Tag: Action

Into the Badlands (AMC): Season 2, Episode 1

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NOTE: This review contains SPOILERS for the Season 2 premiere of the AMC TV series. New episodes will be airing Sundays (10PM EST).

I’m Only Human, a popular song by Rag’N’Bone Man plays. We find that Sunny (Daniel Wu) is a shackled prisoner in some sort of huge mining camp. The setting is somewhat reminiscent of the recent Mad Max: Fury Road film (note the colors, dust, etc.) Sunny makes an attempt to escape (fight scene ensues), BUT it finally subdued by his captives. The leader of the camp explains that the ONLY way to escape is death! 

At night, he dreams of Veil and their baby, then wakes up to find himself chained to Bajie (British actor Nick Frost), a chatty/burly/bearded prisoner. It turns out that Bajie, now a fellow Picker, was an opium dealer in his free life. He brags that he knows how to get stuff others want in the camp. 

***

M.K. (Aramis Knight) has been training for 6 mos. in a remote mountain location. He and his fellow Novices wear purple robes and sleep in hammocks. After M.K. admits that he’s glad he doesn’t have to hide his powers here, another young man explains how he was “treated like a king” by his clan. M.K. asks this boy if he was “scared to kill.” The boy dismisses him, recounting how he fought and killed many enemies; there are multiple scars on his forearm. 

M.K. sneaks off in search of The Master (someone he has yet to meet); we know how curious and persistent he can be from S1. It turns out that The Master (Chipo Chung) is an youthful-looking woman of color! The actress looked a BIT familiar to me; it turns out she played Chantho in Doctor Who, Season 4 (Utopia). I’m NOT an expert on that show, BUT I love the acting of David Tennant (who played Dr. Who for 2 seasons). His companion at that time was Dr. Martha Jones (Freema Agyeman- also on Law & Order: UK). Chung had the rare opportunity to play the assistant of Sir Derek Jacobi’s character. 

***

The Master challenges M.K.- he loses b/c he can’t control his powers yet. After M.K. goes back to this room in defeat, we see The Master heal a broken bone of her injured forearm (WOW)! Looks like there could be MORE to the powers possessed by M.K. and the young men.

***

The grimy prisoners are cleaning up after work. Sunny removes his shirt; Bajie sees all the tattoos on his back for the first time. He instantly knows that Sunny was a Clipper (oh no)! Sunny looks pissed off, BUT Bajie says “you can trust me.” 

While eating dinner, Sunny asks Bajie what he knows re: the situation in the Badlands. He learns that Quinn is considered missing (w/ a reward for his return). The other Barons are scrambling for power. The Nomads are running wild. 

Chaos leads to new opportunities. And I’m ALL about new opportunities. -Bajie explains to Sunny 

Since the Pickers met their quota last month, there will be a “fight night” in the camp. It’s VERY brutal; Bajie says that “no one ever escapes alive.” Sunny asks him to find a map of this mine.

***

Ryder (Oliver Stark) is reminiscing about his lonely childhood in his old room at The Fort. The room is dusty and items are covered up, including a rocking horse he used to play on. Jade (Sarah Bolger) comes in and sweetly tells him about his accomplishments (so we get to know what happened directly after the finale of S1 until now). They are (finally) together; he calls her “The Baroness.”  They are looking a BIT more grown-up (he w/ a beard/goatee; she with a wavy updo). They and their people have been living at Jacobee’s mansion. BUT Ryder still feels like his father is haunting him. 

***

At the oil refinery (now controlled by Ryder), Tilda (Ally Ioannides) sneaks up behind an experienced Clipper and stabs him silently. Work is NOT being done at an efficient rate, Ryder learns, since a LOT of Cogs keep leaving. A worker (perhaps manager) explains: “The Widow has been giving them sanctuary.” Ryder is surprised by this, since they had NOT heard from her in months. Jade advises to cut back on working hours and giving more rations to those Cogs who stayed loyal. Hmmm… looks like these two are working more like partners, unlike Quinn and Lydia. 

The next moment, Tilda causes an explosion- a Jeep blows up. Jade is thrown back by the force; Ryder shouts at his few Clippers to find her and get her to safety. The Widow (Emily Beecham) walks out w/ a smugly satisfied look on her face. (We’d been waiting for that right?) Tilda and the other Butterflies are behind her, ready to fight the Clippers. 

