Tag: Marraige

“Born to Kill” starring Lawrence Tierney, Claire Trevor, & Walter Slezak

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THE COLDEST KILLER A WOMAN EVER LOVED! -A tagline from the original poster

In Reno, Sam Wilde (Lawrence Tierney) kills Laury Palmer (Isabel Jewell), a young woman he’d recently dated and her L/T bf, Danny (Tony Barrett). It may NOT be the 1st time that he has murdered- yikes! Sam’s friend/roomie- Marty Waterman (Elisha Cook, Jr.)- chides him for his hasty behavior; he also reveals that last Sam had a “crack-up” last Summer. Helen Brent (Claire Trevor), a woman whose divorce has just come through, finds the dead bodies. She decides NOT to call the cops and become involved. The next day, Sam and Helen meet on the train to San Fran, unaware of the (deadly) link btwn them.

Marty [to Sam]: You can’t just go around killin’ people whenever the notion strikes you. It’s not feasible.

This film noir (considered one of the MOST brutal of the genre) resulted in a loss of $243,000 (over $2.78M in 2020) for RKO Studios. According to The Hollywood Reporter, Tallulah Bankhead was 1st considered for the role of Helen that went to Trevor. French film maker, Jean-Pierre Melville, late said that he was influenced by this movie. The story starts out slow, as we meet Helen, Mrs. Kraft (Esther Howard- playing a boozy/older landlady), and Laury (a talkative young woman who lives next door). Mrs. Kraft (who is a widow) delights in the stories Laury tells re: her dating life.

Laury [describing the man she recently met]: Well, this big across the shoulders. He moved my trunk around the other day like it was a cracker box. He’s the quiet sort. And yet you get the feeling if you stepped out of line he’d kick your teeth down your throat.

Mrs. Kraft: Why, ain’t that wonderful?

Laury: Sure is.

As Eddie Muller commented, this movie has some great supporting characters. Mrs. Kraft can be funny, though she is also a brave/loyal friend to Laury (even after she is gone). Marty will do anything to help Sam, though he projects a humble/harmless persona. Mr. Arnett (Victor Slezak), the private detective hired by Mrs. Kraft, is BOTH jovial and a shameless opportunist.

Delivery Boy: My, that coffee smells good. Ain’t it funny how coffee never tastes as good as it smells.

Mr. Arnett: As you grow older, you’ll discover that life is very much like coffee: the aroma is always better than the actuality. May that be your thought for the day.

“This is the rare film noir that has a femme fatale and a homme fatale,” Muller noted. Trevor (already an Oscar winner) is compelling as a graceful, worldly, and (above all) cold-hearted woman. Helen wants money, as her adopted/younger sister- Georgia (Audrey Long)- is the one who inherited everything from their father. Of course, Georgia is happy to share, BUT Helen isn’t satisfied w/ her paying the bills. Though Helen is engaged to a wealthy man from her social circle, Fred (Phillip Terry), she is V attracted to Sam. Even after she learns he is a killer, Helen still wants to be w/ Sam- yikes!

Helen: [to Sam] You’re strength, excitement, and depravity!

Muller explained that Tierney (6’1″tall w/ a square jaw, intense eyes, and deep voice) was “a real-life tough guy” who was known for his drinking and public brawling. Yup, he was arrested several times! Tierney’s younger brother also became an actor; Scott Brady (V conventionally handsome) changed his last name when he got to Hollywood. Tierney and Cook, Jr. were best pals IRL, too (as in this movie). Some viewers commented that Sam doesn’t have the charm (which is usually expected from a leading man). There is NO doubt that Tierney has something that one can’t teach- screen presence. Somehow, he managed to have a long career; he appeared in Tarantino’s Reservoir Dogs. Muller (who met Tierney in this later years) said that “he’s NOT acting” in this role- LOL!

[1] Tierney’s intense character, his hot temper and insane paranoid jealousy are, well, fun to watch once you get to like this actor and his tough-guy roles. Tierney, in this film, would kill over the slightest thing that would suggest to him that he might be getting double crossed. Talk about a guy with mental problems!

Trevor was effective as the immoral woman who cared for money first, and everything else a distant second.

[2] Marty Waterman (Elisha Cook Jr.) has a strange friendship with Sam and the fact that they share a double bed in the low-budget hotel may give a hint that they have a homosexual relationship.

