The Promise (2017) starring Oscar Isaac, Christian Bale, & Charlotte Le Bon

NOTE: This review contains MILD SPOILERS for the film.

The brutal and harrowing atrocities depicted are diluted by the affairs of the heart leaving the film unbalanced as it strives to be both an epic war drama and a tragic love story.  

Terry George [the director] has aspirations of “Doctor Zhivago” but the end result is akin to an attempt at turning “Schindler’s List” into a romance film. 

-Joseph Friar (FLIX!)

THE PROMISE
Mikael (Oscar Isaac) arrives in Constantinople, Turkey to begin his medical studies.

Mikael Boghosian (Oscar Isaac) is a small-town “apothecary” (like a modern-day pharmacist) w/ the dream of becoming a doctor. He becomes engaged to Maral (Angela Sarafyan)- a woman w/ wealth in his community. We see that he’s NOT in love with Maral, BUT he needs her dowry (400 gold coins) to finance med school. As their parents hope, maybe love will come later? 

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Ana (Charlotte Le Bon) and Chris (Christian Bale)

Once Mikael begins school in the big city (Constantinople) in 1914, he makes friends w/ Emre (Marwan Kenzari)- a jovial, world-traveling “party boy” who’d rather flirt than study. Emre’s father is a big shot (pasha), who’s NOT amused by his son’s behavior, which includes hanging w/ foreigners. Emre is a Turkish Muslim male who has privilege in this society.

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Ana (Le Bon) and Mikael (Isaac) at Emre’s birthday party.

In his uncle’s house, Mikael meets Ana Khesarian (Charlotte Le Bon), a beautiful dancer-turned-teacher to his cute young nieces. Ana is living w/ Chris Myers (Christian Bale), a famous/hard-drinking American reporter for the AP.  She met him after the sudden death of her musician father in Paris. Ana has a French accent (b/c she grew up mainly in Paris), BUT also a an affinity for her people- the Armenians. While Chris is busy covering the growing tension between the Turks and Armenians, Ana and Mikael begin falling in love. After all, they’re of similar ages, personalities, and have a shared heritage. And also b/c Hollywood MUST put a love story in the middle of (almost) every movie!

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Chris (Bale) takes photos of a nationalistic parade.

Isaac is one of my fave actors; NOT only does he have GREAT hair (hey, it’s true), he has the range to pull-off MANY different types of characters. With Mikael, he creates a wide-eyed, goodhearted, yet (quietly) passionate young man who yearns to know more and contribute to his corner of the world. Bale does a good job- he’s the privileged American (outsider) who is a witness to history. He sends the story out to the wider world. It was a nice surprise to see some strong (veteran) actors in the cast: Shohreh Agdashloo, James Cromwell, and Jean Reno. 

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Ana (Le Bon) and Chris (Bale) share a quiet moment.

The Promise looks and feels like a big budget film; there is some gorgeous cinematography.  There are moments of intense sadness and acts of bravery (incl. by characters who DO NOT use guns), which take the film to the epic scale. I recommend the film, BUT it wasn’t as GREAT as I’d expected. Yes, it was emotional, BUT I wanted more backstory (history/politics) and characterization.

 

The Zookeeper’s Wife (2017) starring Jessica Chastain & Daniel Bruhl

NOTE: This review contains SPOILERS for the film (now playing widely in U.S. theaters).

Diane Ackerman’s non-fiction book was greatly inspired by the unpublished diary of Antonina Zabinska and Jan Zabinski, the director of the Warsaw Zoo in Poland. The book was published in 2007. While the real life events occurred in Warsaw, the movie was filmed entirely in Prague (w/ real baby lion cubs). This film also has a woman director (Niki Caro) and woman adapter (Angela Workman). 

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[1] It is still possible to find love and comfort in the darkest of times. Love is all around us. We must be the vessel through which hope and love spreads. Antonina believed this with her whole heart which is why she and Jan did what they did. There are brave people all around us: fighting for our rights, fighting for theirs, their family, their country – bravery comes in so many forms. This film reflects this: there is bravery in combat and ‘silent’ bravery. One is not greater than the other.

