From the Terrace (1960) starring Paul Newman & Joanne Woodward

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Alcoholism, dysfunctional families, romance, infidelity (w/ its gendered double-standards), and America’s obsession w/ money and power are  the main themes in this (ahead of it’s time) melodrama.  I watched it last night (on Netflix); of course, Paul Newman and Joanne Woodward (who were married for 2 years at that time) were the draw.  Wow, if you want to see some HOT onscreen chemistry, check out their scenes together (first half of the film)!  As for Newman, he’s the definition of Hollywood’s total package (looks, presence, talent, the ability to be both humorous and serious, etc.) 

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In 1946, Aflred Eaton (Newman) returns to suburban Philly after serving in the Navy (WWII) to the loving arms of… his household staff.  His parents checked out long ago.  His father (Leon James) puts all his heart into his steel mill and mourning someone who will never return.  His mother (Myrna Loy) has turned to alcohol and another man.  A private nurse lives with her- a great shock to Alfred.  As his best pal, Alex Porter (a young and dapper George Grizzard), says he “needs to get out of that house” and their expectations.  Like many young folks, Alfred heads to NYC.

In a few months time, Alfred falls in love with Mary St. John (platinum-haired Woodward), a blue blood from Delaware.  She is engaged to another man and her parents would not approve of Alfred’s “qualifications,” Alex quickly explains.  “There are all types of qualifications,” Alfred slyly retorts.  After winning Mary’s hand, he starts working with Alex on designing/selling small planes on Long Island, but grows tired of being left out of the decision-making.  (The business was financed by the Porter family.)  An accident of chance propels Alfred into the society, then business, of one of the wealthiest financiers on the East Coast.  Alfred throws himself into his work, repeating his father’s mistake, and neglects Mary (not content to sit at home alone in their fancy Manhattan apartment). 

Some Quick Film Reviews

The Best Exotic Marigold Hotel (2012)

Well, you really CAN’T go wrong w/ such a stellar cast!  (Dev Patel, just 21 y.o., said how BIG of an honor it was to work w/ all these legends, in a recent NPR interview.)   My fave characters were portrayed by Judy Dench, Bill Nighy (he surprised me w/ his skill), & Tom Wilkinson.  Some viewers commented that Patel’s acting was very one-note (& I mostly agree w/ that).  Perhaps he got bogged down in the Indian accent (he’s a British desi, after all); perhaps he just needs to learn more.  The complete change of heart from Maggie Smith’s characters didn’t ring QUITE true IMO.  There are some GREAT life lessons in this film, BUT it’s NOT schmaltzy or stereotypical. 

Empire Falls (2005)

Fans of Paul Newman will be surprised by his (antihero) role in this HBO miniseries!  There are some  fine performances, esp. from Ed Harris, Aidan Quinn, Robin Wright Penn, & a young Danielle Panabaker.  I thought it started out quite strong, BUT there is something disjointed about it.  It’s set around two VERY different families in a working-class town of Maine. 

L.A. Confidential (1997)

Three reasons to see this film (in order): 1) Russell Crowe 2) Kevin Spacey 3) Guy Pearce.  I’m pretty sure this film was a star-making turn for Crowe.  Also, this is one of the BEST edited films I recall seeing.  I was surprised that Kim Basinger was so capable- she didn’t annoy me in this film!   I think you need to see it twice to appreciate it- I don’t think I paid attention the first time.

The Horseman on the Roof (1995)

This historical French film is GORGEOUS (& not just b/c of the two leads)!  There’s a LOT of natural beauty- greenery, mountains, snow, etc.  Olivier Martinez, who you may recall from Unfaithful,  portrays a true “romantic” (a individual of high ideals).  Juliette Binoche is perfect (as usual), though there is NOT much dialogue.   Plus, you have to give props to a woman who’s not afraid to act w/ a man prettier than her- LOL!   La Binoche never disappoints.

Three Reviews: “Paris Blues” (1961), “He Knew He Was Right” (2004), & “Two Lovers” (2008)

Paris Blues (1961)

This is a TERRIFIC, though lesser-known, Paul Newman-Joanne Woodward film.  (It was made after their marriage and birth of their first child.)  Trombone player Ram Bowen (Newman) and saxophonist Eddie Cook (Sidney Poitier) are expatriate American jazz musicians living in Paris.  They have a regular gig at a small/artsy/popular club, though Ram has a dream of being a serious composer.  Also, Ram is in a (friends w/ benefits) relationship w/ the singer/owner of the club, Marie.

