Tag: Mystery

“The Report” (2019) starring Adam Driver, Annette Bening, & Jon Hamm

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The Report is a thriller based on actual events. Idealistic staffer Daniel J. Jones (Adam Driver) is tasked by his boss Sen. Dianne Feinstein (Annette Bening) to lead an investigation of the CIA’s Detention and Interrogation Program created in the aftermath of 9/11. Jones’ relentless pursuit of the truth leads to findings that uncover the lengths to which the nation’s top intelligence agency went to destroy evidence, subvert the law, and hide a shocking secret from the American public. The Report is written and directed by Scott Z. Burns, and the film also stars Jon Hamm, Sarah Goldberg, Michael C. Hall, Douglas Hodge, Fajer Kaisi, Ted Levine, Jennifer Morrison, Tim Blake Nelson, Linda Powell, Matthew Rhys, T. Ryder Smith, Corey Stoll, and Maura Tierney. -Synopsis (Amazon)

This movie (acquired by Amazon Studios) is available for free on Amazon Prime; I saw it 2x (to get a better understanding on the issues). If you follow the news/current events, have an interest in politics, and/or enjoyed The West Wing– check this movie out. This has more of a documentary-style approach, so I wouldn’t call it a typical “thriller” (as classified on IMDb). Just before filming, the original plan of 50 days shooting was cut to a 26 days; the $18 million budget was slashed to ONLY $8 million! Burns revealed that ALL the actors (incl. Driver) were paid next to nothing on this project. Burns originally planned to approach the material in a satirical Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) manner; the more he delved into the facts, he realized it had told in the most realistic fashion. The film premiered at Sundance and received a standing ovation for the real Dan Jones (who was present).

Sen. Feinstein: If it [waterboarding] works, why do you need to do it 183 times?

After completing the screenplay, Burns shared it w/ frequent collaborator, Steven Soderbergh, w/ a view as to who he’d suggest for the lead. Driver’s name came up almost immediately; Soderbergh directed Driver in Logan Lucky (2017). In 2007, Dan comes to Capitol Hill as an idealistic young man (wanting to help his country); we learn that he was a Math teacher in Baltimore w/ Teach for America (3 yrs). After 9/11, he switched his classes to national security while at grad school (Harvard). Dan gets a job working for Sen. Feinstein (D-CA), head of the Senate Intelligence Committee. He ended up working on the torture report for 5+ yrs- wow! Jones was available to provide feedback on set; Driver found this very helpful.

Gretchen (CIA Agent): You may not realize, but we were trying to protect this country from people who wanna destroy everything we believe in.

Dan: You may not realize it, but we are trying to do the exact same thing.

The term “enhanced interrogation” has no meaning under law; the tactics aren’t used by professional interrogators. It was created by the CIA to describe tactics that would otherwise be considered torture or unlawful detainee abuse. The science finds that rapport-based approaches to interrogation are the most effective, as FBI Agent, Ali Soufan (Fajer Kaisi), tells Dan when they meet in NYC. Soufan’s flashback was eye-opening and troubling. I’m now curious to see The Looming Tower, a HBO miniseries (w/ Jeff Daniels and French-Algerian actor, Tahar Rahim, as Soufan) which focuses on the FBI’s response to 9/11. The physician assistant, Raymond Nathan (Tim Blake Nelson), who came to oppose EIT, meets w/ Dan late at night in a parking garage (reminiscent of Deep Throat in All the President’s Men). The psychologists, James Mitchell (Douglas Hodge) and Bruce Jessen (T. Ryder Smith) were put in charge of not only creating and implementing the EIT program, but also evaluating its effectiveness. This is (obviously) a conflict of interest, as Dan explains to Feinstein in the 2nd hr. of the movie.

Evan (NYT Reporter): If the Times had your report, we would print it, tomorrow.

Dan: No. If it’s gonna come out, it’s gonna come out the right way.