[2] One of the key messages seems to come from an early monologue delivered by Antonina where she compares the purity of animals (their eyes tell you everything) with the propensity to deceive and commonplace of ulterior motives in humans.

[3] Caro is able to reflect humanity, sincerity and earnestness in her films, which captivates and entangles the viewer. Caro’s directing prowess brings to mind the ideology of the male gaze vs. the female gaze in films… I feel as though I’m witnessing a life lived, purely, rather than someone’s perspective of that life. 

-Excerpts from IMDB reviews

We first see Antonina (Jessica Chastain) as a happy figure riding her bike through a zoo with a young camel trotting beside her. She helps rescue a newborn elephant, interrupting  a dinner party. But soon German bombs begin dropping on her city (Warsaw) and this zoo she runs w/ her zoologist husband, Jan (Belgian actor Johan Heldenbergh). 

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…she is undeniably captivating as the eponymous lead, channeling grit and vulnerability in equal measure as she fleshes out her character’s fears, anxieties and convictions. Among the supporting actors, Bruhl and Haas [the teenaged Israeli actress who plays a pivotal role] are the standouts, the former exercising admirable restraint in what could have been a traditionally villainous act, while the latter surprisingly nuanced in her portrayal…

-Excerpt from IMDB review

The scenes between Lutz Heck (Daniel Bruhl) and Antonina are tense; as he disarms her with his affinity/experience w/ of animals, BUT later scares her (and us) with his unwanted advances and desire to cross-breed animals in hopes of creating a new type of bison/bull (superior beast). 

Into the Badlands (AMC): Season 2, Episode 1

NOTE: This review contains SPOILERS for the Season 2 premiere of the AMC TV series. New episodes will be airing Sundays (10PM EST).

I’m Only Human, a popular song by Rag’N’Bone Man plays. We find that Sunny (Daniel Wu) is a shackled prisoner in some sort of huge mining camp. The setting is somewhat reminiscent of the recent Mad Max: Fury Road film (note the colors, dust, etc.) Sunny makes an attempt to escape (fight scene ensues), BUT it finally subdued by his captives. The leader of the camp explains that the ONLY way to escape is death! 

At night, he dreams of Veil and their baby, then wakes up to find himself chained to Bajie (British actor Nick Frost), a chatty/burly/bearded prisoner. It turns out that Bajie, now a fellow Picker, was an opium dealer in his free life. He brags that he knows how to get stuff others want in the camp. 

***

M.K. (Aramis Knight) has been training for 6 mos. in a remote mountain location. He and his fellow Novices wear purple robes and sleep in hammocks. After M.K. admits that he’s glad he doesn’t have to hide his powers here, another young man explains how he was “treated like a king” by his clan. M.K. asks this boy if he was “scared to kill.” The boy dismisses him, recounting how he fought and killed many enemies; there are multiple scars on his forearm. 

M.K. sneaks off in search of The Master (someone he has yet to meet); we know how curious and persistent he can be from S1. It turns out that The Master (Chipo Chung) is an youthful-looking woman of color! The actress looked a BIT familiar to me; it turns out she played Chantho in Doctor Who, Season 4 (Utopia). I’m NOT an expert on that show, BUT I love the acting of David Tennant (who played Dr. Who for 2 seasons). His companion at that time was Dr. Martha Jones (Freema Agyeman- also on Law & Order: UK). Chung had the rare opportunity to play the assistant of Sir Derek Jacobi’s character. 

***

The Master challenges M.K.- he loses b/c he can’t control his powers yet. After M.K. goes back to this room in defeat, we see The Master heal a broken bone of her injured forearm (WOW)! Looks like there could be MORE to the powers possessed by M.K. and the young men.

