“Logan Lucky” (2017) starring Channing Tatum, Adam Driver, & Daniel Craig

See how the other half steals. -A tag line for the movie

When Jimmy Logan (Channing Tatum) is fired from his mining job, he convinces his younger sibs- brother Clyde (Adam Driver) and sister Mellie (Riley Keough, Elvis’ granddaughter)- to help him rob the Charlotte Motor Speedway during a NASCAR event. They will need the help of Joe Bang (Daniel Craig w/ bleached blonde hair), a convicted safe-cracker who’s currently incarcerated. They have to break Joe out, blow the racetrack vault, get away w/ the cash, return Joe to prison, and get Jimmy to his daughter Sadie’s (Farrah Mackenzie) beauty pageant on time. What could go wrong!? Well, there is the Logan family curse… 

Joe: You Logans must be as simple-minded as people say.

Clyde & Jimmy: People say that?

This movie is Tatum’s 4th collab w/ director Steven Soderbergh; they worked on Haywire (2011), Magic Mike (2012), and Side Effects (2013). Keough also appeared on Magic Mike; Soderbergh directed her in S1 of the STARZ TV series The Girlfriend Experience (I saw S1). One interviewee on the news refers to the heist as “Ocean’s Seven-Eleven” re: the Ocean’s film franchise (3 of these movies were directed by Soderbergh). Several NASCAR drivers have cameos, incl. Jeff Gordon and Darrell Waltrip (who I recognized). Moody Chapman (David Denman- a tall/burly character actor) is the 2nd hubby of Bobby Jo (Katie Holmes); he has a V different look from his recent role as Kate Winslet’s ex-hubby on Mare of Eastown (HBO).

Jimmy: We need, like, a computer wiz, like one of them Facebook boys.

Fish: I know everything there is to know about computers, okay?

Jimmy: Do you?

Fish: All the Twitters, I know ’em.

Clyde’s arm was blown off during his deployment in Iraq. Driver was supposed to deploy to Iraq, but he broke his sternum in a biking accident, so was medically discharged from the Marines. I learned that the silver/horseshoe-shaped ring worn by Cyde was the same ring worn by Raylan Givens (Timothy Olyphant) in the TV series Justified (2010). Fish Bang (Sam Quaid) is now nearly 30; he’s the son of actors Dennis Quaid and Meg Ryan. One of my younger friends said to check him out on The Boys (Amazon Prime), esp. IF you enjoy a twist on the superhero/sci-fi genre. Do some of y’all feel old yet!? Domhnall Gleeson says he was jealous of younger bro Brian (who plays Sam Bang) as he got to “hang out” w/ Driver. Domhnall played Gen. Hux in the recent Star Wars sequels w/ Driver. Brian’s face is similar to their father, Brendan, a veteran character actor. Warden Burns (Dwight Yoakam- country singer/actor) provides humor (esp. for the GoT fans). Remember when Yoakam and Sharon Stone were a couple? Hilary Swank has a role here also, BUT she doesn’t come in until later in the movie.

Warden Burns: As warden, I can approve buying a copy of A Dance With Dragons for the prison library to go up on the Game of Thrones shelf. Now, the only problem is that The Winds of Winter and A Dream of Spring have yet to be published, so those aren’t available. Well, I can’t do anything about what I can’t control.

Driver (super fit w/ his Star Wars body/longish hair) and Tatum (a BIT bigger than usual) have easy chemistry; Clyde often looks at Jimmy before he speaks/makes a decision. Before filming, Driver (whose father’s side comes from Arkansas) said he went to Tatum’s (who grew up in West Virginia) house at 4PM; they hung out until almost 4AM -wow! Like Jimmy, Tatum played football in his youth. In one scene, Clyde (a bartender) makes a martini for Max Chiblain (Seth MacFarlane) using one hand. Like many young actors, Driver worked as a waiter: “I wasn’t a very good waiter. I remember this one fancy restaurant- they pushed me toward the bar.” The Southern accents in the movie sounded (mostly) natural. The serious/relatable themes of economic uncertainty, fairness, family obligations, and patriotism run underneath the story. Several viewers/critics noted that they enjoyed the touching relationship between Jimmy and Sadie; he is trying to be a good dad by being an active participant in her life.

[1] The names and faces associated with this film give the feeling of it being a bigger event that it probably is. I was fortunate to approach it without knowing too much about it, so I took it as I found it. This is for the better because the film is quite a simple affair in what it does.