[3] It isn’t a surprise that a good script and some talented actors are put together with such smart, fast panache by a young Robert Wise, more famous for West Side Story and Sound of Music. It ends up taking some astonishing twists, and some liberties with location shooting that are fabulous for 1947.

-Excerpts from IMDb reviews

“Whirlpool” (1949) starring Richard Conte, Gene Tierney, Jose Ferrer, & Charles Bickford

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Tomorrow she will know what she did tonight! -A tagline (on the movie poster)

Ann Sutton (Gene Tierney), the wife of a well-known psychoanalyst, Dr. William Sutton (Richard Conte), falls prey to a smooth-talking hypnotist, David Korvo (Jose Ferrer), when he discovers she’s a shoplifter. Ann is V ashamed and refuses to reveal her problem (“kleptomania”) to her husband, BUT thinks Korvo may be able to help her out. What are this man’s true intentions? Soon, one of Korvo’s former patients, Teresa Randolph (Barbara O’Neill)- now being treated by Dr. Sutton- is found murdered. When police find Ann at the scene of the crime, suspicion points her way! The man in charge of the case is Lt. James Colton (Charles Bickford), a grizzled cop and recent widower.

David Korvo: You were wise not to tell your husband, Mrs. Sutton. A successful marriage is usually based on what a husband and wife don’t know about each other.

This movie was directed by Otto Preminger, known for his talent and also V difficult personality. However, there is no doubt that he could get fine performances from actors (though his style was NOT pleasant). I think Preminger used close-ups well to build tension in this movie. The screenplay was written by Ben Hecht and Andrew Solt; it was adapted from the novel Methinks the Lady by Guy Endore. The cinematography was by Arthur C. Miller. The music was composed by David Raksin (a protege of Alfred Newman). Noir-istas MAY have noticed, as in the movie Laura (also directed by Preminger/starring Tierney), some of the same works of art appear as here (a standing Buddha and a collection of masks).

Some viewers commented that though the script was weak, the acting was good. Tierney (as always) looks beautiful, acts graceful, and has a sophisticated air. Conte does well, though this isn’t the type of (intense/exciting) role he usually plays; you’ll hear his New York slip out sometimes. I liked the scene where William confronted Korvo in the hospital; we see anger mixed w/ sadness (suppressed tears) in Conte’s eyes. Director Elia Kazan and actor John Garfield “discovered” Conte while he was working at a resort in the Catskills (frequented by members of The Group Theater). They saw his potential and encouraged him to study acting.

Jose Ferrer (no relation to actor Mel Ferrer) was a Puerto Rican actor/director; he won the Best Actor Oscar for playing the title role in Cyrano de Bergerac (1950). He was the 1st Puerto Rican actor to win an Academy Award, and also the 1st Hispanic actor to do so. Ferrer was married for many yrs to singer/actress Rosemary Clooney (aunt of George). Like many of his era, Ferrer came from the theater; he appeared in many Broadway plays (most notably as Iago in Othello: 1943-1944). Here he plays another compelling villain; Korvo navigates high society w/ charm/manners (but is dangerous to know). Who doesn’t like (or like watching) a “bad boy?”

[1] …Preminger’s movie is a compelling little piece of cinema. The central theme of hypnosis as a weapon gives the film a dark edge and Preminger nicely portrays a world containing sympathetically flawed characters.

[2] There’s a lot of pop psychology hokum floating around in the story, which needn’t be gone into, except to say that hypnosis is a curious altered state of consciousness that isn’t well understood at all. Some people are good subjects and some not. The good ones are really good. […] Sometimes, with some people, it really WORKS. I’m not so sure about self hypnosis though. We’ll know more, I guess, in another generation or so.

The surprises are real enough and the story is engaging. Ferrer stands out as the heavy, Tierney with her little girl voice doesn’t have to do much, and Richard Conte as the psychoanalyst is stolid, which is what the role calls for. Worth seeing.

-Excerpts from IMDb reviews

“You Belong to Me” (1941) starring Barbara Stanwyck & Henry Fonda

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A JOYOUS REUNION OF THE STARS OF “THE LADY EVE” -Tag line on original movie poster

A young general practitioner, Dr. Helen Hunt (Barbara Stanwyck), meets a millionaire/playboy, Peter Kirk (Henry Fonda) when he crashes at her feet during her vacay at a California ski resort. He insists ONLY she can treat his (minor) injuries; it’s obvious he has a crush on her. After knowing each other for a few days, Peter suddenly proposes marriage- Helen accepts! They marry and settle in his (huge) estate somewhere in LA. On their wedding night, Helen is called away on a medical emergency. When she returns, Peter has fallen asleep. Soon, Peter becomes jealous of her career, getting into physical altercations w/ two male patients (yikes)!