The Widow breaks off at one point to chase after Jade (she’s unhurt) and the Clipper guarding her. Jade witnesses some of the bloody sword fighting; she is shocked, scared, but keeps her wits about her. The Widow climbs the stairs, cutting through several Clippers posted along the way in her creative/bloody fashion. On the roof, she deflects the arrows of five Clippers, then slices their throats w/ one of her butterfly-shaped blades. She struts up to Jade, BUT doesn’t hurt/kill her! The Widow simply has a message for Ryder- she has reclaimed her oil fields, and anyone who tries to stop her will end up dead. Then she grabs the knife from Jade’s hand and cuts down the red banner (w/ the armadillo on it) from the wall. 

***

Bajie presents Sunny w/ a map; he got it from the oldest Picker in the mine. Sunny is skeptical, wondering if it’s “accurate.” Bajie figures out that Sunny is going to attempt an escape, so wants to go along. Sunny glares at him- that’s a no go! Someone yells that they found something. Bajie (being an opportunist) quickly punches that guy out and grabs the ring. After an expert examines it, he is given a 24-hr. break from mining. That wasn’t the reward Bajie was hoping for, so he tells The Engineer (Stephen Walters; also in Outlander) that he knows of something much better, asking: “Do you know what a Clipper is?” 

***

The Widow is looking wistfully at the photo of her little boy inside a gold locket. Tilda comes in and tells her of the MANY that are joining their cause. The Widow admits that she needs to be more than a fighter now- more of a leader. Tilda suggests she come and meet some of the people who have put their faith in her (and her way of life). 

You don’t belong to me. Everyone here is free and equal. My dream is that, one day, there will be no Cog, Clipper, Doll, or Baron… only free women and men deciding the course of their own future. -The Widow states her philosophy to a group of Dolls and Clippers at a food station

 ***

M.K. is angry w/ Ava, his Abbott, who he’d been training w/ for 6 mos. He told her secrets which she revealed to The Master. Now The Master has decided to take over training M.K. 

***

Tilda and four of the Butterflies take revenge against a group of Clippers. They think it’s b/c they refused to fight, BUT Tilda explains that it was for abusing the Dolls (incl. her friend Odessa). Tilda turns to go (like a boss) while the blood of these men flies in arcs behind her. Yeah, this gal has her OWN mind! 

***

The Engineer comes over to Sunny, w/ Bajie in tow. He knows that Sunny is a great killer (being a Clipper). It turns out that Bajie traded his freedom for Sunny’s (was NOT expecting that)! Sunny is led out of the mine by two guards. 

***

In an unknown location, Veil (Madeline Mantock) has given birth to a healthy baby boy. She is presented him by Quinn (Marton Csokas). Surprise- he’s alive!  

Into the Badlands (AMC): Introduction

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Into the Badlands is super important to the discussion of representation for interracial relationships, particularly interracial relationships between two non-white individuals…

-The Nerds of Color (NOC) blog

Daniel Wu, a cast member and executive producer of the television series “Into the Badlands,” poses for a portrait during the 2015 Television Critics Association Summer Press Tour at the Beverly Hilton on Friday, July 31, 2015, in Beverly Hills, Calif. (Photo by Chris Pizzello/Invision/AP)

I first “heard” about this show a few days ago from one of the ladies I follow on Twitter (Monique). And it turns out that she’s NOT the only fan out there! MANY black women, as well as Asian- American men, were tweeting about Into the Badlands. After all, it’s quite rare to see a Chinese-American man, Sunny (Daniel Wu) and a black woman, Veil (Madeleine Mantock) in a romantic relationship. 

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Aramis Knight as M.K. – Into the Badlands _ Season 1, Epsiode 1 – Photo Credit: Patti Perret/AMC

Hmmm… HOW to describe this show to a newbie? It’s (obviously) a martial arts epic, BUT there are elements of the Western (minus the guns), Southern Gothic (it’s shot on location in Louisiana), mythical (based loosely on a Chinese story: Journey To The West), and superhero genres (see M.K. ‘s secret powers) also. In some ways, it’s like our (modern) world, yet there are no guns used (BUT plenty of knives, swords, and other sharp objects). Warning: This is NOT for those of you who are scared of (fake) blood and violence (which almost reaches Game of Thrones levels). 

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The Fort is the domain of Baron Quinn (Marton Csokas).

Badlands is that society where society has kind of gone back to feudal times, and one of the main ideas was this “steampunk” aesthetic, to make things futuristic yet seem old at the same time since in this world, digital technology is all gone… – Daniel Wu

If you liked Crouching Tiger, Hidden Dragon (like me), then you should definitely give it a watch!  I esp. like the wire work, which elevates the martial arts to another level (NOT that I’m an expert, of course). I’ve seen some eps of Kung Fu: The Legend Continues and Vanishing Son (which starred Chines/Swedish-American actor Russell Wong). M.K. (Aramis Knight- a teen actor w/ Pakistani and German heritage) is one of the Colts, or Clippers (warriors) in training. The actor didn’t have martial arts training before he got hired on the show, but had played sports and stayed at a low level of body fat. After I read up a BIT re: Knight’s background, I thought: Hell yes, this show has TWO Asian-American leads!  