I live just outside DC, so got a kick out of seeing Driver running past the national monuments. Then there are the (relatable) boring office buildings, basement rooms, and working on computers- LOL. Driver has a scene w/ his wife, Joanne Tucker (who he met while they were students at Julliard)! Tucker plays Gretchen (blonde CIA Agent working under the mysterious Bernadette, played by Maura Tierney); she confronts Dan and his colleague in the restaurant scene. Matthew Rhys plays Evan (the NYT national security reporter); he’s a friend of Driver who acted w/ him off-Broadway and appeared on HBO’s Girls. Corey Stoll (who also appeared on Girls) plays a lawyer, Cyrus Clifford, who Dan consults w/ after the CIA goes after him. Driver and Stoll played brothers in the comedy movie This is Where I Leave You (2014).

[1] The late Sen. John McCain gets the last word here, appropriately, with archive footage of his impassioned speech on the Senate floor regarding the necessity of forbidding the U.S. from engaging in torture, regardless of what the country’s enemies do.

[2] The cuts in time work well to put meat on the bones and helps to mix the political, ethical, and real life aspects of it. […]

It is more important than engaging though, and could have been a stronger film for embracing the complexity more than it did.

-Excerpts from IMDb reviews

Official trailer for The Report.
The director and actors talk re: The Report at Sundance Film Festival with Variety magazine.

Adam Driver’s “Law & Order” Episodes

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Law & Order (S20, E15): Brilliant Disguise (March 8, 2010)

After a young woman, Justine, is found brutally murdered in a hotel and her body stashed away on a food service cart, evidence leads Detectives Cyrus Lupo and Kevin Bernard to a young med student. When a crafty lawyer, Ray Backlund, becomes involved, the detectives realize that it is going to take more than superficial evidence to put the murderer behind bars. This quickly becomes a case of mind over matter. -Synopsis from NBC

This ep (which I saw for the 1st time last month) is based on the Craigslist Killer (Philip Markoff) who targeted escorts in hotel rooms in 2009; like his fictional counterpart, he also was engaged. This appears to borrow elements of the 2009 murder of Yale graduate student Annie Le. A suspect and coworker of hers, Ray Clark, was convicted of the homicide. Clark was a lab tech who became extremely angry when his colleagues left mouse and rat cages filthy. He also had a fiancee who was possessive/bossy. This is an interesting story about a perpetrator who thinks he’s much smarter than anyone else. I haven’t seen many eps which paired Det. Lupo (Jeremy Sisto) w/ Det. Bernard (Anthony Anderson); I’m a fan of Anderson from other series (he can do BOTH drama and comedy well).

It turns out that Justine had a secret life as an escort which her mom in Richmond, VA, knew nothing about. Initially, the detectives get it wrong when they arrest Robby Vickery (Adam Driver), a lab tech at Chelsea University who lets women assume that he’s a med student. In fact, other evidence points to Alex Conway (Daniel Eric Gold), an arrogant grad student w/ gambling addiction. To Alex, the escorts he picks up are like the lab rats Robby works w/- scary! Alex is clever, as is his defense attorney, Ray Backlund (Timothy Busfield). Also, Alex’s wealthy fiancee, Carrie Newton (Jess Weixler), is willing to do anything to help his case.

Getting a job on the L&O series was a rite of passage for up-and-coming/NYC-based actors. Driver does well in his role; this show originally aired several mos. after he graduated from Julliard in 2009. He shows Robby’s unassuming/charming side (in the opener w/ Justine); she gives him her number and wants to go out to brunch w/ him over the weekend. Then, we see Robby’s insecurity/vulnerability when detectives come to his lab. When they question him at the precinct, we see the creepy behavior he has engaged in (though exclaiming “I respect women”). As the evidence against him is circumstantial, it was the smart move to ask for a lawyer. It took me a few weeks, BUT I learned that this is where “feed the rats on time” comes from (in the Driver fan community)- LOL!

Law & Order: SVU (S13, E11): Theater Tricks (January 11, 2012)


SVU tries to figure out who was responsible for the real-life rape of an actress during an interactive theater performance that everybody just assumed was part of the show. -Synopsis

This is a weird/shocking case (even by SVU standards- IF you’re familiar w/ the series); I didn’t remember seeing it when it originally aired. There are several notable guest stars (along w/ Driver): Gibert Gottfried (a police computer expert), Grant Shaud (a theater critic), Kevin Pollak (a judge w/ a secret love life), and Fisher Stevens (a controlling director). The victim is Meghan Weller (Jenn Proske), a V pretty/eager-to-please young woman who moved to NYC 6 mos. ago from a small town in Minnesota. She is stunned that such a horrible thing could happen; she was so happy/excited to get her 1st role. The men around Meghan ALL seem to be problematic in some way, BUT who is the ultimate villain!?

