Into the Badlands (AMC): Season 2, Episode 1

NOTE: This review contains SPOILERS for the Season 2 premiere of the AMC TV series. New episodes will be airing Sundays (10PM EST).

I’m Only Human, a popular song by Rag’N’Bone Man plays. We find that Sunny (Daniel Wu) is a shackled prisoner in some sort of huge mining camp. The setting is somewhat reminiscent of the recent Mad Max: Fury Road film (note the colors, dust, etc.) Sunny makes an attempt to escape (fight scene ensues), BUT it finally subdued by his captives. The leader of the camp explains that the ONLY way to escape is death! 

At night, he dreams of Veil and their baby, then wakes up to find himself chained to Bajie (British actor Nick Frost), a chatty/burly/bearded prisoner. It turns out that Bajie, now a fellow Picker, was an opium dealer in his free life. He brags that he knows how to get stuff others want in the camp. 

***

M.K. (Aramis Knight) has been training for 6 mos. in a remote mountain location. He and his fellow Novices wear purple robes and sleep in hammocks. After M.K. admits that he’s glad he doesn’t have to hide his powers here, another young man explains how he was “treated like a king” by his clan. M.K. asks this boy if he was “scared to kill.” The boy dismisses him, recounting how he fought and killed many enemies; there are multiple scars on his forearm. 

M.K. sneaks off in search of The Master (someone he has yet to meet); we know how curious and persistent he can be from S1. It turns out that The Master (Chipo Chung) is an youthful-looking woman of color! The actress looked a BIT familiar to me; it turns out she played Chantho in Doctor Who, Season 4 (Utopia). I’m NOT an expert on that show, BUT I love the acting of David Tennant (who played Dr. Who for 2 seasons). His companion at that time was Dr. Martha Jones (Freema Agyeman- also on Law & Order: UK). Chung had the rare opportunity to play the assistant of Sir Derek Jacobi’s character. 

***

The Master challenges M.K.- he loses b/c he can’t control his powers yet. After M.K. goes back to this room in defeat, we see The Master heal a broken bone of her injured forearm (WOW)! Looks like there could be MORE to the powers possessed by M.K. and the young men.

***

The grimy prisoners are cleaning up after work. Sunny removes his shirt; Bajie sees all the tattoos on his back for the first time. He instantly knows that Sunny was a Clipper (oh no)! Sunny looks pissed off, BUT Bajie says “you can trust me.” 

While eating dinner, Sunny asks Bajie what he knows re: the situation in the Badlands. He learns that Quinn is considered missing (w/ a reward for his return). The other Barons are scrambling for power. The Nomads are running wild. 

Chaos leads to new opportunities. And I’m ALL about new opportunities. -Bajie explains to Sunny 

Since the Pickers met their quota last month, there will be a “fight night” in the camp. It’s VERY brutal; Bajie says that “no one ever escapes alive.” Sunny asks him to find a map of this mine.

***

Ryder (Oliver Stark) is reminiscing about his lonely childhood in his old room at The Fort. The room is dusty and items are covered up, including a rocking horse he used to play on. Jade (Sarah Bolger) comes in and sweetly tells him about his accomplishments (so we get to know what happened directly after the finale of S1 until now). They are (finally) together; he calls her “The Baroness.”  They are looking a BIT more grown-up (he w/ a beard/goatee; she with a wavy updo). They and their people have been living at Jacobee’s mansion. BUT Ryder still feels like his father is haunting him. 

***

At the oil refinery (now controlled by Ryder), Tilda (Ally Ioannides) sneaks up behind an experienced Clipper and stabs him silently. Work is NOT being done at an efficient rate, Ryder learns, since a LOT of Cogs keep leaving. A worker (perhaps manager) explains: “The Widow has been giving them sanctuary.” Ryder is surprised by this, since they had NOT heard from her in months. Jade advises to cut back on working hours and giving more rations to those Cogs who stayed loyal. Hmmm… looks like these two are working more like partners, unlike Quinn and Lydia. 

