Hostiles (2017) starring Christian Bale, Rosamund Pike, & Wes Studi

The quietest moments of his [writer/director Scott Cooper’s] movie are often the best. Wow, Majors, what a find! He had the ability to command the screen w/o showboating. -Grace Randolph (Beyond the Trailer)

It has everything I want in my modern revisionist westerns. It’s slow-paced and quiet, beautifully filmed, uses realistic graphic violence and is extremely sad from the opening scene to the end credits. -Kellen Quigly (YouTube)

This is a movie is about PTSD in the Old West. It’s about the harshness of war. Captain Joe Blocker is introduced as a man who represses any feeling that isn’t hatred, guilt, grief or wrath. War has tortured his soul and landed him in a pit, and for a long time, instead climbing out, he just continued to dig the hole deeper and deeper… -Mark Mirabella (YouTube)

Synopsis: In 1892, after almost 20 yrs of fighting the Cheyenne, Apache, and Comanche natives, US Cavalry Captain, Joseph Blocker (Christian Bale), is ordered by his superior, Col. Biggs (Stephen Lang), to escort an elderly/ailing Cheyenne chief, Yellow Hawk (Wes Studi)- the man he MOST despises- and his family from New Mexico to the chief’s ancestral home in Montana (Valley of the Bears). Joseph’s unwelcome assignment is complicated when a grieving widow, Rosalee Quaid (Rosamund Pike), joins his band of soldiers and travelers. Then, an aggressive pack of Comanches attack and other dangerous events occur. On a path filled w/ hostiles, can this soldier complete his final duty w/ his life (and mind) intact? 

Director Scott Cooper, who was at the helm of 2009’s Crazy Heart starring Jeff Bridges and Maggie Gyllenhaalseems VERY comfortable w/ the Western genre. This film (which I missed seeing in theaters late last Fall) contains MANY beautiful wide shots of landscapes. Cooper’s characters are much more complicated than what you’d find in a typical (think John Ford/John Wayne) Western. Though it’s well-made, it can seem slow and (according to some critics)- a BIT self-indulgent. I feel that about 10-15 mins could’ve been edited out. The themes here are quite dark, so if you’re looking for an escape, this is NOT the film for you! From the first scene of Hostiles, viewers know that things are going to get real. 

The performances of the ensemble of actors is the main reason to see this film, along w/ its dialogue (some of which is quite deep and unexpected). Rosalee, though she suffered so much and is racked w/ grief, still held to her faith in God (as she explains to Blocker in a quietly effective scene). I thought Pike (as usual) did VERY well w/ her role; Rosalee  grew and changed over the month-long journey. Traveling w/ the Indians, she came to see them as real people, NOT merely savages to be feared. I was pleasantly surprised by how well a bearded Rory Cochrane (Blocker’s oldest friend- Master Sgt. Thomas Mertz) portrayed a depressed soldier. He often drinks heavily, suffers from PTSD (as does Blocker), and feels that life is NOT worth living anymore. A grad from West Point, played by up-and-comer Jesse Plemons (Lt. Rudy Kidder), is articulate, capable, BUT maybe too kind-hearted for his own good. There are a few light moments involving Timothee Chalamet (Philippe DeJardin, a French immigrant turned Army private); his role is VERY minor. The standout soldier (and actor) is newcomer Jonathan Majors (Corp. Henry Woodson- a strong/loyal/religious African-American who has served yrs under Blocker). Majors has that X factor; the viewer’s eye is drawn to him even when he’s NOT saying anything. He gets to have one of the best scenes in the 3rd (final) act opposite Bale.

On this journey, we also meet Ben Foster (disgraced soldier/murderer Philip Wills); he and Blocker served together yrs ago. Wills (wearing chains and stripped of his rank) ran away from his post and brutally killed several innocent people. At a small town, Lt. Col. McCowan (Peter Mullan) asks Blocker to escort Wills to a fort for his punishment (hanging), and Blocker quickly agrees. It’s obvious that Blocker feels contempt for Wills, BUT the prisoner is quick to point out that they’re BOTH killers, and the roles could be easily reversed. Foster (a quite gifted actor) should’ve gotten some more to do. There is a volatility and sense of unease which he creates w/ Wills.

The native actors, incl. Canadian Adam Beach (who has appeared on many films/TV shows) and Q’orianka Kilcher (The New World- also co-starring Bale), don’t have a LOT of dialogue, BUT are portrayed in a realistic/sympathetic manner. Studi (who is a film/TV vet) has a kind of solemnity, strength, and can also be vulnerable. He has come a long way from the villainous/warrior Magua viewers loved to hate (The Last of the Mohicans). This tale is (mainly) about the personal journey of one white man- Blocker- who comes to see the natives as fellow humans.