[2] Tatum is perhaps questionable, but reasonable as the lead, Driver is good, and Craig is likeable as he puts on an American accent and looks like he’s having fun. This caper has some amusing moments, with prison and NASCAR scenes that add to it a little as well, the script is made up of one-liners, and it gets your attention at the right moments, an alright crime comedy. Worth watching!

[3] I was pleasantly surprised that the movie doesn’t dwell on mocking Southern stereotypes, and the NASCAR elements are kept largely in the background. The performances are good, with Tatum and Driver making for believable blank-faced losers who are maybe a bit sharper than they let on. Craig gets the showiest part… […] better than expected, and an enjoyable time for those not expecting too much.

-Excerpts from IMDB reviews

“Paterson” (2016) starring Adam Driver & Golshifteh Farahani

Beauty is often found in the smallest details. -A tag line for the movie

This indie film by writer/director Jim Jarmusch shows us a week in the life of a young man, Paterson (Adam Driver), living in Paterson, NJ. He lives a routine life, even waking up at exactly the same time almost every day w/o an alarm. He eats Cheerios for breakfast, walks to work (carrying a lunchbox packed by his gf), has a chat w/ co-worker Donny (Rizwan Manji- an Indian-American character actor), then starts his shift driving the #23 bus. After work, Paterson eats dinner w/ gf Laura (Golshifteh Farahani- an Iranian actress now based in Paris) and listens to the things she has done in her day. He takes Laura’s English bulldog (Marvin) out for a walk to the neighborhood bar; he has one beer and chats w/ the barkeeper, Doc (veteran character actor Barry Shabaka Henley). Two other regulars at the bar are going through a break-up; Marie (Chasten Harmon- in her film debut) says it is over, but her ex-bf Everett (William Jackson Harper from Midsommar) says he wants her back. Laura mentions a dream in which she had twins; Paterson encounters twins throughout his week. Paterson’s keen observances are the basis for the poems he writes (in his secret notebook) whenever he has a spare moment. Something that happens this week has the potential to knock his world into a tailspin.

Laura: Did you ever hear of the old Italian poet called… Petrarch? Is that it?

Paterson: Mmm, Petrarch. He perfected the sonnet.

Laura: I read online that one of his early books of poems was called The Secret Book, just like yours.

Paterson: I didn’t know that! You read that. You just happened upon it online.

Laura: And also that he wrote all his love poems to a beautiful girl called… ta da! Laura!

A woman named Laura was the muse of Petrarch, BUT she wasn’t his wife and they had limited contact, if any at all. The poems here came from Ron Padgett, one of Jarmusch’s favorite contemporary poets, who agreed to write the poems for the film and let Jarmusch use some of his pre-existing work as well. Driver underwent training to get the commercial driver’s license (CDL)! He wanted to be able to be on “auto pilot” while driving the bus; this also meant the film could feature more authentic footage, opening up for a variety of shots. He was taught over a period of 3 mos. on the busy streets of Queens, passing the test a week before filming. On the bed stand, there is a photo of a younger Paterson, during his military service; this is an actual picture of Driver from his time in the Marines. The man working out a rap song in the laundromat is Cliff Smith (AKA Method Man), a member of Wu Tang Clan. Kara Hayward and Jared Gilman both made their debuts in the Wes Anderson’s Moonrise Kingdom (2012); they’re the college kids on the bus discussing anarchy.

Everett: You love somebody, more than anything in the whole damn world. You… worship her. You don’t wanna be alive without her, and… she says she doesn’t want you. You’re just… dirt.

Doc: Damn brother! You should be an actor.

Everett: [nods] I am… an actor.

[Paterson turns his head away and tries not to laugh.]

Paterson is a character-driven film; the theme (as Jarmusch commented) is the “poetry in everyday life.” The first thing I noticed was the gentle/loving/respectful relationship between Paterson and Laura. We don’t know how long they’ve been together, BUT they’re a warm and compatible couple. There is great chemistry between Driver and Farahani (who has been acting since she was a teen in Iran); you feel like they’re in love! Paterson is a good listener, while Laura is more of a talker. She has many interests: decorating/painting (esp. the black/white aesthetic), playing guitar (so maybe she could be a country singer), and baking cupcakes (to sell at the farmers market). Laura wants Paterson to share his poems w/ the world, BUT he’s hesitant. As Jarmusch noted at Cannes Film Festival, he put aspects of the actors into their characters. Also, he wanted to show that ordinary people (w/ 9-5 jobs) can choose to be creative. I liked the ending scene between Paterson and the visiting Japanese poet. If you need a quiet, low stakes, and unique film to watch- check this out!