The next moment, Tilda causes an explosion- a Jeep blows up. Jade is thrown back by the force; Ryder shouts at his few Clippers to find her and get her to safety. The Widow (Emily Beecham) walks out w/ a smugly satisfied look on her face. (We’d been waiting for that right?) Tilda and the other Butterflies are behind her, ready to fight the Clippers. 

The Widow breaks off at one point to chase after Jade (she’s unhurt) and the Clipper guarding her. Jade witnesses some of the bloody sword fighting; she is shocked, scared, but keeps her wits about her. The Widow climbs the stairs, cutting through several Clippers posted along the way in her creative/bloody fashion. On the roof, she deflects the arrows of five Clippers, then slices their throats w/ one of her butterfly-shaped blades. She struts up to Jade, BUT doesn’t hurt/kill her! The Widow simply has a message for Ryder- she has reclaimed her oil fields, and anyone who tries to stop her will end up dead. Then she grabs the knife from Jade’s hand and cuts down the red banner (w/ the armadillo on it) from the wall. 

***

Bajie presents Sunny w/ a map; he got it from the oldest Picker in the mine. Sunny is skeptical, wondering if it’s “accurate.” Bajie figures out that Sunny is going to attempt an escape, so wants to go along. Sunny glares at him- that’s a no go! Someone yells that they found something. Bajie (being an opportunist) quickly punches that guy out and grabs the ring. After an expert examines it, he is given a 24-hr. break from mining. That wasn’t the reward Bajie was hoping for, so he tells The Engineer (Stephen Walters; also in Outlander) that he knows of something much better, asking: “Do you know what a Clipper is?” 

***

The Widow is looking wistfully at the photo of her little boy inside a gold locket. Tilda comes in and tells her of the MANY that are joining their cause. The Widow admits that she needs to be more than a fighter now- more of a leader. Tilda suggests she come and meet some of the people who have put their faith in her (and her way of life). 

You don’t belong to me. Everyone here is free and equal. My dream is that, one day, there will be no Cog, Clipper, Doll, or Baron… only free women and men deciding the course of their own future. -The Widow states her philosophy to a group of Dolls and Clippers at a food station

 ***

M.K. is angry w/ Ava, his Abbott, who he’d been training w/ for 6 mos. He told her secrets which she revealed to The Master. Now The Master has decided to take over training M.K. 

***

Tilda and four of the Butterflies take revenge against a group of Clippers. They think it’s b/c they refused to fight, BUT Tilda explains that it was for abusing the Dolls (incl. her friend Odessa). Tilda turns to go (like a boss) while the blood of these men flies in arcs behind her. Yeah, this gal has her OWN mind! 

***

The Engineer comes over to Sunny, w/ Bajie in tow. He knows that Sunny is a great killer (being a Clipper). It turns out that Bajie traded his freedom for Sunny’s (was NOT expecting that)! Sunny is led out of the mine by two guards. 

***

In an unknown location, Veil (Madeline Mantock) has given birth to a healthy baby boy. She is presented him by Quinn (Marton Csokas). Surprise- he’s alive!  

Into the Badlands (AMC): Introduction

 

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Into the Badlands is super important to the discussion of representation for interracial relationships, particularly interracial relationships between two non-white individuals…

-The Nerds of Color (NOC) blog

I first “heard” about this show a few days ago from one of the ladies I follow on Twitter (Monique). And it turns out that she’s NOT the only fan out there! MANY black women, as well as Asian- American men, were tweeting about Into the Badlands. After all, it’s quite rare to see a Chinese-American man, Sunny (Daniel Wu) and a black woman, Veil (Madeleine Mantock) in a romantic relationship. 

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Aramis Knight as M.K. – Into the Badlands _ Season 1, Epsiode 1 – Photo Credit: Patti Perret/AMC

Hmmm… HOW to describe this show to a newbie? It’s (obviously) a martial arts epic, BUT there are elements of the Western (minus the guns), Southern Gothic (it’s shot on location in Louisiana), mythical (based loosely on a Chinese story: Journey To The West), and superhero genres (see M.K. ‘s secret powers) also. In some ways, it’s like our (modern) world, yet there are no guns used (BUT plenty of knives, swords, and other sharp objects). Warning: This is NOT for those of you who are scared of (fake) blood and violence (which almost reaches Game of Thrones levels). 

