This film noir is considered a kind of sequel- in spirit- to Double Indemnity. Both movies feature blonde femme fatales, temptation, and (of course) the lure of easy money. It opens w/ a bank heist where over $200,000 is stolen by a pair of armed men in plain clothes. After a late movie, Lona McLane (Kim Novak- just 20 y.o. in her first role), can’t start her car. She gets help from Paul Sheridan (Fred MacMurray), who was also alone at the movies. After her car is taken to a local garage, Lona decides to go home w/ Paul, and have an affair. A few days later, Paul reports to his boss’ office- we learn that he’s an undercover police detective! In order to catch the man who planned the robbery, Paul has been keeping track of his girlfriend- Lona.
The boss, Lt. Eckstrom, is played by E.G. Marshall- a face recognizable to movie fans of several generations. He had a long/successful career as a character actor, incl. as a juror in 12 Angry Men (w/ Henry Fonda) and the billionaire philanthropist in Absolute Power (w/ Clint Eastwood). Paul’s younger partner in the stakeout is Rick McAllister, played by a tall/deep-voiced actor named Philip Carey. He later became known as Asa Buchanan- patriarch of one of the families on the soap opera One Life to Live. Wow, I never knew he was so handsome as a young man! After a few moments, I recognized his name and that voice.
Rick (re: Lona): New car, mink coat, no clocks in the joint… probably the story of her life.
Paul: You just don’t like women, Rick.
Rick: What keeps you single?
Paul: Maybe I like ’em too much.
Rick: I’ve seen all kinds since we joined the force… B-girls, hustlers, blackmailers, shoplifters, drunks. You know, I think I’d still be married if I could find a half-honest woman. Must be a few of ’em around.
Paul: Watch yourself! Those few might just be smarter!
It doesn’t take Lona too long to discover that Paul is a cop; she’s mad and says they are through. Paul, Rick, and another cop stakeout Lona’s apt, waiting for her man to call or (maybe) visit. During the lull times, Rick watches Lona’s neighbor through his binoculars. This is Ann Stewart (Dorothy Malone), a nurse who is always busy and in a cheerful mood.
MacMurray does a fine job as a good, but weary, middle-aged guy who is emotionally vulnerable once he meets Novak. The femme fatale is not a master manipulator; she resents being the trophy of a criminal. Is their hope to their relationship? Rick and Ann seem to almost live in a separate world; their relationship starts off shady, but grows hopeful once you see their chemistry. The atmosphere created in this movie also keeps you interested. The filmmakers are good at setting the mood; we see L.A. mostly at night when there are shadows, streets lit by large lamps, and a few rooftop scenes. This isn’t any fresh territory for Hollywood, but I stayed interested, wondering how far Paul would go.