Movie Review: “The Ghost and Mrs. Muir”

I couldn’t believe my luck in finding this film on sale at F.Y.E. in Astoria recently!  I had wanted to see The Ghost and Mrs. Muir for a long time.  This is an exceptionally well-made Hollywood classic (out in 1947) film starring theatrically-trained/powerhouse actor Rex Harrison (the ghost, Captain Daniel Gregg), one of Hollywood’s most beautiful movie stars Gene Tierney (Mrs. Lucy Muir), charming/rakish comedian George Sanders (Miles Fairley), respected character actor Edna Best (Martha), and a very adorable 8 year old Natalie Wood (Anna Muir).  The unusually beautiful music will stay with you long after the film; the composer also worked on Citizen Kane and collaborated many times with Hitchcock.  It was a big success when it first came out, and also received great reviews from critics- you’ll see why!  It combines the genres of thriller, romance, and comedy.  But romance is key!

 

The story opens at the start of the century (1900 that is) in London.  Young widow Mrs. Lucy Muir, whose husband passed away a year ago, is living with her mother-in-law, sister-in-law, daughter, and housekeeper.  The ladies are all dressed in mourning clothes.  She expresses a strong desire to live on her own (with the income from her husband’s gold shares), much to the shock and disapproval of the in-laws (two hysterical, overbearing ladies).  Mrs. Muir has decided that the seaside will suit her well; she sets off with the eager Anna and loyal Martha. 

 

Upon arrival at Whitecliff-by-the-Sea, Mrs. Muir seeks out a “house agent” to find a suitable place.  Mr. Coombe, the agent, thinks he knows better than the young lady, but Mrs. Muir decides to rent Gull Cottage, a house said to be haunted by the ghost of Capt. Gregg (a seaman who died mysteriously 4 years ago).  She is not frightened away by disembodied laughter like previous tenants.  She says the house is “perfectly fascinating.”  So begins the adventure…

 

The cranky ghost of Capt. Gregg, dressed all in black except his silver buckled belt, reveals himself to Mrs. Muir soon after the family moves in; he’s not happy to have people in his house.  But she stands up to him; she’s not scared by his actions (noises, swearing, extinguishing candles).  She earns respect for that.  In that (first meeting) scene, their faces are only lit.   Light and shadow are used very cleverly and purposefully in this film.

 

Capt. Gregg is unlike the ethereal, other-worldly ghosts we’re used to in modern/special-effects laden movies.  He seems “real” to the audience, because Rex Harrison creates a very masculine, humorous, and witty character.  Harrison uses his strong physical presence (a must for any leading man), commanding voice (after all, he was chosen for My Fair Lady even though he couldn’t sing), and (especially) his eyes to “bring life” to the ghost.  But we also wonder if he is a figment of Mrs. Muir’s imagination?  Harrison is great at reacting to his fellow actors- a big part of acting.  In my honest opinion, the only way to get through the over-hyped Cleopatra is to focus on his portrayal of Julius Caesar.    

 

 

The ghost and the widow become friends; they “occupy the same domestic space like a married couple” (Jeanine Bassinger, chair of the Women’s Studies department at Wesleyan points out on one of the commentary tracks).  However, he has no body, so Mrs. Muir is safe; this satisfied the censors of the day.  When her investments fail, her in-laws come to visit; they urge her to go back with them to London.  But Capt. Gregg forms a plan- he “ghostwrites” a book to boost her finances.  Over some months, Daniel dictates to Lucy (or “Lucia” as he prefers to call her) the story of his lusty, adventurous life.  They work together and fall deeply in love.  It’s a sad fact that she is alive and he is dead! 

 

When Mrs. Muir goes up to London to see a publisher, she catches the eye of Miles Fairley, a well-dressed, smooth-talking, wealthy man in the office.  He’s not exactly her type of man, but he’s real.  Will Mrs. Muir let this (corporeal) man into her heart?    There is a similar choice to be made in Anthony Minghella’s first film, Truly Madly Deeply (if you want to know more). 

