrow puts things into context when he meets his defendant

Late one night, Joseph is dragged from his cell to a meeting w/ ministers of Parliament (incl. Sir Arthur). They grill the humble shoemaker w/ questions, BUT he asks for actual charges. Lady Sarah wonders what’s all the noise-the jailers and heavy shackles disturbed her quiet. She meets Joseph in the hall, and realizes that her husband MAY be on the wrong side of justice. Finally, Joseph gets his day in court, BUT the charge is “high treason” (so he could be hanged)!

“Rome” (HBO, 2005-2007)

If one of your New Year’s resolutions is to watch better TV shows, check out the HBO series Rome ASAP!  This is a very adult show w/ grown-up situations, so it’s not for the whole family.  It’s very addictive and keeps you guessing.  (Don’t go on You Tube or you’ll see spoilers!)  The setting is a pre-Christian world, so modern-day morals don’t apply.

At first, I was just awed by the sheer scale and beauty of the production.  Everything looks gorgeous (including James Purefoy, above)- music, costumes, scenery.  The show was shot on location on a high budget, even for HBO.

You’ll see all levels of ancient Roman society, from plebians barely eeking out a living in gritty tenements to patricians partying in brightly painted halls.  Adding to the realism are many extras- Italians of all ages, shapes, and complexions.  The acting is top-notch- w/ familiar faces and exciting newcomers from the UK.

When Season 1 begins, a middle-aged Julius Caesar (Ciaran Hinds from The Mayor of Casterbridge and Persuasion), is in Gaul (now France) expanding the Roman empire and vanquishing the “wild natives.”  Pompey, Caesar’s old friend and son-in-law, is in charge of the city of Rome.  Caesar and Pompey rule as co-counsels w/ a powerful Senate (which includes Cato and Cicero).  Brutus (Tobias Menzies) looks on Caesar as a mentor, though he keeps insisting he won’t go into politics.  (He was one of my favorite characters.)

Then Pompey’s wife, Caesar’s daughter, dies tragically during giving birth.  Some senators feel that Pompey should split from Caesar and become leader of Rome.

There are many legions fighting for Caesar in Gaul; the 13th is reputed as one of his most loyal.  Mark Antony (Purefoy from Vanity Fair) is at Caesar’s side, though some patrician Romans look down on him for being an egotistical commoner w/rough speech and brutish manners.  But the soldiers love him.

Caesar’s best asset may be Posca (Nicholas Woodeson), an observant Greek slave no less clever than his master.  He helps Caesar plan battles, draft speeches, and negotiate deals.  The don’t have the typical master-slave relationship; Posca protects Caesar’s secret (he’s an epileptic).  In the Season 1 finale, when Caesar lies dead on the senate floor, Posca is the only character who sheds tears by his side.  (There are several other slaves who play significant roles in Rome.)

One particularly fine soldier from the 13th is Lucius Vorenus (Kevin McKidd, a Scotsman currently on Grey’s Anatomy) who hails from the Subura (the largest slum of ancient Rome).  He hasn’t seen his beautiful wife Niobe (Indira Varma) and two young daughters in 8 years, but fights for the Republic w/o complain.  (The Republic was akin to religion to many Romans.)

The soldier who bonds w/ Vorenus is Titus Pullo (Ray Stevenson).  Unlike the sober Vorenus, the tall/imposing Pullo loves cursing, wine, and women of the night.  He can get into a fight over the smallest matter, but Vorenus can count on him when things get tough.  Their friendship ties the entire show together.  (Vorenus and Pullo are the only soldiers mentioned by name in the journals of the real Mark Antony.)

Another reason to watch Rome are its fascinating female characters: patricians, plebians, and slaves included.  Vorenus’ wife Niobe must learn to love and understand her husband after many years.  She has a secret that could cost her her life if it ever came out.  (Why does Varma fit so well in this setting?  Her mother was half-Genovese.)

Servilia of the Junii (Lindsay Duncan from Mansfield Park and Lost in Austen) is Brutus’ mother and Caesar’s favorite female companion.  On the outside, she keeps cool and composed, like a fine lady.  But Servilia, widow of two great Romans, has a keen mind and great ambition for her son.

Caesar’s niece, Atia of the Julii (Polly Walker from BBC’s Emma), is the nemesis of Servilia.  She’s also a widow, unapolegetically ambitious and manipulative.  Atia conducts a fiery on-again, off-again relationship w/ Antony and doesn’t care what others think about it.  But is there any love there?

