Shots Fired (Fox): First Impressions

DOJ prosecutor Preston Terry (Stephan James) and investigator Ashe Akino (Sanaa Lathan)

NOTE: This review contains MILD SPOILERS for the first three hours of the series.

[1] Shots Fired is at its best when raising legitimate questions about the criminal justice system and attempting to answer them. But I don’t know if there is an answer. The dark overtones that envelope the show at times feel real and appropriate. For a topic this serious, darkness may be the only way to truly shed light on the gravity of the situation.

[2] …I am not surprised by the haters in the reviews here. To me, these are people that are stuck in their ways and are not trying to see the world through different sets of eyes. Blacks and others have had to watch MOST TV through white people’s eyes and they expect us to be happy for it. Now you have a show like this that is finally putting Black people in a humane and more realistic light and they can’t handle it.

[3] I’m Asian male [Vietnamese] that grew up in a working class neighborhood and episode 1 gave me goosebumps because it aligns so much with our reality. You probably thinking how can I say that when I’m an Asian male. Truth is, many of our struggles are similar to blacks in America. You may not know, but there is an Asian gang culture in every major cities in America due to the same reasons that make it hard for blacks to succeed in America. Any law enforcement officers in major cities can confirm this.

-Excerpts from various IMDB reviews

Deputy Joshua Beck (Mack Wilds) is the young cop and family man who becomes an outcast on the police force.

Unnecessary police violence, particularly white cops against black offenders, is a topic that has everyone on edge. But, what happens when it’s a black cop that shoots an unarmed white kid based on racial profiling? 

The show centers on junior DOJ prosecutor, Preston Terry (Stephan James- who is Canadian and just 25 y.o.), and investigator, Ashe Akino (Sanaa Lathan- daughter of a prolific Hollywood producer), who are sent to a small North Carolina town to investigate a police shooting. It’s much better, if a black officer (Deputy Joshua Beck- played by 28 y.o. Mack Wilds)  is investigated and convicted by a black prosecutor, as one of Preston’s superiors in DC says in the first scene. Ashe and Terry dig deeper and find that an unarmed black kid was shot by a white officer not too long ago in the “houses”(projects) of this same town. 

Critics (and viewers) see a lot of potential in James; he definitely has that “It” factor (which an actor needs to get to leading man status). Don’t forget that a very young Blair Underwood played an attorney on L.A. Law in the ’80s. Wilds is doing pretty well in this role (never seen him before); the actor admitted that he never imagined himself in the shoes of a police officer before. He’s got an innocence and freshness about him- key for his role. What to say re: Sanaa Lathan?  Hmm… well, she’s got youthful looks (even at age 45); her acting is not terrible, but pretty one-note.

Governor Eamons (Helen Hunt) talks to press while her aide Sarah (Conor Leslie) and Preston (James) look on.

Patricia Eamons (Helen Hunt) is the first female governor of the state; she was the one who decided to bring in the DOJ.  Local pastor Janae James (Aisha Hinds) points out, after all the shootings of unarmed black men, why is this the case where the feds decide to get involved? Hinds’ outspoken activist, yet also spiritual, character is unlike most preachers we’ve seen on TV- female, youthful, and putting faith into action. 

Richard Dreyfus is introduced (near the end of the second hour); he is a 1st gen American businessman looking to advance a new prison/educational complex. I’ve seen three hours so far, but  may keep w/ it (if the writing gets stronger and the veteran actors get more to do). So far, British actor Stephen Moyer (who plays Lt. Breeland) has just been a jerk. He may have brought some fans along w/ him from True Blood (never seen that show, so can’t judge).  I’m waiting to see more of Will Patton (who plays the sheriff); he has a way w/ ambiguous characters.  

Jill Hennessy at the Sundance premiere of “Shots Fired.” I was very happy to see her back on network TV!

We get to see Ashe and Preston in their private lives, unlike what you’ve seen in most Law and Order-type series. Speaking of that iconic TV show, the still stunning Jill Hennessy plays Alicia Carr, the heartbroken mother of the white college student. She gets a chance to shine in the third hour. Preston, who could’ve been a professional baseball player, is trying to earn the respect of his father (Dennis Haysbert) and older brother, (a pro football player). Ashe is a woman with serious anger issues, trying to keep primary custody of her daughter. Her Latino ex-boyfriend is planning to marry (a younger Latina woman) and raise their daughter full-time. 