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The Fort is the domain of Baron Quinn (Marton Csokas).

Badlands is that society where society has kind of gone back to feudal times, and one of the main ideas was this “steampunk” aesthetic, to make things futuristic yet seem old at the same time since in this world, digital technology is all gone…  Daniel Wu

If you liked Crouching Tiger, Hidden Dragon (like me), then you should definitely give it a watch!  I esp. like the wire work, which elevates the martial arts to another level (NOT that I’m an expert, of course). I’ve seen some eps of Kung Fu: The Legend Continues and Vanishing Son (which starred Chines/Swedish-American actor Russell Wong). M.K. (Aramis Knight- a teen actor w/ Pakistani and German heritage) is one of the Colts, or Clippers (warriors) in training. The actor didn’t have martial arts training before he got hired on the show, but had played sports and stayed at a low level of body fat. After I read up a BIT re: Knight’s background, I thought: Hell yes, this show has TWO Asian-American leads!  

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Quinn’s main house (Evergreen Plantation of Django Unchained)

The dialogue on this show (so far- I’ve seen 3 eps) is NOT George Lucas Star Wars prequel-level bad, though it’s far from Shakespearean (as we find in Deadwood). Some of the BEST lines are given to the main villain, Quinn (Marton Csokas from Lord of the Rings), who is BOTH a father-figure and a boss to Sunny (who is The Regent, the head of the Clipper force). Yes, this show is VERY immersive- it’s even got it’s own vocabulary! You can watch Season 1 on Netflix or on YouTube (which includes behind the scenes videos). 

 

 

Lion (2017) starring Dev Patel, Sunny Pawar & Nicole Kidman

NOTE: This review contains SPOILERS for the movie.

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A poster for the film Lion.

I went to see this MUST-SEE film 3 weeks ago (w/ the NetSAP book club); I had read a FEW chapters of the book upon which its based (A Long Way Home) by Saroo Brierley. The theater (Landmark E St in DC) was packed that SUN afternoon- like nothing I’d seen before! I heard that MANY people has been coming to see La La Land; however, the Oscar buzz had been strong re: several other recent films (incl. Fences, Hidden Figures, and Moonlight). Last year, #OscarsSoWhite was a VERY popular hashtag on Twitter (and other social media); this year, there are diverse movies in the mainstream theaters… AND they’re making money, too.

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Five year-old Saroo (Sunny Pawar) with his eldest brother, Guddu (Abhishek Bharate)

As soon as I saw him, he just felt like the kid that I’d been imagining and feeling, and then we got him into the rehearsal space and I put a camera on him. I just felt like we were watching our movie. -Garth Davis, director (on Sunny Pawar)

The MAIN reason to see this film is Sunny Pawar, the unknown child actor who plays Young Saroo. He had never acted before and didn’t speak English. The ONLY other performance I can compare it to is that of the tween Anna Paquin in The Piano. Unlike Paquin, Pawar doesn’t have a LOT of dialogue; he expresses himself mainly through his eyes and actions. At the start of the film, Saroo is living with his siblings and mother (played by Priyanka Bose) in the village of Ganesh Talai in the Khandwa District of Central India. He and his older brother, Guddu, go out each morning in the hopes of getting some change, fruit, or (if they’re lucky) milk. His mother works in a quarry, hauling rocks; her husband left her for another woman in a different town (this is discussed a BIT in the book). They are a happy family, though VERY poor and uneducated.

Sunny Pawar stars in LIONPhoto: Mark Rogers
Young Saroo (Sunny Pawar) in the homeless children’s center in Calcutta.

One night, after Guddu goes off to work (telling him to wait), Young Saroo goes to sleep at the nearby train station. When he wakes up, he doesn’t see ANYONE around, so he gets on an empty train to explore… and it takes off! He ends up in the busy city of Calcutta and somehow survives on the streets for 2 mos. (though he doesn’t know the language, Bengali). One day, a seemingly kind woman, Noor (Tannishtha Chatterjee- star of Brick Lane), living near the train tracks takes him to her apartment. She feeds him, gives him a bath, and asks about his life. Young Saroo suspects something is wrong when Noor’s male friend (played by Nawazuddin Siddiqui- one of India’s BEST character actors) visits and checks him out. In no time, the quick-witted (and fast-running) kid is out the door! 

