Tag: Romance

Spoiler-Free Review: “Jane Austen Wrecked My Life” (2025)

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A young woman in Paris, who dreams of becoming a successful writer and experiencing true love, may finally have her Jane Austen moment… -Tagline

Writer-director (Laura Piani) was inspired to write this story during her time working at Shakespeare and Company, a famed bookstore in Paris. Agathe (Camille Rutherford) is a 30-something/Parisian/single bookseller who shares banter w/ her pal/co-worker Felix (Pablo Pauly). As Austen may’ve said, she is at the risk of being an “old maid” and he is a scoundrel (prone to hookups/situation-ships). Agathe accuses Felix of “breadcrumbing,” yet you still can imagine attraction btwn the two friends. Felix (secretly) submits the first few chapters of Agathe’s novel; to her shock, she is selected to attend a writer’s retreat (The Jane Austen Residency)! When she gets to England, she meets Oliver (Charlie Anson), a Lit prof whose parents run the residency.

This is type of mid-budget/rom com that rarely gets made (in the US) today! FYI: This film is in BOTH French and English. It deals w/ real-world issues, yet has quiet humor. None of the characters are glam, young, or look like “typical” movie stars. I recommend it for those who’re NOT only Austen fans, BUT enjoy quiet movies and (slow burn/brainy) types of romances. A neighborhood gal pal and I had a good time!

[1] The acting works for the screenplay. While short, nothing is forced. Nothing is contrived, either. Everything that happens here doesn’t elicit any disbelief.

[2] This movie has the capacity to make you smile and laugh and feel contentment with its conclusion. I’d recommend a watch.

[3] It was nice to get a fresh take on an Austin-like writer, rather than as a retelling of one of her characters. As Agathe observes, Austen was the first writer to write women as humans, and idea which absolutely needs to be revisited in the current media world. This film successfully does that in making Agathe a messy and imperfect human in the best way.

-Excerpts from IMDb reviews

Close-Up on Civil Wars: “Ride with the Devil” (1999) & “The Wind That Shakes The Barley” (2006)

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Ride with the Devil (1999) starring Skeet Ulrich, Tobey Maguire, Jewel, & Jeffrey Wright

On the Western frontier of Missouri, the American Civil War was fought not by armies, but by neighbors. Informal gangs of local Southern Bushwhackers fought a bloody and desperate guerrilla war against the occupying Union army and pro-Union Jayhawkers. Allegiance to either side was dangerous. But it was more dangerous still to find oneself caught in the middle... -Prologue

Jake [after reading a letter to a Union soldier]: One mother’s very much like another.

Pitt Mackeson: Remember one thing, her boys will kill you if they can.

Jake Roedel (Tobey Maguire) and Jack Bull Chiles (Skeet Ulrich) are best friends/neighbors in rural Missouri when the American Civil War starts. Jake lives w/ his German/immigrant father, who feels their ppl should have nothing to do w/ this war. After his older sister’s wedding, Jack Bull’s father is murdered by Union soldiers, who were also looking for him! Jack Bull (more the leader of the pair) and Jake (the follower) run away from home that same night. One year goes by; the young men have joined the Bushwhackers (loyal to the Confederacy); they ride w/ Black John (Jim Caviezel) and infiltrate enemy territory (disguising themselves as Union soldiers in blue uniforms). As one critic said: “This is guerrilla warfare- or terrorist tactics- depending on one’s viewpoint.”

Y’all prolly haven’t heard of this movie, unless (like me) you’re into history or fan of Taiwanese-American director Ang Lee (Sense & Sensibility; Crouching Tiger, Hidden Dragon). The screenplay is by James Schamus; it is based on the novel Woe to Live On by Daniel Woodrell. Lee (who attended NYU film school w/ Spike Lee) is an immigrant to the US; he makes unexpected choices here (which brings depth/richness to what could’ve been a simple war story). You’ll get a kick out of seeing young/international actors (NOT yet famous): Mark Ruffalo, Jonathan Rhys Meyers, Simon Baker, Jeffrey Wright, Jewel, and Jonathan Brandis.

I remember on the set you [Ang Lee] kept repeating: I don’t wanna make a white man’s movie, I don’t wanna make a white man’s movie. -Jeffery Wright, actor

Jake (called “Dutchie” as an insult) is an outsider among the men at the Bushwhacker camp; long-haired/wild-eyed Pitt Mackeson (Irish actor Jonathan Rhys Meyers) antagonizes him whenever they meet. Jake wants to prove himself as an American; unlike most of his peers he can read/write. I learned re: the division btwn (native-born) Americans and German immigrants (who settled in the Midwest in large numbers in the mid-1800s). Perhaps the most interesting character is Daniel Holt (Jeffrey Wright- from DC; then known for theater work), a Black man recently freed by his master, George Clyde (Aussie actor Simon Baker). George is a quiet observer (until the 2nd half of the movie) and an expert marksman. Wright commented that the ensemble cast “all got to be pretty good w/ horses.”

