Absolute Power (1997)

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I recall first seeing this film, based on the book by David Baldacci (a former lawyer), a few months after it came out (with my mom).  We liked it a lot- the acting (it has a fantastic cast), pacing (editing), and  even soundtrack (which enhances the film, but isn’t invasive).  It’s directed by Clint Eastwood, who also plays the lead role of master thief Luther Whitney. 

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While robbing one of the homes of billionaire philanthropist Walter Sullivan (E.G. Marshall; one of the 12 Angry Men), Luther witnesses the brutal assault and murder of the elderly man’s young wife, Christie.  The cover-up involves the President’s cold-blooded Chief of Staff, Gloria Russell (Australian Judy Davis) and two Secret Service agents- stoic Vietnam vet Bill Burton (Scott Glenn) and sadistic eager beaver Tim Collin (Dennis Haysbert).  This was one of Haysbert’s first movie roles, but you can sense the strong screen presence- something that can’t be taught. 

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Do you know what it was like to be the only kid in class that got to talk about visiting day? -Kate bitterly comments to Luther

I love true crime.  -Luther works his charm on Det. Seth Frank

To make things more complicated, Luther’s daughter Kate (Laura Linney, also in one of her first big roles), is an ambitious young DA!  At first, she wants nothing to do with him, but then learns of the gravity of what her father has experienced.  This is the movie that made my mom a fan of Linney.  Kate’s a very relatable young lady, trying to do the right thing.   

Since Luther is such a skilled thief, the cops decide to question him about the crime.  The lead investigator on the case, Det.  Seth Frank (Ed Harris), seems to admire Luther a bit (he was a war hero).  He also develops a big crush on Kate-  a (needed) sweet/humorous aspect to the story. 

Every time I watch this movie the highlight for me is the scene between Clint and Ed Harris.  Their little cat and mouse is not only fun to watch, but they both genuinely seem to be enjoying the scene.  Eastwood’s line about being the star of his AARP meetings is priceless, as are Ed Harris’s reactions.  -IMDB comment

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…despite his criminal behavior he’s an “honorable” thief…  -IMDB comment

One of the scenes that stands out in my mind is the dance/talk between Davis and Gene Hackman, who plays President Alan Richmond.  It’s especially well done, and fun to watch.  Davis’ character is a source of humor in a few moments, too. 

Oops, I almost forgot to say how great Glenn (one of Eastwood’s close friends) is in this movie!  Now you have it.  His character is very conflicted- a good guy who takes a terrible turn at the end of his career. 

luther_kateI couldn’t have my daughter thinking I was a murderer.  -Luther explains to Kate

I also enjoyed all the father-daughter scenes in the film; Luther and Kate’s strained relationship grew and changed over the movie.  After all, it’s very difficult (perhaps impossible) to turn your back on family.  When Kate tries to help the police peacefully arrest her father, she puts her own life in danger.  This kicks Luther into high gear- he has to protect his little girl and clear his name.  After all, he’s a thief, not a murderer!       

The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

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In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.   

Kiss the Sky (1998)

NOTE: This film is intended for mature audiences (MPAA rating: R – Restricted for audiences under the age of 17). 

I learned about this little-known film (on Amazon) when I was searching for William Petersen’s DVDs.  He’s best known for his work on the CBS hit drama, CSI: Crime Scene Investigation.  I saw him first in Young Guns II.  Petersen starred in Manhunter (1986); in To Live and Die in L.A. (1985), he worked with noted director Michael Mann.  Why didn’t he become a big star back then?  He turned down lead roles in Platoon, Goodfellas, and Heat so that he could be near his kids.

Jeff (William Petersen) and Marty (Gary Cole) Jeff (William Petersen) and Marty (Gary Cole)

Jeff, an architect (Petersen) and Marty (Gary Cole), a lawyer, are lifelong friends from L.A.  They’re both going through a mid-life crisis, feeling discontent w/ their careers (though very lucrative) and marriages.  Both also have children.  “The American Dream” has left them feeling empty.  Jeff was in an institution a while back, but is now worried for Marty’s sanity.  Marty, who studied Eastern Philosophy as an undergrad, is taking anti-depressants.  Jeff decides that they should have an adventure (like in their 20s).  He convinces Marty’s wife, Beth, to let him go.