The guys meet two beautiful American tourists- straight-talking jazz lover Lilian (Woodward) and socially-conscious teacher Connie (Diahann Carroll).  After Ram meets his old friend “Wild Man” Moore (Louis Armstrong) on a train, he confidantly approaches Connie.  This must’ve raised some eyebrows in ’61- a white man hitting on a black woman.  Of course, it was no big deal in France.  Ram invites her to hear him play at the club.  Connie brushes off his come-on and comments that she has a white friend with her.  Soon Lilian arrives to meet Connie; we see her keen interest in Ram.

Though Connie is suspicious of guys like Ram (“I know these jazz musicians…”), Lilian convinces her to go to the club that night.  When she hears Ram play, Lilian is visibly moved by the music.

Aside from romance, this film deals head-on with serious issues- ambition, racism, and drug abuse (one of the musicians at the club is addicted to cocaine).  The costumes, scenery, lighting, music, and dialogue are pitch perfect.  Newman and Poitier seem like two old friends; the chemistry between the two couples is almost palpable.  (As you may know, Poitier and Carroll were romantically involved at this time.)

Newman, who plays an anti-hero here, has some very good lines.  “Look, you don’t want me for what you want,” he tells Lilian directly when she shows interest in going out after a gig.  Lilian calmly comments that she’ll decide what she wants.  This is a grown-up look at love, not a fairy-tale story.  Check it out ASAP!

 

He Knew He Was Right (2004)

 

I watched this BBC miniseries for the second time recently.  Novelist Anthony Trollope was inspired to write the book by Shakespeare’s tragedy, Othello.  The main character, irrationally jealous husband Louis Trevelyan is also based on the author’s (often temperamental) father.

Louis (young Brit Oliver Dimsdale), a posh London gentleman, goes to the Canary Islands and falls quickly in love with Emily (Scotswoman Laura Fraser), the lovely daughter of the governor.  Though she is young and has never been in British society, he proposes marriage.  “He looks like a man who likes to have his way,” her father comments, though he feels it will be a very good match.  “Emily likes to have her way, too,” her concerned mother adds.

Emily and Louis settle in London and have a son.  Emily’s gorgeous young sis, Nora (Christina Cole) lives w/ them; she’s much admired by the bachelors in their circle.  But she falls for Louis’ best pal- young journalist Hugh Stanbury (Stephen Campbell Moore).  They can’t marry right away, as Hugh doesn’t come from money, is just getting started in his career, and has a mom and sisters to support out in the country.

To their friends, the Trevelyans seem to be the perfect marrieds.  But things start to go sour when Emily’s father’s old friend, and reputed playa, Colonel Osborne (Bill Nighy) enters the picture.  At a party, an older lady comments on his bad boy ways, alerting Louis.  Osborne visits Emily at the house; Louis doesn’t like this, as it could expose his wife to rumor and innuendo.  Emily, who is innocent/unspoiled like Desdemona, wonders why she shouldn’t see an old family friend.  “But I won’t see him if you forbid me to,” she eventually promises.

Osborne is refused entry to the house, but he approaches the couple while they’re out on a stroll in the park.  When the older man calls Emily by her first name, Louis gets visibly angry.  (In Victorian society, if a man called a woman by her first name, it could be inferred that he had intimate knowledge of her.)  Emily pulls Louis away, rushing towards home.  Finally, Louis decides to send Emily, his boy, and Nora to live in the country w/ the Stanbury ladies.  He rationalizes this decision by saying they’ll be “safe” there from Osborne.  Emily is stunned, but goes along w/ the plan.  (What other choice does she have?)  Her friends and family believe that Louis will soon come to his senses.

Aside from the main (dark/serious) storyline, there are several lighter ones to keep you entertained.  Nora and Hugh share a very tender love.  The eligible, soon to be titled Mr. Glascock (Raymond Coulthard), is intrigued by a forthwright American woman he meets while traveling in Italy.  Hugh’s sister, plain/serious Priscilla Stanbury (Amy Marston) doesn’t expect any beaus to come her way, but wants her kindly younger sis Dorothy (Caroline Martin) to marry.  When their rich/elderly aunt (Anna Massey) asks Dottie to become her companion, the world opens up for the good-hearted girl.

The flirtatious Reverend Gibson (Scotsman David Tennant) can’t seem to choose between three women in his town- Dottie and two vain, eager-to-marry sisters (character actresses Claudie Blakely and Fennella Woolgar).  Hilarity ensues when he decides on the wrong woman.

 

Two Lovers (2008)

Leonard Kraditor (Joaquin Phoenix), having survived heartbreak and suicide attempts, lives with his watchful (yet kindly) parents in the predominantly Russian Jewish ‘hood of Brighton Beach, Brooklyn.  He also helps out at the family laundromat, though he’s not very interested in his work; photography is his passion.  Though Leonard takes medication, we don’t know his exact illness.

