Viceroy’s House (2017) starring Hugh Bonneville, Gillian Anderson, Michael Gambon, Simon Callow, Om Puri, Manish Dayal, & Huma Qureshi

SPOILERS: Don’t read this post if you haven’t seen, or don’t want to know, details from this movie (now showing in wide release in the US).

[1] If you saw something similar in a high school world history class it would be interesting and effective. As a theatrical movie it misses the mark.

[2] ...as history, it is inevitably selective. Most glaring is the benign portrait of a compassionate departing colonial power.

[3] It’s interesting to see, but it’s by no means a cinematic masterclass.

[4] What could have been an epic, ends up being too pedestrian. It is this failure in character development which pulls the film down harder than all the other negative factors combined.

[5] A special mention needs to go to Gillian Anderson. Her performance as Lady Mountbatten is wonderful. The received pronunciation was perfect. Her character adds heart, she adds a moral core, to both Lord Mountbatten, and in my eyes, to the film in general.

-Excerpts from reviews on IMDB

I saw this movie (ONLY available in SD- ugh) last night on FIOS On Demand. I had been anticipating it for almost 3 mos, so was VERY excited. (American actor Manish Dayal was posting bits about it on his social media.) I was a big fan of Bend it Like Beckham, British director Gurinder Chadha’s breakout indie hit. I thought her Thanksgiving-themed film (What’s Cooking?) was pretty good. The posters didn’t appeal to me- TOO slick and stereotypical of a historical drama. I liked the trailers that I saw; the high production value was evident (which viewers expect from this caliber of film).

Sadly, Viceroy’s House was NOT what I expected. After it ended, I wondered: “There MUST have been MORE to this film!” It seems edited down (to a mere 1 hr 46 mins); however, it seems longer b/c of it’s plodding nature (at least in the first half). Maybe it needs to be seen on the big screen (for its sheer scope and spectacle)? Or maybe it would’ve been better as a miniseries or movie on HBO (where directors and writers have more creative control)? MANY critics/viewers felt that Hugh Bonneville was miscast as Lord Louis Mountbatten. Hmmm… maybe it’s TOO close to his role as head of Downton Abbey? Gillian Anderson (who plays Lady Edwina) is given some of the best lines in the movie; she does well w/ in her role. (You should check Anderson out in British work, incl. The Fall on Netflix.)

The veteran actors who play Nehru (Tanveer Ghani), Jinnah (Denzil Smith), and Gandhi (Neeraj Kabi) do what they can w/ what they are given. Basically, they sit around and debate w/ the Brits on if and how to divide India and the new Muslim majority nation- Pakistan. Some of you know that Gandhi didn’t want India divided; he imagined a land where ALL religions live together in peace (as before the Brits arrived and used their “divide and conquer” strategy to rule). Some Pakistanis were NOT pleased w/ the portrayal of Jinnah, who comes off as duplicitous.

Michael Gambon plays Gen. Ismay, a cold/intimidating man who doesn’t care what happens to the Indian people. He wants to get the boundaries created ASAP and get back to England. Simon Callow ‘s overwhelmed character, Radcliffe, says that it’s impossible to make these decisions in such a short time frame. Ismay finally shows him a plan from 1945 which already lays out exactly how India and Pakistan should be divided (NOT sure how accurate this is in reality)!

The recently deceased international Indian actor, Om Puri, has a small, yet effective/touching role. (He played Dayal’s father in The Hundred-Foot Journey). In this film, Puri plays Ali Rahim Noor, the blind/elderly father of Aalia (Pakistani actress Huma Qureshi), the Muslim woman who has captured the heart of Dayal’s character, Jeet Kumar. Ali Rahim was a political prisoner in the jail where Jeet worked for 2 yrs as a guard. Now, Jeet is a manservant (alongside his Sikh friend, Duleep Singh) for Mountbatten. As Dayal has said, Jeet represents the Hindu perspective in the film. He is an earnest/optimistic young man who feels that his destiny is to marry Aalia.