***

The grimy prisoners are cleaning up after work. Sunny removes his shirt; Bajie sees all the tattoos on his back for the first time. He instantly knows that Sunny was a Clipper (oh no)! Sunny looks pissed off, BUT Bajie says “you can trust me.” 

While eating dinner, Sunny asks Bajie what he knows re: the situation in the Badlands. He learns that Quinn is considered missing (w/ a reward for his return). The other Barons are scrambling for power. The Nomads are running wild. 

Chaos leads to new opportunities. And I’m ALL about new opportunities. -Bajie explains to Sunny 

Since the Pickers met their quota last month, there will be a “fight night” in the camp. It’s VERY brutal; Bajie says that “no one ever escapes alive.” Sunny asks him to find a map of this mine.

***

Ryder (Oliver Stark) is reminiscing about his lonely childhood in his old room at The Fort. The room is dusty and items are covered up, including a rocking horse he used to play on. Jade (Sarah Bolger) comes in and sweetly tells him about his accomplishments (so we get to know what happened directly after the finale of S1 until now). They are (finally) together; he calls her “The Baroness.”  They are looking a BIT more grown-up (he w/ a beard/goatee; she with a wavy updo). They and their people have been living at Jacobee’s mansion. BUT Ryder still feels like his father is haunting him. 

***

At the oil refinery (now controlled by Ryder), Tilda (Ally Ioannides) sneaks up behind an experienced Clipper and stabs him silently. Work is NOT being done at an efficient rate, Ryder learns, since a LOT of Cogs keep leaving. A worker (perhaps manager) explains: “The Widow has been giving them sanctuary.” Ryder is surprised by this, since they had NOT heard from her in months. Jade advises to cut back on working hours and giving more rations to those Cogs who stayed loyal. Hmmm… looks like these two are working more like partners, unlike Quinn and Lydia. 

The next moment, Tilda causes an explosion- a Jeep blows up. Jade is thrown back by the force; Ryder shouts at his few Clippers to find her and get her to safety. The Widow (Emily Beecham) walks out w/ a smugly satisfied look on her face. (We’d been waiting for that right?) Tilda and the other Butterflies are behind her, ready to fight the Clippers. 

The Widow breaks off at one point to chase after Jade (she’s unhurt) and the Clipper guarding her. Jade witnesses some of the bloody sword fighting; she is shocked, scared, but keeps her wits about her. The Widow climbs the stairs, cutting through several Clippers posted along the way in her creative/bloody fashion. On the roof, she deflects the arrows of five Clippers, then slices their throats w/ one of her butterfly-shaped blades. She struts up to Jade, BUT doesn’t hurt/kill her! The Widow simply has a message for Ryder- she has reclaimed her oil fields, and anyone who tries to stop her will end up dead. Then she grabs the knife from Jade’s hand and cuts down the red banner (w/ the armadillo on it) from the wall. 

***

Bajie presents Sunny w/ a map; he got it from the oldest Picker in the mine. Sunny is skeptical, wondering if it’s “accurate.” Bajie figures out that Sunny is going to attempt an escape, so wants to go along. Sunny glares at him- that’s a no go! Someone yells that they found something. Bajie (being an opportunist) quickly punches that guy out and grabs the ring. After an expert examines it, he is given a 24-hr. break from mining. That wasn’t the reward Bajie was hoping for, so he tells The Engineer (Stephen Walters; also in Outlander) that he knows of something much better, asking: “Do you know what a Clipper is?” 

***

The Widow is looking wistfully at the photo of her little boy inside a gold locket. Tilda comes in and tells her of the MANY that are joining their cause. The Widow admits that she needs to be more than a fighter now- more of a leader. Tilda suggests she come and meet some of the people who have put their faith in her (and her way of life). 

You don’t belong to me. Everyone here is free and equal. My dream is that, one day, there will be no Cog, Clipper, Doll, or Baron… only free women and men deciding the course of their own future. -The Widow states her philosophy to a group of Dolls and Clippers at a food station

 ***

M.K. is angry w/ Ava, his Abbott, who he’d been training w/ for 6 mos. He told her secrets which she revealed to The Master. Now The Master has decided to take over training M.K. 

