Tag: Race

“The Mission” (1986) starring Robert De Niro & Jeremy Irons

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Deep in the jungles of South America two men bring civilization to a native tribe. Now, after years of struggle together, they find themselves on opposite sides in a dramatic fight for the natives’ independence. One will trust in the power of prayer. One will believe in the might of the sword. -Taglines for the film

In the 1750s, an idealistic Spanish Jesuit, Father Gabriel (Jeremy Irons), goes high in the remote mountains of South America to build a mission, hoping to convert the native Indians. A Portuguese slave hunter, Capt. Rodrigo Mendoza (Robert De Niro), renounces his life of greed/violence and joins the mission; he eventually becomes a priest. Then, Spain sells this colony to Portugal, putting the freedom of the natives (and lives of the European priests) at risk! The film was released 4 yrs. after its (uncredited) source book- The Lost Cities of Paraguay– by Father C. J. McNaspy (an American Jesuit) was published. McNaspy was a historical consultant on the movie (loosely based on his work).

Gabriel: If might is right, then love has no place in the world. It may be so, it may be so. But I don’t have the strength to live in a world like that, Rodrigo.

The Mission was shot over 16 wks (mostly in Colombia), w/ 3 wks at the Iguazu Falls (Argentina). The Indian communities of Togorama, Burajon, Papayo, and Pangala (Choco, Colombia), esp. the tiny Guarani community (Iguazu, Argentina) contributed to its making. The Mission of San Carlos reconstructed for the movie was built on indigenous land w/ local materials and labor- wow! At Cannes (1987), it won both the C.S.T. Prize (the Technical Grand Prize) and the top award (the Palme d’Or), which were awarded to the director (Roland Joffé). The real draws here are its gorgeous cinematography and captivating musical score (by Ennio Morricone). Though it got 7 noms, the film won only one Oscar- Best Cinematography (awarded to Chris Menges).

Gabriel: If you die with blood on your hands, Rodrigo, you betray everything we’ve done. You promised your life to God. And God is love!

Like many viewers, I thought Irons did well; he shows a softer (gentler) side here than in some other roles. De Niro doesn’t seem V connected to this material; he looks good w/ longish/wavy hair and capable in the action scenes. When w/ the native kids, De Niro looks like he’s having a good time. The pacing is a major issue, aside from character development. There is only one (minor) female role; British theater actress (Cherie Lunghi) plays a noblewoman. We also see two tall/handsome (future) stars of Irish heritage: American actor Aidan Quinn (as Mendoza’s younger brother) and Irish actor Liam Neeson (as a priest- Fielding- using his own accent).

[1] The film is beautifully shot and features lush cinematography; however, the battle choreography of the film’s climax is somewhat ragged and unrealistic; the relative lack of character development adds to the “ho hum” feeling one gets while watching the Portuguese and the Guarani-Jesuit team fight it out on land and in kayaks.

The performances are decent though not spectacular. […] The dialogue, however, is such that none of the performances, except perhaps for Mr. Irons, are very memorable.

[2] Sadly, the story is never fully developed, and the inherent conflicts are not exploited. The movie becomes just a pastiche of related scenes lacking a strong narrative theme and supporting characters to tie them together. The story is subsumed by propaganda. Granted, these are extraordinarily beautiful scenes, but breathtaking scenery is not enough. It feels more like a History Channel lecture than a character-driven story.

[3] Jeremy Irons is well cast as Father Gabriel, ably encompassing a range of gentleness, sternness, and passionate devotion. Robert De Niro turns in a surprisingly weak performance… Anyone hoping that the scenes between Irons and De Niro would be exceptional will be disappointed. The real standout in the acting department is Ray McAnally as Cardinal Altamirano…

-Excerpts from IMDb reviews

“The Holdovers” (2023) starring Paul Giamatti, Da’Vine Joy Randolph, & Dominic Sessa

Emma3 Comments

SPOILER ALERT: Don’t read this post if you haven’t seen, or don’t want to know, details from The Holdovers (now available for streaming).

Discomfort and Joy. -Tagline for the movie

At Barton Academy in a small town of New England, nobody likes the history teacher, Paul Hunham (Paul Giamatti). The staff and students find his pomposity and rigidity exasperating. With nowhere to go over Christmas break of 1970, Paul remains to supervise a few boys unable to travel home. After a few days, only one student remains- Angus Tully (Dominic Sessa)- a V smart senior w/ a bad attitude. Joining these men is the school’s head cook, Mary Lamb (Da’Vine Joy Randolph), a Black woman whose son was recently killed in the Vietnam War. These three lonely people form an unlikely/family-like bond for 2 snowy wks.