One of the servants (among 500+ in the viceroy’s household) who stirs up trouble is Mohsin (Samrat Chakraborti, an American actor/musician whose career I’ve been following since 2005). He also has a crucial role in Midnight’s Children (check Netflix to see if it’s still available). Another pleasant surprise is the original music by A.R. Rahman, an internationally recognized composer. I thought he did a esp. fine job in the last section of the film, when we see large crowds of refugees streaming into the palatial estate.

Related Videos

Two (differing) reviews of the film

BBC interview w/ Chadha (12:16)

BUILD Series interview w/ Chadha & Ghani (34:29)

Advertisements

The Big Sick (2017) starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, & Ray Romano

NOTE: This review contains SPOILERS for the movie (now in wide release).

the-big-sick-poster-2.jpg

The amazing part of this movie is that it deals with deeply serious complex issues, but does so with humor and grace. The screenplay is remarkable and nuanced…

The screenplay for this quirky, clever, and (sometimes) emotional rom com was written by its Pakistani immigrant lead actor (Kumail Nanjiani from Silicon Valley) and his American-born wife (Emily V. Gordon); it is based (partly) on their real-life love story. Emily is played by Zoe Kazan (granddaughter of the famed director, Elia Kazan); her character falls into a coma mid-way through the movie. Kumail’s love of video games and admiration of Hugh Grant (esp. his hairstyle) are noted; he mentioned these points in various interviews. This is NOT the typical rom com (thank goodness!)- it’s a LOT more realistic (“awkward” is a term used in promos), it includes people of color (POC), and is easy to relate to (esp. for second-generation desis and/or Muslims). 

Veteran actors, Holly Hunter (who I really enjoy watching) and Ray Romano (Everybody Loves Raymond) play Emily’s parents, Beth and Terry. Kumail’s father is played by a veteran Bollywood comedian, Anupam Kher, who also played the patriarch on the British film Bend it Like Beckham; he acts in both Hindi and English. Kumail’s friends from the comedy world get rather meaty roles for this genre; they are Aidy Bryant (SNL), Bo Burnham, and Kurt Braunholer. Fans of The Nightly Show with Larry Wilmore may recognize Indian-born model-turned-actress, Shenaz Treasury, who plays Fatima, Kumail’s sister-in-law. 

One may be tempted to say Kumail’s family are the antagonists of the story. This might be true if one is trying to parse out this or that or the other with the characters, but this is over-simplification. They are an obstacle for Kumail, but really his biggest enemy is himself, how he views what his family has put on him, what his own culture has done to his mind, and at the same time reconciling with being a modern American given all the relative opportunities everyone else has. 

In the break-up scene, Kumail declares: “I’m fighting over 1,400 years of tradition! You were just ugly in high school!” after Emily finds the cigar box filled w/ pics of eligible women. Yes, indeed he is fighting something (baggage, anyone?)- he doesn’t believe in Islam (pretends to pray in his parents’ basement), drinks alcohol (a no-no for devout Muslims), and is hiding his relationship from his family (NOT healthy). I think that ALL of us in the desi diaspora have family, friends, or everyday acquaintances who have gone through something like this! Jhumpa Lahiri (who is an Indian-American/Hindu) wrote about some of the same themes in The Namesake; the film (which contains some Bengali language- cool) was quite good also. 

The tonal shifts might seem extreme at first, but they gradually cement a powerful narrative that makes for a lot of laughs, but also becomes bittersweet and endearing without resorting to a hint of sentimentality.

Now, a few of you may have read the criticism re: how “brown women” are portrayed in this film; I scanned over 3 opinion pieces so far. I was worried about this (before I saw it), however, a desi woman could NOT be the lead of this story b/c it was re: Kumail’s life. It’s obvious that Fatima and Naveed, Kumail’s older brother, have a loving relationship (which was arranged). Also, the single women who come to dinner are ALL of different looks and personalities, from a curvy Pakistani sci fi nerd, an American-raised waif (who speaks Urdu), and Khadija (Vela Lovell- who is Caucasian and black in reality). This American actress is part of the ensemble cast on CW’s Crazy Ex-Girlfriend, a quirky comedy where she plays the slacker neighbor of Rebecca, the lead character. In an alternate world, Khadija and Kumail could have worked (as they have some chemistry), BUT he was already deeply in love w/ Emily. Are there stereotypes in this film? Yes, there are some present, BUT there are also subtle touches (where MOST of the characters are humanized).

