Mission Impossible: Rogue Nation (NOW PLAYING)

NOTE: This is a SPOILER-FREE review.

I went to see this action film b/c it was FREE (w/ my movie Meetup)!  LOL… I’m NOT a big fan of Tom Cruise, BUT I don’t loathe him (like SO many out there).  I was (pleasantly) surprised that I had a GOOD time; the same goes for the ladies in my group (we’re ALL female, BTW).

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Tom Cruise and Rebecca Ferguson star in “Mission Impossible: Rogue Nation.”

I was esp. glad to see a strong female counterpoint to Cruise in the form of Swedish actress Rebecca Ferguson (who plays a Brit).  Yes, she’s a beautiful lady, BUT she is also tall, muscular/solid build, and does some AWESOME stunts!  Is her character a good spy or a baddie?  It takes a BIT of time for that to be revealed. She and Cruise have TERRIFIC onscreen chemistry.  FYI: This is her FIRST big movie role.

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Actress Rebecca Ferguson at a premiere for the film.

As for the men, I liked Simon Pegg’s computer expert character- he provided a LOT of the humor.  Jeremy Renner- don’t know WHY this guy keeps getting cast in big movies!?  The poor guy just has NO screen presence; forget about ever being a leading man.  Ving Rhames is underused, as is Alec Baldwin (looking good, as always).  Baldwin has one of the funniest lines in the film though.

The soundtrack is one of the BEST things about this movie; one (well-known) piece of opera is woven throughout a pivotal scene.  Also, everyone likes hearing the MI theme song, right?

Check out The Super Fantastic Nerd Hour podcast (Episode 72) if you’ve seen this film and want to hear an in-depth review.

Actors Gabrielle Union & Denis O’Hare: Redefining Family

The black community in Hollywood is very small and close-knit. We watch each others’ scenes. There is a natural chemistry. You can’t have a crazy diva…  -Gabrielle Union

Getting married was a political act because so many people fought so hard for it. Also, every time I say the word “husband” and somebody flinches, I am helping to teach society this is the way it will be. This is the way it is.  -Denis O’Hare

Two Films from The Washington Jewish Film Festival

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Apples from The Desert

This is a coming-of-age story (one in a shory story collection- Apples from the Desert by Sayvon Leibrecht) about Rachel, a 19 y.o. ultra-Orthodox Jewish girl, who lives in Jerusalem w/ her parents.  Unlike most families in their community, she’s the only child of her parents.  Rachel yearns for a different life than the one of her housewife mother.  Rachel’s unmarried aunt lives down the street, w/ her cat, and seems content to be single/celibate.  We learn from her father that people in the community still whisper about the time Rachel drank bleach (in an attempt to kill herself). 

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At a community center, Rachel watches young secular men and women doing folk dances.  This is forbidden in her sect, of course.  She eventually gets the courage to joins the class, taking some time off from her job.  A red-headed college boy in this class tells her about his life on a kibbutz, and they develop a friendship.  Her father, worried about Rachel’s changing attitude and future, plans a different future.  Her mother sees that she’s unhappy, but fears losing her only child to the world.

The Dove Flyer (AKA Farewell to Baghdad)

The Dove Flyer

This film (based on the novel by Eli Amir) tells the story of the last years of the Jewish community in Baghdad, Iraq, before their expulsion in 1950 and settlement in Israel. The teen narrator, Kabi, watches as the members of his extended family each develop different dreams/fears: his father wants to emigrate to the promised land, his uncle Hizkel (a Zionist) is suddenly arrested; his Muslim teacher, Salim, believes in the equality of Arabs and Jews; and his other uncle just wants to raise his doves.  World War II draws closer, houses are ceased, Jews are beaten in the streets and hung in public.  Kabi is watchful of Hizkel’s spirited young wife, who turns heads w/ her blonde hair, blue eyes, and revealing dresses. 

Trailer:

 

From the Terrace (1960) starring Paul Newman & Joanne Woodward

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Alcoholism, dysfunctional families, romance, infidelity (w/ its gendered double-standards), and America’s obsession w/ money and power are  the main themes in this (ahead of it’s time) melodrama.  I watched it last night (on Netflix); of course, Paul Newman and Joanne Woodward (who were married for 2 years at that time) were the draw.  Wow, if you want to see some HOT onscreen chemistry, check out their scenes together (first half of the film)!  As for Newman, he’s the definition of Hollywood’s total package (looks, presence, talent, the ability to be both humorous and serious, etc.) 

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In 1946, Aflred Eaton (Newman) returns to suburban Philly after serving in the Navy (WWII) to the loving arms of… his household staff.  His parents checked out long ago.  His father (Leon James) puts all his heart into his steel mill and mourning someone who will never return.  His mother (Myrna Loy) has turned to alcohol and another man.  A private nurse lives with her- a great shock to Alfred.  As his best pal, Alex Porter (a young and dapper George Grizzard), says he “needs to get out of that house” and their expectations.  Like many young folks, Alfred heads to NYC.

In a few months time, Alfred falls in love with Mary St. John (platinum-haired Woodward), a blue blood from Delaware.  She is engaged to another man and her parents would not approve of Alfred’s “qualifications,” Alex quickly explains.  “There are all types of qualifications,” Alfred slyly retorts.  After winning Mary’s hand, he starts working with Alex on designing/selling small planes on Long Island, but grows tired of being left out of the decision-making.  (The business was financed by the Porter family.)  An accident of chance propels Alfred into the society, then business, of one of the wealthiest financiers on the East Coast.  Alfred throws himself into his work, repeating his father’s mistake, and neglects Mary (not content to sit at home alone in their fancy Manhattan apartment).