Spoiler-Free Review: Top of the Lake starring Elisabeth Moss

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Three of the ensemble cast: Thomas M. Wright, Elisabeth Moss, & David Wenham

I really wanted to like this show, but alas, it was not to be!  I read a BIT about it’s ardently feminist viewpoint (it was co-written by Jane Campion, the New Zealand-based director who gained much acclaim in Hollywood with The Piano).  I was interested in seeing David Wenham (also a New Zealander), who many of you know as Faramir in The Lord of the Rings trilogy.  Here, he plays a detective who somehow manages to dress well, live in fancy house, and sail on a boat. 

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A group of women set up a sanctuary (named Paradise) by the lake.

The premise is interesting- Tui Mitchell, a 12 y.o. pregnant girl, leaves home w/o a word or note for her family.  Detective Robin Griffin (Elisabeth Moss from The West Wing and Mad Men), who is visiting her ailing mother from Australia, gets on board this case, having special training w/ youth.  Moss is simply miscast here- she’s the opposite of what I’d expect a cop to be, but she has a few nice scenes with Tui and her mother. 

Top of the Lake has been compared with The Fall and Happy Valley, but it falls short for several reasons. Though the remote New Zealand setting can be beautiful, mysterious, and captivating, it doesn’t make up for the one-dimensional supporting characters and dialogue that often seems removed from everyday life.  The presence of the guru-type figure, GJ (Holly Hunter), and her group of rag-tag followers doesn’t add much to the story.  

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GJ (Holly Hunter) is a willing ear for a group of diverse/troubled women.

As for those looking for romance, you’ll be disappointed, since Robin and her main love interest, Johnno (Thomas M. Wright, who is Australian), have very little chemistry together.  We learn that they dated in high school; he’s also one of Tui’s older half-brothers.  About 15 years ago, Robin and Johnno went to a dance together, shared a kiss, but then the night took on a horrible turn (especially for her).  Robin’s personal history w/ a few of the (not so straight-laced) inhabitants of this insular community cause complications during the investigation.

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Matt Mitchell (Peter Mullan) lives by his own rules… and gets away w/ it!

Tui’s father, Matt Mitchell (Peter Mullan), is probably the most troubled/complicated characters of the series.  You JUST don’t know what he’ll do next!  Is he a villain or simply a hothead?  Mullan (who is Scottish) is a talented actor, but I got the sinking feeling that he was TOO good for this show.  As a few critics have written, men are NOT heroes in this story, or even tolerable.  Almost every teen boy or man is a coward, violent domestic abuser, rapist, or potential rapist!  There is a sense of foreboding throughout the episodes that just gets boring after a while.  Worst of all, I just didn’t care about ANY of the characters!  I guess this is what happens when a writer’s/director’s “vision” gets in the way of the story. 

From the Terrace (1960) starring Paul Newman & Joanne Woodward

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Alcoholism, dysfunctional families, romance, infidelity (w/ its gendered double-standards), and America’s obsession w/ money and power are  the main themes in this (ahead of it’s time) melodrama.  I watched it last night (on Netflix); of course, Paul Newman and Joanne Woodward (who were married for 2 years at that time) were the draw.  Wow, if you want to see some HOT onscreen chemistry, check out their scenes together (first half of the film)!  As for Newman, he’s the definition of Hollywood’s total package (looks, presence, talent, the ability to be both humorous and serious, etc.) 

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In 1946, Aflred Eaton (Newman) returns to suburban Philly after serving in the Navy (WWII) to the loving arms of… his household staff.  His parents checked out long ago.  His father (Leon James) puts all his heart into his steel mill and mourning someone who will never return.  His mother (Myrna Loy) has turned to alcohol and another man.  A private nurse lives with her- a great shock to Alfred.  As his best pal, Alex Porter (a young and dapper George Grizzard), says he “needs to get out of that house” and their expectations.  Like many young folks, Alfred heads to NYC.

In a few months time, Alfred falls in love with Mary St. John (platinum-haired Woodward), a blue blood from Delaware.  She is engaged to another man and her parents would not approve of Alfred’s “qualifications,” Alex quickly explains.  “There are all types of qualifications,” Alfred slyly retorts.  After winning Mary’s hand, he starts working with Alex on designing/selling small planes on Long Island, but grows tired of being left out of the decision-making.  (The business was financed by the Porter family.)  An accident of chance propels Alfred into the society, then business, of one of the wealthiest financiers on the East Coast.  Alfred throws himself into his work, repeating his father’s mistake, and neglects Mary (not content to sit at home alone in their fancy Manhattan apartment).