Sure, there needs to be stories of desis/Muslims getting together, BUT we need artists to write those tales, funds to produce, and an audience which will be receptive to such stories. Remember that NOT all American desis (yes, even those here for decades) approve of dating and “love marriage.” Sometimes the singles (as adults, of course) need to find the inner strength to go after the type of relationship that they want and maintain it, even in times of adversity. Arranged marriage is NOT guaranteed to be a succes, BUT love doesn’t always last forever either. Let’s write our own stories OR support creative types from communities of color (NOT just our own)! Dwelling solely on negativity gets us nowhere. 

Private Mohammed Kahn: Civil War Soldier

Wow, this is an AMAZING (and rare) discovery!

NARAtions

Today’s post comes from Kate Mersiovsky, National Archives Technician

Since I’ve become an archives technician in the Innovation Hub Scanning Room at the National Archives, I’ve seen my fair share of interesting records. Researchers have digitized the pension of presidential widow Lucretia Garfield, the pension of Harriet Tubman, and the Supreme Court cases In Re Gault and U.S. v. Edith Windsor. Recently one of my fellow technicians, Jesse Wilinski, found another unique record- the pension file for Mohammed Kahn, a Muslim soldier who served in the Civil War.

It is rare to find records of Muslim Civil War soldiers in our holdings. So far, Jesse has only encountered two pensions, and historians know of only about 250 Muslim Civil War soldiers in all. This record, therefore, sheds light on a unique perspective that is often overlooked. As a Muslim immigrant serving in a white unit, Kahn…

View original post 530 more words

Master of None (Netflix): Season 2

NOTE: This review contains MILD SPOILERS for the latest season of the streaming comedy series.

Back in my NYC days, I used to hang out often w/ Bangladeshi immigrants (mainly grad students) and Bangladeshi-Americans (singles and couples aged 20 to 40). One young woman my age (raised in a Queens middle-class family) told me that her younger sister was attending college in Japan. Now, this is quite unusual for a female from an immigrant/Muslim/South Asian background. She went to Japan at age 18; she was VERY familiar w/ Japanese culture and nealry fluent in the language, thanks mainly to her best friend/neighbor.

MoN_S2_ansari_fam
Aziz Ansari with his younger brother (Aniz) and parents (Shoukath and Nisha).

As a comedian, I can talk about anything, as long as I make it funny. So it’s pretty cool if I can get people thinking about immigration or feminism or the food industry at my stand- up shows. -Aziz Ansari 

In the second season of Master of None, you’ll find influences from classic Italian cinema, which Aziz Ansari (now 32 y.o.) greatly admires. Some disappointed viewers asked: “Why doesn’t he show India?” or “Why doesn’t he discuss his Indian-ness more?” or something to that regard. The actor/writer/producer is of South Indian/Muslim heritage, BUT was raised in Columbia, South Carolina. I hate to break it to you detractors, BUT one individual can’t show you ALL the sides of being South Asian, Muslim, and/or millennial in the US. (FYI: I know SOME who prefer the term “brown,” BUT I’m not a big fan of that word.) I’m VERY glad (proud even) that Ansari has achieved such a high profile at such a young age; it’s not like he had (conventional) good looks, height, or connections to get him where he is now. Like MANY other desis, he trained (NYU; The Upright Citizens’ Brigade) for several years and worked hard for his success.   

MoN_S2E1_biking
Dev (Aziz Ansari) rides a bike in Modena, Italy in Episode 1: The Thief.

[1] Master of None does not seize the easy way out which lies ahead when it comes to comic relief, cliché plot twists or predictable character development. No, it truly touched me with its ability to pay intense attention to detail. 

[2] The second season is one of the most creative pieces I have seen for a long time. The smooth conversational style and the imaginative expressions relating to daily lives makes it easy to watch. 

