The first thing that you notice is the outstanding cinematography.
 …Joan Fontaine is just perfect as de Winter’s new bride. I can’t spot an unconvincing moment in her performance and can’t imagine any other actress in the role.
 Her [Judith Anderson’s] presence is as dark and foreboding as that of the deceased Rebecca herself, and Fontaine is evidently cowed by her icy stare and unnervingly formal manner. The dynamics between the two actresses are wonderful.
-Excerpts from various reviews on IMDB
Alfred Hitchcock often claimed that this film wasn’t his own. It belonged to Daphne Du Maurier because she had created such vivid characters and such a complex and exciting story. I disagree. You can’t deny his hallmark in all areas of this expertly crafted film. -Bette’s Classic Movie Blog
It is said that director Alfred Hitchcock encouraged the cast to shun Joan Fontaine (sister of Olivia de Havilland), even going as so far as to tell her “everyone here hates you” (in order to making her performance even more self-conscious and nervous in the lead role). Laurence Olivier was already upset w/ the fact that Vivien Leigh (his then-girlfriend) wasn’t chosen for the role. A gothic romance (inspired undoubtedly by Jane Eyre and Wuthering Heights), Rebecca is a suspenseful study in guilt and anxiety, exploring themes of love, obsession, and power. This is a moody (atmospheric) film which draws in the viewer w/ its music (by Franz Waxman), superb use of light and shadow, and (most importantly)- characters. The Grapes of Wrath was a fine film (and a great contender), but Rebecca won the Oscar.
Narrator/Mrs. de Winter (Joan Fontaine): A shy, self-deprecating young woman working as “a paid companion” (an assistant/friend). Her mother and father (who she said people didn’t understand) are deceased, so she (as a single woman) has to make a way for herself in the world. Sometimes you will relate to her; at other times, feel sorry for her predicament.
It’s just that I, well I’m, not the person men marry.
Maxim de Winter (Laurence Olivier): A middle-aged, handsome, aristocratic widower from Cornwall, where he owns an estate- Manderley. He can be witty/charming one moment, then angry/brooding the next (like Mr. Rochester); he is trying to forget his past.
Happiness is something I know nothing about.
Mrs. Van Hopper (Florence Bates): Rebecca’s wealthy/widowed/high-maintenance employer. The two ladies are vacationing in Monte Carlo at the start of the story. She is shocked when she discovers that her companion and Maxim are engaged; she asks:
Have you been doing anything you shouldn’t?
Mrs. Danvers (Judith Anderson): She seems to be as much a nanny-figure and a controlling mother figure, as a sinister housekeeper. She is creepily devoted to the memory of her former mistress, Rebecca; we are left to wonder just what sort of relationship they had. In the pivotal bedroom scene, she asks the second Mrs. de Winter:
Do you think the dead come back and watch the living?
Beatrice Lacy (Gladys Cooper): Maxim’s older sister who is surprised to meet the new Mrs. de Winter, but eventually warms up to her as a family member. She lives nearby w/ her somewhat comedic husband, Major Lacy (Nigel Bruce). Cooper is perhaps best known as the domineering mother to Bette Davis’ character in Now Voyager (1942); she also played Rex Harrison’s mother in My Fair Lady (1964). It’s nice to see her in a more lighthearted role here.
Jack Favell (George Sanders): A clever, charming cousin of Rebecca’s who we sense has a shady side. He shares secrets w/ Mrs. Danvers and feels contempt for Maxim. Jack acts like he feels sorry for the new Mrs. de Winter when he meets her by chance. Sanders has a pivotal role in All About Eve (1950), where I first noticed him and became a big fan. He was in another (gothic-inspired) film- The Ghost and Mrs. Muir starring Rex Harrison and Gene Tierney.
Frank Crawley (Reginald Denny): The manager of the Maderley estate; he is cordial to everyone in the household, including the new mistress. This is NOT the type of guy who makes (or likes) drama, unlike others in this tale.
Colonel Julyan (C. Aubrey Smith): He is a no-nonsense elderly aristocrat in charge of the court case (inquest). This actor played Mr. Laurence in Little Women (1949) starring Elizabeth Taylor and Janet Leigh (another of Hitch’s players).
Dr. Baker (Leo G. Carroll): He is a medical doctor in London. This prolific character actor appeared in several of Hitch’s films: Suspicion (1941), Spellbound (1945), Strangers on a Train (1951), and North by Northwest (1959).
Mrs. de Winter has trouble with eating. The long lonely dining room table separates her and her husband. Food is heaped up around characters: Jack tears into cold chicken, Mrs Van Hopper wolfs down chocolates, and “Oh! What a plateful!” exclaims Beatrice.
Clothing & Hair
At the beginning, Fontaine’s character is dressed like she made terrible selections at a Macy’s basement sale. Later, as she tries to fill the role of the “great lady”… her clothes always appear too big and out of character. Note the black evening dress with the absurdly large flowers across the front and the overwhelming gown at the costume ball. -Excerpt from IMDB review
Mrs. de Winter is repeatedly subjected to adverse comments on her hair. When she tries for a new more sophisticated look, Maxim hates it. Hair (confined, unbound, luxurious, neglected) is mentioned several times in the film. We hear that Rebecca had long dark hair.
Scent is as suspect and degenerate as all of Rebecca’s luxuries: a trap, a snare and a betrayal. -Les Senteurs blog
Mrs. de Winter talks of storing up her memories like perfume. Maxim comments that those little bottles “sometimes contain demons that have a way of popping out at you just as you’re trying most desperately to forget.” He prefers his new bride to smell natural.
He had a theory that if you should find one perfect thing, or place or person, you should stick to it. Do you think that’s very silly? -The narrator says about her father to Maxim
The main thing that attracts Maxim to the narrator is her innocence (including her inexperience w/ men, unassuming manners, and youth). When she woefully wishes she were older and elegantly dressed, Maxim stops the car and solemnly replies: “Please promise me never to wear black satin or pearls… or to be 36 years old.” We can sense that Maxim has emotional baggage, but the second Mrs. de Winter doesn’t see the warning signs, or she overlooks them, being so much in love.