Into the Badlands (AMC): Season 2, Episode 2

NOTE: This review contains SPOILERS. New episodes will be airing Sundays (10PM EST) on AMC.

Episode 2: Force of Eagle’s Claw

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Daniel Wu as Sunny, Ivan Kostadinov as Mouse – Into the Badlands _ Season 2, Episode 2 – Photo Credit: Antony Platt/AMC

Sunny and Bajie (still chained together) have to fight their way out of the pit. That huge/tall warrior they’re forced to fight ends up defeated in a VERY bloody way. Body parts are flying… and this ep is about to get MORE bloody! 

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 Waldo (Stephen Lang) passes on his knowledge to Tilda (Ally Ioannides).

For people like us, there is no place that’s safe. -Waldo explains to Tilda, who is Regent to The Widow

Waldo, now dressed in blue, chides Tilda re: going after those Clippers in E1 (after The Widow let them go). Tilda says that she’s NOT a “mindless killer”- she was doing what she thought was right. Waldo explains that Sunny was the best Regent b/c he “boxed up his feelings.” We can see the respect that Waldo has for his former protege, Sunny, while he’s recounting this story. 

Tilda and The Widow are practice fighting; it looks like Tilda still has more to learn. After Tilda leaves, The Widow admits to Waldo that she’s NOT one for politics; he tells her that “politics is war by other means.” They speak of an upcoming “conclave”- meeting of Barons. The Widow wonders if she can kill them all, since they’ll be assembled in the same place. She and Waldo drink a toast. 

Killing is a privilege left only to the gods. -Lydia’s father tells her (w/ disapproval) after she defends herself and other Totemists from the Nomads

The Totemist community’s simple wedding reception in the woods is interrupted by two violent/murderous Nomads. The groom is speared through the chest; the bride is almost carried off my the Nomads. Nobody fights back (which was quite shocking), except Lydia. This lady knows how to fight- what a surprise! This segment of the ep reminded me of Braveheart and Game of Thrones. 

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Orla Brady as Lydia – Into the Badlands _ Season 2, Episode 2 – Photo Credit: Antony Platt/AMC

Half of your Cogs worship the same gods we do. -Lydia drops some truth on Ryder 

Did you see how badly Ryder treated his mother!? I felt VERY bad for Lydia, though we now know she’s a tough cookie. Even though Ryder is now dressed like Quinn, he’s NOT able to fill his father’s shoes (as many viewers have commented). The Nomads attacked b/c they knew that Quinn was out of the picture, so the Totemists were left unprotected. Lydia hoped that Ryder would help out her people, BUT he refused in such a nasty manner. He didn’t forgive her for what she said re: his ineffectiveness at the end of S1.

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MK (Aramis Knight) learns about a new part of his training from The Master (Chipo Chung).

Unless you master your past, you’ll always be a slave. -The Master explains to M.K. after his first vision in the room of mirrors 

The Master continues MK’s training, this time is a room filled w/ mirrors. The young man is pulled back into his past; he sees the bodies of the MANY people he killed on the ship. Suddenly, his alter ego appears (w/ black eyes) and tells him that he doesn’t belong there. MK is upset when The Master pulls him out of it.

I killed people- good people. -M.K. says w/ disgust

We all have. -Abby reveals 

Later on, M.K. has an intense fight w/ his alter ego in another vision. There is some cool choreography. Also, the body double for Aramis Knight looks/moves VERY much like him. It was shocking that the alter ego was winning, nearly choking MK to death! Hmmm… will MK be defeated by “the dark side” or learn to reign-in those destructive urges? I don’t think this will be easy work from the looks of concern on The Master’s face. 

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Quinn (Marton Csokas) training his (would-be) Clippers.

In West Avalon (a secluded/underground training area) Quinn is working w/ a group of Cogs who show promise in fighting. Inside a dusty room, Veil is breastfeeding her newborn son; a Clipper is watching her intently (creepily). The former Baron notices this and let’s him know it. 