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Quinn’s main house (Evergreen Plantation of Django Unchained)

The dialogue on this show (so far- I’ve seen 3 eps) is NOT George Lucas Star Wars prequel-level bad, though it’s far from Shakespearean (as we find in Deadwood). Some of the BEST lines are given to the main villain, Quinn (Marton Csokas from Lord of the Rings), who is BOTH a father-figure and a boss to Sunny (who is The Regent, the head of the Clipper force). Yes, this show is VERY immersive- it’s even got it’s own vocabulary! You can watch Season 1 on Netflix or on YouTube (which includes behind the scenes videos). 

 

 

Orange is the New Black (Season 4)

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NOTE: This post contains SPOILERS for the latest season of the Netflix original series.

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The promo poster for Season 4

What Piper does is try on identities. -Taylor Schilling 

In Season 3, Piper (sometimes dubbed “a clueless white girl”) was using the Whispers work assignment to her advantage; she got a big ego (as we see at the start of THIS season). Well, Maria is NOT going to put up w/ that attitude! Also, the Dominican (who was disowned by her gang leader dad for falling in love w/ a Mexican man) has plans of her own to profit HER girls, the latinas. The numbers work in her advantage, as the prison (now managed by MCC, a private corp.) gets an addition of MOSTLY latina women. 

It’s all grounded in the reality that they DO love each other… -Laura Prepon (Alex) on the (love-hate; complicated; manipulative) relationship between her character and Piper

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Maria (who starts running drugs) gets in Piper’s face in the Season premiere.
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The latinas hold down Piper before Maria brands her with a swastika.

What did YOU think of Piper’s comeuppance (for joining w/ the White Power women)? Yes, she needed allies, BUT (as she often does) Piper didn’t realize the consequences of such an (unholy) alliance! 

When you know something [drug addiction] firsthand, there’s a sort of responsibility, which (for me) can often feel like… you know… too much pressure. -Natasha Lyonne (Nicky)

The relationship between Red and Nicky has been fraught w/ tension b/c of Nicky’s reluctance to get (and stay) sober. As we know from real-life statistics, MANY women (and men) are in jail b/c of drug-related issues; others get into drugs while imprisoned. 

I have my “daughters.” That is my way of surviving w/ my morality- and what I hope to consider- my integrity- intact. The tough side is, there’s a line. If you cross it, you are out. And that costs me as much as it costs them, but there has to be a moral compass. And I adhere to it very strongly. -Kate Mulgrew on the maternal and tough sides of her character (Red)

Red has been one of my favorites from the start; she doesn’t have much to do until later in the season. She’s back in charge of the kitchen- good to see. Mr. Healy seems to have fallen in love w/ her (yeah, we saw that coming); she sternly tells him that “no relationship between a prisoner and a guard is consensual”).

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Pennsatucky/Doggett and Big Boo have one of the most interesting friendships on the show.

Season four has some of the most explicit and complex discussions of consent I’ve ever seen on television. And in a time when there is still so much confusion surrounding consent and anger when it’s violated.

It’s significant that OITNB doesn’t just show Pennsatucky’s reaction to her rape. Instead, it forces Coates to reconsider everything he thought was true, to confront the ugliness inside him and surrounding him that pushed him to a place where he could ignore a woman’s needs for his own basic pleasure. He didn’t think he was raping her, but that doesn’t matter.

And now he knows it.

-Caroline Famke, Vox 

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Lolly and Alex in the greenhouse
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Lolly and Mr. Healy have a talk in the yard.

We see what Alex is capable of when she kills the man (disguised as a new guard) in the greenhouse. Lolly (who becomes more and more unhinged in S4) and Frida (a convicted murderer) knows about this crime; they handle it in VERY different ways. Frida helps Alex bury the dead body in the garden. Alex has trouble sleeping, goes to hang out w/ Piper, and (in time)- they are a couple again. 

Mr. Healy tries to help Lolly, who starts spouting paranoid stories. We learn more re: his backstory; his mother had mental problems when he was a young boy, then was put in a psychiatric hospital. THAT gets to the root of WHY Mr. Healy want to help troubled women. He falls short (of course)!

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Three of the new guards: Dixon, Humphrey, and Capt. Pescatella
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Bayley and his high school friend in jail (flashback)- talk about white privilege.