 

I highly recommend this film to everyone, not only fans of classic black and white films.  It seems modern to me, in many ways.  The music, lighting, costumes, etc. all work to create a memorable picture.  The exchanges (even the ones without words) that Harrison and Tierney have are terrific; you can see that their characters care about and respect each other.   The film is also “very literate” (Bassinger comments).  This is an intelligent viewer’s movie, though it also evokes emotions.  It is about loss, yearning, and “the dream of love.”  In reality, men are not perfect.  And not everyone has love in their life.  But we all dream!   

 

 

Movie Review: “Appaloosa”

Ed Harris and Viggo Mortensen in France: WOW- talk about aging gracefully!!!

Last Sunday afternoon, I was feeling a little down, so I went to check out a new movie I was curious about.  (I wrote a previous post about Appaloosa.)  I would catagorize it as a subtle, low-key Western drama.  The small audience (mostly folks 50 and up) seemed to like the sly humor, in-depth characterization, and development of the female character (she’s not a one-dimensional woman like in traditonal Westerns).

 

The stars are: Ed Harris (lawman for hire Virgil Cole; he also co-wrote the screeplay and directed), Viggo Mortensen (Cole’s quiet, observant, long-time partner in “gun work” Everett Hitch), Renee Zellweger (young widow Allie French), and Jeremy Irons (rich bad guy/rancher Randall Bragg).

Cole and Hitch have been partners for many years.  They have traveled through little Southwestern towns enforcing the law whenever called upon.  Appaloosa is under siege by Bragg and his men; they drink too much, fight, don’t pay bills, and aren’t hesitant to use their guns.  The town leaders (scared stiff by the mention of Bragg) think he may have killed the former lawman of the town.  They quickly agree to the terms set by Cole (he carries his own list of laws), and he becomes marshall.  Hitch, who always carries a 12-gauge (a big gun), is his deputy.

Into the town comes Mrs. Allison French, a pretty, young, well-mannered widow.  She is cheerful and plays the piano, but hasn’t much money.  Cole takes an instant interest in her; he says she can stay in the town’s hotel as long as she likes.  Before you can say “Gunsmoke,” Allie is overseeing building a house and Virgil is helping choose curtains!  Everett is a bit surprised by his friend’s behavior.

Feelings get you killed.  (One of the taglines for the film)

Bragg, his men, and two newcomers to the town eventually use the budding romantic relationship to their advantage.

 

I liked the way that the film built things up, often in unexpected ways.  Issues that come across as simple in old Westerns are not so here.  (Remember that old Hollywood had to deal with stricter censorship codes.)  In those films, you had the bargirls/whores, married woman, and little girls- that’s all.  There weren’t many respectable single women hanging about.

Allie, who has an air of mystery, changes the dynamics (a little) between the two old friends.  She’s trying to survive in a man’s world, so she must rely on men (and all that comes with it).  Another woman in the town, a prostitute that Hitch sees, wonders if Allie “even knows how she feels.”  She can be sweet, bubbly, but is tough on the inside.  You’ll wonder about her past…

Viggo’s character, we learn in the opening narration, is a West Point graduate who served in the Civil War.  But his heart was not in “soldiering,” so he traveled West.  He helped Virgil out of a tough situation, and the men became partners.  Their friendship is very strong- almost like that of brothers.  In one great scene, Everett has to (physically) stop the older man from doing something rash.

There are humorous little moments, too.  Virgil has trouble with long, complicated words- Everett fills them in for him.  Jeremy Irons is pretty good as a evil guy, though I kept expecting him to revert back to his English accent!  (I guess we’re not used to seeing him as an American much.)  The scenery, music, and small characters all work well together, too.  Appaloosa is a very well-made, intelligent film with different layers.  It makes you think!

Movie Review: “The Producers”

This 2005 colorful movie musical stars Broadway/film actors Nathan Lane and Matthew Broderick.  The lyrics to the songs (by the hilarious Mel Brooks) are terrific; I got the CD pf the play several years ago.  They are joined by traffic-stopping beauty Uma Thurman, who wears some of the most beautiful dresses I’ve seen recently onscreen.  Oh, and she sings as well! 