Peter: Are there many lady doctors?

Helen: A few.

Peter: As beautiful as you?

Helen: No doubt.

Peter: The time I’ve wasted being well.

There are (serious) underlying themes in this movie. Remember that this was a time (here in the US) when women (who could afford it) quit their jobs immediately after they got married. Professional women (incl. doctors) made up a small percentage of the workplace. Fonda and Stanwyck make a believable couple, as they have (obvious) romantic chemistry. Stanwyck had great comic timing; Fonda was good at using his physicality for humor. There are some close-up shots of both actors that are gorgeous. Peter is no doubt “problematic” (as the young’uns say today); he goes from sweet/chill to irrational/jealous! As one astute viewer commented: “The Stanwyck character would’ve dumped this guy in 24 hrs in real life.”

The script has some snappy dialogue, as well as a few fine scenes for the supportive players. Billings (Edgar Buchanan) is the grumpy gardener who offers down-to-earth advice to Peter. Moody (Melville Cooper) is the stuffy butler full of sly comments for the entire household. Ella (Maude Eburne) is the understanding nurse/secretary to Helen. I learned that a young Lloyd Bridges (uncredited) plays one of the ski patrol (early in the film).

[1] …feminists would probably be aghast at it.

In fact, Barbara Stanwyck herself didn’t like it at all. She liked working with Henry Fonda right enough, but thought this film was ridiculous. As well she should have.

[2] The first portion at the ski lodge and the next did NOT fit well together, nor did the final “Horatio Alger” inspired section…

[3] In a year where Stanwyck was really busy, three out of four films have become classics. One of them had to be a disappointment, and this is it, albeit a minor one. She was a sexy gold-digger (opposite Fonda) in “The Lady Eve,” a sequin-wearing gangster’s moll nightclub entertainer in “Ball of Fire”, and a hard-as-nails reporter in “Meet John Doe.” Those films all have outstanding screenplays, something this one lacks. The comedy moments are infrequent…

-Excerpts from IMDb comments

“Born to Be Bad” (1950) starring Joan Fontaine, Robert Ryan, Zachary Scott, Joan Leslie, & Mel Ferrer

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Baby-faced Savage in a jungle of intrigue! -A tagline for the movie (featured on the poster)

Donna Foster (Joan Leslie), assistant to publisher John Caine, has agreed that his niece/small-town gal, Christabel Caine (Joan Fontaine), can stay in her apt while she attends business school in San Fran. Donna won’t need the place much longer; she and her philanthropist fiance, Curtis Carey (Zachary Scott), will soon be married. Also, Mr. Caine is preparing Christabel for Donna’s current job. While living w/ Donna, Christabel befriends NOT only Donna and Curtis, but two of her artist pals- struggling painter, Gabriel “Gobby” Broome (Mel Ferrer), and aspiring writer, Nick Bradley (Robert Ryan), who lives next door.

Christabel: You don’t care very much for women, do you?

Gobby: My dear girl, apart from painting my major occupation is convincing women’s husbands that I’m harmless.

RKO had originally scheduled this film to be made 2x previously. This film (directed by Nicholas Ray) was shot in 1949, BUT released a year later. Now, I’m NOT a fan of Fontaine (though my mom likes her in certain roles); I prefer her sister (Olivia de Havilland). I decided to watch this b/c it had Ryan (an actor I’ve admired from several fine noir films). Jeff Bridges said that Ryan was his fave actor- wow! Fontaine isn’t a femme fatale, BUT a conniver who projects the persona of a humble, soft-spoken, guile-less woman. As one astute viewer commented: “she’s reminiscent in her way of a non-show biz Eve Harrington” (All About Eve). Unlike Donna (the hard-working career gal), Christabel has zero interest in work; she quits business school (much to her uncle’s disappointment). Just how bad is she though!?

Nick: [to Gobby, as they both look at Gobby’s painting of Christabel] Looks like a cross between Lucrezia Borgia and Peg o’ My Heart. Even with two heads you couldn’t look like this – or do you know something I don’t?

