“Hamlet” (2009)

A hit, a hit, a palpable hit!  The Bard’s most popular, and arguably best-written, play springs to life w/ a fresh, modern adaptation by the RSC.  (It is now available on DVD in the US.)  This one is a must-see for all Shakespeare fans!  Tall, wiry Scotsman David Tennant (Dr. Who) tackles the title role and theater veteran Patrick Stewart (Star Trek: The Next Generation) portrays the ghost of Hamlet’s departed father and Claudius (Hamlet’s “uncle-father”).  They played these roles on stage, so are well prepared for the screen version.

Hamlet (sometimes in a single scene) must be able to convey much- anger, intelligence, melancholy, and wit.  Tennant creates a Hamlet for our time;  he shows us Hamlet’s isolation, emotional torment, confusion, and self-awareness.  I feel Tennant does a GREAT job in showing us Hamlet’s muti-faceted personality.

Unlike in the theater, here we get close-ups of the actors.  Hamlet can connect more deeply with the audience (a glance into the camera, a side joke).  The use of a pistol in a pivotal scene rendered the scene less dramatic in my opinion.  The dark main set didn’t appeal to me, but the use of the large broken mirror was a good directorial choice.  The use of surveillance cameras was interesting; Hamlet is always under watch.

On to the supporting cast…  Claudius is played with grace and subtlety by Stewart; often villains pretend to be just like ordinary people.   I thought he was VERY effective as the ghost as well.  Polonius and Gertrude did a fine job, as did Horatio (who had a sense of gravitas and a marvelous speaking voice).

http://www.youtube.com/watch?v=xYZHb2xo0OI

“Elmer Gantry” (1960)

The screen has never known a man like ELMER GANTRY!  (movie tagline)

At the opening, we meet Elmer Gantry (Burt Lancaster), a travelling salesman in a dusty little town in Prohibition era Midwest.  He drinks and tells stories at a rowdy bar on Christmas Eve.  All the while, he keeps an eye on the red-suited blonde in the corner.   (Women are one of his weaknesses.)  Some men comment that he “talks like a preacher” after Elmer convinces them to give money to women representing the Salvation Army.   At the end of the night, he takes home the blonde.  Well, it’s not really his home- it’s a tacky hotel room.

       

Something seems to shift in Elmer’s mind (and maybe his heart) when he goes to a tent revival and sees a beautiful, Evangelical preacher called Sister Sharon Falconer (Jean Simmons).  Earlier, he’d seen her posters; she’s kind of celebrity in small Midwestern towns.  When he briefly speaks to her, he realizes that she’s a no-nonsense gal.  Elmer is even more intrigued, so he cozies up to the group’s choir leader, Sister Rachel (Patti Page), to learn more about Sharon.  Rachel gets a huge crush on Elmer and invites him to join their entourage.  Never one to shy away from dramatics, Elmer hops onto the train at the last minute. 

Aboard the train, Elmer gets a seat by Sharon.  She finds him interesting; he’s a far cry from the “sanctimonious prigs” she usually meets.  Elmer also meets Jim Lefferts (Arthur Kennedy), a jaded Pulitzer Prize-winning journalist who’s been travelling w/ these Evangelicals and reporting on their movement.  Jim believes in evolution, not God.  Both Sharon and Jim quickly realize that Elmer is not a “true believer” in any cause (except maybe himself).

In no time, Elmer takes center stage at revivals, “warming-up” crowds for Sharon.  Her sober-minded manager doesn’t like the new direction.  But Sharon points out that Elmer’s “theatrics” are bringing in more lost souls yearning to be saved.  (Of course, some just want to be entertained.)  As Elmer (who was kicked out of his seminary) gains popularity, it appears that he’s finally found his calling- selling salvation.  Sharon starts to get close to him, too.  But wait, this isn’t the end of the story!       

Elmer Gantry explores some big issues: ambition, corruption (moral/political), faith, freedom of speech, forgiveness, hypocrisy, etc.   Even before this Oscar-winning film (based on a novel) was released, it was controversial.   Initially, no studio wanted to finance it.   Director (Richard Brooks) didn’t want Shirley Jones (pic above) in the role of Lulu, the young woman who unlocks Elmer’s past, but Burt Lancaster insisted. 