Sleazy Broadway producer, Max Bialystock (Lane with a purposefully bad hairdo), is very depressed after his recent play (Funny Boy, a comedy version of Hamlet) closes on Broadway. 

After a bad review, Max explains himself in a song; below are some lines (that I REALLY liked):

I am Max Bialystock!
The first producer ever to do summer stock in the winter!
CHORUS:
Once he was the king…
MAX:
You’ve heard of Theatre in the Round?
You’re looking at the man who invented Theatre in the Square!
Nobody had a good seat!

Max gets his books examined by shy accountant Leo Bloom (Broderick- looking boyish as always).  Thinking out loud, Leo comments that one could make more money with a flop than with a hit.  Max is overjoyed!  He even asks the neurotic Leo to join him- become a producer.  Leo confesses that being a Broadway producer has been his “secret dream.”

Max and Leo find a play that is sure to offend people of all backgrounds- Springtime for Hitler by Franz Liebkind (Ferrell), an exciteable German ex-soldier who raises pigeons on his rooftop.  Oh, he also adores the Fuhrer! 

Ulla, a bubbly Swede, comes in to audition for a role.  Max and Leo’s eyes nearly pop out of their heads as they watch her sing and dance.  “If you got it, flaunt it!” Ulla belts out (see above pic); this was coined first by Mel Brooks.  That Ethan Hawke is one clueless shlub for letting Uma go!

Next, Max and Leo seek out Broadway’s worst director, Roger De Bris (Beach, a great Broadway actor/singer).  Yes, he is wearing an evening gown resembling the Empire State Building!  His very gay team (personal assistant Carmen, choreographer, costume designer, etc.) all live with him in a VERY feminine mansion (actually a private school on the Upper East Side). 

How can you NOT love lyrics like this!?:

ROGER & CARMEN:
A happy ending will pep up your play…
ROGER:
Oedipus won’t bomb…
CARMEN:
If he winds up with Mom!
Keep it gay!
ROGER:
Keep it gay…


By “gay” Mel Brooks meant “happy/light/breezy” BUT it takes on a different connotation when sung by a big guy in a dress.  LOL!!!

Violinists love to play an E-string
But audiences really love a G-string

Ven I was yust a little girl in Sveden
My thoughtful mother gave me this advice
If nature blesses you from top to bottom
Show that top to bottom, don’t think twice

Who are those little old ladies?  They’re lonely, rich, and Max’s “backers” (who he puts “on their backs”).  You get the picture!  These ladies are all Broadway actresses who are great comics, dancers, singers, etc. 

Max explains the relationship in a song:

They’re my angels
I’m their devil
And I keep those embers aglow
When I woos ’em
I can’t lose ’em
‘Cause I cast my spell ‘n’
They start yellin’
Fire down below!

How can you NOT laugh?

Check out this movie because you’ll see:

1) Great interplay/physical comedy/timing from BOTH Lane and Broderick

2) An AWESOME dance (waltz) number with Broderick and Thurman

3) Lots of cool NYC locations

4) Terrific sets, costumes, song, and (especially) dance

5) Beautiful girls wearing nothing but pearls (actually intricate bodysuits with pearls created especially for the dancers) in a BIG dance sequence reminiscent of old Hollywood

Movie Review: “American Graffiti”

Are you feeling nostalgic about your high school days, glorious or not?  Do you think fondly back on your first car, bf/gf, or your old hometown?  Do you like classic rock ‘n roll music?  Then you’re in the right mood to check out American Graffiti, director George Lucas’ first “big” picture from 1973.  I can’t believe that such a fun, sweet, good quality film had a budget around $750,000!

 

The actors including Ron Howard (just 18), Richard Dreyfuss, Charles Martin Smith, Cindy Williams, Paul Le Mat, Mackenzie Phillips (wow- only 12!)  and Harrison Ford, were all young/relatively little-known actors.  George Lucas filmed in a small California town not unlike the one he grew up in.  The characters are based on Lucas and kids/teens he grew up with.  He explains in the Bonus Features that 1962 (when the film is set) was an “age of innocence”- before Vietnam, before the death of JFK, etc.  The 4 main boys in the film are concerned about ordinary things: cars, girls, college/work, and (of course) beer.