What does this (above) comment mean? I looked up the references. Lucrezia Borgia (1480–1519) was a Spanish-Italian noblewoman of the House of Borgia who was the daughter of Pope Alexander VI and Vannozza dei Cattanei. According to Mandell Creighton in History of the Papacy, “Lucrezia… was personally popular through her beauty and her affability. Her long golden hair, her sweet childish face, her pleasant expression and her graceful ways, seem to have struck all who saw her.” Lucrezia was known for her cunning and became notorious for suspicious deaths and political intrigue in 16th c. Italy. Peg o’ My Heart was a 1933 Pre-Code film adaptation (there are earlier versions also) of a play by J. Hartley Manners. Marion Davies plays a poor/orphan/Irish girl who stands to inherit a fortune from her wealthy English relatives, if she satisfies certain conditions.

Donna: [to Christabel] I can just hear you, being so helpful – and so helpless. Helping to mess up people’s lives for your own selfish purposes. And just about as “helpless” as a wildcat. Somebody should have told the birds and bees about YOU!

The other reason to see this film (aside from Ryan) is the terrific dialogue; the best (and sometimes biting) lines are given to Gobby (the observer) and Nick. This movie was considered controversial; Gobby is (subtly) characterized as gay and there are (obvious) hints at extramarital sex. Ann Parrish wrote the source novel, All Kneeling, which was adapted by Charles Schnee. The screenplay was by Edith Sommar w/ additional dialogue contributed by Robert Soderberg and George Oppenheimer (who had a prolific writing career in movies/TV shows).

Robert Ryan was an actor first, a star second. He could play the good guy. He could play the bad guy. You name it, he could play it. That’s what good acting is all about. -Ernest Borgnine, co-star of Ryan in 3 movies (TCM tribute)

Nick: [to Christabel] You little fake. Don’t you know what you really want? Make up your mind, and make it up now, because I’m a restless guy.

I liked ALL the scenes between Fontaine (about 5’3″ tall w/ slight build) and Ryan (6’4″/former collegiate boxer), though physically they make an unlikely couple. In the “meet cute” in Donna’s kitchen, Nick jokes w/ Christabel, BUT she’s a little intimidated. At Donna’s party later that night, he’s eager to get to know her and puts on the charm, BUT she doesn’t stay by his side too long. Notice how Ryan’s hand totally swallows up Fontaine’s? Some time passes and Christabel (finally) goes to have dinner at Nick’s place. Ryan’s chest is heaving as they talk just before their 1st kiss. As the romance begins to sour, we see the undercurrent of danger emerge from Ryan (perhaps his trademark). Nick is the one man that Christabel can’t fool!

There is nothing exceptional re: the directing, though Nicholas Ray went to work on some big movies. Though it is set in San Fran, we don’t get many exterior shots of the city or its landmarks (too bad). I liked most of dresses worn by Fontaine and Leslie. One viewer commented: “Ray must’ve had a sense of humor,” as BOTH Nick and Curtis tightly hold and kiss Christabel in the same way- LOL! Much is done w/ sly/knowing looks, though a few viewers commented that they found Fontaine “campy.” The story moved along at a good pace. I got a big kick out of seeing Ryan in domestic settings, being a friend, and esp. – a love interest. Though he gets to play romance in Clash by Night (1952), Nick here is a more fun/intelligent/sophisticated character. However, the romance (w/ Stanwyck) is darker/hotter in the other film. There was another ending shot by Ray for this movie, but the studio rejected it based on moral grounds. You can rent this movie on Amazon Prime.

“Daughters Courageous” (1939) starring John Garfield & Claude Rains

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As they have done for many summers, San Fran-based fashion designer, Nan Masters (Fay Bainter), her 4 single/young adult daughters, Cora (Gale Page), Tinka (Rosemary Lane), Linda (Lola Lane), and Buff (Priscilla Lane), and their long-time/sassy/elderly housekeeper, Penny (May Robson), are spending time in Carmel, renting the house of a local businessman, Sam Sloane (Donald Crisp). ALL the daughters are at various stages of courtship w/ a local man. The highlight of this summer is Buff’s aspiring playwright bf, Johnny Heming (Jeffrey Lynn), mounting a community play, w/ a small role for Cora (an aspiring actress). Suddenly, Nan makes the announcement that she plans imminently to marry Sam- ONLY w/ her daughters’ blessing, which they provide! Sam is the opposite of the girls’ father, the charming/outgoing Jim Masters (Claude Rains), who abandoned the family 20 yrs ago. On this same day that the Masters welcome Sam into their family, telling him to sit at the head of the table for dinner, Jim returns! He is wanting to resume his place in the family after traveling the world. Buff becomes interested in Gabriel, a young con, the son of Manuel Lopez (George Humbert), an immigrant/fisherman.