Independent cinema is more thoughtful, delicate. While Western blockbusters can have their own kind of delicateness, it’s not delicate enough. You have to be ready to compromise to enter that field. I will do so only if it’s worth it. -Farahani on her preference for indie films

I had to tell people I was not born with a scarf because I came out of Iran. People think you came out of your mother with a scarf; they can’t imagine that the scarf is not stuck to your head. -Farahani on assumptions re: women from Muslim countries

Farahani is the 1st star (after the 1979 Iranian revolution) to act in a major Hollywood production: Ridley Scott’s Body of Lies (2008) w/ Leonardo DiCaprio and Russell Crowe. After the role of Aisha (a nurse/love interest of DiCaprio’s character), she was banned from leaving Iran in February 2008, on her way to London to make a screen test for Prince of Persia: The Sands of Time (2010). This was only reported 6 mos later when Farahani could leave the country. She has been based in Paris for many years and speaks fluent English, French, and Farsi. At the Cannes press events, Farahani spoke French when journos weren’t comfortable w/ English. I noticed that several of her films are available on Amazon Prime; I may check out soon.

[1] The movie is just a character study of a gentle and honest man just finding his own path through life, one week at a time. The script and situations also provide an appropriate amount of humor.

[2] The movie is meditative, contemplative, and soothing. An offbeat treat, as per usual, for Jarmusch, and lovers of art, poetry, and low-key expressionism are likely to like this diversion from the cinema of the everyday.

Others, will need patience and acquire an appreciation for the minimal.

[3] Driver was a really good casting choice. …I quite like him as an actor and he has that whole subtlety thing going for him as he really shines when playing rather quiet characters.

[4] Paterson is one of those movies that I think captures something inherently true about the discontentment present in most everyone’s life, whether or not they want to admit it’s there. Routines aren’t necessarily bad, and one can build a quite content and even intermittently happy life out of simple pleasures, but it’s the rare person who doesn’t spend a good portion of his/her life wondering how much happier he/she might have been if she had taken it in a different direction.

-Excerpts from IMBD reviews

Re-watching Spike Lee’s “BlacKkKlansman” (2018) starring John David Washington & Adam Driver

When producer Jordan Peele first pitched “Black man infiltrates Ku Klux Klan” to Spike Lee, Lee thought it might be a Dave Chappelle skit, until Peele assured him the story was authentic. For Lee, the story was too outrageous to ignore. He had a few conditions for directing: incl. comedic elements, and drawing parallels w/ contemporary racial issues. When Lee was a young student at NYU Film School, he was so outraged that professors taught the 1915 movie Birth of a Nation (w/ no mention of its racist message or its role in the Klan’s 20th century rebirth). He made The Answer (1980) as a response; many professors took great offense and Lee was nearly expelled. Lee was saved by a faculty vote; after his success as a filmmaker, he became a professor there and also Artistic Director of the Graduate Film Department. The film is dedicated to Heather Heyer, a young/idealistic white woman who was killed in hit-and-run at the “Unite the Right” rally on August 12, 2017 in Charlottesville, VA. The film opened in the US on August 10, 2018 to mark the 1st anniversary of the rally/her death. Lee received a six-minute standing ovation at the Cannes Film Festival- wow! He also became the 2nd Black American to be nominated at the Academy Awards for producing, writing and directing in the same year.

Patrice: Are you down for the liberation of black people?

Ron: Power to the people.

Patrice: All power to all the people.

Ron: That’s right, Sista.

In the early 1970s, Ron Stallworth (John David Washington- oldest son of Denzel/former football player) is hired as the 1st Black officer in the Colorado Springs, CO police department. Ron (a real person) is a college grad from a military family who wants to make a difference in his community. He’s assigned to the records room, where he is faced w/ micro-aggressions and even openly racist remarks from others. Master Patrolman Andy Landers (Frederick Weller) is one of the uniformed cops who doesn’t hide his dislike of Blacks. Ron (who wears an Afro and knows “jive”) soon requests to go undercover. His immediate supervisor, Sgt. Trapp (Ken Garito), is supportive of Ron. Chief Bridges (John David Burke) is surprised by the bold move, but agrees. Ron is assigned to infiltrate a rally where civil rights leader, Kwame Ture AKA Stokely Carmichael (Corey Hawkins- recently played Macduff opposite Denzel in The Tragedy of Macbeth), is to give a speech. Ture was considered “radical” as he was a Black Panther; he had organized “The Freedom Rides” a few years earlier to register Black voters in the South. Two experienced undercover cops, Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi- younger brother of Steve), listen in from a surveillance van nearby. In line for the rally, Ron meets a young woman named Patrice Dumas (Laura Harrier), the president of the Black Student Union at Colorado College. This is a fictional character created for the movie; she is smart, articulate, and a challenging love interest for Ron. He hears Ture’s speech (very strong/impassioned); Hawkins provides gravitas to this small role.