Jason Roberts (Adam Driver) isn’t the rapist here, BUT he is a creepy stalker. Meghan calls him her “computer guy” who “seemed harmless.” Jason is obsessed w/ Meghan, has pics of her all over his bedroom, has seen her play 12 times, and installed hidden cameras in her apt. Now some of you L&O diehards (or those studying law) will realize that everything found in that room is inadmissible as evidence. Det. Rollins didn’t have Estelle Roberts’ permission to enter her son’s room; also his door was closed (violating the plain view doctrine), so they had no probable cause or warrant. Meghan (using her acting skills) convinces Jason to meet her at a cafe; Det. Nick Amaro (Danny Pino) and Det. Rollins (Kelli Giddish) can arrest him.

Jason: If I was gonna set up Meghan, I’ve got images that are a lot hotter. See?

[shows the detectives the images]

Det. Rollins: Really? Jason, you just made bail on a surveillance charge.

When Jason is initially questioned in the interrogation room, we see the (twisted) “love” he has for Meghan. He looks shocked to learn of what exactly happened to her during the play; his eyes are full of concern (almost as if going to cry). In Jason’s mind, the cameras were “for her protection,” as she’s “naive” and “trusting.” It turns out that the video footage he captured from the play (and other instances) could be helpful in solving the case! This is a bigger/more interesting role for Driver than in his previous L&O ep. I was impressed by how he made this character (somewhat) sympathetic and even a BIT humorous (see Ice T’s reactions). You also see his quirky physicality. It would’ve been great IF he’d gotten to have a scene w/ Lt. Benson (Mariska Hargitay).

Adam Driver behind them scenes of “SVU.”

“Midnight Special” (2016) starring Michael Shannon, Joel Edgerton, Kristen Dunst, & Adam Driver

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From a local Texas news story, we learn that 8 y.o. Alton Meyer (Jaeden Martell) was been kidnapped by Roy Tomlin (Michael Shannon). Alton (who doesn’t look hurt/scared) wears goggles over his eyes, headphones over his ears, and reads comic books. Roy has a friend, Lucas (Aussie actor Joel Edgerton), who is along on the road trip to Florida. Alton’s adopted father, Pastor Calvin Meyer (actor/playwright Sam Shepard; he passed away in 2017), is the leader of a religious cult (The Ranch). He sends two of his loyal followers, Doak (Bill Camp) and Levi (Scott Haze), to find and bring back the boy. Agent Miller (Paul Sparks) is on the case; The Ranch has raised the suspicion of the FBI in recent mos. (after members purchased many firearms). A young NSA agent, Paul Sevier, (Adam Driver), is flown in to lead the investigation. We will also meet Sarah (Kristen Dunst- understated w/ no make-up), a woman who left the cult.

This film (written/directed) by Jeff Nichols was shot in 40 days on a budget of just $18M. It still has the look (aside from the special effects) and feel of an indie, BUT was produced by Warner Bros. This is the 4th film where Nichols collaborated w/ Shannon (who came up from the Chicago theater world). I was quite impressed w/ Shannon when I saw him in Ramin Bahrani’s indie, 99 Homes (2014), co-starring Andrew Garfield. Before quarantine, I’d sometimes attend free/press screenings of films in/around DC. I’ve also seen him as the villain (Gen. Zod) in Man of Steel (2013) and as a sheriff in Nocturnal Animals (2016). He is tall w/ big/wide-set eyes and projects a lot of intensity.

I heard about this movie on a few podcasts (when it first came out); many critics praised it and referred to Nichols as an auteur (a filmmaker whose individual style and complete control over all elements of production give a film its personal and unique stamp). This film is moody, atmospheric, mysterious, and the characters usually express themselves (w/o saying much). Spielberg is (obviously) a big influence on Nichols, who wrote the screenplay after becoming a father for the first time. I learned that Nichols turned doing directing Aquaman– wow- b/c he prefers to work on his own (small) projects!