***

Tilda and four of the Butterflies take revenge against a group of Clippers. They think it’s b/c they refused to fight, BUT Tilda explains that it was for abusing the Dolls (incl. her friend Odessa). Tilda turns to go (like a boss) while the blood of these men flies in arcs behind her. Yeah, this gal has her OWN mind! 

***

The Engineer comes over to Sunny, w/ Bajie in tow. He knows that Sunny is a great killer (being a Clipper). It turns out that Bajie traded his freedom for Sunny’s (was NOT expecting that)! Sunny is led out of the mine by two guards. 

***

In an unknown location, Veil (Madeline Mantock) has given birth to a healthy baby boy. She is presented him by Quinn (Marton Csokas). Surprise- he’s alive!  

Broadway on Film: Allegiance (2016) starring George Takei, Lea Salonga, & Telly Leung

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Kei, Grandpa, & Sammy arrive at the Heart Mountain internment camp 
Those who cannot remember the past are condemned to repeat it. -George Santayana (1905), philosopher/writer
Allegiance ran on Broadway for 3 mos. during the Winter of 2015/2016, and was seen by 120,000 (which was the same number of Japanese-Americans rounded up and put in internment camps during WWII). The story is partly based on George Takei’s real life experience as a young child raised for 4 yrs in an Arkansas internment camp. Each night of its Broadway run, the veteran actor/activist/social media star, reserved a seat for (then presidential candidate) Donald Trump. Of course, Trump NEVER came to see the show! 
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The Kimura family at the dinner table.
This musical drama centers on the Kimuras, who are a close-knit farming family, yet individuals in their own right (who grow and change over the course of the play). They are sent to the Heart Mountain, Wyoming camp, which is the main setting of this story. There are armed men guarding them 24/7, a curfew is in effect at night, and the living conditions are VERY poor.   
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Sammy encourages the young people to think of ways to have fun in “Get in the Game.”
Sammy (Telly Leung, who has been chosen as the lead in Alladin) desperately wants to enlist in the army and show his allegiance to the U.S. His father says that this can never be, since they “have the face of the enemy.” BOTH men are quite stubborn! Sammy’s older sister, Kei (short for Keiko), serves as a mother-figure for him also. Kei (Lea Salonga, veteran actor/singer best known as Eponine in the original Les Mis) worries about Sammy’s future and takes care of Grandpa (Takei), who is missing his garden back home. 
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Grandpa creates an origami flower from the offensive loyalty questionnaire.
…after graduating from college, studying Asian American history, knowing about the civil rights era now– in a post-Vietnam War era– I think I would have done what Frankie did: You want me to fight as an American? Then treat me like an American! -Michael K. Lee
Kei (though she considers herself an “old maid”) forms a connection w/ Frankie Suzuki (Michael K. Lee), a law student from LA.  Since he’s a bachelor, Frankie has to share a cabin w/ 10 other men. His dark humor and sly wit are revealed in the rousing big band number Paradise. Frankie’s allegiance is to the Constitution; this character is based on (real life) activist Frank Emi.  I was quite impressed w/ this character; he seemed VERY fresh and modern!
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Sammy and Hannah joke and about their budding (forbidden) relationship.
Sammy and Hannah (a blonde, young Army nurse from Nebraska) become close while trying to get more medicine and supplies for the camp. They have a sweet duet (With You) which expresses their love, which is NOT safe to express.  The lyrics are simple, yet poignant; below is a sample. 
If I were with you, no one else could see us this way. -Sammy imagines
If I were with you, we would fight the world every day. -Hannah replies
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Sammy (center) with some of the men of the 442nd Combat Regiment
What can be done to end this imprisonment? Mike Masaoka (Greg Watanabe) of the Japanese Americans Citizens League (JACL) has been petitioning Congress to get his people freed. Perhaps in desperation, he proposes a loyalty test (“to root out the troublemakers”). Also, the able-bodied men MUST enlist (in a segregated unit, like the African-Americans) and take on the deadliest missions. (Masaoka was an actual person during this period in history.) Watanabe had older relatives in internment camps, as he noted in one of the behind-the-scenes interviews. I wanted to know MORE about this character!
Women weren’t just sitting around while the men faced danger. Kei and the camp’s women write letters to major newspapers and magazines to let the public know what’s going on. Kei goes after what she wants and becomes a stronger woman, as we see in Higher- a pivotal song for her character and showcasing Salonga’s powerful vocals.
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A banner ad featuring Sammy, Hannah, and a quote from the Washington Post review
In SOME ways, this play is quite traditional for Broadway- love stories, generational conflicts, song and dance. In other ways, it is groundbreaking- a cast of mainly Asian-Americans (incl. those of Chinese, Japanese, Filipino, and Korean ancestry); a Japanese-Canadian director (who had relatives in similar camps in Canada); a Chinese-American co-writer; a female orchestra leader, etc. In this current political climate, this story is a cautionary tale, NOT merely entertainment. Should we prove our worth by standing by our country, no matter what (like Sammy)? Or should we resist the unfair laws being proposed, even risking prison (like Frankie)? 

