“Henry VIII” (now playing)

 

If you know me, you know I LOVE the theater!  So last Sunday, I went to the Folger to see Shakespeare’s history play, Henry VIII.  (I got a reduced price ticket last Friday.)  Since it was a weekend matinee, there were all ages present, including a little guy who’d come with his grandfather.  

The set was interesting and unusual (with a large overhanging  piece in the shape of a crown).  The costumes were elaborate, beautiful, and period-accurate (unlike in the recent production of Hamlet that I saw at the Folger).  The music was used well- not too loud or overly dramatic. 

The actors were quite strong and spoke some VERY tough/long lines with ease.  Cardinal Wolsey (Anthony Cochrane) and Queen Katherine (Naomi Jacobsen) stand out in my mind.  Using the fool Will Sommers (Louis Butelli), who served as narrator and participant, was a good choice.  It got the audience smiling and feeling less intimidated by the material.  I also liked how the actors would go into the aisles and up on the balcony to do some scenes. 

In the first act, the language (dense; winding) took time to get accustomed to.  (No, this isn’t like the modernized dialogue you hear on the Showtime drama The Tudors!)  The first act was not very exciting or emotional; the second act was much better.  

I felt for Katherine (portrayed as a very bright, strong woman) when she was in court arguing against  the divorce.  Being Spanish, Katherine was seen as a “stranger” in England when she was married off to Henry.  Over time, many people grew to respect and admired her, because she endured many hardships with great dignity.     

Henry (Ian Merrill Peakes) fell in love with Anne (Karen Peakes), one of Katherine’s ladies in waiting, very soon after she arrived at court.  He had a necklace set with many jewels sent to Anne- something NOT to be taken lightly coming from a king.  I liked Anne Boleyn’s little (foreshadowing) speech about “not wanting to be a queen for all the world.”  I wanted to hear more from Anne.   

As for Henry, he came off as a level-headed solid leader who had crisis of conscience.  Henry made the mistake of giving the cunning Wolsey (who secretly promoted French interets) too much money and power.   Though he wanted Anne, Henry regretted divorcing his loyal wife after 20 years.  He desperately wanted a male heir. 

The strongest scene came at the end- after the birth of Henry and Anne’s daughter, Elizabeth.  There are fine speeches about how prosperous and important her time will be (foreshadowing the “golden age” of England).  Henry is full of fatherly pride and hope at the end.          

“Hamlet” (2009)

A hit, a hit, a palpable hit!  The Bard’s most popular, and arguably best-written, play springs to life w/ a fresh, modern adaptation by the RSC.  (It is now available on DVD in the US.)  This one is a must-see for all Shakespeare fans!  Tall, wiry Scotsman David Tennant (Dr. Who) tackles the title role and theater veteran Patrick Stewart (Star Trek: The Next Generation) portrays the ghost of Hamlet’s departed father and Claudius (Hamlet’s “uncle-father”).  They played these roles on stage, so are well prepared for the screen version.

Hamlet (sometimes in a single scene) must be able to convey much- anger, intelligence, melancholy, and wit.  Tennant creates a Hamlet for our time;  he shows us Hamlet’s isolation, emotional torment, confusion, and self-awareness.  I feel Tennant does a GREAT job in showing us Hamlet’s muti-faceted personality.

Unlike in the theater, here we get close-ups of the actors.  Hamlet can connect more deeply with the audience (a glance into the camera, a side joke).  The use of a pistol in a pivotal scene rendered the scene less dramatic in my opinion.  The dark main set didn’t appeal to me, but the use of the large broken mirror was a good directorial choice.  The use of surveillance cameras was interesting; Hamlet is always under watch.

On to the supporting cast…  Claudius is played with grace and subtlety by Stewart; often villains pretend to be just like ordinary people.   I thought he was VERY effective as the ghost as well.  Polonius and Gertrude did a fine job, as did Horatio (who had a sense of gravitas and a marvelous speaking voice).

http://www.youtube.com/watch?v=xYZHb2xo0OI

Awww… I’m missing this!

Shakespeare in the Park: Twelfth Night

If I was still in NYC, I’d stand in line to get free tix to see this play (going on until July 12th).  Twelfth Night is of my faves by the Bard, and has gotten GREAT reviews!  Since I’m living MANY hrs from Central Park these days, I’ll have to settle for reviews and pics.  Oh well, there’s always NEXT summer…

 

 

A comedy love triangle: Audra McDonald (Olivia), Anne Hathaway (Cesario/Viola), & Raul Esparza (Orsino)

Though pining for Olivia, Orsino is curiously drawn to his new servant Cesario (actually Viola in drag)!
Though pining for Olivia, Orsino is curiously drawn to his new servant Cesario (actually Viola in drag)!
Cesario tries to convince Olivia that they are ALL wrong for each other.
This production is set in the Regency Era (Jane Austen’s time).

Cesario/Viola falls quickly in love the melancholy boss

Olivia won't take "no" for an answer!
Olivia won’t take “no” for an answer!
When it's revealed his loyal/loving servant is a girl, Orsino is overjoyed!  LOL!
When it’s revealed his loyal/loving manservant is a TRULY a gentlewoman, Orsino is overjoyed! LOL!

Time to take their bows

A New York Times review of the play:

http://theater2.nytimes.com/2009/06/26/theater/reviews/26night.html