[1] Lee handles the subject with aplomb, never rushing the deep introspection that the plot demands in favour of action and this lends the film a sense of the reality of war – long periods of boredom and waiting interposed with occasional flashes of intensely terrifying fighting. The action is unglamorised and admirably candid, recognizing that both sides committed a great number of atrocities.

[2]  What is beautiful about the movie, like all of Lee’s films, is that he doesn’t “side” with his characters. He creates characters, embodies them with life, problems, and ambiguity… and endows them with a reality that often hits far closer to home than with which many are comfortable.

But as an exploration of the greater human ambiguity that surely dwelt within the Civil War, it is a masterpiece.

-Excerpts from IMDb reviews

The Wind That Shakes The Barley (2006) starring Cillian Murphy, Liam Cunningham, & Padraig Delaney

Against the backdrop of the Irish War of Independence, two brothers fight a guerrilla war against British forces. -Synopsis

In the early 1920s, rural Ireland is a battlefield of republicans fighting British security forces. Med school grad, Damien O’Donovan (Cillian Murphy), is the pride of his village; he is planning to train at a London hospital. On the day when he’s about to leave, he witnesses the brutal abuse of commoners at the railroad station. Damien pledges loyalty to the local IRA brigade, commanded by his older brother, Teddy (Padraig Delaney- in his 1st film). In the 2nd half of the movie, we learn that IRA leaders negotiated a Free State (yet still under British crown). Teddy and Damien have V different reactions!

I saw this film several yrs ago, BUT didn’t do an in-depth review; I recall being impressed, as I was on re-watch! The British director (Ken Loach) is known for Socialist realism; he often focuses on the working class/ordinary ppl. Most of the actors come from County Cork (where the story is set). Fans of Game of Thrones will get a kick out of seeing Liam Cunningham (whose character sees things from a Socialist lens). In the past yr, you may’ve noticed Cunningham speaking re: a free Palestinian state. Last month, I came across a news clip w/ screenwriter (Paul Lafferty); he’d been released from jail after protesting in London (in support of Palestinians). Yup, these filmmakers are real ones!

The young rebels are lean, proud, and V determined; they hunger for respect, freedom, and opportunity denied them on their native land. Early in the film, a teen boy is beaten to death by British soldiers after refusing to speak English (instead replying in Gaelic). You will see the (guerrilla) tactics used by the IRA, though the violence is brief (and NOT glamorized). As some viewers commented, there is NOT much blood shown; this was to protect the (fragile/period) costumes on a small budget. Damien wisely comments that Britain will never give Ireland freedom, b/c that will open the door for colonies- India and some African nations. This film (told on a small scale/intimate in nature) makes history come alive!

[1] The Wind That Shakes the Barley is a film that doesn’t shy away from the unrelenting terror and bloodshed of the revolution. The working-class accents and dialects are authentically preserved, with constant debate and war never ceasing. The film raises an important question about whether the Irish Revolution was a socialist or nationalist one.

[2] The film consists of two parts. Part 1 is about violence on the side of the English occupier, Part 2 is about Irish disunity.

The English violence in the movie did cause some discomfort at the time of release. We are accustomed to war crimes perpetrated by Germans, but the English? It should, however, not be forgotten that the English used WWI veterans in the Irish war of independence. Particularly the “Black and tans” were notorious.

-Excerpts from IMDb reviews

“Crossing Delancey” (1988) starring Amy Irving & Peter Riegert

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Every girl knows exactly the kind of guy she isn’t going to marry… then she falls in love. -Tagline

Isabelle “Izzy” Grossman (Amy Irving- perhaps best known as Steven Spielberg’s ex-wife) is a 33 y.o. woman whose life revolves around the UWS NYC independent bookstore where she works and her eclectic/intellectual friends- men and women. Irving had supporting roles in 2 (iconic) films- Yentl and Carrie. Izzy has a crush on an European author, Anton Maes (Jeroen Krabbe), whose book talk she is organizing. Her traditional Jewish grandmother (living in LES), Bubbie Kantor (Reizl Bozyk- a veteran of Yiddish theater), secretly consults a marriage broker, Mrs. Mandelbaum (Sylvia Miles), to help Izzy find a husband. At lunch at Bubbe’s apt, Izzy meets a business owner (pickler), Sam Posner (Peter Riegert), who quickly takes a liking to her. She is NOT amenable to this (old-fashioned) process. Can they make a good match?