Sgt. Trapp (to Ron): You know the way to sell hate? Affirmative action, immigration, crime, tax reform… He [David Duke] says, no one wants to be called a bigot anymore because Archie Bunker made that too uncool. So, the idea is under all these issues… everyday Americans can accept it. Support it. Until eventually, one day he gets somebody in the White House that embodies it.

The police don’t seem concerned w/ the Klan at this time; they think there is no activity locally. One day, Ron sees an ad in the paper, and calls up the number complaining re: Black people. He soon gets a return call from KKK’s Grand Wizard- and future politician- David Duke (Topher Grace)! Playing such a loathsome role posed a challenge for Grace, leading the actor to feel depressed. The men of “The Organization” (the term they use) are archetypes we’ve seen before; they’d be the type to vote for Trump (if around in recent years). Walter Breachway (Ryan Eggold) is the genial/clean-cut guy who quickly builds a rapport w/ Flip (posing as Ron in-person). Felix Kendrickson (Jasper Paakkonen- who is actually Finnish) is the wild-eyed/hot-tempered one whose plus-size wife, Connie (Ashlie Atkinson- recently seen on And Just Like That and The Gilded Age) wants to get involved in his cause. Ivanhoe (Paul Walter Hauser) is the fat, dim-witted younger man (looking to the others for guidance/approval). Felix has a collection of firearms; he suspects that Flip is Jewish (raising the tension/potential for danger).

Flip: For you it’s a crusade. For me it’s a job.

Ron: You’re Jewish. They hate you. Doesn’t that piss you off? Why are you acting like you don’t got skin in the game?

One of the key themes of this movie is duality; Ron and Patrice even have a conversation re: “double consciousness” on one of their dates. Double consciousness is the internal conflict experienced by subordinated or colonized groups in an oppressive society. The term and the idea were first published in W. E. B. Du Bois’ The Souls of Black Folk (1903). Originally, double consciousness was specifically the psychological challenge African Americans experienced of “always looking at one’s self through the eyes” of a racist white society and “measuring oneself by the means of a nation that looked back in contempt.” The term also referred to Du Bois’s experiences of reconciling his African heritage w/ an upbringing in a European-dominated society. Ron is a Black man living in a racist society; he is also a police officer (so part of “the system”). Flip is Jewish (has a Star of David necklace), but he didn’t grow up w/ the rituals and traditions (and always considered himself “white”). However, getting embedded w/ the KKK, Flip finally has to grapple w/ his religious heritage and the prejudice faced by Jewish people. Lee co-wrote the script w/ his (frequent) collaborator, Kevin Wilmott and two Jewish co-writers who served as producers (Charlie Wachtel and David Rabinowitz).

Flip (to Ron): I’m Jewish, but I wasn’t raised to be. It wasn’t part of my life, I never thought much about being Jewish, nobody around me was Jewish. I wasn’t going to a bunch of Bar Mitzvahs, I didn’t have a Bar Mitzvah. I was just another white kid. And now I’m in some basement denying it out loud. (He chuckles low.) I never thought much about it, now I’m thinking about it all the time. About rituals and heritage. Is that passing? Well then I have been passing.

He’s a beast! Game respects game. -Lee re: working w/ Driver

For Driver fans, there is much to admire: the quiet intensity, close-ups of his profile (quite striking), and his restrained swagger. His hair is longer than most cops and he wears casual clothes (plaid shirts, sheepskin jacket, and jeans). Flip is a really good shot (can handle himself in tough situations) and projects a laid-back personality. As Flip interacts more w/ the Klan, it takes a toll (focus on the eyes). There are a few light moments in the film between the cops; these are needed to cut the tension created by the serious subject material. Driver was nominated for an Oscar for Best Performance by an Actor in a Supporting Role. There is much more to see/discuss; check it out yourself! I saw it at a free screening when it came out in theaters, then saw it again (Amazon Prime) a few weeks ago.

