Indonesian Mini Film Festival (March 25-27)

Introduction

About 400 films are made in the U.S. each year.  Even more (600) are made in India.  But, did you know that about 100 films are made in Indonesia each year?  The Indonesian ambassador to the U.S., Dr. Dino Patti Jalaland his wife were joined by the Singaporean ambassador’s wife, actor Nicholas Saputra (star of Joni’s Promise), and members of his staff during the first film showing.  Recently, Dr. Jalal met with Hollywood director Michael Mann, who will be shooting his film, The Philosopher, in Jakarta.  The film’s lead actor will be Aussie actor, Chris Hemsworth.

Lovely Man (2011)

Screeshot from the Indonesian drama, Lovely Man
A daughter gets to know her absentee father for one night

This is a 75 minute film, but it packs some big punches.  (It won many awards in Asia.)  It focuses on the relationship between a transvestite streetwalker in Jakarta and a small-town/devout Muslim teen, who just happen to be father and daughter. Without telling her mother, Cahaya (Raihaanun), travels by train to see the father who left home many years back.  Cahaya is dressed conservatively and wears a white hijab (headscarf).  When she gets off the train, she stops at a mosque to wash and pray.  She’s amazed by the sights and sounds of the big city, as she goes in search of her father’s address.  (This film uses shadow and lights very well.)  At the side of a bridge, she talks to some women (who are obviously streetwalkers).  She meets Ipuy (Donny Damara)- dressed in long wig, sparkly red dress, and high heels (reminiscent of some of the characters in the films of Pedro Almodovar).  Needless to say, they are both shocked.

Actor Donny Damara accepting an award
Actor Donny Damara accepting an award

Ipuy wants nothing to do with Cahaya- his life is tough enough as it is.  Most people look at him with disgust and treat him unfairly.  What would a hijabi like her know about someone like him?  (Eventually, Cahaya takes off her hijab, to make her father more comfortable.)  She’s carrying a secret, which is giving her much worry.  Cahaya exclaims that she needs a father to talk to about important matters.  What she doesn’t know is that some gangsters are after Ipuy for stealing a lot of cash.

Joni’s Promise (2005)

Joni goes through a LOT in one day
Joni goes through a LOT in one day

This funny, light-hearted film is considered to be “one of the first comedies made in Indonesia.”  (It reminded me of a French comedy.)  A 22 year-old man, Joni (Nicholas Saputra) delivers film reels- a job he likes and considers to be quite important.  One afternoon, she sees a very pretty girl standing in line at the theater, but he’s too nervous to talk to her.  We learn that she’s with her boyfriend (an entitled rich kid).  She gets fed up with her guy, so she goes out.  She notices Joni’s good nature and they have a chat.  She doesn’t get her name or get give his out.  The girl says that they can talk more of he gets done with his deliveries on time.  Joni is happy with that- he’s never had a girlfriend yet.  Joni’s motorbike gets stolen, he witnesses childbirth, gets a walk-on role in a film, plays the drums, and meets a mysterious artist.  Can he make it back to the theater to have his first date?     

IMDB photo of actor Nicholas Saputra
IMDB photo of actor Nicholas Saputra

The Dancer (2011)

Srintil and Rasus share some fruit
Srintil and Rasus share some fruit

This is a full-length historical drama based on a trilogy of novels.  The story focuses on the love between two young people in the village of Dukuh Paruk in Java.  As a small child, the parents of Srintil are killed by some fellow villagers, who believed that they were poisoning food.  The ronngeng (village dancer) also died- she ate the food.

The teenaged Srintil (Prisia Nasution) and Rasus (Oka Antara) love each other deeply, though they are poor, illiterate, and don’t have many prospects.  Rasus works in the rice paddy fields, like the other young men.  However, Srintil thinks that she may have the spirit and the talent to become ronggeng.  Her grandfather champions her cause, even though they are first met with doubt and derision.  The local dance master won’t come to see Srintil perform.