The new guards (former war vets) are NOT only working at Litchfield, they’re also living in the (built by prison labor) cabins on the property. They have issues and secrets of their own! Humphrey  forced Maritza, at gunpoint, to swallow a live baby mouse and pushed Crazy Eyes/Suzanne into a bloody brawl with Kukudio.

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Poussey (RIP) assists Judy King, her TV idol, during a cooking class.

When I heard that Judy was a cooking show celebrity and she was going to prison for some financial mischief, you think of Martha Stewart right away. [In the book on which it’s based, author Piper Kerman said Stewart was almost sent to Danbury, the inspiration for Litchfield.] She’s Paula Deen-like, because she’s Southern, but Judy King is another entity altogether. It’s just that those two are the ones that spring to mind.” -Blair Brown, Hollywood Reporter

We see how Judy King (veteran actress Blair Brown) is treated better, given her own room, etc. (being a rich and powerful celeb). I esp. liked her friendships w/ Poussey and Cindy. Do YOU think that these were real friendships? 

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Alison (a Muslim) and Cindy (a Jew) are roommates.

Alison (who is Cindy’s bunk mate) wears a hijab (black scarf in this case) as a sign of modesty, due to her being Muslim. She also uses her hijab to hide a cell, which she uses to secretly communicate with her child via text. Cindy (a convert to Judaism) is suspicious of Alison at first, BUT in time, they get to know each other and become allies.

Speaking of unlikely allies… Figueroa dropped a sly bomb on Caputo when she asked him if he knew re: more inmates coming to his prison when he visited her house. Caputo, my the middle of the season, knows that his girlfriend (Linda) does NOT want the best for his inmates. Were YOU a bit shocked to learn that Linda had NEVER even visited Litchfield (though she worked for MCC)? 

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Daya points a gun at Humphrey while the other inmates look on (some cheering).

It’s war. Taystee has nothing to lose; she’s lost everything that she cared so deeply about. It’s time to fight. I think that’s where we will see Taystee go. -Danielle Brooks on what she sees next for her character

The season four finale of Netflix’s prison dramedy OITNB capped a season that explored the Black Lives Matter movement and the injustice that exists in the prison system. 

The final moments of the season see Daya picking up CO Humphrey’s loose gun and aiming it back at him during a prison-wide riot, Attica-style. …After being abandoned by fiance Bennett, losing her daughter and seeing her mom released from prison, Daya has so much pent-up anger and frustration, she might just shoot.  -Jackie Strause, The Hollywood Reporter

Short/petite Poussey is killed by baby-faced guard, Bayley- VERY unexpected/shocking scene! Taystee, who was probably her closest friend, is heartbroken. Soso tries to drink away some of her sadness. Judy King has the star power to right at least some of the wrongs she witnessed in prison. Will she tell the truth about Poussey’s murder?

 

Shots Fired (FOX): Starting March 22, 8PM EST

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This 10-part series examines the aftermath of racially charged shootings in a small North Carolina town. It was produced by the successful/critically-acclaimed husband-wife team of Gina Prince-Bythewood (Beyond the Lights, The Secret Life of Bees, Love & Basketball) and Reggie Rock Bythewood (Beyond the Lights, Notorious). Aside from the timely/controversial topic, the supporting cast could be a big draw (incl. Oscar winners Richard Dreyfuss and Helen Hunt, as well as Law and Order‘s Jill Hennessey). The leads are two black actors- film veteran Sanaa Lathan (who plays investigator Ashe Akino) and up-and-comer Stephan James (federal prosecutor Preston Terry). James hails from Canada and notably played the young John Lewis in Selma. 

First Look: A Murder Myster (FOX)

 

Actors Sanaa Lathan and Mack Wilds on The View (ABC)

 

Some Like It Hot (1959) starring Tony Curtis, Jack Lemmon, & Marilyn Monroe

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Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) witness a mob hit in Chicago.

When broke Chicago musicians, Joe (sax player) and Jerry (on bass), witness the St. Valentine’s Day massacre, they need to get away from the gangster responsible (Spats Colombo). They’re desperate to get a gig out of town, but the only job available is with an all-girl band heading to Florida. They show up at the train station as “brand new” girls-Josephine and Daphne. They really enjoy being around the troupe of young, pretty women (esp. Sugar Kane Kowalczyk, who sings/plays ukulele). Joe (a ladies man) sets out to woo Sugar. Jerry/Daphne is wooed by an eccentric/sweet millionaire, Osgood Fielding III. Mayhem ensues as the two pals try to keep their true identities hidden. Then Spats and his mafia men show up for a gathering with other crime bosses.

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Joe and Jerry (in drag) admire the walk of a real woman (played by Marilyn Monroe).