Mrs. Mandelbaum: Ya look, ya meet, you try, you see. Sometimes it fits, sometimes it don’t.

This film was written by a woman (Susan Sandler- who wrote the play) and also directed by a woman (Joan Micklin Silver)- V rare in the ’80s! As one critic noted: “The choice here is btwn the old world and the new.” Izzy and her 3 childhood gal pals grew up on the LES, but are navigating lives as modern/single/Jewish women. We hear the lament that there are few (eligible) bachelors- some things never change (LOL)!

Marilyn: And I’m sitting there, and my face is starting to hurt. And I’m thinking, Christ, I got 45 mins. to show this guy how loving, smart, supportive, funny, independent, and sexy I am. And all I can really think about is how I’d rather be sitting home watching the baseball game.

This movie is a love letter to NYC, esp. the LES (before gentrification). Sam’s store was Guss’ Pickles (35 Essex St, below Delancey St); he wears a City College of New York (CCNY) sweatshirt during the handball game. The hot dog place that Izzy goes to on her b-day was Papaya King (179 E 86th. St). Anton’s apt is in The Ayslmere (60 West 76th St). Bubbie’s apt. view includes the Williamsburg Bridge, which was undergoing reconstruction. There are actors of diverse races, ages, and body types in crowd scenes. Look out for young David Hyde Pierce (Izzy’s co-worker; before Frasier fame) and Reg E. Cathey (the newbie cab driver in last act).

Izzy: Sam, I don’t know what to do with you. You’re a nice guy.

Sam: Oh, what a thing to say. I’m wounded, I’m bleeding.

I recommend this movie highly, esp. to fans of OG rom coms (EX: When Harry Met Sally), those who love NYC, and anyone w/ a foot in two worlds. Serious themes are dealt w/ in a matter-of-fact (adult) manner; there no “good” or “bad” guys. One critic commented that (suave/charming) Anton would be characterized as “a total jerk, if this were made today.” Another critic noted that the “friends with benefits situation (btwn Izzy and neighbor Nick) is handled in a non-judgmental way.” Sam is probably one of the best examples of a love interest (w/ healthy sense of masculinity) depicted onscreen! He is calm, self-assured, likes himself, and has a (quietly) romantic side. TCM host, Alicia Malone, said that Riegert is still given jars of pickles from adoring female fans.

Spoiler-Free Review: “Companion” (2025) starring Sophie Thatcher & Jack Quaid

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Find someone made just for you. -Tagline

[first lines]

Iris: Most of the time it’s like… I don’t know. It’s like there’s this thick black cloud covering everything. Like we see the world, but we don’t really see the world, you know. We’re all just stumbling around directionless. No sense of meaning, no sense of purpose.

Since Iris (Sophie Thatcher- an up-and-coming British actress) and Josh (Jack Quaid) had their “meet-cute” in a grocery store, the couple have been inseparable. They seem deeply in love and V compatible! One weekend, they go to spend time w/ Josh’s old friends (Kat and Eli) at a lovely/spacious lakeside house. Iris is anxious, wondering if the others will like her. Kat (Megan Suri), who is dating a wealthy/older Russian- Sergey (Rupert Friend)- acts rude and cold to Iris. Eli (Harvey Guillen) and his doting bf, Patrick (Lukas Gage), are more chatty and friendly.

This is the feature film (streaming on HBO MAX) debut of a (promising) young American- Drew Goddard. It’s tightly edited, well-paced, and most of the cast do a good job. It’s NOT a “typical” horror, BUT a psychological thriller. The tonal shifts- from horror to comedy- will keep you on your toes. Gage (seen on S1 of The White Lotus) gets to show his range. Check it out for yourself; go in knowing as little as possible!

Related Shows To Watch:

The Outer Limits (S3: E1) – Bits of Love

A painter, Aidan Hunter (Jon Tenney), chats w/ his best pal, has breakfast w/ his parents, then spends time w/ a beautiful/blonde. His modern home is run efficiently by Emma (Natasha Henstridge), a computer that provides whatever Aidan needs. Sounds like a good life, right?

The Outer Limits (S4: E15) – Mary 25

Innobotics Corp. is looking for their next big product; exec Charlie Bouton (Tom Butler) proposes an android nanny- Mary 25 (Sofia Shinas). This is a variation on Valerie 23 (S1: E2), a companion that was discontinued after it developed feelings for its owner. Valerie 23 was a total disaster! Bouton is so confident that Mary 25 will function correctly that he takes it home to care for his children.