Paul Hunham [remembering her son]: He was a great kid. I had him one semester. Very insightful.

Mary Lamb: Mm-hmm. He hated you. He said you were a real asshole.

Paul Hunham: Well, uh, like I said… sharp kid, insightful.

A star is born! And how lucky are we to discover his talent from this early stage? Sessa (then 17 y.o.) was encouraged by his theater teacher at Deerfield Academy (a private HS) to audition for this indie (directed by Alexander Payne). A team was scouting locations at several high schools; the casting agent also met w/ boys for possible roles. Sessa assumed that it wasn’t a big movie; after all, they were considering his school. As Giamatti noted, Sessa has the kind of face out of the ’70s; he is also tall, V slim, w/ naturally curly hair. The respected/veteran character actor (lead in Sideways, directed by Payne) commented that the newbie actor “reminded me of my own son.”

He was a pretty grounded, level-headed person. And I also think his generation is comfortable around cameras, which is a big sort of leg up they have. I felt an affection for him that mimicked the movie in a way. I came to really like him even more, and more, and more, as we went on. -Paul Giamatti (actor) when asked about working w/ his young/newcomer co-star Dominic Sessa

It’s a bit weird in some ways. Maybe it gets easier as you keep coming back. For me, I have no expectations about it. There’s something a little wrong with you if this feels normal! -Dominic Sessa (actor, age 21) when asked re: his opinion of award shows on the EE BAFTA red carpet

Authenticity is the word that 1st comes to mind here (the snow is real); the film looks and sounds like it was made in the ’70s. Issues of class, race, privilege, loneliness/disconnection, and grief are explored, though NOT in a heavy-handed manner. As we’d expect from an actor at Giamatti’s level, the acting is seamless (as he becomes the character). Giamatti said he attended an all-boys school IRL, though didn’t live in the dorms (as his family lived in town). Both he and Randolph (who has won many supporting actress awards this season) are graduates of Yale. Sessa (nominated for Best Supporting Actor at the EE BAFTAs) said that his co-stars were V helpful, as they’d had formal acting education and a LOT of experience.

Randolph (who loves to research her roles) modeled Mary’s look on her aunts and grandmother. She studied the Boston accent historically accurate for a woman of Mary’s generation/background. Mary is the character who grounds the story; she has the lived experience of someone outside the privileged bubble of these (mostly white) students and teachers. We learn that her son joined the military hoping that it’d help pay for college, BUT he didn’t even make it past age 20! One of the holdovers is rude/disrespectful to Mary, BUT Angus and Paul don’t let him get away w/ it. Though she is plagued by grief, she still has to do her job of feeding the school community. Notice that her son is the only one killed in this current war, as otherwise “Barton men don’t go to Vietnam” (Paul and Angus discuss after they leave the local diner).

Paul Hunham: I guess I thought I could make a difference. I mean, I used to think I could prepare them for the world even a little. Provide standards and grounding like Dr. Greene always drilled into us. But, uh, the world doesn’t make sense anymore. I mean, it’s on fire. The rich don’t give a shit. Poor kids are cannon fodder. Integrity is a punch line. Trust is just a name on a bank.

Paul Giamatti is our real-life Brad Pitt. We can’t all be Brad Pitt, and I mean that in the most positive way. Paul is a man of a certain age that men can relate to. That’s why I think Paul is our real-life Brad Pitt- [he’s] a champion of reality. What is real? An everyday man. -Da’Vine Joy Randolph (actress) in Variety magazine

I have to admit that this film made me cry (yup, even more than Past Lives and American Fiction). It’s a unique blend of drama and comedy w/ well-developed characters. The themes in this movie are universal, though we get a slice of life story. At the center of the story is empathy, as Payne and the lead actors all noted. I esp. enjoyed the 2 scenes where Paul and Angus convince others they’re family– father-son (at the hospital) and uncle-nephew (in Boston upon running into a Barton alumnus). The revelation re: Angus’ father was a BIT of a shock; when they meet, Sessa is transformed into a vulnerable boy desperate for approval!