Octavia (Irish newcomer Kerry Condon) is Atia’s sensitive/vulnerable daughter.  She’s often pulled into Atia’s power plays.  Her mother often tells her to not slouch, dress better, and toughen up.  It’s all about survival, Atia tells her kids.  But Octavia deeply yearns for true love and some control of her life.

Of course Cleopatra (newcomer/theater actress Lyndsay Marshal) makes several appearances.  In Season 1, she’s a pixie-like teenager who plays vulnerable to seduce Caesar and get back the throne of Egypt from her little bro.  In Season 2, she’s the bold empress who seduces Antony, then falls deeply in love w/ him.  Antony falls hard too, but it’s not meant to last.

In my opinion, the breakout star of Rome is Max Pirkis (who made his film debut in Master and Commander)-  he plays the young nephew of Julius Caesar, Gaius Octavian.  He learns a lot from reading- words and people.  Octavian is a brilliant, cold-hearted, and calculating boy who’s not afraid to use violence.  The adult Octavian Caesar is played by newcomer Simon Woods (below).

Who is “a true Roman?”  (In one scene, a resident of his slum questions Vorenus’ heritage b/c of his red hair and Gallic features.)  What is best for a nation- some type  of representative democracy or one all-powerful leader?  How does a city deal w/jobless soldiers unskilled at everything except fighting?  What are the limits of friendship?  The depiction of timeless themes and personal relationships make this show a must-see.

“The Pacific” (Parts 4-10)

Part 4

Robert Leckie (James Badge Dale) sees one Marine shoot himself in the head, unable to take the rain, jungle, fighting, and mental pressure.  He gets a bladder problem and is sent to spend some time recuperating at a hospital facility on a nearby island.  Leckie, who’s family has a history of mental illness, is unsettled when he sees men with psychiatric problems at the facility.

He’s surprised to see Hanson (a man from his unit) when he asks for a smoke.  Hanson is put in a solitary cell away from the other beds.  The shrink explains that Hanson tried to run away and kill himself twice on the battlefield.  He needs to be out of the fighting.  “But most men you see here are just tired.  They just need a week or two to recuperate.”

 

Part 5

Eugene Sledge (Joe Mazzello) and Sidney Phillips (Ashton Holmes) are very happy/excited to see each other while at camp.  When Sledge asks about how the war was for Phillips, he explains that “there’s no way to describe it.”  When Sledge goes to the library tent to pick out a book to read, he has a chat with Leckie.  (I think some of the books are from Leckie’s own collection.)  When Sledge picks up the Bible, Leckie comments that he doesn’t believe in religion anymore.  “What do you believe in?” Sledge asks quietly.  “I believe in ammunition,” Leckie responds with a wry smile.  It turns out that Sledge doesn’t need the book, as he carries a tiny Bible in his pocket.

Back in the US, Congressional Medal of Honor recipient John Basilone (Jon Seda) is staying at the Biltmore and spending time with a blonde actress.  His actions are depicted in comic books- he’s famous.  His older brother (also a Marine) comes to visit him at the hotel.

So far, this is the most visually stunning, frightening, and engaging ep of the series!  The viewer follows the teenage Sledge as he storms the beach at Peleliu, where the Marines faced some of the most dangerous fighting of the war.  He prays under his breath and his eyes fill with fear as men are blown up around him.  Sledge struggles to cross the beach, amid dead bodies, explosions, etc.  Simply riveting episode!

 

Part 6

Phillips (Sledge’s good friend/neighbor) goes home to Mobile, Alabama and meets with Sledge’s parents.  He says some consoling words to them, concluding that “He’s w/ a great bunch of guys.  I’m not worried for Eugene.”  “Mortar men” like him and Eugene are generally behind the most dangerous action, he explains.  However, Phillips’ eyes are heavy w/ concern.

Back on Peleliu, the men want one thing- water.  They find a poisoned pond.  They face tremendous fighting, but Sledge comes through it.  He even pulls up a fellow Marine, Merriell Shelton (Rami Malek) and assists him to cross a field.  When he admits that he’s “never been that scared in his life,” Captain Haldane comments that “Anyone who says he isn’t scared out here is either lying or dead.”  He earns the nickname “Sledgehammer” from the fellow he helped.

 

While lying in wait one night, a Marine has a terible nightmare and keeps screaming in his sleep.  The Japanese will hear them.  Two or three other guys nearby try to hold the disturbed man down to quiet him, but it doesn’t work.  Finally, one guy hits him w/ a shovel.  In the morning, he lies dead.  Shelton says: “Better him than us.”

Leckie, who has been wounded, meets with an old friend from an earlier battle, as they head away from the Pacific on a US carrier.