If you’re a fan of Driver, you’ll enjoy this movie. He looks youthful, cute in a relatable way (wears glasses and the clothes are a bit nerdy), and projects intelligence and open-mindedness. Yes, this is before he made it big as Kylo Ren. Nichols said that Sevier was influenced by Hopper (Richard Dreyfuss) in Jaws (1975) and Lacombe (Francois Truffaut) in Close Encounters of the Third Kind (1977)- a movie I haven’t seen. Nichols had never seen HBO’s Girls; Driver was recommended to him by his casting director.

We took a character that could’ve been the most clichéd in the whole movie, and maybe still is, but I think it was Adam who started to ask the right questions about that character. […] I remember in one of the first scenes we did, he sat down at this desk and banged his leg on the table and dropped his bookbag. And I remember thinking, “Oh, that’s terrible, should I call cut?” And I realized, “Oh no, he’s being Paul Sevier. That’s how Paul Sevier enters a room.” And it just made it better and I’m quite impressed with Adam Driver. …I think he’s probably gonna be one of the most important actors of our generation.

-Jeff Nichols (from March 22, 2016 interview in Indiewire)

This has a great sense of sci-fi realism… Shannon simply has intensity.

A beautiful, touching story. Nice performances. Fascinating subject.

– Excerpts from IMDB reviews

Connery Returns: “Diamonds are Forever” (1971)

Emma3 Comments

James Bond (Sean Connery- at 40 y.o. w/ bushier eyebrows) has a new mission- find out who has been smuggling diamonds. He takes on the identity of “transport consultant” Peter Franks and joins up w/ Tiffany Case (Jill St. John), an American diamond smuggler. Mr. Wint (Bruce Glover- father of Crispin) and Mr. Kidd (Putter Smith) are the dangerous/eccentric duo tailing Bond. Ernst Stavro Blofeld (Charles Gray- who played a British ally in You Only Live Twice) also has his hand in this game; he has changed his looks (again). Can Bond finally defeat his ultimate enemy?

M: We do function in your absence, Commander.

George Lazenby was asked to make a second Bond movie, but declined. Burt Reynolds was the first choice to replace him, but was unavailable. Roger Moore was offered the role of Bond, but he was unavailable due to his commitment to a TV series. Tall/handsome Mexican-American actor John Gavin (best known for his supporting role in Psycho) was signed to play Bond in this movie. Adam West turned down the role b/c felt that Bond should be a British actor. Michael Gambon turned down the role because he was “in terrible shape.” At the last minute, Connery agreed to return as Bond; Connery was paid $1.25M (a figure unheard of in those days); he donated it to the Scottish Education Fund (which is awesome)! Albert R. Broccoli insisted that Gavin be paid the full salary, for which his contract called.

[Tiffany Case opens the door almost nude]

Bond: That’s quite a nice little nothing you’re almost wearing. I approve.

Tiffany: I don’t dress for the hired help. Let’s see your passport, Franks.

[Bond gives her his passport. She looks it over]

Tiffany: Occupation: Transport Consultant? It’s a little cute isn’t it? I’ll finish dressing.

Bond: Oh, please don’t, not on my account.

Tiffany (the first American Bond Girl) is argumentative, loud, and brash when compared to previous Bond girls; she was meant to be a commentary on American women. Actresses considered for the role of Tiffany included Raquel Welch, Jane Fonda and Faye Dunaway. Jill St. John had originally been offered the part of Plenty O’Toole, but landed the lead after impressing director Guy Hamilton during screentests. Tiffany’s home was actually owned by Kirk Douglas- how cool!

[Mr. Kidd spots Bond and Tiffany at the airplane. He returns to his seat]

Mr. Kidd: [to Mr. Wint] They’re both aboard. I must say Miss Case seems quite attractive…

[pause]

Mr. Kidd: …for a lady.

[Mr. Wint glares at Mr. Kidd]

Mr. Kidd: Heh heh heh heh!

