House of Cards (Season 3)

NOTE: This review contains MILD spoilers for the latest season of House of Cards (Netflix).

HoC_S3_AirForce1 Frank & Claire in front of Air Force One

Well, those two crazy kids FINALLY made it… to the White House!  However, it’s NOT all easygoing at the top for Frank (Kevin Spacey) and Claire Underwood (Robin Wright), or very exciting (as MANY viewers, including ardent fans, have commented).  A FEW eps were a BIT tough to get through- a rarity for this series in seasons 1 and 2.  There is less scheming, fewer asides to the audience (by Frank), and more talk re: policy changes (this is NOT The West Wing).   

HoC_S3_Doug Surprise: Doug survived the attack at the end of S2!

This is a BIT of a spoiler- Doug (Michael Kelly, slowly being revealed) survived the attack in the woods at the end of Season 2.  A LOT of time is spent on his recovery in this season- TOO much IMO!  Yes, Doug has a lonely life, sleeps w/ pros, and lives for his work (even when President Underwood has NO time for him).  We get to meet his older brother, his wife and kids, and learn more about that aspect of Doug’s life.   

HoC_S3_Frank_RussianPrez Frank reaches out to the (Putin-like) Russian prez- a FUN adversary!

I really liked the scenes between Frank and the tough-as-nails Russian president, who is like a taller version of Putin.  This guy is NOT intimidated easily by Frank- GREAT to see!  The actor did VERY well w/ the role.  Forget boring/wimpy adversaries like President Walker and even Raymond Tusk, this prez won’t back down easily!

HoC_S3_portrait Frank & Claire sit for their official portrait

This season is MAINLY about the (worsening) relationship between Frank and Claire.  They’re even sleeping in separate bedrooms (GASP)!  Robin Wright continues to shine, BUT we wouldn’t expect less.  Claire has a new role (aside from First Lady) this season, as you will learn.

HoC_S3_E7 Frank drinks & talks w/ his (potential) biographer.

Frank recruits a novelist to write his biography, BUT the writer goes off on his own direction.  Sorry, but he’s a boring character.  There is a journalist (played by Kim Dickens) recently the detective on Gone Girl) that is a BIT more interesting, BUT  thought she’d have more to do. 

hoc_ps3_157_h.jpgHeather Dunbar is a VERY strong counterpoint to Frank!

I LOVED seeing Heather Dunbar (played by the statuesque Elizabeth Marvel) as the total opposite of Frank in her demeanor, morals, tactics!  She takes on Jackie Sharp (Molly Parker, seems underused) in a debate scene (which is quite dramatic).  I’d seen Marvel on several eps of Law & Order: Special Victims Unit.  Is Dunbar really as clean (moral) of a candidate as she seems?  What’s going on w/ Gavin?  Will Remy be back?  And how will Rachel be dealt with?  You’ll find out… IF you make it through the season.     

2015 New African Film Festival – Triangle: Coming to America

This film (released in Ethiopia in 2012) was the centerpiece of the festival; the theater was almost full when I went to see it on a Saturday night.  The audience included viewers of Ethiopian and Eritrean heritage, particularly in their 20s and 30s.  My friend had seen it the previously and raved about it.  Writer/director Theodros Teshome (who held an after-show Q&A w/ two of the lead actors) was inspired to write this film after hearing the story of a fellow Ethiopian man’s dangerous/illegal journey to the U.S.  Teshome then performed some research, and discovered hundreds of similar stories of immigration.  He quickly realized that this story had to be told. 

Kaleab (Solomon Bogale, dubbed “the Denzel Washington of Ethiopia”) is part of a small group of Ethiopians being led through the desert by an Arab guide (who is dressed traditionally in a white jilbab and turban).  The Arab carries a rifle for protection, but he also uses it to threaten the group.  We learn that Kaleab’s good friend, Jemal, and his young wife are leaving b/c they eloped against her parents wishes.  Jemal provides some well-needed humor, but he can also fight (though short and wiry). 

Along the way, this group merges with a small band of Eritreans, which includes a young woman named Winta (Mahder Assefa).  Unlike some of the others, Winta doesn’t have a relative or friend traveling w/ her, so Kaleab watches out for her.  Jemal and his wife urge Kaleab to speak to Winta, though he is shy/reluctant.  There’s more than love in the air- they must deal w/ a sand storm, then another storm at sea (on the way to Italy).  One man (who used to be a soldier/lived overseas) is heartbroken when he loses his lovely young wife to pneumonia after landing in Italy. He wails and says he doesn’t have the desire to go on, leaving her body buried in a strange land.  The others, particularly Jemal, convince him to forge ahead.   