Veil tells Quinn that the baby needs sunshine and fresh air. He says he’ll get her sun; after all, she’s the one who found him and patched him up. Quinn gives off some creepy vibes in his interactions w/ Veil, too, BUT I think she can handle him w/ her clever/calm personality. It turns out that there is a little room where one can look up and see the sun!

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Quinn (Marton Csokas) holds a baptism ceremony for Henry, the baby son of Sunny and Veil.

The Clipper who’d been eyeing Veil gets killed by Quinn before he baptizes Veil’s son (named Henry after her dead adopted father). There is a decorative bowl that Quinn drinks deer’s blood out of, then smears a bit of that blood on Henry’s forehead. This ritual reminded some viewers of the naming ceremony in The Lion King. Marton Csokas “just brings this intense gravitas,” as J.B. Zimmerman said on the Afterbuzz TV

Bajie is able to snag some food- a rather large rat. Sunny says he’s NOT going to eat that (LOL). It seems like Sunny is out of his element; he hasn’t had to survive outside the Badlands before. Bajie may turn out to be VERY helpful, since he was a wanderer who traveled to different places looking for “opportunity.” 

At the very end of the ep, they come upon a long, tall wall. (Donald Trump would probably call it “big” and “beautiful.”) This barrier separates them from the Badlands, but Bajie perks up and says there MUST be a way to get to the other side. This scenery is quite different than what we saw in S1; the filming of S2 is in Ireland. 

Kiss Me Kate (1953)

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Lilli (Kathryn Grayson) and Fred (Howard Keel) talk about their past marriage and work in her dressing room.

[1] This is my favorite musical, not for the dancing alone, but it is the best. The dancers, not just Ann Miller and Rall, but Bob Fosse, Bobby Van, and Carol Haney!! What more could any dance fan want? There is always something new to see, no matter how many times you have watched it. The lyrics are magnificent, tricky and intriguing. I will admit that the music is great, but folks, catch the dancing!

[2] Keel, with his big big voice and untrained natural talent, fills the screen (and his tights!) with his masculine presence. He struts, swaggers, and yet shows his vulnerable side believably enough to make us *like* his character, ego or no ego. Grayson… really comes into her own here–she’s excellent as Lilli, swooning at the right moments, strident during the rest, and actually bites out ‘I Hate Men’ with conviction…  I’m also partial to Tommy Rall, whose soaring athletic ability just crackles off the screen. It’s such a thrill to see Miller get matched with someone who can dance circles around most everyone else alongside her. They make the cutest couple in their two numbers together, with the energetic, exuberant dance to ‘Why Can’t You Behave?’ definitely making one of my favourite film dance routines of all time.

-Excerpts from IMDB reviews

I became a fan of this musical after seeing a version of it on Great Performances (PBS) several years ago; it stars Brian Stokes Mitchell and Marin Mazzie, two VERY well-respected Broadway veterans. I bought the soundtrack (released in 2006). Seriously, WHO can resist Stokes’ voice!? 

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Marin Mazzie (Lilli/Katharine) and Brian Stokes Mitchell (Fred/Petruchio)

I saw this movie on TCM two weeks ago; it was pretty fun, though NOT as fabulous as the Broadway version. Fred Graham (Howard Keel) and Lilli Vanessi (Kathryn Grayson) are a divorced pair of actors who are brought together by Cole Porter, who has written a musical version of The Taming of the Shrew. Lilli, recently engaged to a Texas oilman, is reluctant to act w/ Fred, who is involved w/ Lois Lane (Ann Miller). It’s obvious that the tap dancing ingenue (Lois) and more mature leading lady (Lilli) resent each other. 

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Katharine (Kathryn Grayson) and Petruchio (Howard Keel) fighting during the play.

We soon seen that Fred and Lilli act a LOT like the mismatched lovers they play, Petruchio and Katharine. A fight between them on opening night threatens the production. Also, two thugs w/ thick New York accents (who are BIG fans of the theater) think that Fred owes their boss a LOT of money, so insist on staying next to him ALL night. Lois (who is cast as Bianca) is in love w/ another of her co-stars, Bill Calhoun (Tommy Rall), who forged that IOU. 

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Three suitors woo Bianca (Ann Miller) during the Tom, Dick, or Harry number.
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Bianca/Lois (Ann Miller) and Bill (Tommy Rall) talk in the theater’s alley.