[Mr. Wint, unamused, still glares at Mr. Kidd]

Producers cast Lana Wood (sister of Natalie) as Plenty O’Toole after seeing her in Playboy. Her voice was dubbed and she is standing on a box for some of her scenes w/ Connery (b/c even in high heels, she was too small to fit into the frame w/ him). Unlike her sister, Lana is a very wooden (pardon the pun). Willard Whyte (Jimmy Dean- best known for his sausage commercials) was based on Howard Hughes. Whyte owned the Whyte House in this movie; Hughes owned a real Las Vegas hotel (the Desert Inn). Dean was an employee of Hughes at the Desert Inn; he later confessed that he was uneasy portraying a fictional version of his boss. Shady Tree (Leonard Barr) is based on veteran Vegas comedian Shecky Greene.

[while fumbling inside the pipeline, Bond sees a rat]

Bond: Well, one of us smells like a tart’s handkerchief. [sniffs] I’m afraid it’s me. Sorry, old boy.

One of the first things I noticed re: this movie- it looks a BIT cheap (and NOT only b/c it’s set mainly in Vegas). Because of Connery’s high fee, the special effects budget was scaled back. Bond’s escape through a moon landing “movie set” refers to the popular conspiracy theory of the time that the real moon landings were faked. This may be confusing to some (younger) viewers- LOL! The Moon Buggy was inspired by an actual N.A.S.A. vehicle, but w/ additions like flailing arms (as the producers thought it didn’t look “outrageous” enough). It was capable of road speeds; the fiberglass tires had to be replaced during the chase sequence b/c the heat and desert soil ruined them.

Some scenes here have NOT aged well! Plenty is caught by some thugs, wearing nothing but her underwear and high heels, and tossed into the pool. Some fans/critics noted that this has misogynistic undertones. The same can be said of the opening teaser scene where Bond interrogates a woman by pulling up her bikini top and nearly strangling her w/ it. Wint and Kidd hold hands in one scene and banter like a romantic couple; some viewers felt this portrayal wasn’t so bad, but others called it homophobic.

[1] …Sean Connery is back–too bad the film, in many ways, sucked. That’s because by now, the plots seemed more like comic books and the character of Bond seemed more like self-parody than anything else. While in the past Connery played his character rather straight, here he was playing a smirking and smug guy–as if he was looking at the camera and saying “ain’t I cute?”

[2] …we have a tacky script that relies too much on slapstick and unfocused direction. And the acting is not great, Sean Connery is my favourite Bond mainly due to his suavity and charisma but he seems bored and uninterested here and gives an unusually flat performance in the role…

[3] The globe-trotting action takes in Amsterdam and Las Vegas this time around, culminating with an explosive action set-piece on an oil rig in the Atlantic. There are many varied locations used, from action in hotel rooms, circuses, gambling halls and even the desert. There are only two chase scenes in the movie but both are goodies… […] Finally, the action set-pieces are also rather good. The standout is a fight to the death in an old-fashioned lift, of all places, featuring Connery going fist-to-fist with boxer Joe Robinson.

[4] When he first showed up on screen I was taken aback by his aged appearance, looking quite much older than his forty years at the time. […] Story wise, the diamond smuggling concept started out strong but seemed to get frittered away as the film progressed.

-Excerpts from IMBD reviews

Meet the New Bond: “On Her Majesty’s Secret Service” (1969) starring George Lazenby, Diana Rigg, & Telly Savalas

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George Lazenby (an Aussie car salesman/part-time model) steps into the role of James Bond (after Sean Connery refused). Bond meets the 2nd most powerful leader of a criminal org, Marc-Ange Draco (Italian actor Gabriele Ferzetti), and becomes close w/ Draco’s daughter, Tracy (British TV star Diana Rigg). She was 38 y.o. at that time; she looked classy and confident. Bond then heads off to hunt down Ernst Stavro Blofeld (now played by a American TV star- Telly Savalas) in Switzerland, posing as ancestry expert/professor, Sir Hilary Bray (George Baker). The remote facility (supposedly for allergy research) is heavily guarded and managed by a German woman, Irma Bunt (Ilse Steppat). Anglophiles will get a kick out of seeing a V young Joanna Lumley as one of Blofeld’s international ladies; she went on to comedic fame in Absolutely Fabulous.