Srintil goes through various rituals to become ronggeng
Srintil goes through various rituals to become ronggeng

Rasus has a little dagger-like object which belonged to the former ronggeng.  After he presents it to Srintil, everyone proclaims her to be the next ronngeng.  She will not only dance , but belong to the village.  Her virginity will be sold to the highest bidder- a fact that greatly upsets Rasus.  (The elderly blind drummer is the only older person who senses what is going on with the couple.)  Rasus runs away to the nearest town, then meets with a military commander (who thinks he could one day become a “loyal” soldier).

Srintil realizes that Rasus has joined the military
Srintil realizes that Rasus has joined the military

Srintil has to go through various rituals, aided by the dance master’s wife.  Men bring goats, cows, and money to present to her grandfather and teacher.  Before the “deflowering” ceremony, Rasus returns and they sneak off together.  Later that night, Srintil pushes him away, explaining that she can’t run away with him forever.  (We know that she has status and money in her community now.)

Srintil shines as a dancer (but not in her personal life)
Srintil shines as a dancer (but not in her personal life)

While Srintil adapts to the lifestyle of a dancer, Rasus adapts to that of a soldier.  His superiors look on him well and he finally learns to read.  He crosses paths with Srintil on very few occasions.  They only spend one more night together, but their lives must always be separate.  When Srintil urges him to come back to the village and offers money to start his own business, Rasus refuses (too proud).

A (Communist) man from the city comes to talk to the villagers, but they only want more food, and don’t grasp what allegiance to his ideas truly mean.  (In fact, 1965-1966 was a very bloody year was Indonesia’s history.  Many people, who were thought to be Communist or sympathizers, were killed by the military.)  This man also wants Srintil and village musicians to perform at his rallies.

Rasus and Srintil meet after the1965 war
Rasus and Srintil meet after the 1965 war

This film is very powerful!  It won the 2011 Best Picture award in Indonesia and was submitted for a Foreign Film Academy Award.  It just draws you in with it’s setting, characters, and values (which are quite different from those of urbanized, modern Indonesia).  The love story starts out very gently and innocently, then we see the darker aspects (depression, frustration, etc.)- this pair must stay apart because of Srintil’s chosen path.  Being a village dancer was being above others- connected to the gods (ancestors.)

In the Land of Blood and Honey (2011)

Yes, this is Angelina Jolie’s movie (her directorial debut), but don’t let that put you off- it’s quite a tale!  There are no flashy directorial moves, and the pace can seem slow, but I feel the subject matter is worth a look.  However, if you are a sensitive person, this is not the film for you!  (FYI: There are 2 versions of the film- one where actors tell the story in English and the other in Bosnian/Serbian.  I saw the English version.)  The time is the recent past; the setting is the Bosnian War.  Here is some info from Wikipedia:

The war came about as a result of the breakup of Yugoslavia.  Following the Slovenian and Croatian secessions from the Socialist Federal Republic of Yugoslavia in 1991, the multi-ethnic Socialist Republic of Bosnia and Herzegovina, which was inhabited by Muslim Bosniaks (44 percent), Orthodox Serbs (31 percent) and Catholic Croats (17 percent), passed a referendum for independence on 29 February 1992.  This was rejected by the political representatives of the Bosnian Serbs, who had boycotted the referendum and established their own republic. Following the declaration of independence, the Bosnian Serbs, supported by the Serbian government of Slobodan Milošević and the Yugoslav People’s Army (JNA), mobilized their forces inside the Republic of Bosnia and Herzegovina in order to secure Serbian territory, then war soon broke out across the country, accompanied by the ethnic cleansing of the Bosniak population, especially in Eastern Bosnia.

Love in a time of conflict is not uncommon in film, but this is a compelling depiction.  This film focuses on a promising romance twisted and killed by war.  A dark-haired woman, who lives with her sister and baby nephew in a humble apartment, goes out to a bar/nightclub and dances with a blonde man; they are obviously very into each other.  There is a live band playing and the mood is joyous.