 

Part 7

The airfield on Peleliu was taken after 3 days.  But the Japanese weren’t going to give up.  There was an intricate system (w/ about 500 caves) on the island where they were hiding.  “The enemy was ruthless.  We were doing to have to dig them out one by one,” one WWII veteran said.  They were 30 days of heavy fighting w/ many Marines killed or wounded.

One night, Sledge shoots two men, thinking they are Japanese.  But in the morning, he realizes that one was an enemy soldier, but the other was a fellow Marine who’d gotten out of his foxhole.  An older Marine is very angry that this happened; they’re not allowed out at night from their foxholes.

Sledge hears some noise coming from a bunker that was said to be cleared by the 1st Division.  When the men go to check it out, they realize several Japanese are hiding inside.  They shoot, throw grenades, and bomb the bunker.  One Marine beside Sledge may be blinded by the impact from an enemy grenade.   Sledge kills one young enemy soldier w/ his bayonet when the man runs toward him.  He is a little stunned by what he has done.  The nest day, his Capt. Haldane says: “You can’t dwell on it- not any of it.”

A tough, older Marine is scared and unable to move after a sudden and terrible attack.  The younger men are surprised that “someone like him can break.”  Sledge hugs and consoles a fellow Marine when he breaks down in tears in the middle of the night.

The captain has been killed, Sledge and his men learn while on a patrol one sunny day.  As Haldane’s body comes by on a stretcher, several men have tears in their eyes.  Sledge is full of anger, and thinks about taking out a dead enemy’s gold teeth (as Shelton had done earlier).  But he takes off the insignia instead, crying at the loss of the captain who encouraged/motivated him when he needed it the most.

Sledge and the other Marines are stunned to see some pretty/young nurses handing out cups of lemonade when they finally reach camp.  They take a long-needed bath in the ocean.

 

Part 8

Peleliu was taken by the US, but  many people didn’t know about the horrible fighting that occurred there.  General MacArthur didn’t use that island for any future operations.     

Gunnery Sgt. John Basilone, who’s been selling war bonds for over one year, asks to train the new Marines.  His commander says: “You make me proud to be a Marine, son.”  (Basilone’s enlistment will soon be up, and he wants to make an impact before that.)

When he arrives at Camp Pendleton, Basilone is struck by a beautiful dark-haired nurse, Lena (Annie Parisse).  It turns out that Lina is also Italian and a Marine (there are 3 stripes the arm of her white uniform).  Unlike the young Marines and other nurses, Lena is not automatically impressed by Basilone (“the hero of Guadalcanal”) when he asks her for a dinner date.  She knows about his penchant for starlets.

But John keeps on trying and she invites him to have breakfast very early (before her KP duty begins).  B/c of this, he wakes the men up at 3:30AM for a 10K run- LOL!  Lena makes coffee and French toast in the mess and they talk about food, family, and their love of Marine life.  You can see John falling in love; Lena is intrugued my him.  “It’s amazing what can happen over a cup of coffee,” John comments.

John and Lena talk, spend time at the beach, and fall deeply in love.  Though he has re-enlisted, she agrees to marry him.  They marry in a little church near Camp Pendleton.  During their honeymoon, John says that he wants six kids.  Lena gives him her little gold cross necklace that she always wore around her neck.

Basilone enters the battle at Iwo Jima alongside the Marines he trained.  “If you want to live, get off the beach!” he shouts to those men who are falling behind.  The men watch in awe as he runs, bobs, and weaves away from danger.  Suddenly, Basilone is hit directly in the chest, and falls down.  His fellows watch with wide/disbelieving eyes as their hero dies.

Part 9

This ep may be difficult to watch for some viewers.  Sledge, Shelton, and their fellow Marines are having a terrible time on Iwo Jima.  There is thick mud everywhere.  They have to dig trenches around dead bodies.  The Japanese will not surrender, so they have to be dug out.

Sledge is angered when a belligerant Japanese prisoner gets in his way.  He shoves the man away and gets a reprimand from an intelligence officer.  At another point, he comtemplates pulling out a dead Japanese soldier’s teeth (as Shelton had done before).  Shelton, surprised to see Sledge behaving in such a way, talks him out of it.  “They have bad diseases,” he says.

In one touching scene, Sledge finds an elderly Japanese woman who is mortally wounded.  She gestures to him to come and touches the barrel of his rifle.  Sledge is unable to shoot her (to end her miser); he puts down his weapon and gently cradles her in his arms.  She dies soon after.