On the journey, Kaleab helps Winta, then she returns the favor (in a big way) when they reach Mexico.  Shared hardship, respect, and kindness between them grows into love.  I think this theme of the story helped the viewers deal w/ the hardships- a bit of hope, silver lining, and such.  I was surprised that such a serious tale could be told w/ bits of (real-world) humor.  The audience enjoyed the film a LOT- I could tell from reactions during and comments afterward.  

In the Q&A session, Teshome said that there will be a part two of this story, which will be about these characters’ lives in America. He explained that it’s very difficult to make a film in Ethiopia, though there is a wealth of acting talent and a great interest in movies from the general public.  The special effects had to be created in LA, which took up most of the (VERY modest, even for an indie film) $650,000 budget.  The cast and crew spent four days shooting in the desert.  It takes a good chunk of money to get theaters to screen films, but after two shows at AFI, more were added at the Columbia Heights Educational Center.  One woman said that she came all the way from Ohio to attend this festival-WOW!            

Empire: Season 1

Thank you, cable!  Success of your sophisticated, smart (yet FUN), ensemble shows is making network TV better… a LOT better!  Also, I have to give respect to Shonda Rimes (esp. on ABC’s How to Get Away with Murder).  Yes, I still watch Scandal, but who DOESN’T love Viola Davis!?  Not unlike HTGAWM, FOX’s music-infused family drama, Empire (which several Fb gal pals were praising), has changed the face of TV. 
WARNING: This review contains MILD spoilers! 
WHY is this (midseason) show so ground-breaking?  Empire (created by Danny Strong and produced by Brian Grazer, Lee Daniels, and Francie Calfo) focuses on a successful African-American family in NYC.  (Everyone can relate to family drama, right?)  They’re running a successful company (Empire Entertainment), which includes musical talent (Timbaland is the show’s music producer), tennis shoes, champagne, etc.  (If you’re a fan of hip-hop, this would be the hook for you.)  The business is headed by charismatic, dapper, and strong-willed patriarch, Lucious Lyon (Terrence Howard).  He’s a man’s man who doesn’t suffer fools; he segued from being a musician to producer, then eventually… entrepreneur (EX: P. Diddy).  At the start of the series, Lucious is in a relationship w/ Anika (Grace Gealey), head of Empire’s A&R division (meaning that she signs/develops new talent). 
Lucious’ ex-wife, Cookie (Taraji P. Henson), is claiming her own power by managing teen pop singer Tiana (Serayah) and their middle son Jamal (Jussie Smolett, younger brother of Jurnee).  Hmmm… why was Cookie put in jail for so long (17 years)?  Do she and Lucious still have a future together?  She provides the a LOT of the humor for this show!

Lucious and Cookie have two other sons- Wharton MBA, Andre (Trai Byers), and impulsive 18 y.o. rapper, Hakeem (Bryshere Gray).  Jamal (considered Cookie’s fave) and Hakeem (chosen as heir by his father) have a contentious relationship for the first half of the season, though the unconditional love between brothers is always underneath.  (ALMOST everyone can relate to sibling drama, right?)

They call us Takeem.  -Tiana explains to Cookie about the celeb couple nickname fans have given her and Hakeem
Tiana and rising star Hakeem seem to make a natural pair, BUT they are NOT as simple/innocent as they appear!  Will these kids have a future… or only sing together? 
An honorary member of the family is a man that grew up on the streets of Philly with Lucious, Vernon (Malik Yoba, best-known for New York: Undercover), a father-figure/mentor to Andre (the CFO and non-musical son).  I started watching when I saw a TV promo w/ Yoba; he’s not in a LOT of scenes, since his main focus these days is on community development. Aside from the strong cast, there are MANY guest stars on Empire.  (Those up on the current hip hop music scene can probably spot who these are more quickly.)
Good Enough
See, it doesn’t matter what you think
I’m still a man

Not only is Jamal talented (his songs are the best IMO), he’s the most kind, honest, and likeable character on the show!  He comes out of the closet (to live openly as a gay man)- something that his father can’t accept.  (We learn about the drastic measure Lucious took when guest-star Raven-Symone shows up.) 
Keep Your Money
Can’t ask for a hand-out
It’s time to be a man now
When Lucious belittles his attempt to go his own way, Jamal refuses his cash.   As the show develops, we see how Jamal is redefining masculinity within his family, by writing his songs (personal/touching)… and network TV!