Though some viewers called his portrayal over-the-top, that is precisely what the character demanded!  Elmer is a bundle of energy, confidence (false or real), and words.  Not only does Lancaster make Elmer likeable, he makes him very fun to watch.  (There are MANY laughs in this film!)  But my fave scene is the one out in the woods where Elmer confronts Sharon about what men and women REALLY want from each other.  Elmer is not w/o redeeming qualities.  But does he deserve to be saved?  Watch this multi-layered film and decide for yourself!    

http://www.imdb.com/title/tt0053793/

What I watched recently…

Casa de los Babys (2003)

Motherhood can be one of life’s joys, but it is also fraught with trials and tribulations.  But what about the path to motherhood itself?  It’s not always smooth and easy.  This film (written, directed, & edited by indie filmmaker John Sayles) concerns a modern/controversial issue- foreign adoption.  As with Sayles’ other films, Casa de los Babys is for thinking people.  No character is one-sided.  Each actor gets a scene (or two) to shine.

Somewhere in Latin (or South) America, 6 women wait in the same hotel (nicknamed by locals as la casa de los babys) for their chance to be a mother.  (This film was shot in Acapulco, Mexico.)  The women don’t have much in common, hailing from different states and backgrounds.  But the women hang out at the beach, shop in the bazaar, see the sights, and share meals together.  They discuss future plans for their babies.  Who has the best ideas on how to raise a child?  Who has the most potential to be a positive/nurturing mother?

Skipper (Daryl Hannah) is a statuesque/serene woman from Colorado who works out often and speaks little.  Gayle (Mary Steenburgen) is a soft-spoken/born-again Christian/Southerner who seeks to mediate conflicts between the group members.  Jennifer (Maggie Gyllenhaal) is a wealthy 24 y.o. from DC who’s nervous and missing her husband terribly.  Eileen (Susan Lynch) is a sweet/thoughtful Irish immigrant to Boston who’s pinching pennies b/c her hubby is out of work.  Nan (Marcia Gay Harden) is a Kansan who holds strong (and often offensive) opinions.  She’s ticked off b/c she’s beein waiting longer than the rest (2 mos.) for her baby.  Leslie (Lily Taylor) is a single, 30 y.o. editor from NYC  who speaks Spanish and is brimming w/ sarcarstic humor.  Though still young, she’s “done the relathionship thing,” and wants to “get on with the kid thing.”

Besides the Americans, there are several other interesting characters.  Senora Munoz (Rita Moreno) is the tough/determined owner of the hotel who worries re: her ex-con son.  Senora Munoz’s brother Ernesto (Pedro Armendariz) is the forthright lawyer who helps the Americans w/ their adoption paperwork.  Asuncion (Vanessa Martinez; the teen Pilar in Sayles’ Lone Star) is the hardworking young maid at the hotel who supports her younger siblings; they are orphans who live in the mountaineous region above the beach.  Diomedes is a gentle/educated man who wants to go to the US b/c there is no work locally.  He gives Skipper and Jennifer a little tour, as he has nothing else to do.  A little homeless boy (around 7 or 8 y.o.) wanders the streets of the town washing windshields and looking to make money.  (To me, he is a sad reminder that older kids are rarely adopted.)

http://www.imdb.com/title/tt0303830/

http://en.wikipedia.org/wiki/Casa_de_los_Babys

 

Law & Order: UK (Season 1)

Dick Wolf has transported his successful NYC-based Law & Order TV series “across the pond” to London.  All of the Season 1 episodes (13 on 3 discs) were based on shown-on-TV L&O episodes.  (Long-time fans will recognize this right away!)  The producer took various scripts and modified them to fit UK law.  This show looks wonderful (high production value- like a big-screen movie), is fast-paced, and has top-notch (subtle) acting.  The veteran actors have terrific chemistry w/ their younger partners.  Some eps are more exciting than others, as w/ other L&O shows.