     

The encounter each other a time later when the woman, a Muslim painter named Ajla (Zana Marjanovic) is a prisoner in the camp run by the Serbian man, a soldier named Danijel (Goran Kostic).  Danijel meets with Ajla in private, just to talk at first, because there is no one else to relate to in the prison.  He needs to let off steam, and show her that he’s not a monster.  Danijel also softens the blow for her, while the other women are treated horribly (beaten, raped, and worked like dogs cooking and cleaning).  Is she in love with Danijel or merely protecting herself?  (It’s up to the viewer to decide.)  They think of a plan that will enable Ajla to escape the prison.   

       

Ajla is unable to escape; she sees brutality all around her, and somehow stays sane.  Meanwhile, her sister suffers a terrible loss and joins a group of rebels.  Danijel is not the typical grunt soldier, he’s the son of a particularly successful/brutal general, Nebojsa (Rade Serbedzija).  His father is grooming him for leadership.  The stress of war gets to the younger man, and he turns on the woman closest to him.  He keeps her hidden away for quite a whille, but Ajla is not safe- not even from Danijel!  

I wished there was more information in this film about the politics of this war.  The secondary characters needed more development.  This film come off as limited at times, but the lead actors work very well together.  They have great chemistry with each other, and connect deeply with their characters.  (Nobody is a well-known face here, aside from Serbedzija.)  Ajla is dignified and strong even in the toughest situations.  Danijel slowly transforms from a rather sympathetic antagonist into a fallen, broken man.

 

  

Some Quick Film Reviews

The Best Exotic Marigold Hotel (2012)

Well, you really CAN’T go wrong w/ such a stellar cast!  (Dev Patel, just 21 y.o., said how BIG of an honor it was to work w/ all these legends, in a recent NPR interview.)   My fave characters were portrayed by Judy Dench, Bill Nighy (he surprised me w/ his skill), & Tom Wilkinson.  Some viewers commented that Patel’s acting was very one-note (& I mostly agree w/ that).  Perhaps he got bogged down in the Indian accent (he’s a British desi, after all); perhaps he just needs to learn more.  The complete change of heart from Maggie Smith’s characters didn’t ring QUITE true IMO.  There are some GREAT life lessons in this film, BUT it’s NOT schmaltzy or stereotypical. 

Empire Falls (2005)

Fans of Paul Newman will be surprised by his (antihero) role in this HBO miniseries!  There are some  fine performances, esp. from Ed Harris, Aidan Quinn, Robin Wright Penn, & a young Danielle Panabaker.  I thought it started out quite strong, BUT there is something disjointed about it.  It’s set around two VERY different families in a working-class town of Maine. 

L.A. Confidential (1997)

Three reasons to see this film (in order): 1) Russell Crowe 2) Kevin Spacey 3) Guy Pearce.  I’m pretty sure this film was a star-making turn for Crowe.  Also, this is one of the BEST edited films I recall seeing.  I was surprised that Kim Basinger was so capable- she didn’t annoy me in this film!   I think you need to see it twice to appreciate it- I don’t think I paid attention the first time.

The Horseman on the Roof (1995)

This historical French film is GORGEOUS (& not just b/c of the two leads)!  There’s a LOT of natural beauty- greenery, mountains, snow, etc.  Olivier Martinez, who you may recall from Unfaithful,  portrays a true “romantic” (a individual of high ideals).  Juliette Binoche is perfect (as usual), though there is NOT much dialogue.   Plus, you have to give props to a woman who’s not afraid to act w/ a man prettier than her- LOL!   La Binoche never disappoints.

Three Quick Reviews

The Artist (2011)

I saw this charming/B&W/nearly silent film the night after the Oscars w/ my friend Anita.  We wanted to see what all the fuss was about!  It was a cute, fun, and optimistic (RARE for movies these days).  

The two French leads (Oscar winner Jean Dujardin & Bernice Bejo) had a LOT of chemistry w/ each other.  Dujardin has ALL the qualities of a leading man.  Even the little dog hit the right notes! There are also American actors in supporting roles, including John Goodman.  

