As a rebellious/motherless child, Ophelia, is taken into Elsinore Castle by Queen Gertrude (Naomi Watts) as one of her ladies-in-waiting. Years later, a grown-up Ophelia (Daisy Ridley- who had her breakout role in the recent Star Wars sequel trilogy) captures the affections of Prince Hamlet (George MacKay). A romance kindles between the two in secret, as the kingdom is on the brink of war, amidst internal intrigue and betrayal. When Hamlet’s father (Nathaniel Parker- who has no lines) is murdered and the prince sets his mind on revenge against the new king/his uncle, Claudius (Clive Owen- wearing a terrible wig), Ophelia must choose between love and survival.
What happens when “the message” (feminism- in this case) and style (locations/sets, hair, costumes, etc.) are made more important than substance (good writing)? Well, we get movies like this (available on Netflix) from Aussie director Claire McCarthy. The cinematographer (or D.P.) is McCarthy’s husband, Denson Baker; I think he did a fine job. This movie was shot on location is the Czech Republic on a mere $12M budget- wow! I learned that it’s based on a young adult (YA) novel by Lisa Klein, NOT the tragic play Hamlet by Shakespeare. The chanting (repeated in several scenes) comes from Hamlet’s letter in Act 2, scene 2: “Doubt that the stars are fire. Doubt that the sun doth move. Doubt truth to be a liar. But never doubt I love.”
Things just don’t make sense here- which is frustrating! Young Ophelia is running around the castle dressed in raggedy clothes w/ a dirty face, though her father is the king’s main advisor. As a young adult, the other ladies-in-waiting belittle Ophelia as she wears flowers, NOT jewels (b/c Polonius can’t afford them). WTH!? As one astute reviewer noted, lines and scenes from other Shakespeare plays (Much Ado About Nothing; Romeo and Juliet) are used here. In the play, Hamlet hates the wild/drunken parties thrown by Claudius; here he wears a mask and dances w/ those at court. Of course, Ophelia (being NOT like other girls- eyeroll), is self-conscious b/c she “dances like a goat.” Whatever… There is V little development of the love story; I also didn’t see any chemistry btwn Ridley and MacKay. I’ve heard that MANY young actors want to tackle the role of Hamlet, BUT I felt kinda sorry for him here. Emasculating men or casting them ONLY as baddies is NOT going to improve stories of women. Just don’t waste your time!
 The all-star cast were OK in their roles, but nothing earth-shattering. The love story needed loads of developing and loads more could have been made of Clive Owen’s character being a threat to Hamlet’s family, crown and future. Naomi Watt’s duel roles was super confusing and brought nothing to either characters. (Which pains me to say as I love her as an actress). I really feel this film is style over substance.
 Hamlet is a non starter, some angry little boy. and the men of course are evil: deny education, don’t take care of their wife, kill other men, try to rape and so on.
 Preachy, not empowered. Lose the agenda and the attitude. Too bad, this could have been something interesting.
 I’m an ultra-lefty feminist and even I eyerolled. Why couldn’t it be a genuine dramatic tragedy? It didn’t need this type of girl power remake.
-Excerpts from IMDb reviews