[1] BlacKkKlansman, is great movie, that manages to be thought provoking and funny at the same time. The cinematography is excellent. The only issue I had with this movie was the pacing, but nothing major. Oh, forgot to mention, great ending as well!

[2] There are aspects that feels too artificial which detracts from the tension. The subject matter requires the movie to be more real. At times, Spike Lee pushes into satire territories but nevertheless, it is still one of his better recent movies.

[3] Lee’s film takes liberties with the actual true events. It starts off as a satirical drama. Lee however in unable to resist being heavy-handed with his message…

The film benefits greatly from the performances by John David Washington and Adam Driver.

-Excerpts from IMDB reviews

Q&A w/ the cast, director, & Ron Stallworth:

“What If” (2013) starring Daniel Radcliffe, Zoey Kazan, Megan Park, Adam Driver, Mackenzie Davis, & Rafe Spall

WHAT IF is the story of medical school dropout Wallace (Daniel Radcliffe), who’s been repeatedly burned by bad relationships. So, while everyone around him, incl. his best friend Allan (Adam Driver), seems to be finding the perfect partner, Wallace decides to put his love life on hold. It is then that he meets Chantry (Zoe Kazan), an animator, who lives with her longtime boyfriend Ben (Rafe Spall). Wallace and Chantry form an instant connection, striking up a close friendship. Still, there is no denying the chemistry between them, leading the pair to wonder, what if the love of your life is actually your best friend? -Synopsis from CBS Films

In Canada and the UK, this rom com (free on Amazon Prime) was called The F Word (as in “friend”); Hollywood changed it to avoid the R rating (LOL). It is based on the play titled Toothpaste & Cigars by T.J. Dawe and Michael Rinaldi. Radcliffe (at 25 y.o.) said that this role is the 1st contemporary character he’s ever played: “There was something lovely about just stepping up on set and talking.” The director (Michael Dawse) is Canadian; the screenwriter (Elan Mastai) later went on to work on the hit TV series This is Us (2016). The filmmakers brought the cast back together over 2 weekends to create a new ending, 18 mos. after the original one. Radcliffe was initially hesitant about changing the ending b/c of how much he loved the original (“kind of old-school Hollywood.”) After shooting and watching the screening, he was happy w/ the new ending.

Wallace: In fairy tales, love inspires you to be noble and courageous, but in real life, love is just an all-purpose excuse for selfish behavior. You can lie and cheat and hurt people, and it’s all okay because you’re in love.

I ONLY watched this movie for Driver (just keeping it real); this is his 1st rom com! I found the size difference between Radcliffe (5’5″) and Driver (6’3″) comedic. Their characters also have different personalities; Wallace lives in his head and is more of a thinker, while Allan is extroverted and acts on impulse. Allan and Nicole (Mackenzie Davis) have a love (or lust) at 1st sight connection at Allan’s house party. Driver and Davis (who I first noticed on Black Mirror) make a hot couple; both are V tall, lean, w/ frenetic energy. Driver brings humor and does well w/ what was given. The dancing scenes at the wedding are funny.

Allan: I just had s*x and I’m about to eat NACHOS! IT’S THE GREATEST MOMENT OF MY LIFE!

The relationship which develops between Wallace and Chantry (Allan’s cousin) is slow/complicated. I thought the scene where Wallace and Chantry meet by chance at a screening of The Princess Bride was cute. There was a LOT of banter (perhaps TOO much), esp. between Radcliffe and Kazan (w/ petite build and only 5’4″). Another petite actress (Sarah Gadon) plays a young doc who’s the ex-gf of Wallace; I really liked her performances in Belle and a Canadian TV series- Alias Grace. There are really NOT many stakes in this movie. Wallace is NOT interested in Dalia (Megan Park), the lovelorn/annoying sis of Chantry. Also, Ben (who is a nice guy) is sent off to Dublin for 6 mos. (removing possible tension between him and Wallace). I didn’t see the point of having the animation scenes. There are points where the movie drags. If you’re NOT a fan of the rom com genre, this may tax your patience.

Allan: It’s complicated. All this love shit’s complicated. And that’s good. Because if it’s too simple you’ve got no reason to try, and if you’ve got no reason to try, you don’t.

[1] Have you ever watched a film that was pretty good but easily could have been better? Well, that’s my reaction to What If… It’s a pretty decent little romance, but the film also sure looks like the script could have used a decent editing, as sometimes the dialog is needlessly offensive...

The film is much like the premise behind When Harry Met Sally. In other words, it questions whether a man and woman can be just friends and stay that way.