…Keenan Wynn and James Whitmore, who get into the play and later get to sing one of Cole Porter’s best satirical numbers and a personal favorite of mine, ‘Brush Up Your Shakespeare.’ It’s their own ode to their theatrical experience and also advice to the lovelorn that if you want to win the mate of your choice, learn the classics so you can wow them with rhetoric. Wynn and Whitmore are priceless.

Excerpt from IMDB review

If you’re a big fan of The Bard, you will definitely enjoy the thugs’ song (Brush Up Your Shakespeare); it’s a combo of high culture and naughty wordplay.

I esp. like Lois’ signature song Always True To You (In My Fashion). Here is the (updated) song from the 2006 Broadway play, sung by Amy Spanger.

 

 

Holiday (1938) starring Cary Grant & Katharine Hepburn

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A poster for the movie.

Set in NYC, this film stars Cary Grant as Johnny Case, a 30 y.o. businessman working at a “financial house.” While he takes a skiing holiday to Lake Placid, he meets Julia Seton (Nolan); the two fall in love (in ONLY 10 days). They get engaged!

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Johnny Case (Cary Grant) is amazed by the size of the Seton family’s home.

It turns out that Julia comes from a VERY wealthy/influential family. Johnny is surprised and bemused, BUT then finds himself taken w/ Linda (Katharine Hepburn), Julia’s free-thinking/dramatic older sister and her little brother, Ned (Lew Ayres), a musically-gifted alcoholic. (Linda Seton was loosely based on Gertrude Sanford Legendre, a former débutante who left high society to become a big-game hunter and later spied for the OSS during WWII.) 

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Sisters Julia (Doris Nolan) and Linda Seton (Katharine Hepburn) surround Johnny (Cary Grant).

There are a lot of humorous little episodes. I tried to get Father to let me take a nursing course at a hospital. Oh yes, and I almost got arrested trying to help some strikers over in Jersey. Well, how was I to know that Father was on the board of directors at the company? You see, Case, the trouble with me is I never could decide whether I wanted to be Joan of Arc, Florence Nightingale, or John L. Lewis. -Linda talks about her past

It turns out that Julia is NOT that different from her father; at some point you wonder WHAT Johnny saw in her in the first place! Her siblings are discontented with being under their father’s thumb. Mr. Seton is NOT a bad guy, BUT has strong feelings about how things should be done to keep the family on the up and up. 

You’ve got no faith in Johnny, have you, Julia? His little dream may fall flat, you think. Well, so it may, what if it should? There’ll be another. Oh, I’ve got all the faith in the world in Johnny. Whatever he does is all right with me. If he wants to dream for a while, he can dream for a while, and if he wants to come back and sell peanuts, oh, how I’ll believe in those peanuts! -Linda explains, revealing her true feelings for Johnny 

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Johnny (Cary Grant) with his friends, Professor Nick Potter (Edward Everett Horton) and his wife, Susan (Jean Dixon).

[Quoting an imaginary society column] ‘Miss Linda Seton – on New Year’s Eve – entertained a small group of Very Unimportant People.’ -Nick jokes 

In the original play, Nick and Susan Potter are wealthy socialites. Due to the Depression, the plot was altered so that Johnny (“the common man”) would have more ordinary, down-to-earth friends. Johnny’s friends, the Potters, were intellectuals and funny- great combo. They added a LOT of fun to this film! 

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Johnny (Cary Grant) thinks about his future while his fiancee Julia (Doris Nolan) and her father (Henry Kolker) look on.

[1] Hepburn, clearly the star of this production, acts each scene with an emotion and charm that is almost unheard of in the mainstream cinema of the present. …I found myself becoming so endeared to her character that I probably would have been completely devastated if she didn’t get some sort of happiness in the end, probably one of the highest compliments that I can give to an actor’s performance… He [Grant] is such a fresh and passionate character… 

[2] Cukor takes a lighthearted approach to this story, which keeps it upbeat and entertaining, and he laces it with warmth and humor that’ll give you some laughs and put a smile on your face. But beyond all that, Cukor shows some real insight into human nature and the ways of the world. And it makes this film timeless. 

-Excerpts from IMDB reviews

The Brothers Karamazov (1958) starring Yul Brynner, Lee J. Cobb, & William Shatner

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A poster for the film.

