Movie Review: Masterpiece Theater’s “Tess of the D’Urbervilles”

tess_oxford

Remember Oxford edition books from college?

 

When Thomas Hardy’s novel Tess of the D’Urbervilles was first published, readers debated whether or not the main protagonist, Tess Durbeyfield, was a “pure” woman.  Her purity was of great debate among friends at dinner parties (Laura Linney said before the film began on Masterpiece Theater).  Tess is a young, simple, and honest woman who endures several tragedies, but has a bit of happiness, too.  Though many evils befall her, she takes life into her own hands in the end.   

 

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Tess (Gemma Arterton), a beautiful young girl in her teens, has a simple life in the countryside of Southern England.    Her father consoles himself with drink, and is often jobless.  Tess, who is hard-working and good in school, hopes to someday become a teacher.  Her mother has a big brood to raise, and feels that Tess should swallow her pride for the sake of the family.  So, Tess goes to work for her distant relations, the D’Urbervilles, on a big estate several miles from home. 

 

Her wealthy, older, crafty cousin Alec D’Urberville (Hans Matheson) is instantly struck by her beauty and simple ways.  Tess is given the job of “poultry manager” and her own little house to live in on the estate.  Her cousin gives her a lot of attention, gifts (such as a new dress), and promises to do something for her poor family.   Tess is unprotected and in danger, the viewer quickly learns.  Alec’s mother, a blind sickly old lady close to death, can’t protect Tess from her son’s advances.  She lets him run everything, even though she knows about his dissipated ways (drinking, gambling, and running after women). 

 

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When they see the pair together in Alec’s carriage, Tess’ sister Liza Lu asks “Is that the man who will make Tess a lady?”  In Thomas Hardy’s mind, Tess is already a “lady.”   She has a lot of pride and (natural) honor- something that a man like Alec can never understand.  A girl, the former poultry manager, ran off before Tess arrived!  The other servants gossip and laugh about Tess.   The young housemaids are jealous because they no longer have their master’s attention.   

  

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Alec “takes her by force” in the woods late one night.  She is bewildered, ashamed, and has no one to talk to about her situation.  (No one told her that such things could happen!)  Tess quickly returns to her family, has a baby boy, and deals with that baby’s death (as well as the disdain of her community). 

 

She appeals to the local pastor to allow her dead son, who she named Sorrow, to be buried “on consecrated ground.”   He refuses (of course) because the baby was born out of wedlock.  Tess is angry and hurt, feeling that the church is not doing the right thing.  She decides to seek out a new job.  You wonder if she’ll ever get a break!

  

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Tess begins work as a dairy maid on a family-like farm peopled with a kind group of individuals.  She becomes friends with the other milkmaids, and catches the eye of a young gentleman, Angel Clare (Eddie Redmayne), who’s trianing to be a farmer alongside the others.  Slowly, Tess and Angel become good friends.  He is taken aback by her goodness.  Angel is a decent guy who loves working the land, though he is the son of a parson (and thus middle-class).  He doesn’t care for money or status, but highly values honesty. 

 

All the girls on the farm are in love with Angel, but he (noticeably) prefers Tess.  She is afraid to let herself be happy, but eventually admits that she’s deeply in love.  However, she feels she is “ruined” and “will never marry” someone so good like Angel.  What will happen next? 

 

Gemma Aterton does a terrific job showing the many sides to a “simple” girl; she is not only a victim, she has a lot of toughness.   How else would Tess have survived her life?  Hans Matheson, dark and a bit dangerous in appearance, makes Alec a complex, interesting villain.  He’s not always easy to figure out.  Eddie Redmayne goes through a wide range of emotions, and truly fits into his role of idealistic young man.  When Angel becomes disappointed in life, he does an even better job.   

 

This is a very effective film because it has these elements: a  very committed cast of characters (who are not well-known), fitting music and lighting (to set a mood Hardy could approve of), and appropriate costumes, scenery, and sets.   The film elaborates on the themes: innocence, honesty, shame, questioning of established religion, unconditional love, betrayal, and (eventual) forgiveness.  It’s true to Hardy- it’s dark, moody, and (sometimes) unexpected.  You will be quickly drawn into this film!  

 

 

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Gemma Aterton is one of the newest Bond girls, believe it or not!  She can be seen in Quantum of Solace (opposite Daniel Craig).  

 

 

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Hans Matheson can be seen in The Mists of Avalon (where he plays another villain) and the BBC version of Dr. Zhivago (opposite Keira Knightly). 

 

 

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Eddie Redmayne, an actor fans of Brit films  may be familiar with, has been in Elizabeth: The Golden Age (with Cate Blanchett and Clive Owen), Elizabeth I (with Helen Mirren, Jeremy Irons, and Hugh Dancy), and  The Other Boleyn Girl (with Scarlett Johanssen, Natalie Portman, an Eric Bana).  Not bad for a guy who’s just 26!  

 

Links you may like: 

 

A photo of Thomas Hardy’s house, Max Gate:

http://www.victorianweb.org/photos/hardy/11.jpg

 

More about this film:

www.bbc.co.uk/tess

 

More about actress Gemma Aterton:

http://www.imdb.com/name/nm2605345/

 

A web site dedicated to actor Hans Matheson:

http://www.hansmatheson.org/

 

A web site dedicated to actor Eddie Redmayne:

http://eddie-redmayne.net/

 

1998 UK version (starring Justine Waddell)

http://www.imdb.com/title/tt0126100/

 

The famed 1979 version- Tess (starring Nastassja Kinski); directed by Roman Polanski

http://www.imdb.com/title/tt0080009/

Movie Review: “Gone Baby Gone”

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Sorry to you Mystic River fans, but this film (also set in Boston) is much, much better!  I watched Gone Baby Gone last week, and was on the edge of my seat (for most of the time).  Ben Affleck is the director/co-writer of the screenplay, and his little brother, Casey Affleck is the (unassuming) star.  Morgan Freeman and Ed Harris just melt into their roles, as usual.  Rising young star Michelle Monaghan, though dressed quite drably, looks sweet and has a strong/quiet presence.  She and Casey looked like the real couple next door (if you happen to live in the working-class, Irish Catholic suburb of Dorchester).  The casting is superb; all the main characters are individual entities.  Each of them gets a moment to shine in their role.  