When it seems like they can’t take it anymore, the Marines hear that “some big new weapon” has ended the war in the Pacific.  The Japanese surrendered.  Sledge, Shelton, and their division stay behind to “clean up the mess.”

Part 10

Six months after D-Day, Sledge, Shelton, and another Marine travel on a train across the South.  One man gets off in a small, dusty Texas town.  He’s waiting for his Australian girlfriend to come and marry him.  Shelton gets off in bustling New Orleans quietly, as Sledge is fast asleep.  Finally, Eugene reaches Mobile (where he is greeted by best friend Sidney).

Sidney is now engaged to one of the prettiest girls of their circle.  Eugene’s older brother (who fought in Europe) is also back safe and a married man.  He’s surprised to hear that Eugene went through the whole war w/o losing his virginity.  “There weren’t any women where I was,” he replies.  “Except nurses- and they were off-limits.”  But if Eugene goes out to in his uniform, he can get any girl, his brother says.  “No, I don’t think I’ll ever wear an uniform again,” Eugene concludes.

Leckie goes home to his parents small house in suburban New Jersey.  He gets his old job (local sports writer) back at the North Bergen County Register (w/ a $7 raise).  While typing away one night, he hears his neighbor Vera coming home from a date.  Bob’s still interested in her, though she never showed interest in him while they were growing up.  He gets into his dress blue uniform and goes over to her house to ask her out (w/ some subtle encouragement from his mother).  When Vera accepts a date for the next night with Bob, the officer gets jealous and drives off in his fancy car.

Bob takes Vera to a nice local restaurant, but he’s nervous.  He can’t keep from looking at her pretty face.  She says “you’re doing fine.”  Vera asks why he wants to spend time with her; Bob replies it’s b/c she’s someone he knows.  “You don’t really know me, Bob,” Vera corrects him with a smile.

What happened to all those letters he wrote to her about the war?  Bob explains that he never sent them. “To be honest, I never thought I’d make it.”  The words were eventually washed away with the rains, but they were “the best stuff I ever wrote,” he says.

Lena goes to Raritan, New Jersey to see the Basilone family for the first time.  Mr. Basilone compliments her in Italian.  John’s brother asks about how she’s doing.  It turns out that Lena won’t get a widow’s pension ($10,000) b/c John forgot to sign the required papers.  But she’s okay with that; she’ll continue working in the Marines.  She presents a box (w/ John’s medal inside) to his father.   Lena and Mrs. Basilone share tears and hugs.

Early one morning, while out with his father, Eugene puts down his hunting rifle and breaks down in tears.  “I’m sorry,” he says.  His father says it’s okay; they don’t have to shoot doves.  He embraces his son, says “You never have to apologize to me, Eugene.”

Eugene doesn’t feel much in a dancing mood when he goes to a party at Sidney’s house.  Sidney understands and gives him space.  When Eugene tries to enroll at a local university, all he gets are inane questions.  He spends time doing nothing for a while.  This worries his mother, but his father understands.  “You don’t know what men like him went through over there.  Just let him be for a while.”

At the end of the ep (last of series), we get to see pics of the real Marines and what happened to them after WWII.  The casting directors did a GREAT job in matching up the actual individuals w/ actors!

Well, I wanted to see this series when I heard Jon Seda (above left) was in it.  His Latin looks (he’s Puerto Rican), easy-going confidence, and charisma were BIG assets in portraying the almost larger-than-life John Basilone.  Another asset- Seda’a ability for subtlety (even when playing men that the audience has preconcieved notions about).  As some critics have commented, Seda actually looks younger and fitter than in his earlier roles!

The character I most identified with was Robert Leckie, played superbly by James Badge Dale.  In real life, Leckie wrote over 40 books- WOW!  Leckie, in my opinion, is the volunteer who has NO CLUE what he’s going into.  When he joins up, it seems like he’s going in for the experience.  He says he wants to write about it.  Also, Leckie doesn’t have a lot of confidence in himself, so he uses humor.  But he’s also a smart, observant, and sensitive guy.

In real life, Eugene Sledge was better known as the soft-spoken biology professor who retired in 1990 from the University of Montevallo.  “He didn’t fit any of the (military) stereotypes,” said one of his sons, John Sledge of Mobile. “He was gentle, scholarly, loved birdwatching.  He didn’t care about golf, football, NASCAR, and watched almost no TV.  He was a great reader who listened to Mozart … and learned the classical guitar.”  -The Birmingham News

The viewer is instantly empathetic towards Eugene (played w/ ease and quiet dignity by former child actor, Joe Mazzello).   Eugene is lanky, baby-faced, sheltered, and has a (potentially deadly) heart murmer.  In a few scenes, it looks like he might crack under pressure.  But he comes through it w/ help from his fellow Marines (who become his friends).