Alexi was the young monk who personified what it means to be a generous and forgiving Christian; Ivan the spiritually conflicted and deeply honest man of science; Dmitri the tortured deeply human soul who takes on suffering…

I just happened upon this film- had never seen it before. William Shatner is VERY young (and cute) here; he plays Alexi, the youngest brother in the family who is a monk. This film is about money (particularly inheritance), sibling rivalries (and alliances), forbidden love, and honor. Yul Brynner is perfectly cast as Dmitri, the oldest brother in the dysfunctional family. He is a Lt. in the Russian Army whose favorite hobby is gambling. Of the two female leads, Claire Bloom (Katya) and Maria Schell (Grushenka), I thought Bloom are more effective.

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Alexi (William Shatner) and his father Fyodor (Lee J. Cobb) have a serious talk.

Brynner is very charismatic and gives the right emotional intensity and vulnerability, while Cobb gives his patriarchal role so much juice and life, his demeanour sometimes even quite intimidating (the role is a problematic one due to being one that could easily fall into overacted caricature, Cobb admittedly does overact but enjoyably and the character still felt real). Richard Basehart brings many layers and nuances to Ivan… William Shatner does suffer from a greatly reduced (in terms of how he’s written) character, but surprisingly this is Shatner at his most subdued and moving, most of the time in his acting for personal tastes he’s the opposite.

-Excerpts from IMDB review

At the start of the film, Alexi convinces their wealthy father, Fyodor (Lee J. Cobb) to give him some money to pay off debts run up by Dmitri (Brynner). Fyodor is reluctant, knowing of Dmitiri’s irresponsible spending; he is also tyrannical and lecherous. Dmitri should be getting some money (which comes from his deceased mother’s side). 

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The brothers is the Karamazov family with their father.

Alexi is in the role of peacemaker in the family; while Dmitri is the “black sheep.” These two brothers are tight, though they have opposite personalities. The other brothers are Ivan (Richard Basehart), an atheist writer and Fyodor’s unclaimed bastard/servant, Smerdjakov (Albert Salmi). 

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Katya (Claire Bloom) is engaged to Dmitri- he’s NOT that into her though!

The daughter of Dmitri’s captain, Katya (Bloom), falls deeply in love w/ him after he helps her father out of a difficult situation. Dmitri admits that he wanted Katya, BUT didn’t love her. She explains that she doesn’t mind that. Some time later, when she becomes an heiress (thanks to a grandmother), she proposes that they get engaged. Dmitri agrees to it; after all, she is a beautiful, respectable, and wealthy woman. Katya goes to his town and meets his family, impressing them w/ all her charms. She and Ivan spend a LOT of time together; he falls in love w/ Katya, BUT she only sees him as a friend (and future brother-in-law).  

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Fyodor (Lee J. Cobb) has dinner with his mistress, Grushenka (Maria Schell).

So, why is this engagement taking SO long? Dmitri stays away (gambling and drinking), so there is no time to get to know and (maybe) fall in love w/ Katya. Back at home, Ivan and Smerdjakov are getting impatient to inherit; they’re waiting for their father to die. Fyodor shows no signs of slowing down; he has a young/blonde mistress, Grushenka. Though he’s NOT the sentimental type, Fyodor proposes marriage. 

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Dmitri (Yul Brynner) plays a song for Grushenka (Maria Schell).

For anyone interested in family dynamics and love relationships “Brothers” presents a web of triangulated rivalries and unrequited, seething passions — fiction that rings powerfully true.

I am embarrassed to admit I haven’t read this great novel — although the movie makes me want to — so I wasn’t familiar with the story. 

-Excerpt from IMDB review

Grushenka, who owns a tavern and has made some money of her own, buys Dmitri’s debts (on behalf of Fyodor). When Dmitri learns of this occurrence, he insults her servant (a former soldier), and then sets out to find the mysterious woman. He sees Grushenka at a skating pond (where she is having fun w/ another man, not Fyodor). It’s basically love at first sight (at least on his side); Dmitri is a VERY passionate man after all. Grushenka seems VERY taken w/ him, too, BUT she is also a professional (who knows how to survive in a man’s world). Check out this film to find out what happens next!