The film rests on Bale’s (always capable) broad shoulders, and he doesn’t disappoint. He even learned some of the Cheyenne language, which he speaks w/Studi (who I wished had been a BIT more developed). MANY of us have watched Bale grow-up onscreen; he has evolved from a slim/fresh-faced/wide-eyed teen to a muscular/middle-aged/powerhouse actor. For his portrayal of Blocker, Bale has tapped into his dark side; there is anger, resentment, hate, worry, and (in time) empathy and kindness on his face. Rosalee (w/ whom he forms a connection) is a catalyst for change in his life, as is the suicide of Mertz. I thought that Blocker’s change of heart was TOO abrupt, BUT this film is worth a watch. 

Spoiler-Free Review: “BlacKkKlansman” (2018)

It’s relevant. It’s not a relic of the past. This is happening today. -Spike Lee re: the racism shown in his latest film

No film has channeled the hateful pulse of our moment… -Variety magazine (@Variety)

I thought it was one of Spike Lee’s most cogent films. I also thought it was the film with the most white gaze ever, and that’s not a complaint. -Monique Jones (@moniqueblognet)

There’s a moment… where Ron Stallworth, the protagonist, says we could never have a President like David Duke. It hits you like a ton of bricks because we now have something even worse: a President who thinks like Duke, only he camouflages it more effectively. -Adam Best (@adamcbest)

I’m a pretty big fan of Spike Lee; he has made some of my favorite (and also arguably, most socially relevant) films of the past three decades. As fans/critics have noted, his films ignore or minimize the “white gaze,” meaning characters behave as themselves, not responding only to “mainstream” American society. Since this is a based-on-real-events movie, his style is more subdued (though there are interesting touches that we’ve come to expect). The music (composed by Terence Blanchard) is very well-suited to the events and tone of the film. It deals w/ quite serious topics, yet has pops of (dark) humor that my audience really enjoyed. 

“We have to support Denzel’s son,” I emailed to my gal pal (a few days before we went to see this movie on opening weekend). John David (who plays Ron Stallworth, the first black policeman in Colorado Springs) speaks and moves like Denzel, yet has the face of  his mother, Pauletta. J.D. (as he is known) is 33 y.o. and a former NFL player who appeared on HBO’s Ballers. There is something fresh, wide-eyed (naive), yet also confident in his performance. He gets some really cool outfits as his “street clothes;” it’s the late ’70s after all. 

Adam Driver (now 35 y.o.) -wow, can I say about this talent!? After this role- I’m becoming a fan! The former Marine gives a very strong, yet subtle performance as Flip (Ron’s more experienced/skeptical undercover partner). In time, Flip comes to terms w/ his identity. I need to watch more of Driver’s indie films on Netflix. No offense to Star Wars fans, BUT franchises don’t give actors much room to stretch.

Topher Grace, who plays a young David Duke, had a tough time getting into the mindset of such a hateful man. The important thing to remember re: Duke is that he sought to change the image of the KKK- make it more mainstream. He was polite, well-spoken, usually wore suits and- eventually- reached a high level of politics. The other members of “The Organization” were a mixed bag, ranging from a low IQ hillbilly to gun nut, and a relaxed/friendly guy (who wants to grow local membership). One man’s wife yearns to play a bigger role to support the cause, so white women aren’t solely victims in this movie.

Corey Hawkins, an up and coming actor from this (DC) area, has a great speech near the start of the film. I’m excited also to see what he does next! Ron’s love interest, President of the Black Student Union at a local university, Patrice (Laura Harrier), also did a fine job. Some critics of Lee have (rightly) commented on his not-so-fully developed women characters in the past. He has addressed the (touchy, yet serious) topic, explaining how having matured (nearly 30 yrs in film-making)  and becoming a husband and father have helped w/ this issue. 

Fans of TV cop dramas will be in for an extra treat. Robert John Burke (Law & Order: SVU) plays the head of the Intelligence Division. Frederick Weller (In Plain Sight) plays a patrolman. Nicholas Turturro (NYPD Blue) has a brief, yet crucial role; his older brother (John) is a mainstay in many Spike Lee films. There are more surprises in this film- don’t want to give too much away.

The Post (2017) starring Tom Hanks & Meryl Streep

WARNING: This review contains MILD SPOILERS for the film.

When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government’s deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband’s business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post’s plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America’s democratic ideals in the balance. -IMDB summary

This tightly edited/well-acted historical drama (directed by Spielberg) is a MUST-SEE for our (politically troubled) times! Spielberg wanted to have his film released as quickly as possible given the parallels between its theme and the burgeoning political “fake news” climate in the U.S. According to Streep, the physical shoot started in May 2017 and finished at the end of July and Spielberg had it cut two weeks later. The film went from script to final cut in a modest 9 mos.

Tom Hanks (WaPo editor Ben Bradlee) and Meryl Streep (newspaper owner Katharine Graham) are the main draws here, BUT there are also chances for (younger/less famous) actors to shine. You will some fine moments featuring Matthew Rhys (Daniel Ellsberg), Alison Brie (star of GLOW), Jessie Plemons (most recently on Black Mirror), and Sarah Paulson (who plays the supportive wife of Bradlee). As I heard on NPR, this movie doesn’t get into the fact that Bradlee actually had 3 marriages which were far from ideal.  