Actors considered for Bond included Americans and Brits: Adam West (Batman), Jeremy Brett (Sherlock Holmes), John Richardson (a conventionally handsome up-and-coming actor), Oliver Reed (who went on to have a great career- his last role was on Gladiator) and Roy Thinnes (who I know from One Life to Live). Having secured a suit ordered, but uncollected by Connery, and getting a Rolex and haircut like him, Lazenby talked his way into meeting producer Albert R. Broccoli, producer Harry Saltzman, and director Peter R. Hunt. After falsely claiming he had acting credits, he got a screentest. Lazenby then confessed to Hunt that he wasn’t an actor. Hunt laughed and said, “You just strolled in here and managed to fool two of the most ruthless bastards in the business. You’re an actor.”

As of 2021, Lazenby is the youngest actor to portray 007, as he was only aged 29 during filming. We see the only signature gun barrel sequence where Bond drops down on one knee while shooting at the audience. The theme song We Have All the Time in the World was the last song that Louis Armstrong recorded; he died 2 yrs later. Lazenby wanted to do most of his own stunts, but the studio wouldn’t allow him. During one of the stunt scenes, Lazenby broke his arm, delaying the filming of many of his later scenes.

Though Lazenby doesn’t have as much charisma as Connery, he looks good in the outfits and carries himself w/confidence (no doubt b/c of his experience as a model). You can tell that he hasn’t acted before- for sure! Many viewers noted that Lazenby has good chemistry w/ Rigg in their romantic scenes. Savalas (best known as Kojak) does a fine job in his villain role. As for Draco- ugh- he’s a misogynist who thinks his daughter needs to follow his ideas. He tries to arrange a marriage (no joke) between Bond and Tracy- yikes!

What I liked about it, that we’ve tried to emulate in this film [Inception], is there’s a tremendous balance in that movie of action and scale and romanticism and tragedy and emotion. -Christopher Nolan (filmmaker)

There is a freshness and energy here, unlike most of the previous franchise films. It also looks a lot better; it had a $7M budget, a shooting schedule of 9 mos. (half on location), and a crew of 120. These filming techniques appeared for the 1st time: slow-motion (Bond is knocked out in his bedroom), flashback (Bond remembering Tracy being captured), and “breaking the fourth wall” (Lazenby looking into the camera after saying “This never happened to the other fella”).

[1] …this is my vote for the best James Bond film. No, it’s not because I am a George Lazenby fan. Despite this Aussie not being right for the role, this movie deserves kudos for being so intelligently written–possessing a depth that was never equaled in any other Bond film. Bond, for the first time, was human. Another reason I loved this film is because it was a very long and complex film–making it seem leisurely yet exciting throughout.

There are two plots in the film that run concurrently. First, Bond happens upon a very spoiled and confused lady (Diana Rigg). She is an emotional mess and she needs stability in her life. In a very odd choice, she drifts towards the usually irresponsible and shallow Bond–who in his own way needs her as well. Second, Blofeld is back again and he’s up to something–but what this diabolical scheme is, no one knows.

In addition to the exceptional plots and writing, this film also had amazing but appropriate stunt-work. The skiing scenes were amazing…

[2] It is not the best Bond but it is light years away from the worst. George Lazenby may be a tad inexperienced and the least charismatic of the Bonds, but he is still likable and does try hard, that I can see. (…) Terry Savalas is great as Blofeld, and Diana Rigg is splendid as Tracy. The cinematography and scenery are beautiful, and John Barry’s score and Louis Armstrong’s theme song are simply terrific. In conclusion, better than I thought and dare I say underrated.

[3] I’m not going to put 100% of the blame on Lazenby but I really wonder what the hell the producer’s were thinking. I’m sure they did screen tests or something and at some point they must have known that the actor simply couldn’t pull off anything in the role. He didn’t have the look to believed as a sex symbol and he didn’t have the acting talent to pull off some of the darker, more serious moments that the film goes for. I also thought his comic timing was downright horrendous and made for some really embarrassing moments…

[4]Rigg is every spy’s dream: a madly attractive woman with plenty of intelligence and also spirit, as she reveals in the climax when she tackles a thug.

The movie also benefits from some decent, fast-paced action scenes and genuinely funny humour. This was the first time Bond went skiing and his antics on the slopes easily beat those of Moore. The snowbound locales make for plenty of inventively staged set pieces, like the car chase taking place in a stock car race or the high-rise antics around a cable car.

-Excerpts from IMDB movies