This is one of my faves; if you need a laugh (or a dozen), definitely have a watch!  I’ve seen the film several times on TCM; I also have it on DVD. Some Like It Hot was voted the 9th greatest film of all time by Entertainment Weekly magazine, and, is ranked on this list high enough to be the greatest comedy of all time.

The costumes Monroe wears are simply stunning!  One of the evening gowns is SO revealing that even modern viewers wondered (on Twitter) HOW it got past censors. When Curtis and Lemmon saw the costumes that  would be created for Monroe, they wanted to have beautiful dresses, too. Monroe wanted the movie to be shot in color (her contract stipulated that all her films were to be in color), but Billy Wilder (the director/co-writer) convinced her to let it be shot in black and white after costume tests revealed that the makeup that Curtis and Lemmon wore gave their faces a green tinge.

The co-leads, though opposites w/ regards to acting education and personal backgrounds, make a GREAT comedy team! Lemmon’s Jerry has nervous energy and is a fast-talker, while Curtis’ Joe is self-assured and able to charm others easily.  However, its actually Jerry’s idea for them to disguise themselves as women! When the actors first put on the female make-up and costumes, they walked around the Goldwyn Studios lot to see if they could “pass” as women. Then they tried using mirrors in public ladies rooms to fix their makeup, and when none of the women using it complained, they knew they could be convincing as women. There is a scene on the train recreating this moment.

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Sugar Kane Kowalczyk (Marilyn Monroe) leans out of her bunk on the train.

I recently learned that Wilder, the actors, and crew had a VERY tough time on this movie b/c of Monroe’s behavior. She was heavily into drugs during this time, so kept forgetting her lines, and MANY takes had to be shot before she got even the simplest lines correct. There is something meta about Monroe’s performance as Sugar, who smuggles in alcohol (though she claims she can stop drinking anytime) and laments her pattern of falling for the wrong kind of men (particularly sax players). 

Lemmon got along with Monroe and forgave her eccentricities. He believed she simply couldn’t go in front of the camera until she was absolutely ready. “She knew she was limited and goddamned well knew what was right for Marilyn,” he said. “She wasn’t about to do anything else.” He also said that although Monroe may not have been the greatest actor or singer or comedienne, she used more of her talent, brought more of her gifts to the screen than anyone he ever knew.

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There is a party going on, but Daphne (Lemmon) wants to be alone with Sugar (Monroe).

One of the MOST hilarious scenes in the film involves Jerry/Daphne and Sugar in Daphne’s bunk. Jerry is SO excited about Sugar sidling up to him, but she sees him as Daphne. The expressions on Lemmon’s face are just priceless! They are soon interrupted by almost all of the other girls, who want to join in the fun. Jerry Lewis was offered the role of Jerry/Daphne but declined because he didn’t want to dress in drag. Lemmon received an Oscar nomination for the role (well-deserved).

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Joe/Shell Oil Jr. (Curtis) and Sugar (Monroe) embrace after their date on the yacht.

Another great thing about this film is the goofy accent that Joe (as Shell Oil Jr.) adopts to impress Sugar. Jerry exclaims:”Nobody talks like that!” Curtis said he asked the director if he could imitate Cary Grant; Wilder liked it and shot it that way. When Grant saw the parody of himself, he jokingly said: “I don’t talk like that.” 

While Shell Oil Jr. and Sugar were making out on the yacht, Daphne and Osgood were dancing tango at a Cuban nightclub. They danced VERY well, too! The music used in the film contributes to its atmosphere; portions of the following tunes were used: Sweet Georgia Brown, By the Beautiful Sea, Randolph Street Rag, La Cumparsita and Park Avenue Fantasy (AKA Stairway to the Sky).

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“Nobody’s perfect!” Osgood declares upon seeing that Daphne is a man. 

Despite her gold-digging instincts, Monroe’s Sugar is cozy, vulnerable and altogether loveable, getting a lot of mileage too out of her solo singing spots, which include the kinetic “Running Wild,” the torchy “I’m Through With Love,” and her classic “boop-boop-a-doop” signature song, “I Wanna Be Loved by You.”

Lemmon really steals the movie here. He invests Daphne with such enthusiasm that we can understand why he’s falling for Osgood. He’s having way too much fun and it’s great to watch him. 

Why a would man would want to marry another man? asks Tony Curtis. Security! Jack Lemmon replies without missing a beat. Clearly, he had put the question to himself before and had arrived to a perfectly sensible conclusion.

The movie’s surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie’s creation. The many smart double-entendres and plays on words are very well-written, and alternate between low-brow and high-brow comedy,

-Excerpts from IMDB reviews