After some time at a crowded homeless center (more like a prison) for kids, Saroo gets the news from Mrs. Sood (a kind social worker) that an Australian couple- Sue (Nicole Kidman) and John (David Wenham) Brierley- want to adopt him. He wonders if everything possible was done to try and find his mother, and Mrs. Sood confidently says “yes.” The local police had interviewed him, ads had been put in the newspapers, BUT his family was a LONG way from Calcutta (which is located in West Bengal). 

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Sue (Nicole Kidman) and Saroo (Sunny Pawar) meet for the first time.

When Saroo reaches Australia (Tasmania to be exact), he easily takes to his new life w/ the Brierleys, who are solidly middle-class and run a charter boat business. He is a comfort to Sue after the family faces challenges w/ his younger brother, Mantosh, who suffered much before he was adopted (also from India). John instills in Saroo a love of the outdoors. 

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The adult Saroo (Dev Patel) uses Google Earth to find his way home.

Dev Patel does a good job as the grown-up Saroo (incl. accent), a young man who loves his adopted family, but feels compelled to find his birth mother. She “could be out there suffering,” wondering where he is, he tells long-time girlfriend Lucy (Rooney Mara). Some friends in his graduate certificate program think that w/ modern technology (Google Earth) he could try and find his old hometown. 

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Nicole Kidman and Dev Patel at the BFI London Film Festival

Nicole Kidman (an Aussie), has been nominated for a Best Supporting Actress Oscar; she does a fine job as a kind, understanding, and VERY emotionally strong mother. Saroo and Mantosh are “not blank slates” as her own children would’ve been, Saroo explains in one of my favorite scenes. Sue could’ve had her own (natural) children, she admits, BUT she and John chose to adopt knowing there are already MANY kids out in the world that need good homes. (Kidman, in real life, has adopted children.) 

Another element that makes this SUCH a compelling film is it’s superb editing; the life of the adult Saroo is intercut (at times) w/ that of his younger self. Seeing the plate of jalebi at his Indian friends’ house takes Saroo back to when he saw that sweet treat being fried in the marketplace. The music is very good (never over the top), which is quite suited for the film. This story has a big pay-off in the end, which is true to life!   

 

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Piku (2015) starring Amitabh Bachchan, Deepika Padukone & Irrfan Khan

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Piku (Deepika Padukone) gets ready to clean the house; the maid was fired by her father.

I heard about this film from MANY young (20s/30s) desi people.  It was released in the Spring of 2015; it’s NOT a typical Bollywood film, though the stars hail from mainstream Indian cinema. Amitabh Bachchan (Bhashkor Banerjee) and Deepika Padukone (Piku) play Delhi-based Bengali father and daughter respectively. One of my favorite actors- Irrfan Khan (Rana) plays the driver who takes them from Delhi to Calcutta.   

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Father (Amitabh Bachchan) and daughter (Deepika Padkone) share a hug.

General Thoughts about the Film:

‘Piku’ is about relationships and responsibility. You feel for the characters & that kind of connect, is a huge bonus for any film. 

what is wrong with movies that are mostly dialogue and the interactions of close knit families? I found it realistic and I am not from India. Seemed kind of representative of one of the elements of the universal human experiences to me.

Excerpts from IMDB reviews

If you’re a sensitive viewer who takes offense to toilet humor, this is film is NOT for you!  In fact, there is NOT much to the story, aside from the road trip that this trio (along w/ a loyal manservant) go on.  Piku is a very concerned, stressed-out young architect who lives w/ her 70 y.o. cranky and constipated father.  She is a partner in a small architecture firm w/ her friend, Syed (Jishu Sengupta).  Though Piku is nearing 30 and not yet married, her father isn’t concerned.  Syed sets her up w/ a single guy he knows, BUT Piku has nothing in common w/ him.