Rogue One: A Star Wars Story (2016)

NOTE: This review contains MAJOR SPOILERS. 

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Hardened Rebel fighter Cassian Andor (Diego Luna) and newbie Jyn Erso (Felicity Jones)

We know there are a set of Star Wars superfans who simply CANNOT take criticism of their beloved franchise.  However, I’m NOT one of those viewers!  This prequel has a female lead in Jyn Erso (Felicity Jones) as we saw in Star Wars: The Force Awakens.  Jones does the best she can w/ the material given.  There is a LOT of racial diversity among Jones’ male co-starts.  However, this film sorely lacks character development!  Sorry, BUT it’s rather tough to care about characters if we don’t get to know their much re: personalities, motivations, histories, etc. 

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The Death Star was built by a team of engineers headed by Galen Erso (Jyn’s father)

I wanted to see a BIT more of Galen Erso (Mads Mikkelson) and his wife; we don’t how/why they got on the wrong track of working for The Empire.  Also, why does Cassian Andor (Diego Luna) have such a big chip on this shoulder?  I wanted to know a LOT more re: his past, aside from the (obvious) fact that he’s been fighting for a long time.  It was cool to see Luna after MANY years!  He still has that youthful face and slim body.  There is a new droid working w/ Andor, K-2SO (Alan Tudyk), who provides some snarky humor.        

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Bodhi Rook (Riz Ahmed)- the pilot who defects from The Empire

Social media (as well as a FEW people I personally know) were esp. excited to see Riz Ahmed, a British-Pakistani/Muslim actor on the big screen.  Sure, he’s part of the rag-tag Rebel band, BUT doesn’t get to do much!  Donnie Yen’s character (the blind/deeply spiritual warrior) was  more effective, thanks in part to his badass martial arts skills.  Guess we STILL have to wait for a desi brother to get a (bigger) break…

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Orson Krennic (Ben Mendolsohn) oversaw the building of The Death Star

The new baddie, Orson Krennic (Ben Mendelsohn), is pretty interesting; I think it’s b/c the Aussie actor takes relish in being a villain (check him out on Season 1 of the Netflix drama Bloodline).  I esp. liked the scene where he got called to meet w/ Darth Vader, then got (painfully) put in his place.

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Darth Vader (still voiced by James Earl Jones) meets with Krennic

I was impressed by the scenery, action sequences, and the “bringing back to life” of several actors from George Lucas’ original Star Wars films (thanks to technology).  Speaking of the original films… This film’s last scene (featuring the young Princess Leia) has taken on a special/poignant significance following the sudden death of actress Carrie Fisher.