[2] Poor Daniel Radcliffe, it will be a long time before we think of him as anything else but Harry Potter. But give him credit, he is now establishing himself as a reliable young adult actor. After all he turned 25 in 2014 so these sorts of roles are appropriate for him.

[3] Adam Driver from Girls is a tamer version of Adam Sackler and he works quite well.

[4] …this film isn’t as quirky or as entertaining as it thinks it is…

-Excerpts from IMDB reviews

“Tracks” (2013) starring Mia Wasikowska & Adam Driver

Some nomads are at home everywhere. Others are at home nowhere, and I was one of those.

– Robyn Davidson

In 1977, a 27 y.o. Australian woman, Robyn Davidson (Mia Wasikowska), set out from Alice Springs (Northern Territory) to trek across 2,700 km of harsh desert of Western Australia to reach the ocean. Accompanied by her dog and 4 camels, she had NO other purpose than to find herself on a journey of self-discovery. At points along the trip, Robyn is joined by a young American photographer, Rick Smolan (Adam Driver); he works for National Geographic (which sponsored her trip). The director (John Curran) is an American; he worked on We Don’t Live Here Anymore (2004), The Painted Veil (2006), and various TV series. The cinematographer (D.P.) is an Aussie woman (Mandy Walker); she worked on Australia (2008), Hidden Figures (2016), and Mulan (2020).

Robyn: [in letter to the publisher of Nat Geo] I am well aware of the hardship I will be facing. I am the first to admit I’m remarkably unqualified for such a hazardous undertaking. But this is precisely the point of my journey. I’d like to think an ordinary person is capable of anything.

There were several prior attempts to bring Davidson’s adventure memoir (also titled Tracks) to the big screen; she is a well-known in her native country. Over the years, Julia Roberts and Nicole Kidman were attached to the lead role. The actual clothes (skirts, blouses, flannel shirts, etc.) that Davidson wore during her trek were recreated in fine detail. Wasikowka (who is an Aussie and of Polish heritage) gained acclaim as a troubled teen gymnast in S1 (2008) of HBO’s In Treatment; she played the lead in Jane Eyre (2011) opposite Michael Fassbender. She went to a “camel boot camp” for 3 days to learn how to work w/ the animals.

Rick: I didn’t realize how big camels are. It’s like a cow and giraffe mixture. It’s crazy.

She’s an awesome, ferocious actor. She’s so present in the moment, playful, and brave. And you can’t really ask for a better scene partner, I think. -Driver re: Wasikowska

I didn’t know much re: this film until recently; I assumed it was re: a road trip starring Driver (from the few US ads and comments by his long-time fans on social media). This is more about the female character- Robyn- who is introverted/reserved (preferring animals to people). On the other hand, Rick is an extrovert/chatty (who wants to get to know people). I don’t think I’ve ever seen Driver smile so much in a role (which is refreshing)! Wasikowska and Driver (wearing wire-rimmed glasses and clothes of that era) bring differing energies to their roles; she is bemused (maybe even annoyed) by his ebullience. Driver takes on a physicality that it “a bit awkward” (as Curran commented), though it is part of the sweet/nerdy charm of his character. Both Davidson and Smolan participated w/ the filmmakers on this movie; Smolan has a brief cameo as a park ranger. You can see this (free) on IMDbTV!

[1]...the human story is impressive, showing us a side of camels that I had no clue of. Camels as other animals obviously have their own personality and their own mind, seeing this depicted in a movie like this is amazing. Speaking of amazing: It’s not only the performances of the actors that are great, but also the visual presentation of the journey we’re taking with the “characters”. Inspiring and emotional, this might be able to touch you, if you go along with it (no pun intended).

[2] Despite the fact that it is often leisurely in the telling of Robyn’s true story and that Robyn is, for much of the running time, the only person on screen, it is never less than engaging. […]

Mia Wasikowska is very good in this gently moving film, but the real stars of this beautifully photographed story are the Australian desert and the camels.

[3] …the screenplay by Marion Nelson superbly uses brief flashbacks to give a psychological depth to what Davidson is trekking over, which never over powers the spiritual and personal discover that Davidson is making on the tracks. Largely taking place in the desert, Nelson avoids things drying up by crossing Davidson’s solo walk with intersections which take Davidson out of the self-imposed wilderness,as a sweet bond of friendship builds with Smolan, and Davidson learns of a completely different culture from the aboriginals.

-Excerpts from IMDB reviews