 

 

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As the film opens, 31 y.o. Patrick Kenzie (Affeck) can’t seem to tear his attention from the news coverage of a local missing girl  (5 year-old Amanda McCready).  He feels like “someone from the neighborhood” can contribute to the police investigation.  He and Angie Gennaro (Monaghan) live together and work as private detectives.  Then suddenly, the aunt and uncle of the girl show up at his door looking for help. 

 

 

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The detectives tell the couple that they have little experience with this type of case, but the family wants them; they’re not cops and know the ‘hood. Patrick, though hesistant at first, thinks he can “supplement” the official investigation, as he tells Capt. Jack Doyle (Freeman).  Doyle (who lost his own daughter in a kidnapping) thinks that Patrick is too young, not to mention inexperienced, to get himself into something like this.  In no time, baby-faced Patrick and the reluctant Angie are neck deep into some serious stuff!  They meet up with drug dealers, addicts, and pedophiles.  There is also a mysterious Cajun cop named Remy Bressant (Harris) to deal with. They’re in way over their heads, but committed to finding Amanda. 

 

 

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 When Patrick and Angie solve the case, life gets even more difficult!  They are faced with a moral problem that may change their lives.   Who do you agree with- Patrick or Angie?  (It’s not so easy!)   This is a very thought-provoking film- it stays with you.  Check it out ASAP!

 

 

 

      

I’m getting OLD!!!

Hey all,

I hope you’re doing FAB, and not 30 y.o. today (JAN 7th) like moi!  LOL…  Just kidding!  Really, I don’t feel THAT old- my fam tells me I’m “like a kid” and “need to be more mature” ALL the time.  So… what am I doing for my b-day? 

I subbed (as usual) and kept (sorta) in a good mood during the school day.  I’m STILL not quite used to how buses/trains are slower here (than back in my beloved NYC)!  I need patience…  Me and my dad (my roomie these days) are going to have sausage pizza & hot wings (Papa John’s) and check out some PBS. 

At 8PM tonight there is a play (Cyrano de Bergerac) w/ Kevin Kline (who I LOVE almost as much as Denzel!), Jennifer Garner, and Daniel Sunjata (the SUPER-HOT hottie who’s sometimes on SVU and Rescue Me). 

Below are some pics!

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All the best,

EMMA.

P.S. I got a CUTE new phone (by Sony Ericsson) yesterday!  YAY!!!

Must See TV!!!

Masterpiece Theater: Tess of the D’Urbervilles (JAN 4th & 11th / PBS; check for re-runs, too!)

So beautiful and so sad. Beautiful in the characters, wonderfully realised for the time. Tess especially, a child to whom things happen, things beyond her understanding or control, and who is swept along by the tide of events bewildered, but still strong and true herself and her morals – yes, even at the end.

-IMDB review

Some of you may have studied Thomas Hardy novels (AP English/colllege/etc.).  Maybe your parents liked Julie Christie in Far From The Maddening Crowd?

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As a teen, Hardy came across as quite “modern”, b/c he writes about lower/middle-class protagonists (who often think/dream “outside the box.”)   They are Brits of the late 1800s who live/work in the country; Hardy appreciates these average people (Gabriel, the shepherd in Far From the Maddening Crowd, is the main romantic hero).

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Thomas Hardy also knows how to create love triangles (usually VERY odd)!   Love at first sight, terrible tragedies, and the search for self-knowledge are some of his themes.  He goes into “dark” areas of life; many younger students thought he was TOO “doom and gloom” (remember the events surrounding Jude and Sue’s children at end of Jude the Obscure?)  His heroes are not stock character types, but young gals/guys looking to learn and get a (little) ahead of where they were born into.

Tess Derbyfield is an unsually pretty, innocent, 16 y.o. country girl who dreams of being a teacher.  (In the Polanski version, Nastassja Kinski played Tess, so you know she’s supposed to be country-fabulous!)

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Tess is simple, hard-working, but with great pride/dignity.  Her dad, a seller of agricultural materials, is often out of work and/or drunk.  This is a great embarrassment to her, though her mom and younger sibs don’t take much offense.  One day, the father discovers that they have some rich relations who hold the same ancient family name of D’Urberville.  Mother is overjoyed, suggesting that Tess go to their estate to ask for help (a job per chance?)  She doesn’t want to go, but sees no other choice.  Maybe she can save up for studies?

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When Tess arrives at the cousins’ house, she meets Alec- a clever, smooth-talking, calculating young man.  Right away, he gives her the job as “poultry manager”; this causes raised eyebrows/jealousy among the other staff.  He also starts to work on breaking down her defenses- attention, compliments, gifts.   (The image I got was a wolf ensnaring a lamb.)  There is a memorable incident involving fresh, bright-red strawberries (both in the book and mini-series).  Alec’s elderly, frail mother doesn’t seem to notice what’s going on…

Tess is in a very dangerous position- she has no male protector, and must rely solely on her own instincts!

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Watch out girl- he’s no white knight!

http://www.pbs.org/wgbh/masterpiece/