“American Fiction” (2023) starring Jeffrey Wright, Tracee Ellis Ross, Erika Alexander, Leslie Uggams, & Sterling K. Brown

Emma5 Comments

SPOILER ALERT: Don’t read this post if you haven’t seen, or don’t want to know, details from the movie American Fiction (now playing in theaters).

Cord Jefferson’s hilarious directorial debut confronts our culture’s obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write his own outlandish “Black” book–that propels him into the heart of hypocrisy and the madness he claims to disdain. -Synopsis (MGM/Orion Pictures)

I heard about this indie via TIFF coverage (on pods and YT); it’s based on a novel titled Erasure by Percival Everett. I was V interested to see it after learning that the screenwriter/director grew up in Tucson, AZ (as I did). Cord Jefferson (42 y.o.) worked as a journo for about 8 yrs. before getting into TV; he wrote for Master of None, The Good Place, and Watchmen. This movie (made for less than $10M) was in limited release in DEC 2023; I saw it in mid-JAN 2024 (at AFI) w/ a large/diverse audience. Unlike most (mainstream) films, the main cast is in middle-age (40 and up)- how refreshing! American Fiction is BOTH a comedy and a drama; the literary/publishing story is played for laughs, while the domestic/family story MAY make you cry. This is a must-see film for ppl who want something emotional, funny, and thoughtful!

Agnes Ellison: Geniuses are loners because they can’t connect with the rest of us.

I walked on the set and I felt like we all belonged. When you work with fabulous people, it raises the bar, because you have to meet it. -Leslie Uggams, actress (CBS Sunday Morning, 2/4/24)

Monk (Wright- who was born/raised in DC) isn’t always a likeable protagonist; he’s a BIT of a snobby prof who is distant from his family and frustrated w/ his level of success. Monk has the kind of wit that could push others away; he also has a reliance on alcohol. His younger sister, Lisa (Tracee Ellis Ross), is a Boston-based OBGYN (like their father); she looks after their 80 y.o. widowed mom, Agnes (Leslie Uggams). As a teen, Uggams appeared on a variety show; she had a prominent role in the original Roots miniseries. It’s quite a shock when Lisa (suddenly) dies of a heart attack in the 1st act! Monk’s younger brother, Clifford (Sterling K. Brown), is a Tucson-based plastic surgeon who is embracing his (new) life as a gay man. Brown is often seen shirtless (or w/ shirt unbuttoned) to show off his FAB abs! Cliff calls Monk out on his attitude/behaviors, as perhaps ONLY a sibling can do.

Coraline: [to Monk] Not being able to relate to people isn’t a badge of honor.

I was just thinking about kissing him [Wright] everyday. He’d be at the craft services table and I’d mosey up and say: “our scene is coming up,” and he’d go [rolls eyes] “oh boy.” I was like “oh get ready, dude.” -Erika Alexander, actress (CBS Sunday Morning, 2/4/24)

This film reveals that life (incl. the potential for romance) doesn’t end at age 40! At the beach house, Monk connects w/ a neighbor/defense lawyer, Coraline (Erika Alexander); viewers my age may know her from the hit comedy series Living Single (which starred Queen Latifah). Coraline is a V smart/confident woman; she asks Monk on a date first! The Ellison family’s long-time cook, Lorraine (Myra Lucretia Clark), is considered part if the family. Lorraine gets a sweet love story w/ a local cop, Maynard (Raymond Anthony Thomas).

Why aren’t Black professors depicted in books and films as frequently as Black drug addicts, or Black rappers, or Black slaves? Why is it that white people with the power to greenlight films, books, and TV shows have such a limited view of what Black lives should look like? -Cord Jefferson, writer/director

Sintara Golden (Issa Rae) is a young literary star; she writes (urban) books that Monk disdains. His literary agent, Arthur (John Ortiz), sends out Monk’s (joke) book to a big publishing house that rejected his (serious) book. Monk decides to take the $500K deal for his book after learning how expensive senior/assisted-living housing can be. Agnes is in the early stage of Alzheimer’s disease; she will need constant care and attention.

“Past Lives” (2023) starring Greta Lee, Teo Yoo, & John Magaro

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SPOILER ALERT: Don’t read this post if you haven’t seen, or don’t want to know, details from the movie Past Lives (available to rent/buy on VOD).

