I saw this (VERY well-known) action movie on Christmas Eve w/ a Meetup at AFI (I live across the street). I liked it a LOT more than I expected! And yes, it’s meant to be comedic and campy (esp. to young/modern viewers). Who wouldn’t love the dry “ho-ho-ho” spoken by Alan Rickman (as the villainous Hans Gruber)!? While the film was released in Summer 1988, it has since evolved into a Christmas movie (it takes place on Christmas Eve).
NYPD detective, John McClane (Bruce Willis), flies to LA to spend time w/ his estranged wife/business exec, Holly (Bonnie Bedelia), and their two young kids. The family has been separated for several mos; Holly took a job (promotion) w/ a Japanese company, Nakatomi Corp, and John stayed back to wrap up some outstanding cases. Unlike many action movies, we get some time to learn re: the hero; John is nervous re: flying, hasn’t ridden in a limo (which Holly sends to pick him up from LAX), and is worried re: where his marriage stands. He carries a (comically) large teddy bear wearing a red bow- a gift for his kids.
On the 32nd fl. of Nakatomi Towers, Holly fends off advances from her egotistical/lecherous colleague, Harry Ellis (Hart Bochner); this is the type of scene you wouldn’t see in 2018. When John arrives, he meets the president of the company, Mr. Takagi (James Shigeta), and Ellis (while he’s brushing away cocaine from his nose (yet another thing NOT seen today). Holly eventually comes in; she’s wearing a watch (Rolex) which was given to her by the company. Holly shows John the executive washroom, where they argue re: her moving to LA and using her maiden name- Gennero.
It’s scripted so that the two of them end up talking over each other about what McClane’s idea of their marriage is, and it’s such an honest depiction of estranged spouses that I find myself forgetting what movie I’m watching when I get to that part. -Excerpt from IMDB review
Holly gets called back to the party by her (VERY pregnant) secretary. While John takes off his shirt and shoes and washes up, a dozen men (incl. some speaking in German) armed w/ an assortment of weapons, infiltrate the building. What do these men want? Are they terrorists? Everyone is rounded up in one spot, except for John, who peeks out after hearing gunshots and screams. There is an “EXIT” sign across the hall above a door, BUT (of course) he doesn’t take it to escape. He’s a cop; he has to get help and save Holly (along w/ the others), w/o being discovered.
 One could claim that “Die Hard” is one of the most influential action movies ever made, because it basically revolutionized one of the most copied (but never matched, at least in terms of quality) formulas: a loner, by some unique twist of fate, battles it out with an “x” number of terrorists [villains] in an enclosed environment.
 I always love when McClane talks to himself whenever he was about to do something crazy.
 Die Hard even succeeds as a knowing commentary on the action film genre, dropping references to other action heroes, and exemplifies Bruce Willis as a new type of hero. One that can get hurt, one that feels pain, and one that actually has ties to the world.
 Rickman was amazing and it is one of the best bad guys performances and the one scene when we snaps at John’s wife is priceless.
-Excerpts from IMDB reviews
It’s a great pleasure to me to work on film now as well as on the stage. But it is no soft option. It isn’t easier. It’s in many ways more difficult, and it’s a different kind of a challenge. You have to think a lot quicker and be a lot more immediate. -Alan Rickman
Some Trivia Behind the Film
In the spring of 1987, producer Joel Silver and director John McTiernan attended a performance of the play Dangerous Liaisons, in which Alan Rickman played Valmont. They realized they had found Hans Gruber.
According to his German co-stars, Rickman did an excellent accent after researching German speech. English is a second language in Germany; Rickman even got the dialect of German correct. When Hans tells Takagi that he enjoyed making models as a boy, he says: “I always enjoyed to make models when I was a boy” (the correct German way to say it in English).
The scene in which Gruber and McClane meet was inserted into the script after Rickman was found to be proficient at mimicking American accents. The filmmakers had been looking for a way to have the two characters meet before the climax. This scene was also unrehearsed.
For the shot where Hans falls from the top of the building, Rickman was actually dropped by a stuntman from a 20-foot high model. The stuntman dropped the actor on the count of two, instead of 3, so that shocked look on his face is real.