Game of Thrones: Season 6, Episode 1 (“The Red Woman”)

SPOILERS: Don’t read this review if you have not yet seen or don’t want to know details from the Season 6 premiere of Game of Thrones.  

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Castle Black:

I saw him in the flames fighting at Winterfell. -Melisandre says despondently re: Jon Snow

I can’t speak for the flames, but he’s gone. -Davos replies solemnly

The wait is over… BUT Jon Snow is STILL dead!  Davos (Liam Cunningham) finds the body, perhaps wondering why there isn’t MORE blood on the ground.  Edd (Ben Crompton) and a few other men (who were loyal to Jon) lock themselves inside (the Lord Commander’s chamber?) and think of what action to take next.  Melisandre (Carice Van Houten) is nearby (in an interior room); she doesn’t come off as her usual self- arrogant and bossy- having suffered setbacks in S5 (incl. the loss of Stannis). 

Winterfell:

Your pain will be paid for 1,000 times over, I wish you could be here to watch-Ramsay says to the dead body of Myranda

Ramsay (Ioan Rheon) takes some time to mourn Myranda before declaring that her remains will be fed to the hounds (YIKES)!  Roose (Michael McElhatton) tells his bastard that there will be NO future for Ramsay if he doesn’t get Sansa (a noble gal from Northern fam) back and produce an heir.  We know from S5 that Walda is already pregnant (possibly w/ a son, according to the local maester). 

The ep really kicks into gear when “I’m no lady” Brienne (Gwendolyn Christie) and trusty squire/sidekick Pod (Daniel Portman) come to Sansa (Sophie Turner) and Theon’s (Alfie Allen) rescue. “Brienne is, at this point, the most heroic character in Game of Thrones who actually gets things done… she’s motivated pretty much entirely by the desire to be honorable and find someone worthy to protect. She has no ambitions of her own, no greed, no selfish agenda,” as TV critic Charlie Jane Anders wrote.  I esp. liked how Pod had to help Sansa w/ her side of the oath.   

Kings Landing:

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I don’t know where she came from. She was nothing like me. No meanness, no jealousy – just good. I thought if I could make something so good, so pure, maybe I’m not a monster.  -Cersei comments re: Myrcella to Jaime

Cersei (Lena Headey) runs out to see the Dornish ship, but soon sees that the boat coming toward shore carries Jamie (Nikolaj Coster-Waldau) and a golden shroud (covering the coffin of Myrcella).  In the next scene, she looks defeated, depressed (having lost 3 kids, as the witch prophesied MANY years back), and tired.  Surprisingly, Jaime is the one that vows revenge (though he doesn’t get the BEST lines here).  

Dorne:  

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He is weak.  Weak men will no longer rule Dorne.  -Ellaria declares re: Trystane (while Doran lies dying)

Doran (Alexander Siddig), his personal bodyguard, and a messenger are killed by Ellaria and Tyene in the water gardens.  Trystane is brutally killed by Obara’s spear (while a bemused Nym looks on) in his chamber onboard a ship.  It ALL happened so fast!  I REALLY wanted to see more of Doran.    

Meereen:

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You can’t fight an enemy you don’t know.  -Tyrion explains to Varys

Why are the streets SO quiet!?  The smartest guys in the realm have a walk and talk. They come upon a mother begging w/ her baby; she misunderstands Tyrion (Peter Dinklage) when he speaks in Valyrian, so Varys (Conleth Hill) has to help out. 

On a wall under “Kill the Masters” someone has scrawled “Mhysa [meaning Dany] is a Master.” Are the Sons of the Harpy former slaves or former slaveholders (masters)?  Hmmm… I think they were slaves; after all, they brutally/quickly killed Hizdahr in S5 E8.)  We see a small group of former slaves who have gathered in an alley where a man dressed in a red robe is preaching re: the Lord of Light.  A few moments later, there is smoke coming from the harbor- ALL the ships have been set on fire.

On the road (w/ a Dothraki horde):

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Dany (Emilia Clark) assumed that the Dothraki would be respectful towards her- WRONG!  When the horde that captured her reach Khal Moro, she learns that widows of khals must live out their lives in Vaes Dothrak (“the city of the horse lords”).  Um, why didn’t Dany know this BEFORE!? 

Castle Black:

Mutton.  I’d like some mutton.  I never was much of a hunter.  -Davos provides a light moment when telling Thorne what he’d like for his journey

You haven’t seen her do what I’ve seen her do.  -Davos tells Jon’s friends in the Night’s Watch re: Melisandre

What to make of that final image of Melisandre transformed into an old woman? Was she a crone in disguise all along? Or had she lost her faith in the Lord of Light?  As Steve Buja wrote in his recap: “Given the blood nature of her god, perhaps one of the components to her witchcraft is her own essence. Whatever happens in this game, Melisandre is the turning point…”

SELECTED VIEWER COMMENTS (from NYT.com recap)

He’s only mostly dead.  [This one’s for The Princess Bride fans!]

Regarding Jon Snow’s fate, I think it won’t be determined until episode 3/4, as I think Dan and Dave want to develop other Stark plot lines, and delve into Arya, Sansa, and Bran. 

My current theory: Jon Snow’s spirit is inhabiting Ghost. But he needs a viable human body to warg into, and relatively soon, since to remain wolf too long risks losing the human to the wolf. Melisande is somehow going to donate her vitality to Snow’s corpse and heal it, so Jon Snow can warg back into it. This won’t be easy, of course. A trace of the wolf is likely to remain.

GOT is increasingly a womans’ world, at least plotwise. The men fail to rescue, and at best, like Tyron, strive to serve.