Na Young (AKA Nora) and Hae Sung, two deeply connected childhood friends, are wrested apart when Nora’s family emigrates from South Korea to Canada. Twenty-four years later, they’re reunited in NYC for one fateful week as they confront notions of love and destiny. -Synopsis

As fans of HBO’s Girls (2012-2017) may recall, Greta Lee played Soojin (an artist’s asst/frenemy of Marnie) in 4 eps (S2-S3). Adam Driver (Adam Sackler on Girls) and Lee were photographed chatting at the Gotham Awards after-party last Fall in NYC. They’re both 40, have worked in NYC theaters, and played younger characters. Past Lives is a beautiful (inside and out) indie drama written/directed by Celine Song (a 1st time director). This film (produced by A24) won the National Society of Film Critics Best Picture award. Like Nora (Lee), Song moved w/ her parents from Korea to Canada; her father was a filmmaker. She later settled in the US, worked as a playwright, and married a Jewish/American writer- Justin Kuritzkes. This story is based on Song’s real life, BUT w/ “dramatic moments added” (as she explained).

Arthur [to Nora]:  You dream in a language I can’t understand. It’s like there’s this whole place inside you I can’t go.

In a profile of Lee in the NYT on May 30, 2023, Song said she tried to keep the 2 leads separated (as much as possible) to help the scenes when Nora and Hae Sung finally meet in person after a long separation. This film is in BOTH Korean and English; director Bong Joon Ho’s American interpreter helped Lee improve her skills in Korean. Yoo (42 y.o.) speaks fluent English, along w/ 3 other languages; he was born/raised in Germany and studied in the US (Lee Strasberg Inst). Song also did not let Yoo and John Magaro (Arthur- Nora’s husband) meet before shooting. When Hae Sung and Arthur meet each other for the 1st time, it’s the same for the actors. The shot that was eventually in the movie ended up being the 1st take. Magaro (40 y.o.) is mainly an indie movie/theater actor who often plays New Yorkers (w/ a V believable accent). As some critics commented, Arthur understands the appeal seeing how handsome Hae Sung looks.

Nora [to Hae Sung]: Getting married is hard for idealistic people like you.

Nora and Hae Sung (an engineer who is hesitant re: marriage) spend a few days together in NYC; they walk, talk, and visit some tourist attractions. Though they barely hug or touch, we sense some tension (romantic potential). One night, they’re joined by Arthur at an East Village bar. Nora (who sits btwn the 2 men) finds herself in the role of interpreter and intermediary btwn 2 cultures. Unlike many modern movies, Past Lives is restrained, understated, and effectively uses silence. Perhaps most refreshing- it doesn’t play into melodrama and Hollywood stereotypes, esp. w/ the “love triangle.” Some viewers were reminded of Richard Linklater’s Before trilogy (w/ Ethan Hawke and Julie Delpy). I loved this film- and yes- I did cry!

At 40, it’s strange to be called a breakthrough actor. I’ve been doing this for 20 yrs! -Greta Lee

[1] The actors who play the sweethearts as adults, Greta Lee and Teo Yoo, are both exceptional, but it’s Lee who creates the most fascinating character. […]

The movie is also a sensitive look at what it feels like to be an immigrant, torn between two cultures, and not sure whether the nostalgia you feel is what you really want or just the allure of the familiar.

[2] Such a touching film, but at the same time, never cloying, because the script and direction from Celine Song were so wonderfully restrained. […] The characters were beautifully drawn and didn’t devolve into cliches, an example of which was the husband who gave a master class in being understanding and supportive. Beautiful cinematography too. Definitely one to see.

[3] A simple plot becomes a richly complex story of lost love, sought closure, and found purpose; and it’s all due to Celine Song having the proper understanding of when to allow silence to speak.

Yet despite the frequent bouts of silence, not a moment feels wasted. Every shot and sentence is meticulously edited to give us exactly what we need to feel each moment with its full emotional power.

-Excerpts from IMDb reviews

Spoiler-Free Reviews of Four 2023 Series

EmmaLeave a comment

Happy New Year to my FAB readers!

Don’t forget to follow (by subscribing to the RSS feed), IF you haven’t done so before. 

What shows do y’all recommend from this past yr?