 

Steve (Howard) is your typical boy-next-door; he’s a HS senior who loves hanging at the drive-in (with gf/first love Laurie, played by Williams), is very careful re: his car, and looks forward to (maybe) going East to college.  

 

 

Laurie, a popular cheerleader, is worried about what may happen to their relationship if Steve goes away.  There is a great scene, with little dialogue, where the couple slow-dance.  You can see the characters’ emotions come through.  The actors relate very well to each other!

 

Laurie’s big bro Curt (Dreyfuss) has received a scholarship to college, but he’s not sure if he’ll go.  Steve tells him that this is what they’ve both been waiting for, so why is he suddenly scared?  Curt (who Lucas based on himself) is smart, funny, but a little anxious- he’s seeking something from life.  It’s really cool to see Dreyfuss as an young actor; even then, he was a little chubby.  I always enjoy his acting!     

 

 

 Curt sees his “dream girl” (Suzanne Somers) cruising along the strip, but she eludes him.   

 

John (Le Mat), a tall, blonde mechanic who goes to JC (junior college), also cruises about looking for girls.  Suddenly, he gets stuck with the little sis of a friend (played by Phillips) who wants to see some “action.”    They have good screen chemistry.  She’s a cute, eccentric character. 

Later, John is challenged to a race by a newbie in town with a fancy car, Harrison Ford (then in his late 20s).  Before this film, Ford had been working (for several years) as a carpenter to support his 2 kids.  He wasn’t a carpenter before going to Hollywood, he taught himself after facing hard times getting roles.  Ford had many small roles, but American Graffiti got him more notice.  He wore a cowboy hat (see above pic) b/c he didn’t want to cut his hair too short (in case another acting job came up).  

Another kid, Terry the Toad (Martin Smith), borrows Steve’s car and meets a beautiful, ditzy girl.  He’s a nerdy, short, but sweet guy.  Terry is also very nervous around girls; that creates funny moments.  I related with him and Curt the most while watching the film!

This film has a lot good acting- the actors did a lot of improv b/c Lucas encouraged it.  They all lived, dressed (no separate trailers!), and partied together during the 5 week filming.  Lucas is known to be a laid-back director on-set; he did most of the work in the editing room.  The movie has wall-to-wall great music reflecting the times; that was rare for Hollywood at the time.   

 

 

 

 

 

 

 

 

 

A Tribute to Paul Newman (1925-2008)

 

 
“There is a point where feelings go beyond words… I have lost a real friend. My life – and this country – is better for his being in it.”

-Robert Redford

 

 (You can purchase an art print of the above picture at Allposters.com.)

“He was my hero.”

-Julia Roberts, who served on the board of Newman’s Hole in the Wall Gang

 

“I was blessed to have known him. The world is better because of him. Sometimes God makes perfect people and Paul Newman was one of them.”

-Sally Field (starred with Newman in the legal thriller Absence of Malice.)

 “Paul was an American icon, philanthropist and champion for children. We will miss our dear friend, whose continued support always meant the world to us. Our prayers and thoughts are with Joanne and the Newman family and the many people who Paul impacted through his endless kindness and generosity.”

-A statement by Senator Hillary Clinton and former President Bill Clinton

 “If my eyes should ever turn brown, my career is shot to hell,” Paul Newman once joked.

 

“Why fool around with hamburger when you have steak at home?”

-Newman regarding his lasting marriage to Joanne Woodward

 

Yowza- domestic life looks smokin’ hot here!

“Sexiness wears thin after awhile and beauty fades, but to be married to a man who makes you laugh every day, ah, now that’s a real treat!”

-Joanne Woodward

“He learned to use that flawless face, so we could see the complexities underneath.”