Penny: [as Tinka, who along with her sisters is giving Sam a shave, dips a towel into the kitchen sink filled with hot water] Hey, hey, hey! That hot water’s for my dishes.

Tinka: This towel is for Sam’s face.

Penny: These dishes have been in the family much longer than Sam’s face!

After Garfield made a FAB debut in Four Daughters the previous year, there was a LOT of demand for a sequel; sadly, his character (Mickey) had died at the end. Jack Warner (studio head) remedied that w/ acquiring a play by Dorothy Bennett that ran 247 performances during the 1935 season on Broadway- Fly Away Home. It’s the story of a family on the eve of the matriarch’s (2nd) marriage to a businessman. Out of the blue, her 1st husband shows up, and wants to be part of the family. This film is often (mistakenly) considered a sequel to Four Daughters (1938), as it has the same primary cast (in somewhat similar roles), most specifically Page and the Lanes portraying 4 sisters to Raines’ father) and the same director, Michael Curtiz. However, the actors play different characters in this film than in the earlier film. Four Wives (1939) and Four Mothers (1941) are 2 sequels to Four Daughters.

Nan: [after the Judge and Nan have dealt with the problem that is Gabriel Lopez] I’m very sorry, Henry. Could you come to dinner tomorrow night?

Judge Hornsby: I’m afraid not. I’m contemplating having a stroke.

Does the fact that Gabriel is Hispanic have an impact here? I’d have to say NOT too much, aside from adding to his “outsider” status. His father acts humble, is V hard-working, so seems to have gained respect in the community. Gabriel acts sassy to Judge Hornsby, though he’s NOT wrong- LOL! Afterwards, Manual exclaims to his son: “I try to make you a gentleman and this is how you repay me?” He is echoing the frustration of immigrants who want better for their (American-born) children than they had themselves. Since Garfield was playing a Mexican general in Juarez (1939) when Julius J. Epstein and Philip G. Epstein were writing the screenplay to this movie, they made his character Hispanic (as a joke). Manuel (when V upset) speaks in Italian; Humbert is an immigrant from Sicily. The vendor (down the road from the courthouse) chastises Gabriel (also in Italian) when he grabs 2 bags of peanuts from the cart w/o paying.

Penny: [sternly] When are you going to stop sliding down the banister?

Buff: [excitedly] When they stop making ’em.

This is a much more interesting story than Four Daughters; there are serious themes underneath. Though the cast is quite large, each character gets a chance to add to the story. Priscilla Lane and Garfield continue to have good romantic chemistry; it’s a case of opposites attracting (yet again). He convinces her to hang out w/ him; she ends up paying for beer and food. Some viewers felt that Gabriel was TOO cynical; they preferred Mickey (Four Daughters) instead. Though he tries to make an easy buck, Gabriel is NOT really a bad guy; he’s restless to see the world (beyond his small town experience). The scenes between Garfield and Rains are standouts; Gabriel and Jim have great (potential friend) chemistry. When they first meet, the young man strolls into the house, playing the accordion, and looking for a girl (NOT recalling Buff’s name- oops)! If you’re a fan of these actors or just want something relaxing to watch (like a Hallmark movie), then check this out.

[1] Garfield, just as he did in the earlier film, jumps off the screen with a charisma and sexuality the other performers just can’t match. He and Claude Rains, whose character from the first film undergoes the greatest change, strike up a good rapport as two wandering spirits.

[2] As the Bainter character herself comments, the dialogue does tend to be flip, – it is often amusing, but it is hard to take it seriously. The superlative photography, especially the location scenes (between the trees overlooking the water) which have a real lyrical quality, and the music score are major assets, as is the skilled film editing. The direction is not especially striking, but has confidence and assured craftsmanship.

[3] This is a an enjoyable, though somewhat dated film, enlivened by the masterful presence of Claude Rains. He completely steals the film, even when surrounded by a solid supporting cast… But the production code of the era demanded that any character who was “morally tainted” would be made to pay for it, eventually, in the movie. Warner Bros. made no exception here, even though the ending is plausible and frankly, ludicrous.

-Excerpts from IMDb reviews