Marriage without purpose is for the low IQ.  -Bhaskor’s philosophy on marraige 

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Rana (Irrfan Khan) and Piku (Deepika Padukone) share a snack on the road

Opinions re: Irrfan Khan’s performance

Irrfan is fabulous. He’s given some of the film’s best moments and the talented actor only elevates those moments with his superior act.

Irrfan Khan is known for his gifted talent of never disappointing his viewers. With this film, once again, he proves how worthy his presence is.

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Rana (Irrfan Khan) and Piku (Deepika Padukone) seeing the sights of Kolkata.

The MAIN reason I wanted to see this film (now streaming on Netflix) was Irrfan Khan.  Though Rana now runs his family’s car rental business, he had planned for in a different life.  He is a decent, hardworking man w/ family obligations of his own.  Rana has a LOT of patience- he’ll need that on the road w/ Piku and her father! 

Dear Zindagi (NOW PLAYING)

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Kaira (Alia Bhatt) working behind-the-scenes on a music video.

This is a MUST-SEE film (written/directed by Gauri Shinde) for anyone who has given up on Bollywood, thinking it TOO old-fashioned, formulaic, and obsessed solely w/ romance!  Kaira (Alia Bhatt, who also starred in 2 States) is a cinematographer in her early 20s who finds that avoiding romantic commitment does NOT always bring happiness.  She breaks up w/ her businessman boyfriend.  Then one of the other guys in her life, Raghu (Kunal Kapoor- who I first saw in Aaja Nachle), offers her a “dream job” in NYC.  And we can tell that Raghu wants to be MORE than friends!

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Kaira (Alia Bhatt) jokes with Raghu (Kunal Kapoor)

Kaira’s close friends, including Fatima (Fatty) and Jackie, grow concerned about her changing attitude and personality.  Anger bubbles up out of nowhere, she can’t sleep for MANY nights, and loses her Mumbai apartment (when tenants decide that ONLY married couples should live in their building).  Kaira is forced to go back to her hometown (Goa) and reevaluate her life.  To make things worse, Raghu suddenly gets engaged to his ex-girlfriend after they reconnect on that NYC movie set!

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Kaira meets with her therapist Dr. Khan (Shah Rukh Khan)

Finally, Shah Rukh has chosen a role that is apt for his age. His screen presence is definitely a treat to his fans! Alia Bhatt is definitely lucky in the aspect that she got a good role that aligns with her personality and of course she has excelled it!  -Excerpt from a IMDB review

Enter Dr. Jehangir Khan(Shah Rukh Khan), an psychologist who happens to love ripped jeans (just as Kaira does).  She is VERY reluctant to open up about her life, BUT he gains her trust w/ his patience, unorthodox methods, and (most crucial)- a judgment-free mind. At a beachside bar, Kaira and Jackie meet Rumi (Ali Zafar- who hails from Pakistan), a free-spirited singer/songwriter.  Zafar reminded me of Gael Garcia Bernal; his songs were pretty good, too. 

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Kaira listens intently to Dr. Khan during one of their sessions.

Kaira is eventually able to discuss her friendships (which she needs to pay MORE attention to), past romances (which she cut off when then men got TOO close), and her family (overbearing w/ their traditional expectations).  Aside from the typical pains of life as a young adult, there is something specific in Kaira’s childhood that is holding her back from the life that she wants.  

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Dr. Khan and Kaira sing an impromptu little song

Pluses- story, acting, cinematography; second half, the scenes which feature SRK and Alia. The family moments of Kiara and her family, her friends. The execution of the entire movie from event to event. The whole final act which leaves you in a happy mood. The breakdown sequence. The maturity in the direction which takes the movie into a new level. The dialogue given to SRK. Negatives- The music is good but isn’t great. The editing in the first half could have been better.

-Excerpt from another IMDB review

There were a FEW moments in where I was reminded of In Treatment (HBO), BUT this is an original story which has (probably) never been told in a mainstream Indian film.  Going into therapy is demystified in this film, which I think could be it’s best legacy.