At times, Graham is unsure of what steps to take w/ regards to the future of her paper (which was losing money). She is a woman in a man’s world, who didn’t have to work until she suddenly became a widow in middle-age. Her trusted ally is her long-time attorney, Fritz Beebe (actor/writer Tracy Letts); he is a male ally (though they wouldn’t have used this term in the late ’60s). Beebe helps Graham stands up to Arthur Parsons (Bradley Whitford), who thinks she’s NOT the right person to head the paper.

Can journos be friends w/ politicians? Hmmm, it’s NOT such a good idea, as BOTH Bradlee and Graham come to realize. Bradlee knows that he was TOO close to the Kennedys (personally), so got the kinds of access that other newsmen wouldn’t have. Graham’s long-time friendship w/ former Secretary of State Robert McNamara (Bruce Greenwood) is tested, BUT she doesn’t let him intimidate her into being silent. Ben Bagdikian (Bod Odenkirk) provides some of the humor in the movie; he is a dogged senior reporter who tracks down Ellsberg.

 

Star Trek: Discovery (Episode 11) – “The Wolf Inside”

WARNING: This review contains SPOILERS for the most recent episode of the sci-fi series streaming on CBS All Access. 

We are still in the Mirror Universe, where the black/gold uniforms are FAB, killing your fellow Terran officers is commonplace, and Saru’s race are kept as nameless slaves. Capt. Lorca is able to withstand torture and STILL keep it together. Here the Klingons, Vulcans, and few other races (who get new looks) are the resistance, fighting against the Terran Empire. This ep starts out a BIT slow w/ a voiceover from Michael Burnham, who is complaining re: how she has to struggle to get through the days. We see her and Tyler cuddling and talking together; he refers to her as his “tether.” What did you think about this? Was Tyler being TOO needy? Or is this a sensitive and romantic thing to say? 

Sarek is called a “prophet” by the rebels, which includes Voq (called “the Fire Wolf”). As Sarek (who has a goatee a la Spock in the TOS Mirror Universe) does the mind meld w/ Burnham, we see him become fascinated w/ the alternate world he glimpses. He declares that Burnham means no harm. When Tyler sees Voq, he gets flashes back to his past, then attacks Voq w/ no provocation. Voq wonders how Tyler knows the “forgotten tongue” of his people (the Klingons). This fight isn’t that well done; it also comes off as awkward and no one intervenes to assist Voq.

As MANY of us knew, the albino Klingon warrior, Voq, and the human, Lt. Ash Tyler, are the SAME person! Actor Shazad Latif played BOTH parts, too, as others suspected. (Latif ‘s middle name is “Javid” and the actor recently explained that “Iqbal” is his  Pakistani father’s first name). I thought Latif did VERY well in this ep, incl. w/ the Klingon language (which a linguist on Facebook noted has sounds found in Arabic and Urdu, the main language of Pakistan). 

What did you think of Tyler’s big reveal to Burnham? I was really hoping for more! I was expecting her to kill, or at least shoot, Tyler/Voq right away. After all, he was acting ;ike he loved her. I liked how Latif was able to do the quick, yet subtle, shift from Tyler to Voq at various points in this ep. 

The final reveal- Michele Yeoh is back (YAY)- was rather unexpected! It turns out that the mysterious “Emperor” looks exactly like Capt. Georgiou. How will this affect Burnham (who saw her first captain as a a VERY close friend/mentor)? This show keeps on getting better and better! 

Christian Bale (& co-stars) discuss new movie: Hostiles

Set in 1892, Hostiles tells the story of a legendary Army Captain (Christian Bale), who after stern resistance, reluctantly agrees to escort a dying Cheyenne war chief (Wes Studi) and his family back to tribal lands. Making the harrowing and perilous journey from Fort Berringer, an isolated Army outpost in New Mexico, to the grasslands of Montana, the former rivals encounter a young widow (Rosamund Pike), whose family was murdered on the plains. Together, they must join forces to overcome the punishing landscape, hostile Comanche and vicious outliers that they encounter along the way. -Synopsis for the film

This “revisionist” Western film is written/directed by Scott Cooper (Crazy Heart). The cast includes Academy-Award winner Bale and nominee- Pike (also a Brit). Veteran character actor  Studi (who is of Navajo heritage); you may know him as the imposing antagonist, Magua, on The Last of the Mohicans. The supporting cast includes Stephen Lang, Rory Cochrane, Ben Foster (Hell or High Water), Adam Beach (who is Canadian from the Ojibwa nation; co-starred on SVU), Q’orianka Kilcher (Bale’s co-star on The New World) and up-and-comer Timothee Chalamet (currently on big screens in Call Me By Your Name and Lady Bird). 

Official trailer for the movie:

 

Some of the cast and director talk re: the film at TIFF:

 

Christian Bale on CBS This Morning:

 

Bale, Rosamund Pike, & Wes Studi on BUILD (a live interview series in NYC):  

 

A relaxed, in-depth interview (shot in LA) w/ DP30: The Oral History of Hollywood: