Bajirao Mastani: The Love Story of A Warrior

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Background & Trivia

The film was first announced in 2003. Sanjay Leela Bhansali initially wanted to cast Salman Khan and Aishwarya Rai Bachchan, but plans fell through when the real life couple had a messy, highly publicized breakup. Bhansali then kept Khan on and approached Kareena Kapoor to play Mastani and Rani Mukerji to play Kashibai, but shelved his plans and moved on to other projects. Over the following decade, several major actors were rumored to be linked to the project (Shahrukh Khan, Ajay Devgan, Hrithik Roshan and Katrina Kaif).

Coming out on the same day as Dilwale (2015), this marks the third time that a Sanjay Leela Bhansali directed film and Shahrukh Khan starring vehicle were released on the same day after their common Devdas (2002) in July 2002, and later the competing Saawariya (2007) and Om Shanti Om (2007), both released on Diwali 2007.

Production designers created more than 21 sets, which required extensive research.

Priyanka Chopra (star of the ABC drama Quantico) followed a 15 day coaching course to learn the Marathi language as spoken during the time of Peshwas.

The narrator of this film (Irrfan Khan) may sound familiar to some viewers; he has appeared in many American/English language films (including Life of Pi; The Namesake; New York, I Love You).

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Disclaimer

This film begins and ends with a lengthy disclaimer:

The Filmmaker fully acknowledges and respects other perspectives and viewpoints with regard to the subject of the film. The Filmmaker does not intend in any manner to belittle, disrespect, impair or disparage the beliefs, feelings, sentiments and susceptibilities of any person(s), community(ies), society(ies) and their culture(s), custom(s), practice(s) and tradition(s).

SPOILERS: Don’t read from this point if you don’t want to know details from this film.

Set-Up of the Film

Love is its own religion.

In early 18th century India, a proud/respected/ young warrior Bajirao (Ranveer Singh) is chosen as the new Peshwa (the equivalent of a modern day prime minister) by a Maratha king.

While traveling, an emissary (dressed as a soldier) infiltrates Bajirao’s tent and demands his help in fighting invaders to her land.  She is a bold/gorgeous/warrior princess called Mastani (Deepika Padukone).  The audience soon learns that she is the daughter of a (Hindu) Rajput King and his (Muslim) consort.  Since her parents are of different faiths, their union is illegitimate, as is Mastani herself.   Also, she is considered a Muslim, like her mother.  (Here lies the crux of the controversy of this film-  Muslims  and Hindus in love relationships.) 

Impressed by her skills as a warrior, Bajirao assists her with his army and defeats the invaders to her land.  Mastani and Bajirao develop feelings for each other and he presents her his dagger, which is always at his waist. This is also a symbol of marriage among her people, the Rajputs.  Of course, Bajirao doesn’t know this tradition!

After this battle, Bajirao departs for his opulent estate in Pune, where his beautiful/childlike/adoring wife Kashibai (Priyanka Chopra) awaits him.  When they joke about her husband being away so much, she proudly declares to her servants that “he has never looked at another woman.” No wilting wallflower, Mastani (with only one complaining young handmaiden), decides to pursue Bajirao- a love triangle is formed!  

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My Thoughts

I went to see this film in my neighborhood Regal theater (rare to see Bollywood films there) w/ one of my gal pals (also Bangladeshi-American and near my age) and my mom (who rarely watches these types of films; she prefers Indian indies).  The theater was nearly packed- a BIG surprise to us!  Being desis, we knew it was going to be long (duh!) and have dance/singing (a staple), BUT were still impressed w/ the scale of the production, costuming, and even the acting (Chopra can’t ruin this).  I’d never seen Singh or Padukone before, but they did a good job w/ the material.  Padukone is very graceful and strong in her role, but also has a VERY innocent/other-wordly aura about her (maybe it’s her FAB skin).

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One of my other gal pals (South Indian heritage) LOVED the film and all the 3 leads; she saw it the week after it debuted on DEC 18th. This is one of those epic films that knows it’s an epic, so the music can be bombastic and lines are proclaimed (not merely spoken in a natural manner).  However, I think that it’s a LOT better than Bollywood films I’ve seen in the past (several years ago, so may NOT be the best judge).  I liked the dances, BUT my friend wasn’t impressed w/ the songs (she watches Bollywood films once in a while).  I suggest you check it out IF you have an interest in Bollywood (BUT take it for what it  IS, don’t put TOO much interpretation into this genre)!

Related Links

Bollywood Movie Review: “Aaja Nachle”

Sometimes it’s fun to see a Bollywood film… especially something like Aaja Nachle.  It’s modern, fun, colorful, and has some unusual  topics (for Bollywood at least).  Anyone familiar with movies like Strictly Ballroom, Dance with Me, and Chocolat will like this film.  Madhuri Dixit (the star with the BIG smile) is even more gorgeous and fit than in her ’90s roles.  I always feel that her dancing is very natural, usually exceeding her acting.  (She is a Kathak-trained dancer, and you can see the influences in Aaja Nachle.)  This film centers on NRI dancer/choreographer Dia who returns to Simla (her small hometown) hoping to save the Ajanta Theater.  The place, though dear to her, is falling apart.  Politicians, businessmen, and most of the town want to replace it with a mall. 

Aside from Madhuri, there are a LARGE troupe of actors and dancers that show a LOT of talent!  These include the always fabulous Konkona Sen Sharma, young Kunal Kapoor, Raghuvir Yadav (a great character actor seen in Salaam Bombay, Earth, and Water), charming Akshaye Khanna, and Irffan Khan (terrific in Maqbool and The Namesake).  The local MP (Akshaye Khanna) tells Dia that if she can put on a successful dance show using ONLY town folks, Ajanta will be saved.  However, because of past events/gossip, most of Simla thinks Dia (and by extension- dance) are BAD influences. 

Dia decides to do a song/dance version of the classic tragic love story Layla-Majnu.  A local hoodlum named Imran (Kunal Kapoor) is chosen as Majnu, while the tomboy Anokhi (Konkona Sen Sharma) keeps auditioning for Layla.  She has no talent, but is crazy about Imran.  Konkona is great at playing tough, clueless, then later… vulnerable.  Joing this odd pair of lovers are a shy government officer, an uptight politician, and a lovesick retaurant owner.  And let’s not forget- the members of this motley crew ALL have to dance!   

 

The songs in this film fit VERY naturally with the actions (as it should be).  The sets, costumes, and dances will draw you in (for sure).  Madhuri portrays an independent, strong lady quite naturally.  Konkona and Kunal have good chemistry, and also make good dance pair.  The final show is shot differently than the rest of the movie (on purpose, said the director).  The ageless tale of Layla-Majnu is very well-executed by ALL the actors/dancers- STUNNING!!!  

 

 

 

 

Bollywood movies and related stuff…

Hey all! 

I’m not a HUGE fan of Bollywood, but I’ve watched a FEW movies in the last 3 years.  I’m sure some of you know about Lagaan and Kabhi Khushi Kabhi Gham.  I loved the songs and womens’ fashions in KKKG!  Another movie with great songs is Humraaz(kinda like A Perfect Murder.)  In fact, the director of that movie copied some shots directly from A Perfect Murder.     

My dad recently saw Swades and LOVED it!  I don’t know what it’s about or anything, but if you’re into popular Hindi (Bollywood) stuff, check it out.  My mom (who usually abhors Bollywood) REALLY liked Hum Tum (based on When Harry Met Sally).  Tonight, I saw Yuva– it has 3 interwoven stories involving 3 very different young couples.  It has Ajay Devgan (who I like somewhat) and Rani Mukherjee (who I really like).  Warning: Rani’s character is a TOTAL doormat.  You CAN’T take Bollywood too seriously… 

Ooh, a good movie w/ both Ajay and Rani is Chori Chori.  It has great scenery and cute dialogue.  CC reminded me a little of While You Were Sleeping b/c Rani plays a drifter who is welcomed into Ajay’s big, bubbly family (who all think she is his fiancee from the big city).  In truth, she just came to a country house he is building (Ajay’s an architect) b/c she has nowhere to stay!  Ajay already had a gf, but he doesn’t like her that much- LOL. 

I used to be against any such style of movie, but I suppose Bollywood has it’s place in the world.  Many country (rural) people LOVE these “popcorn” films- all fluff.  People somtimes ask: why are those movies SOOOOOO long?  Well, people want to sit inside a air-conditioned theater for as long as they can!  And let’s face it, the women of Bollywood (and a FEW of the men) are drop-dead gorgeous!  

I prefer stuff by Deepa Mehta and Mira Nair.  Also, I LOVE Nandita Das and Shabana Azmi, and want to see more of their films.  In 15 Park Avenue Shabana Azmi plays a complex, well-rounded character (unlike any I’ve seen for a woman her age).  Hell, there aren’t good roles written for middle-aged actresses here in the U.S.!  One actress who can pretty much play any part is Konkona Sen Sharma- she’s NOT self-conscious at all!  She takes on VERY challenging characters- you can’t see the acting.  She has done independent films (she’s in 15 Park Avenue), but does make a few appearances in Bollywood pics as well.  Amir Khan is making some meaningful pics as well…

Do you have any thoughts on this topic?  Let me know!