One night, Michael Cohen, the man who’s going to buy the Kraditor’s business, comes over for dinner with his family.  When they are left alone, the elegant/single daughter, Sandra (Vinessa Shaw), confesses that she wanted to meet Leonard.  When she explains that she works for Pfizer, Leonard jokes that he “knows all about that.”  Sandra admires his photos; we can also tell that she’s very interested in him.  She comes across as a capable woman who could take care of the sensitive Leonard.

Leonard also happens upon his  new neighbor Michelle (Gwenyth Paltrow), who ducks into his place to escape the rebuke of her angry father.  What was he mad about?  It turns out that Michelle has an older, married lover (played by Elias Koteas).  Though we (and his observant mom, played by Isabella Rosselini) can see that Leonard has an instant crush on her, Michelle quickly comes to rely upon him.  It turns out that Michelle need a good friend- she’s battling tremendous insecurity and a drug habit.  When she calls or texts, Leonard goes running.

Leonard, Sandra, and even the troubled/rootless Michelle, will seem quite real to viewers.  They are not stereotypical Hollywood versions of people.  Often, the demons within us are worse that those found in the outside world.  We have to choose to be happy, as my mom says.

Movie Review: “Sweet Bird of Youth” (1961) starring Paul Newman & Geraldine Page

Hey readers!

Are we all ready for MORE Paul Newman?  He’s not a straight-shooting hero in this picture- he’s immoral, ambitious, and even… desperate.  He still looks SUPER-HOT!

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I saw this film last week on TCM; it’s based on a Tennessee Williams play, but not as well-known as say A Streetcar Named Desire, Cat on aHot Tin Roof, or The Glass Menagerie.  This film is a MUST-SEE for anyone who likes snappy dialogue, complex characters, and SMART classic stuff!

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Chance Wade (Paul Newman) drives into his little hometown (a tropical Southern locale near the sea) with drunken/depressed actress Alexandra Del Lago (Broadway star Geraldine Page).  At a large/fancy hotel, he checks her in as “Princess.”  He has to carry her up to the room; the staff starts to gossip about them (of course).  Then Chance sets off to locate his boyhood love, Heavenly Finley (a very blonde and thin Shirley Knight; you may’ve seen her in As Good As It Gets).

But getting together w/ Heavenly is NOT easy; her father Boss Finley (a wealthy/powerful politician) keeps tabs on her every move.  Her older brother Tom (Rip Torn- back then he didn’t have red hair) is a violent thug in a suit.  Heavenly’s maiden aunt is the only sympathetic one in the bunch.  Even the servants on the Finley estate warn Chance to stay away.

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We learn (via flashbacks) that Chance was very friendly with the Finleys growing up.  He and Waverly fell in love, and planned to marry.  But her father had other ideas… 

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Chance: I had my picture on the cover of Life magazine! Woo-ha!  And at the same time I was… employing my other talent…

Why is Chance with Princess if he STILL can’t forget Heavenly?  What does he want from her?

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Chance: I like you. You are a nice monster.

I pondered on these questions as I watched:

Why do we find it odd when men use their handsome faces/great bodies to get ahead? 

Why can’t women be in charge of their own bodies?  

How does aging affect women, particularly beautiful ones? 

How/why is a daughter’s behavior tied to family honor?  

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Chance: This is pretty high-class pot. Where’d you get it?
Alexandra: You beautiful, stupid young man. That is not pot.  It’s hashish, Moroccan, and the finest.

Yes, they’re talking about drugs.  This movie deals w/ difficult ADULT matters; it’s NOT a feel-good film. But you definitely MUST check it out!

Best to all, EMMA. 

Two Classic Movie Reviews: “All About Eve” and “Hud”

Anne Baxter as Eve
Anne Baxter as Eve, the theater newbie

Ruthless people can be fascinating to watch, as we learn from two wonderful classic (black and white) films, All About Eve and Hud.  Both films are character-driven (my fave kind!), thought-provoking, and intelligent.  The ruthless person in All About Eve (nominted for 14 Oscars!!!) is Eve Harrington (Anne Baxter; you can see her each Thanksgiving as the gorgeous Queen Nefretiri in The Ten Commandmants). 

Yul Brynner and Anne Baxter
Anne w/ Yul Brynner- WOW!!!