Unlike Band of Brothers, this series focused more time on fewer characters.  It also brought in more personal stuff- family, romance, life after war.  I liked this approach, and wish there had been more personal development in Band of Brothers.  The action in The Pacific seemed more in your face (and scarier), though I think the earlier series had MORE fights.  All the minor characters, including some respected veteran actors, did great.  Watch this series- it’s great TV!

Two GREAT Mamet films

The Spanish Prisoner (1997)

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This film has an air of mystery and tension throughout.  Pay attention to the little moments and the props to figure out all that’s going on!  Joe Ross (Campbell Scott, son of renowed actors Colleen Dewhurst & George C. Scott) is a plain-spoken, well-mannered company man who’s flown down to a (fictional) Caribbean island called St. Estephe.  Why?  Because it’s his reward for  inventing a formula (inside a red leathbound ledger).  This secret formula, his boss Mr. Klein (Ben Gazzara) says, must be safeguarded from the wrong hands.  Joe is glad to have a little vacation (along w/ spending money and posh clothes), but anxious about the promotion/money he has yet to receive for his hard work.

SP 1

In St. Estephe, Joe and his friend/co-worker, a lawyer named George Lang (Ricky Jay), meet a young, pretty and chatty secretary named Susan Ricci (Rebecca Pidgeon, Mamet’s wife and a singer).  Susan has been working on the island (also w/ Mr. Klein’s company) for a month.  Susan is pleasantly surprised by Joe’s gentlemanly ways; she develops a crush on him.

SP 3

Joe also meets a mysterious, suave older man named Jimmy Dell (Steve Martin).  Joe is impressed by Jimmy’s stories, and a promise of friendship when he returns to NYC.  (We sense that Joe has a streak of ambition underneath his unassuming demeanor.)  Jimmy is either a millionaire businessman or a master con man.  Watch to find out!

 

SP 4

David Mamet’s dialogue will sound unnatural if you’re not used to it; his work is meant for the stage.  He’s very good at showing how men talk to and relate to other men.  (Another director who does this well is Barry Levinson.)  The actors Mamet uses are top-notch, even when scenes are a bit too stagey.

 

The Winslow Boy (1999)

TWB_poster

This terrific film (inspired by real events in early 1900s England) reveals deep meaning by being subtle and gentle.  It’s a character-driven family drama with a hint of romance.  It takes us back to a time when a man’s word was taken as truth, even if the man was a young boy (like title character Ronald Winslow).

 

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The Winslows are a comfortable middle-class family in London; they’ve all gathered together before Christmas.  Aging patriarch/banker Arthur Winslow (Nigel Hawthorne) presides over the family with a gentle voice and easygoing nature.  Grace (Jemma Jones) is the sensitive , yet strong, matriarch.

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Oldest child Catherine (close to 30) is a whip smart, independant-minded suffragette.   She’s supported in her cause by the family (unusual for that time).  Cate’s engaged at the start of the film.

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The baby of the family, 13 y.o. Ronnie (Guy Edwards), attends a prestigious boarding school- the Royal Naval Academy.  But he’s hastily expelled for (supposedly) stealing a postal order.   His father believes him when Ronnie declares he’s innocent, and a historic legal battle ensues.

TWB_Sir Robert

The Winslow case is discussed on the street and in the press; public support for the boy is strong.  But the court case goes badly until the family expend their influence/money to hire Sir Robert Morton (Jeremy Northam), the noted lawyer/member of the House of Commons.  He and Cate are attracted to each other from their first meeting, but their politics may keep them apart.  (Sir Robert is a staunch conservative.)

TWB_interest

Sir Robert, a restrained man from a high sphere of society, grows to admire the ordinary family.  Mr. Winslow won’t give up the case, even when his health worsens.  Cate regularly comes to court (the Ladies’ Gallery) to watch the proceedings.  What sacrifices will the Winslows make to support Ronnie?  Will he be found innocent?

NOTE: The DVD I bought has a commentary track w/ Mamet, Pidgeon, Hawthorne, and Northam.  It’s informative and fun!

 

Related Links:

About writer/director/ David Mamet

http://en.wikipedia.org/wiki/David_Mamet

About Campbell Scott (currently on USA’s Royal Pains)

The Campbell Scott Compendium: a fan site

http://cscompanion.tripod.com/

Rebecca Pidgeon’s Official Web Site

 http://www.rebeccapidgeon.com/