[3] I love shows with this kind of humor… It doesn’t try too hard to be funny, it just is. The characters are like my own funny, silly friends! It’s also so refreshing to see a show with a main character being a POC! 

[4] Full disclosure- I’m not only brown, but Tamil, just like Aziz/ Dev, and actually was born in Chennai, so I may be a TAD biased…

…I have never written an online review- ever- but I felt I had to because I have never seen anything like this. Master of None just unassumingly starts like any other modern comedy (with a nice bang!) , but before you know it you are smiling, laughing, and all warm and fuzzy, all the while watching the characters in the show discuss and experience seemingly serious issues like racism, sexism, and modern social life. I think the beautiful thing about this show is that it doesn’t hit you over the head with messages or even try that hard. It’s just funny. The characters are just funny. It’s just natural and real.

-Various IMDB comments (re: S2)

Food is central to this season; the story picks up w/ Dev (Ansari) in small-town Italy making pasta. In Modena, Dev trains with a family, incl. Francesca (Alessandra Mastronardi), w/ whom he has great chemistry, BUT Dev is  single and Francesca has a boyfriend, Pino. In E1, Dev meets a cute British woman traveling alone on his birthday, BUT loses his phone to a thief, so is unable to contact her.

MoN_S2E2_pasta
Dev (Aziz Ansari) feeds Arnold (Eric Wareham) some freshly made pasta.
MoN_S2E2_scooters
Dev (Aziz Ansari) and Arnold (Eric Wareham) ride scooters through the countryside.

Dev’s BFF shows up in E2; Arnold (Eric Wareheim) is going to the wedding of an ex-girlfriend in the lovely countryside. The buddies chat re: dating (incl. a new app Arnold is enthralled w/), eat delicious food, and even get stuck in a VERY narrow alley w/ their rental car. Arnold convinces Dev to go to the wedding, gets angry and emotional, BUT it all works out in the end. 

master-of-none-aziz-religion
Dev (Aziz Ansari) at the BBQ festival with the Tickler’s mascot.

Dev returns home to NYC and we get reintroduced to his (hilarious) father, Ramesh (Shoukath Ansari- Aziz’s father). In the much-discussed E3, his dad and mom (Nisha Ansari- Aziz’s mother) tell Dev that he needs to pretend to be a pious Muslim while an uncle and aunt are visiting. Dev’s love of food clashes w/ the religion he eschews. Dev introduces his younger cousin (played by Ansari’s college-aged cousin, Haris) to pork and they end up going to a famous BBQ festival. What I esp. liked about this ep was that the religious elders were NOT one-dimensional. Sure, they planned to go to Mecca, BUT they were also big basketball fans. Dev (finally) read the Koran that his mom has given him when he went away from home! This ep was co-written by Ansari’s younger brother, Aniz. 

…“Religion” took me away from the Islam I see on TV and back to the Islam I’ve lived my whole life. The episode opens on a mother warning her son to abstain from finishing the bacon he’s holding: “Bacon is pork. We are Muslim. We are not allowed to eat pork,” she warns, adding, “That is our religion.” I can’t tell you how many times I heard this exact same phrase growing up. Pop-Tarts, Jell-O, gummy bears, marshmallows, almost anything at a Korean or Italian restaurant…

-Aymann Ismail (Slate)

MoN_S2E6_movie
A young African immigrant cabbie and Dev (Aziz Ansari) watch Death Castle in Episode 6.

[1] Aziz presents us an episode so unique and incredible, yet barely involves him and his co-stars. It explores in a fantastic and diverse way the city of NYC through perspectives that we don’t take the time to appreciate and understand. The creative use of silence during the deaf portion of the episode was absolutely incredible and has such a powerful meaning.

[2] This was an especially excellent episode, I really loved the way it showed the views of different characters, really made you empathize with them. I really loved the minimalist approach, where you guys let the situations speak for themselves and did not overdo it at all. Achieved levels of empathy I have not seen in many other TV shows/movies.

-IMDB comments (re: S2, E6)

E6 is titled (like the 2008 film)- New York, I Love You. The film Death Castle is based on a rejected script written by Nicolas Cage, who also played the imaginary lead role. This is Ansari’s love letter to working-class immigrants and POCs (incl. a young deaf woman). If you loved this ep, check out the HBO film Everyday People.