Eve is petite, with intense eyes, and (unusually) humble and ingratiating at the start of the film.  She adores Broadway star Margot Channing (Bette Davis) and wants to be a part of her world.  The kind-hearted wife of a great playwright, Karen Richards (Celeste Holm; she co-starred as the grandmother in the TV show Promised Land) introduces Eve to Margot and their circle of theater insiders.  They are touched by her sad life story and her sweet demeanor.  Soon, she becomes Margot’s personal assistant and lives in her apartment.  Margot’s long-time friend/housekeeper, Birdie, thinks that Eve is too good to be true!  What are Eve’s true feelings and intentions?  We wonder this because people are rarely so helpful, humble, and grateful like her.

What's she REALLY up to?

 Don’t get up. And please stop acting as if I were the queen mother. -Margot

The ruthless person in Hud (winner of 3 Oscars) is Hud Bannon (Paul Newman- taking on an anti-hero role), the 34 y.o. son of an old, honest cattle rancher, Homer (Melvin Douglas).  Hud is handsome, charming, reckless, and insensitive to the feelings/needs of others. 

Paul Newman as Hud

Movie tagline: The man with the barbed wire soul!

When he’s not (begrudgingly) working for his dad, Hud is living a protracted adolescence- driving too fast, drinking too much, sleeping with married women, and generally being a bad example to the real adolescent in the family, 17 y.o. nephew Lonnie (Brandon de Wilde).  Lonnie is cute, sweet, and thoughtful; he’s an orphan who also works/lives on the Bannon ranch.   

The only question I ever ask any woman is “What time is your husband coming home?”

Hud flirts shamelessly with the ranch’s wise and earthy housekeeper, Alma (Patricia Neal).  But she is one woman in town that won’t be had easy!  When hoof and mouth disease threatens the cattle (and the family fortune), Hud suggests an underhanded plan.  Homer is surprised and disappointed by his son’s lack of principles.  But that’s not the only reason there is a distance/coldness between father and son!

 

If nothing else, there’s applause… like waves of love pouring over the footlights. 

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Though Eve wins the trust and friendship of Margot, Karen, Bill (Margot’s director bf), and Lloyd (Karen’s hubby; a great playwright), she is not afraid to step on/use them on her way to stardom.  There is something disconcerting (notice the eyes) about her intensity and single-mindedness.   She is truly “a wolf in sheep’s clothing”- the ambition behind her smile knows no bounds!

…you don’t value anything. You don’t respect nothing. You keep no check on your appetites at all. You live just for yourself. And that makes you not fit to live with. 
-Homer
Hud, on the other hand, does nothing to disguise his “bad boy” side from his family and small Texas community.  He doesn’t apologize for his behavior because he sees nothing wrong with it!  Hud lives for pleasure (Jack Daniels whiskey, beautiful women, etc.) because he can’t live up to his father’s high moral standards (honesty, plain-speaking, moderation).  In one intense scene, Hud blames Homer for how he turned out, like an immature teen.  Lonnie, who observes his uncle carefully, is actually the bigger man in the film.  He grows to realize that Hud is no role model.

Eve is not the type of character that many viewers will sympathize with, though she is fun to watch.  Hud is self-destructive; only a dedicated actor like Newman can bring (a bit of) humanity to such a guy!  To discover those special moments, pay attention to his eyes, facial expressions, and body language during silent moments.  Sometimes the silence reveals more re: a character than his/her speech. 

Infants behave the way I do, you know. They carry on and misbehave – they’d get drunk if they knew how – when they can’t have what they want, when they feel unwanted or insecure or unloved.

Funny business, a woman’s career – the things you drop on your way up the ladder so you can move faster. You forget you’ll need them again when you get back to being a woman. That’s one career all females have in common, whether we like it or not: being a woman.

Margot Channing is a more well-developed character than nemesis Eve.  Though she is smart, talented, successful, etc., the actress is insecure about her love life.  She worries about getting old, even though her writer calls her “age-less.”  Margot creates drama where there is no need, trying the patience of her old pals.  Unlike Hud and Eve, Margot knows her faults and craves acceptance despite them.  She can laugh at herself- a great quality! 

 

Claudia: Oh, waiter!
Addison: That is not a waiter, my dear, that is a butler.
Claudia: Well, I can’t yell “Oh butler!” can I? Maybe somebody’s name is Butler.
Addison: You have a point. An idiotic one, but a point.

Marilyn Monroe has a small (but funny) part in All About Eve; she looks great (of course)!  The theater critic, Addison De Witt (George Sanders- standing by Marilyn in pic above) has some very witty/biting lines in this film.  He’s the bright, charming villain who takes an interest in Eve’s career.  I liked his character because he’s the one person who can go toe-to-toe with the real, ruthless Eve.  The best things about this film is the fast-paced, clever dialogue.

Hud has great cinematography; the B&W made the film look crisp and modern to me.  Paul Newman just becomes the character- one very different from himself.  His accent is flawless, too.  Check out these two films ASAP!