“Materialists” (2025) starring Dakota Johnson, Chris Evans, & Pedro Pascal

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SPOILER ALERT: Don’t read this post if you haven’t seen, or don’t want to know, details from the movie Materialists (released June 13, 2025).

Some people just want more. -Tagline

A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex. -Synopsis

Lucy (Dakota Johnson) is a 34 y.o. matchmaker for a high-end dating service (called Adore) in NYC. At the wedding of a client, Charlotte (Louisa Jacobsen- currently on The Gilded Age), Lucy meets Harry (Pedro Pascal), the brother of the groom. Lucy calls Harry “a unicorn;” he’s wealthy (via family money/finance career), tall, handsome, charming, and intelligent. As Lucy and Harry are having a convo, her ex-bf John (Chris Evans) enters the scene, presenting Lucy w/ a can of Coke and bottle of beer (her drink choice). John is also tall, handsome, and charming; however (at age 37) still working as a cater waiter/struggling theater actor. John’s (Sunset Park, Brooklyn) apt (shared w/ 2 roomies) was built in-studio; Celine Song (screenwriter/director) shared pics of where her husband (Justin Kuritzkes- screenwriter of Challengers) had formerly lived as reference. FYI: Sunset Park is NOT cheap these days; a Lyft driver who’d moved 3 yrs ago to Virginia had paid $1,500 for a one-bedroom.

Harry: I don’t know if you like me or if you just like the places I take you.

From her job, Lucy has gleaned that “a perfect match” can be made based on: upbringing, education, income/wealth, attractiveness (incl. height). A few in my (small) audience were surprised upon learning re: the leg-lengthening surgery (price: $200K). This is a real thing, though much less common than nose jobs or breast implants. Most of Lucy’s clients are portrayed as shallow; the women want someone at least 6 ft. tall and making over $500k/yr. The men want a gorgeous/fit woman (model-esque) who is much younger than them. Everyone’s expectations are unrealistic in this milieu; marriage is a business transaction (as it often was until the past 100 yrs, incl. here in the US).

Song worked for a professional matchmaking service for 6 mos. about 10 yrs. ago. Song (raised in her native South Korea and Toronto, Canada) made a big splash in Hollywood (NOT just the indie film scene) w/ her 1st movie- Past Lives (2023). John Magaro, who plays the voice of Mark P. (offscreen), was one of the 3 leads in that movie. I was V surprised when I learned that Song was taking on a rom com (NOT my fave genre- LOL)! Unfortunately, there was little “rom” (romance) or “com” (comedy) in Materialists; it was marketed all wrong (as many critics/viewers commented).

Lucy: […] If the service I was providing you was building you a man, then of course I can build you a man with everything on this list. But I can’t, because this is not a car or a house. We’re talking about people. People are people are people are people. They come as they are. And all I can hope to find for you is a man that you can tolerate for the next fifty years, who likes you at all. And you are not a “catch,” because you are not a fish.

There is zero (onscreen) chemistry btwn Johnson (a V limited actress) and her two (more experienced) leading men- Pascal and Evans. I saw these actors having more fun during the promo tour. We never see why Lucy loves (and in the end- chooses) John; it’s quite a missed opportunity! They hail from the same (working-class) background, were a couple 10 yrs. ago, and used to fight re: money. Many were put-off (or angered) by the manner the film dealt w/ the aftermath of an assault (NOT seen) to one of Lucy’s clients, Sophie (Zoe Winters- recently in Succession). Y’all don’t want a headache- just skip this one! IF you want to see an (effective) love triangle which is funny, I recommend Broadcast News (1987).

[1] Celine Song’s style is unmistakable – lingering shots, dialogue that feels like internal monologue, and a quiet ache humming underneath it all. […] By the end, I didn’t feel uplifted. I felt… thoughtful. A bit heavy, even.

[2] The storytelling of body language, lack of words, the lack of explanation, lack details in their dialogue, the simplicity didn’t really add to the story, whereas Past Lives worked perfectly.

[3] The weak link is Lucy herself. As the titular “materialist,” she’s meant to evolve from pragmatic matchmaker to romantic lead, but she remains frustratingly underwritten. Johnson, whose signature style often leans toward aloof detachment, doesn’t help. There’s little insight into Lucy’s inner world or motivations.

[4] To truly move beyond materialism, we need more than just emotional rebellion. We need healing, self-awareness, and wisdom.

[5] The jokes aren’t funny. The romance isn’t romantic. The drama is flat.

-Excerpts from IMDb reviews