Take care,

EMMA

Beef (Neflix) starring Steven Yeun & Ali Wong

A road rage incident in SoCal entwines the lives of a struggling motel owner, Danny Cho (Yeun), and a wealthy art gallery owner, Amy Lau (Wong). This unique/thought-provoking series (renewed for S2) was created by Lee Sung Jin, a Korean-American young man who worked his way up in Hollywood. We get a look into the lives of characters who are NOT often seen in (mainstream) series/movies. There are several supporting players who get their own scenes to shine; they aren’t any “model minority” stereotypes. The role of religion (Christianity- in this case) is delved into; it is treated in a sensitive/nuanced manner. There are hilarious moments, as well as serious ones (I don’t want to give anything away)). IF you’re an immigrant or 1st gen in the US, you’ll be esp. able to relate to this show! I was V impressed by Yeun (who is now 40); I’ve seen him in a few (supporting) roles in recent yrs.

Full Circle (MAX) starring Zazie Beetz, Claire Danes, Jim Gaffigan, Timothy Olyphant, & CCH Pounder

This is a limited series (6 eps) dir. by Steven Soderbergh; he also operates the camera (as is his method). The show was inspired by Akira Kurosawa’s 1963 film High and Low, which in turn was based on the novel King’s Ransom by Evan Hunter (pen name of Ed McBain), part of McBain’s 87th Precinct series. However, this is NOT a typical police show; it’s a mix of crime/mystery/social drama. Danes and Olyphant play a wealthy Manhattan couple w/ secrets which come back to affect them after their teen son is kidnapped. Beetz is getting a LOT of roles lately; here she plays a postal inspector who is battling emotional issues. As her boss, Gaffigan gets to do a (rare) dramatic/Everyman role. Pounder plays a powerful/soft-spoken crime leader w/in the Guyanese community of Queens. There are several (young/newcomer) actors who are part of the ensemble; they all do a good job. We get to see neighborhoods of Queens which are NOT often shown in the media. I didn’t know much re: Guyana (a small country in South America where English is spoken) until the semester I worked at an afterschool program in Ozone Park, Queens. As we gather from this series, Guyana’s population is diverse; ethnic groups originated from India, Africa, Europe, China, and incl. indigenous peoples.

The Last of Us (MAX) starring Pedro Pascal & Bella Ramsay

This is probably one of the most talked about series of 2023; it’s based on a V popular video game! Pascal became one of the most searched celebs online (“internet’s boyfriend”). He and Ramsay (British; non-binary) BOTH worked on Game of Thrones. Here is a brief synopsis: 20 yrs after modern civilization is been destroyed, Joel (Pascal), a hardened survivor, is hired to smuggle Ellie (Ramsay), a 14 y.o. girl, out of a quarantine zone. It becomes a brutal/heartbreaking journey, as they cross the US, depending on ea. other for survival. I was a BIT skeptical of this show, BUT I enjoyed it V much! There are some gruesome elements, incl. blood, fighting, other types of violence (could bother sensitive viewers). We meet a variety of characters; some appear for one ep, others have a wider arc.

Shadow and Bone: Season 2 (Netflix) starring Jessie Mei Li, Ben Barnes, Archie Renaux, Freddy Carter, Amita Suman, & Kit Young

In most fantasy, darkness is metaphorical; it’s just a way of talking about evil: darkness falls across the land, a dark age is coming, etc. I wanted to take something figurative and make it literal. So the question became: what if darkness was a place? What if the monsters lurking there were real and more horrible than anything you’d ever imagined beneath your bed or behind the closet door? What if you had to fight them on their own territory, blind and helpless in the dark? These ideas eventually became the Shadow Fold. -Leigh Bardugo, author

I know what some of y’all are thinking: I’m TOO old for this show! LOL… I’d have to agree, after seeing the hot mess that was S2. Like some other Netflix shows, there are a LOT of cute/diverse/young characters, BUT w/ little development. Some eps are slow, while others go by SO fast, the viewer is left confused. As for S1, I found it interesting (incl. the unique production design and SFX). I was curious b/c SO many (Twitter) gal pals were discussing it. Of course, some are fans of British actor Ben Barnes (Gen. Kirigan); I suggest seeing S1 of Westworld instead (where he also plays a baddie). As for the (main) romance, I didn’t see much chemistry btwn Alina (Mei Li) and Mal (Renaux); I’d have preferred to see more of another couple (who barely got screen time in S2). Young (Jesper) has a LOT of charisma and screen presence; I think he’ll be the breakout among The Crows. I haven’t read the books, though found them at my local Little Free Library.