The Brit detectives are DS (Detective Sergeant) Ronnie Brooks (Bradley Walsh), “a gentle man and gentle cop” who’s a recovering alcoholic/street food lover.  Ronnie has a sympathetic ear, talks often re: his 2 exes, and is VERY likeable.  His partner is DS Matt Devlin (Jamie Bamber from Battlestar Gallactica), a young man of Irish parentage who worked his way up from humble roots.  He’s charming and eager to please.  While the experienced Ronnie sees a case from many perspectives, Matt is more quick to judge.

The lawyers (called Crown Prosecutors) are James Steel (Ben Daniels), a highly principled/sharp-dressed barrister from the upper crust (w/ posh accent).  His intensity, height, and sharp blue eyes may bring to mind actor Michael Moriarty, who played ADA Ben Stone.  James wears a wig in court, as is the custom.  Judges are referred to as “my lord” or “my lady.”  His is supported by Alesha Phillips (Freema Agyeman from Dr. Who), a young woman who has worked her way up from a council house (like the inner-city projects in US).  She performs research and goes through a mountains of paperwork (everything needs to be on hard copy).  Alesha is very passionate about the law, like her boss.

London is itself a character in this series.  Issues of class, race, and poverty are dealt w/ directly (perhaps more so than in the US).  One’s class is usually denoted by one’s accent.  (Not all English accents are the same!)

You will see a few British Asian (South Asian/desi) guest actors on L&O: UK.  In fact, the CPS barrister who consults on this show is British Asian- Nazir Afzal, director of CPS London South, is well-known for cracking down on “honor” crimes.  He has been awarded the OBE (Order of the British Empire).

http://en.wikipedia.org/wiki/Law_and_Order_UK

http://www.cps.gov.uk/london/

 

Spring is here!

Update on me:

Last Wednesday night, I went to a speed dating event at K St Lounge hosted by Professionals in the City.  [I had been to this lounge when South Asians for Obama (SAFO) had an event last year.]  This event was also geared toward South Asians around my age, though there were 2 guys who were not South Asian.  It was a pretty fun event, though I thought it could’ve been better. 

First of all, there were TOO many people- 27 men and 30 women!  It took more than 2 hours to talk w/ every guy.  The time (4 mins) went by VERY quickly w/ few exceptions.  When you go to events like this, there are bound to be 1 or 2 people who have ZERO interest in talking w/ you (not even to be polite).  They will just hem and haw, not bothering to think up a topic to discuss.  In my opinion, 4 mins is just TOO short.  I think 7 mins would be better.  

Second issue: quite a few people came w/ their friends to this event.  Okay, maybe they wanted to feel comfortable going with a little group.  Or they just have single pals.  But the POINT of this event was to meet NEW people!  The petite gal sitting next to me also came by herself, and I chatted a bit w/ her.  She commented that most of her friends are getting married, not going out as much, and so on.

I didn’t have HUGE expectations going into this event.  I arrived a BIT early and noticed that people were talking w/ their pals or just standing about.  I wanted to go up and chat w/ some gals, but they didn’t come off as very friendly.  Or maybe they were a little nervous?  Okay, on to the guys!

The guys (expect perhaps 2 or 3) were Indian Hindus.  One guy said he was 1/2 Bengali (mom’s side) after I mentioned I was Bangladeshi.  As you may expect, most were American desis (born and raised in US).  But I was surprised to see many immigrant and 1.5 gen guys (and gals) at this event.  (At a similar event in NYC 2 years back, there were very few immigrant guys and no immigrant gals!) 

All the guys were professionals (of course!); most work w/ the fed govt (IT contractor, IT manager, computer engineer).  I think there was only 1 investment banker, 2 lawyers and 2 or 3 research scientists.  A few of these guys impressed me, BUT I don’t think I clicked w/ any.  Too bad!  At least I took a chance. 