MoN_S2_angelabassett
Episode 8: Thanksgiving is a must-see!

E8 is probably the crowning jewel of this season; it features a Hollywood titan (Angela Bassett) and a prolific comic/character actress (Kym Whitley). Much of Denise’s coming out story came from actress Lena Waithe’s real life; she co-wrote this ep w/ Ansari.  Do the Right Thing (1989) is the Spike Lee movie that Dev, Denise, and Nikki are watching during Thanksgiving 2016.  It features the scene where police kill Radio Raheem, paralleling their dinner conversation about Sandra Bland and Sureshbhai Patel.

MoN_S2_francesca_dev.png
Francesca (Alessandra Mastronardi) and Dev (Aziz Ansari) on a NYC rooftop.

…even though Dev is a adult in his late 20s, this feels more or less like a high school girl next door crush. She is sweet, charming, beautiful and you guys have awesome chemistry together and you enjoy each others company, BUT… she is NOT available. -A viewer’s thoughts on Dev’s relationship w/ Francesca (the main love interest in S2)

The ladies Dev dates (thanks to a Tinder-like app) in E4 (First Date) are ALL different/interesting/unique! They include gorgeous Condola Rashad (daughter of Ahmad and Phylicia), quirky ramen blogger Stephanie (VA-raised comic Aparna Nancherla), and adorable/straight-laced lawyer, Priya (Tiya Sircar). These are ALL women of color who are coming up in Hollywood- VERY cool to see. Check out this show for yourself ASAP! 

2017 Washington Jewish Film Festival: In Between

in_between_still_1_h_2016.jpg
It is the time now for women to come and speak up. Until now, we were listening to men, and they were the ones to run everything. -Maysaloun Hamoud (writer/director)

Arab-Israelis make up about 20 percent of Israel’s citizenry. They share the same ethnicity, language, and culture of Palestinians in the West Bank and Gaza Strip; many identify as Palestinians rather than Israeli. This film (written and directed by 35 y.o. Maysaloun Hamoud- pictured below) tells the story of three 20-ish Arab women (two Muslim and one Christian) who have left their hometowns to work/study in Tel Aviv. They find themselves stuck between traditional Arab society (which values modesty, virginity, arranged marriage) and a more open/Westernized Israeli society (w/ dating, alcohol, drugs).

In Between_dir.jpg

Laila (Mouna Hawa) is an attorney sharing an apt. w/ close friend, Salma (Sana Jammeieh). Into their world enters Noor (Shaden Kanboura), a hijabi Computer Science major who is prepping for finals. We can see that the pals are dismayed to be stuck w/ this new roomie. Though Noor is religious, she is NOT judgmental re: Laila and Salma’s smoking, drinking, and parties w/ a diverse group of friends. She focuses on studying and keeping in touch with her fiance, Wissam. She cooks for him when he comes over to her new place. Wissam keeps pressuring her to move up the date of their wedding. He does NOT approve of her new building or roomies (who slowly become her friends). 

Laila (who loves to flirt) starts seriously dating a man, Ziad, who had his eye on her from a wedding they both attended. Ziad is VERY attracted to Laila, particularly b/c she is an uninhibited/beautiful/strong woman. Salma quits her restaurant job, after she and a fellow Palestinian coworker are yelled at by their (Israeli) boss for joking around (in Arabic) in the kitchen. She also has to deal w/ dinners set-up by her wealthy parents to introduce her to single men. 

In_Between_18-860

 

[1] …the movie is also very much about sisters doing it for themselves. There’s an automatic solidarity whereby women– at least young women of similar ages– are all automatically soulmates; and men, it almost goes without saying, are swine. Despite those stereotypes, the movie holds interest by virtue of believable acting and believable situations. 

[2] The three women characters were believable, warm, expressing solidarity to each other despite their very different personalities and lifestyles. The theme of personal conflicts between tradition and modernity is not new. What makes this film different is that the issues are very real and current and those outside the tradition don’t see it. 

-Excerpts from IMDB reviews