-Manohla Dargis, New York Times web site 

Classic, elegant, engaging- words like these fit Paul Newman to a tee.  Not only remarkably handsome- striking blue eyes, chiseled face, athletic physique- he used the power of celebrtity to do many good works.  Like many great actors (that I admire), Newman started out in theater in his early 20s.  Quickly, Holywood noticed his gorgeous looks; he tried to go against the “sex symbol” image (not unlike protege and friend, Robert Redford). 

Brando and Newman at a civil rights rally (sometime in the early 1960s).

He was called “the next Marlon Brando”; both men studied at The Actor’s Studio.  Brando was known for his mercurial emotions (both on and off-stage); while Newman was subdued and cool.  But there was something under the surface, making him all the more interesting to watch! 

Newman realized that doing typical leading man parts (which hit big at the box office) would enable him to do projects (plays/small-budget films) which showcased his range of ability.

Above is a still from Cat on a Hot Tin Roof  with Elizabeth Taylor.  Wow, shouldn’t the set be on fire?  Seriously, Newman (who played depressed alcoholic Brick) is intriguing in this film, especially in scenes with Burl Ives (the overbearing Big Daddy).

 

In the eyes of mainstream Hollywood, Paul Newman took a risk with Hud- a memorable film where he played the swaggering, lay-about son of a Texan landowner.  Newman showed that charm can be dangerous.  Perhaps Hud’s anger towards his father affects his (bad) decisions?  Though he is a shallow character (not a tortured soul), Newman makes Hud very engaging.  Co-star Patricia Neal, the housekeeper that Hud hits on, does a great job also.  Noted film critic Pauline Kael wrote: there are some men who “project such a traditional heroic frankness and sweetness that the audience dotes on them, seeks to protect them from harm or pain.”

The Long Hot Summer is one of my mom’s favorite Newman movies.  The dialogue is terrific: fast, snappy, intelligent; the story was adapted from a novel by William Faulkner.  Newman and Woodward fell in love during the filming of The Long Hot Summer.  It’s an (unusual) love story involving two people who seem like total opposites.  Newman plays Ben Quick (great name for the character, you’ll see), a mysterious, charming, nearly-penniless man who is kicked out of one Southern  town.  He happens upon another town, and quickly makes himself useful to the wealthy patriarch of the community- Will Varner (Orson Welles).   

 

Mr. Varner’s daughter Clara (Woodward), a single, sensitive schoolteacher, has a strong dislike for Ben from the moment she meets him.  She feels that he can’t be trusted- an obvious opportunist in her mind.  Though he knows very little about Ben, Varner puts him in charge of the town’s general store.  Varner has a son (Jody) and daughter-in-law Eula (a very young Lee Remick) who also live with him in his mansion; they are newlyweds.   

 

But, the old man doesn’t see much of himself in his son, and soon thinks of Ben as family.  Varner’s lady-friend Minnie Littlejohn (a very funny Angela Lansbury) also seeks to be part of the family.  When her father (not so subtlely) suggests that Clara and Ben would make a good pair, she is horrified.  He wants grandkids to carry on his name, power, land, etc. To Clara, Ben represents heat, uncertainty, and other things that “nice girls” keep repressed.  Her blatant hostility doesn’t turn him off; he looks at her with unguarded interest.  “Miss Clara, you slam the door in a man’s face before he even knocks on it,” he says with disappointment.  During the picnic scene (see above photo), Clara clearly states what she is looking for in a husband.  She has not been saving herself up for a man like Ben, she insists.  Hmm, you shall see…  Below are some great lines from the film:

Ben and Clara discuss their (potential) relationship:

Clara: You’re too much like my father to suit me, and I’m an authority on him.
Ben: He’s a wonderful old man.
Clara: One wolf recognizes another.
Ben: Tame us. Make pets out of us. You could.

 

Varner talks about his youth:

Will Varner: I was young myself once. I used to hide in the greenery and hoot and bellow.
Clara: I’ll bet you did. I’ll bet you stayed longest and yelled loudest.
Will Varner: Your mama listened.

 

Varner confronts Ben about his past:

Will Varner: I got influence. I’ll dog you, boy, wherever you go. I’ll break you.
Ben: No, you won’t. You’ll miss me.  [Ah yes, very true!]