You can check out the web site below if interested.  This organization holds events in various cities.               

http://www.prosinthecity.com/dcevents.php

 

Movies I’ve Seen Recently:

Gran Torino (2008)

I saw this movie while my mom was visting; she REALLY likes Clint Eastwood.  I thought there were some nice/funny moments, BUT it seemed implausible to me (especially the ending). 

http://www.imdb.com/title/tt1205489/

Letter from an Unknown Woman (1948)

This is a melancholy romance/drama set in Austria.  It has great atmosphere and lighting.  It’s worth a look!   

http://www.imdb.com/title/tt0040536/

 

Recent iTunes Downloads:

BardCast: The Shakespeare Podcast 

http://bardcast.blogspot.com/

Chop Bard

http://www.inyourearshakespeare.com/chopbard.html

 

What I’m watching:

Babylon 5: Seasons 1 & 2 are on Hulu.  This sci-fi series (5 seasons total) came out around the same time as Star Trek: DS9.  I’ve seen 8 eps so far, and it get’s getting good!   

http://www.hulu.com/

Classic Hollywood Trivia & Quotes

Dustin Hoffman and Gene Hackman roomed together in New York at Hackman’s one-bedroom apartment on 2nd Ave. & 26th St.  Hoffman slept on the kitchen floor.  Originally, Hackman had offered to let him stay a few nights, but Hoffman would not leave.  Hackman had to take him out to look for his own apartment.  (LOL!)

Another roommate of Hoffman’s in NYC was Robert Duvall.

They would often go to the apartment rooftop and play the drums.  Hoffman played the bongo drums while Hackman played the conga drums.

Gene Hackman worked as a doorman, soda jerk at a pharmacy, and moved furniture while he was a struggling actor in NYC.

Hackman (now retired) admitted that he took roles with money as the first consideration in some cases. 

Hackman said:

Dysfunctional families have sired a number of pretty good actors.

I wanted to act, but I’d always been convinced that actors had to be handsome.  That came from the days when Errol Flynn was my idol.  I’d come out of a theater and be startled when I looked in a mirror because I didn’t look like Flynn.  I felt like him.

I was trained to be an actor, not a star. I was trained to play roles, not to deal with fame and agents and lawyers and the press.

 

Hoffman said:

I wanted to be a jazz pianist, but I wasn’t good enough.

I started junior college in Los Angeles because I didn’t have the grades to go to university and I didn’t want to go into the military. So in my first year of junior college I’m failing and I don’t know what to do. I don’t want to get a job, I want to be a student, and a friend says, ‘Take acting, because they don’t flunk you – it’s like gym, nobody gets an F.’  I took it and suddenly it was the first thing I ever did that wasn’t painful. Where I held focus. And suddenly, rehearsing with somebody – learning lines – hours could pass by. And I begged my parents to let me go to this acting school, because I knew I couldn’t fail.

 

Laurence Olivier‘s ancestors were French Huguenots (Protestants) who fled to England in the 17th century because of persecution by the majority Catholics.  (That’s why his surname is French.) 

After he became ill, Olivier was replaced by Brando in The Godfather.

He  insisted that people call him “Larry” despite having several noble titles.

 

Olivier said:

Without acting I cannot breathe.

If I wasn’t an actor, I think I’d have gone mad. You have to have extra voltage, some extra temperament to reach certain heights. Art is a little bit larger than life – it’s an exhalation of life and I think you probably need a little touch of madness.

Surely we have always acted; it is an instinct inherent in all of us. Some of us are better at it than others, but we all do it.

 

Robert Redford lost his baseball scholarship and was expelled from The University of Colorado for drunkenness.  (His position had been pitcher.)

Some people have analysis. I have Utah.

I never did look like a 21-year-old just out of college who’d never been laid.  (On why he turned down the lead role in The Graduate– LOL!)

All my life I’ve been dogged by guilt because I feel there is this difference between the way I look and the way I feel inside.

 

Spencer Tracy served in the navy,  and worked as a bellhop, janitor, and salesman while doing stock theater.

Tracy didn’t like to rehearse and would read through a scene only once. He also never liked to shoot a scene more than once, and in most cases he didn’t have to.

He turned down Cary Grant’s role in The Philadelphia Story because he wanted to work on another film.

Tracy said:

It is up to us to give ourselves recognition. If we wait for it to come from others, we feel resentful when it doesn’t, and when it does, we may well reject it.

I couldn’t be a director because I couldn’t put up with the actors. I don’t have the patience. Why, I’d probably kill the actors. Not to mention some of the beautiful actresses.

Why do actors think they’re so God damn important? They’re not. Acting is not an important job in the scheme of things. Plumbing is.

This mug of mine is as plain as a barn door. Why should people pay thirty-five cents to look at it?