Two Films from The Washington Jewish Film Festival

WJFF_2015

Apples from The Desert

This is a coming-of-age story (one in a shory story collection- Apples from the Desert by Sayvon Leibrecht) about Rachel, a 19 y.o. ultra-Orthodox Jewish girl, who lives in Jerusalem w/ her parents.  Unlike most families in their community, she’s the only child of her parents.  Rachel yearns for a different life than the one of her housewife mother.  Rachel’s unmarried aunt lives down the street, w/ her cat, and seems content to be single/celibate.  We learn from her father that people in the community still whisper about the time Rachel drank bleach (in an attempt to kill herself). 

Still_ApplesDesert_02

At a community center, Rachel watches young secular men and women doing folk dances.  This is forbidden in her sect, of course.  She eventually gets the courage to joins the class, taking some time off from her job.  A red-headed college boy in this class tells her about his life on a kibbutz, and they develop a friendship.  Her father, worried about Rachel’s changing attitude and future, plans a different future.  Her mother sees that she’s unhappy, but fears losing her only child to the world.

The Dove Flyer (AKA Farewell to Baghdad)

The Dove Flyer

This film (based on the novel by Eli Amir) tells the story of the last years of the Jewish community in Baghdad, Iraq, before their expulsion in 1950 and settlement in Israel. The teen narrator, Kabi, watches as the members of his extended family each develop different dreams/fears: his father wants to emigrate to the promised land, his uncle Hizkel (a Zionist) is suddenly arrested; his Muslim teacher, Salim, believes in the equality of Arabs and Jews; and his other uncle just wants to raise his doves.  World War II draws closer, houses are ceased, Jews are beaten in the streets and hung in public.  Kabi is watchful of Hizkel’s spirited young wife, who turns heads w/ her blonde hair, blue eyes, and revealing dresses. 

Trailer:

 

Spoiler Free Review: Maps to the Stars (NOW PLAYING)

maps4
Jerome (Robert Pattinson) is a chauffer/struggling actor & screenwriter.

This film is NOT for everyone- it certainly made me and my gal pal think “WTF!?”  The small audience (perhaps 15 ) we saw it with were nearly silent, aside from a few awkward/small laughs.  One woman sitting close to me looked at her watch, asking “How long is this movie?”  It contains material that could be VERY offensive, but that’s not a shocker in a David Cronenberg film.  I think MANY folks want to see Julianne Moore, BUT don’t go if that’s the ONLY reason! 

This is the latest from the veteran Canadian director who brought us Dead Ringers (disturbingly good- mainly for Jeremy Irons), The Fly, Crash (somehow I got through it), A History of Violence (which I REALLY liked), and Eastern Promises (read my review).  His style is “cold, mechanical, and detached” (as one of the critics on the 3/22/15 ep of The Film Stage podcast noted).  This is a scathing portrayal of Hollywood celeb types, w/ VERY few laughs and an (almost) soundless score, which adds to its disturbing nature.

maps1
Agatha (Mia Wasikowska) gets a job as an assistant for has-been actress Havana (Julianne Moore)

I was confused as to the purpose of Robert Pattinson’s chauffer/actor/screenwriter character, Jerome.  At first, he seems genuine in his interactions with the mysterious Agatha (Mia Wasikowska), but then he comments to Havana (Julianne Moore): “Isn’t it all just research?”  I learned that the screenwriter used to be a chauffer in Hollywood.  As for Havana, she’s like a teen girl in the body of a middle-aged/insecure/overly medicated/selfish woman.

maps2
Teen actor Benji (Evan Bird) w/ his dad (played by John Cusack)

Agatha is supposed to be a disfigured young woman, but she doesn’t look THAT bad; one of The Film Stage critics thought that Cronenberg was showing “the difference between what’s on the page and what’s on the screen.”  Perhaps the most irritating character, Benji (Evan Bird), hangs out with a small group of teen celebs “who are supposed to be pretty people, but are really not that beautiful” (The Film Stage).  Where fame, beauty, youth, and money are so valued, there is “a sort of moral decay” (The Film Stage). 

There is one (badly done CGI) scene that several commentators (on IMDB) wrote was “laughable.”  Perhaps the director didn’t think this was a big deal?  Or maybe it was intentional?  VERY little of this film made sense to me, so I had to look up what critics/reviewers thought- that’s a BAD sign!