The Social Network (2010)

Though this film’s main character is Facebook founder Mark Zuckerburg (Jesse Eisenberg, who I first saw in Roger Dodger), the actor w/ the meatiest role is young Brit Andrew Garfield, who plays Mark’s best friend Eduardo Saverin.  The audience’s sympathies lie w/ Eduardo, who was the first one to believe in (and fund) Mark’s idea.  Eventually, the two pals face-off in a lawsuit, when Eduardo’s shares in the company are reduced to almost nothing. 

Another lawsuit is brought by the creators of Harvard Connection, the Winklevoss twins (Armie Hammer, who will soon appear in Mirror, Mirror) and their close friend/programmar, Divya Narendra (Max Minghella, son of director Anthony Minghella). [There ARE desis out in Hollywood, so I don’t see why Minghella got this role!]

Sad to say, but there isn’t much for the ladies in this film to do.  Nor are they very well-developed, aside from young Rooney Mara, who has a small/pivotal role as Mark’s ex-gf.  (I don’t want to discuss Brenda Song, so we’ll skip that.) Rashida Jones played a sympathetic lawyer, but her role was quite small.  

 

 

 

 

The Young Victoria (2009)

My mom liked this movie more than Jane Eyre, perhaps b/c of its positive/uplifting viewpoint of a courtship.  We know that England’s Queen Victoria (EmilyBlunt) and her husband, German prince Alfred (Rupert Friend) were a match made by their elders, BUT grew to love each other deeply.  In Mrs. Brown, the elderly Victoria (Judy Dench) is coming out of a LONG mourning. 

Blunt is a VERY capable actor, BUT in this film, I was drawn more to Friend’s character.   After all, he’s the outsider who has to adjust to playing a secondary role in his adopted land.  (Alfred did a LOT for the arts and nature preservation in England.) 

Jane Eyre (2011)

Jane Eyre was one of the most anticipated films of 2011, esp. for fans of Brit Lit (like me).  It was directed by a young American, Cary Fukunaga, who gives it a fresh new take.  (His mom is Swedish; his dad is Japanese).  Fukunaga doesn’t stray far from the book, as I thought he might from the early trailers.  The supernatural elements were edited out (check out the deleted scenes under the special features).

Though I feel that Charlotte Gainsbourg (who can act in English and French) was the best Jane, I liked the very realistic take of young Australian actress, Mia Wasikowska.  Gainsbourg showed us Jane’s “unearthly” side; Wasikowska is JUST the right age for the role.  She’s able to convey Jane’s brainy, observant, and innocent sides quite easily.

Every Jane MUST have her Rochester, of course!  Gainsbourg had veteran American actor William Hurt (who I ALWAYS enjoy watching). However, Hurt was too old for the role, and played up the angry/emotional side a BIT too much.  The newest Mr. Rochester is more of a fresh face (still in his mid-30s)- Irish actor Michael Fassbender.  (His mom is Irish; dad is German.)  I had never seen him before, BUT heard some rave reviews of his acting in the past few months. 

Wow, those critics and viewers were NOT exaggerating!  Fassbender is an AMAZING Rochester- “changeable,” articulate, intelligent, tortured, etc. He’s intense w/o being over the top (which is easy to do w/ such a larger-than-life character).  Being an internal actor, it looks easy onscreen.  (Soon, I’m going to check out two of his older films that are streaming on Netflix now, Fishtank and Hunger). My only complaint- he’s TOO handsome for this role.  A star is discovered! 

Yes, Billy Elliott is in this movie!  Jamie Bell in ALL grown up (and ADORABLE); he plays St. John Rivers, the young/repressed minister who helps Jane get on her feet after her cruel disappointment.  Bell does a fine job in his role, as do the two actresses that play his little sisters.  Judy Dench, who plays the housekeeper Mrs. Fairfax, is very understated (as the role requires). 

I didn’t think the going back and forth in time was as effective as it could have been.  My mom and one of her friends (an avid moviegoer) said the same thing.  The lighting was (intentionally) dark indoors, playing up the dark side of Thornfield.  On the other hand, the outdoor scenes are lovelier and lighter.  A good touch in this production was the use of Northern accents (accurate for some characters, like Jane).  I loved all the costumes; they were just terrific, esp. on Fassbender’s lean (an European ideal) physique.