The two men head to the city of Manila in the Philippines, then eventually to a stunning secluded island.  They meet a young Australian woman, Andy (Sheryl Lee), and a Dutchman living as a Buddhist monk, Kosen (Terence Stamp).  But even in “paradise,” they can’t escape themselves or their problems! 

Don’t read more, unless you want to know more details from, and analysis of, this film.  Comments in blue come from IMDB users. 

In the opium den In the opium den

In Manila, the men check out a manufacturing plant.  Then they party- indulging in wine, women, and… opium (whoa!)  While lying in the opium den, they hear about a very special island from an older Filipino man.  Notice how the director had them keep their heads very close together?  (Someone commented that this film is an early “bromance.”)  The two pals function more like brothers.  Jeff is charming, confident, and a fast-talker.  (His wife, Frannie, knows he’s a player.  He flirts openly with women.)  Marty is a straight-arrow; he never cheated on his wife in 20+ years.

The seduction conversation between Sheryl Lee and William Petersen has some of the best dialogue I’ve ever heard.

When Ilsa and Andy arrive at the resort, the men notice Ilsa first.  (After all, she’s Swedish and wearing a skimpy dress.)  At dinner, it’s obvious that Jeff is intrigued more by Andy.  She’s intelligent (went to Oxford and works in publishing in London), attractive (but not in a cheap/obvious fashion), and gives off that mysterious vibe.  He follows her to the night markets and they have a very interesting conversation.  Poor Marty is stuck with Ilsa, who complains all night long.

Jeff purposely guarded against falling too deeply for Andy.  He wanted to leave after their first night together because he saw in her the type of woman he could fall for.  The thing that attracted her to Jeff was his ability to detach himself.  She could see decency in him, but another part of him proved to be a challenge to her.  He tapped into that part of a woman that wants the unattainable. 

After Jeff leaves, Andy gets to know more about Marty.  He’s a good listener, unlike his buddy.  Jeff gives snappy retorts instead.  When Jeff returns, he’s surprised (and a bit angered) to know that they got together.  Then, he thinks up a solution- they can both share Andy!  She agrees to this unique arrangement, seeing it as another adventure.  The threesome frolic on the beach and swim in the gorgeous blue ocean.  Eventually, they are joined by one of her old loves, Kosen, who has been living 30 years as a Buddhist monk.  He’s composed, wise, yet humble.

This film showed how women gravitate towards Alpha males like Jeff, while though she had affection for Marty, she wasn’t drawn to him the same way…  it really rang true to me regarding relationships between men and women, expectations, how we communicate (or don’t communicate).

Jeff smiles on the beach Jeff smiles on the beach

Jeff gets an idea to build a type of getaway on the island- a haven where people can just be themselves.  They decide to cut ties with their families; Marty provides the cash ($200,000).  The local people think this is a crazy idea, but they work on it for one month.  Frannie (Patricia Charbonneau) air mails an order of separation to Jeff.  He’s quite affected to see the letters and photos of his two daughters.

Andy gets very hurt/angry after Jeff has a one-night stand with a Filipino photographer.  In the pivotal scene, Andy and Jeff have a huge falling out.  By this point, we know that Marty has fallen in love with Andy.  But she’s in love with Jeff!  Andy didn’t want to get so deeply involved, she admits in tears.  She goes back to London. 

We have to wonder: Did Jeff truly love Andy?  Andy is only 29 and has much more of life to live; she’s not in the same situation as these middle-aged men (w/ a lot of baggage).  Neither of them would’ve been right for her, anyway.

The monsoons come early- everything comes crashing down!  Jeff, who’s been living at the construction site, is devastated.  Then, he makes a decision that will surprise the audience.

Jeff hugs Marty goodbye Jeff hugs Marty goodbye

The character of Jeff, who never finishes anything, always full of doubts, is very human.

I was surprised to see that Marty was the one who went with Kosen to the monastery.  He walked away from his family, just as Buddha did as a young prince.  Cole proved that he’s not just a one-note actor, like in some of his other films.  Jeff chose to go back to his family, but the last scene showed that he was always going to be conflicted about wanting something different.  Jeff was a multi-faceted character, not a clichéd jerk.  Petersen’s acting is subtle, but it draws the viewer in!