My guess is this new Khal is going to be killed by Drogon, who will obey Dany (for once). This will cow all of the Dothraki because they believe in strength. If anything would make a khalasar follow a woman it would be if she showed she can command dragons. My feeling is that Dany will then lead this khalasar back to Mereen, where she’ll clean out the Sons of the Harpy in short order.

Danaerys being sent to a place reserved for widows of Dothraki leaders. Smells to me like a place where angry women warriors decide to kick ass.  Everywhere Danaerys goes she ends up with an army.

The Melisandre revelation was a bit of a wow, and we got some brief but quality time with Davos and Jorah (whose faces are much more interesting than those of many of the beautiful younger actors). I even felt a drop of pity for Cersei.

 

Oscars 2016 Fashion

Mandatory Credit: Photo by David Fisher/REX/Shutterstock (5599371dv) Kerry Washington 88th Annual Academy Awards, Arrivals, Los Angeles, America - 28 Feb 2016
Mandatory Credit: Photo by David Fisher/REX/Shutterstock (5599371dv)
Kerry Washington
88th Annual Academy Awards, Arrivals, Los Angeles, America – 28 Feb 2016

Kerry Washington

The star of ABC’s hit Scandal was one of the FEW high profile black actresses who didn’t boycott the Oscars this year (#OscarsSoWhite); however, at least one fashion critic said that this gown may actually be a sort of protest (noting that the leather top reminds the viewer of Beyonce’s Formation performance at the recent Super Bowl).  We know that a woman w/ Kerry’s figure and confidence can wear almost anything and pull it off, BUT this dress is NOT quite worthy of the red carpet.

 

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Rachel McAdams

Hmmm… I LOVE this color, but the Spotlight actress’ gown comes off as too skimpy (on the sides) and simple for the Oscars.  And that train could’ve been hazardous! 

 

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Cate Blanchett

We know that the star of Carol ALWAYS has interesting gowns (made by Armani), BUT the color is too light (for her complexion).  A few style experts commented that there is a BIT too much going on- feathers made into flowers AND the sparkly beading.  I thought it looked good from afar. 

 

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Rooney Mara

I liked the intricate leaf detail on this gown, BUT that’s about it.  The exposed stomach and the lower half of the dress are NOT working for her; but, the Carol actress is still young.  

 

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Charlotte Rampling

The 45 Years actress (who hails from England) was recently in the press for her controversial comments re: the lack of diversity at the Academy Awards.  However, you can’t deny her talent and beauty (though NOT conventional for Hollywood standards).  Rampling is tall, wiry, and has the type of face that commands attention (often rivaling her male co-stars).  You can see her in the 2nd season of UK series Broadchurch (now available on Netflix).  She recently turned 70, and this simple/conservative gown suited her well (esp. in close-up).

 

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Charlize Theron

I LOVED what one fashion expert said of this simple gown: “This is a case where fitness trumps fashion.”  It seems TOO simple for the Oscars, but the now 40 y.o. statuesque actress can wear anything and look fierce (as we saw in Mad Max: Fury Road).   

 

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Jennifer Lawrence

This is a GREAT dress- I esp. love the top!  Jennifer’s film Joy may NOT have been seen by a very wide audience, BUT this dress is spot on for the Oscars.

 

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Brie Larson

Everything about this gown is PERFECT- the cut, color, and embellishments!  Plus, she won Best Actress- the best accessory!

 

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Mindy Kaling

I saw this dress on Mindy’s Instagram, and it looked elegant.  One the red carpet, it comes off as too plain.  I like her simple hairdo and the makeup is great (as usual).  I LOVE how Mindy has created opportunities for herself in Hollywood- she’s obviously a hard worker and funny lady, BUT this is TOO serious of a gown.

 

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Priyanka Chopra

The star of ABC’s Quantico was the MOST Googled celeb of the night- WOW!  This dress looks FAB on the Indian actress; it reminded me of Halle Berry (back when she was a red carpet darling).  Recently, I reviewed Priyanka’s latest Bollywood film, Bajirao Mastani.

 

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Sharmeen Obaid-Chinoy

Did you know this director now has 2 Oscars (for A Girl in the River: The Price of Forgiveness (2015) and Saving Face (2012)!?  I need to see these docs still.  Sharmeen is wearing a simple dress w/ a long, intricate jacket over it (she is Pakistani); at formal desi events all over the world, you will find styles similar to this one.  Her Oscar is the perfect accessory!

Interviews featuring playwright Ayad Akthar

Ayad discusses Disgraced (on Broadway), Aasif Mandvi, etc. w/ NYC theater critics.  This convo goes from the 2:00 min mark until 17:10.

This is a lengthy, yet V interesting vid!  Ayad is in convo w/ a Lebanese writer (Rabih Almeddine- never heard of him before) while Indian writer (Amitava Kumar) serves as moderator.  There is a smart/funny Q&A section w/ interesting points made by BOTH the audience & writers!    

https://www.youtube.com/watch?v=wyh5-o3Iw8c 

Aasif played Amir in Disgraced at Lincoln Center Theater.  Josh played Isaac on Broadway (opposite Hari Dhillon).  These guys are ALL friends- pretty cool! 

WARNING: This next 2 videos contain SPOILERS for Disgraced. 

Another long, yet very recent, interview (January 14, 2016)- it includes the meaning of the title, which is explained by Abe, the young nephew of Amir (who has “legitimate historical anger,” as Akthar comments in the vid). 

For 300 years, they’ve come to out part of the world, made- drawn new borders, taken our land, made us want to be like them, look like them, and marry their women.  They disgraced us.  They disgraced us.  Then they pretend they don’t understand the rage we’ve got.

 

For DC Area Theater Fans

Othello (Sidney Harman Hall: FEB 23-MAR 27)

This is my favorite Shakespeare tragedy; I love it even MORE than Hamlet!  In this production Othello will be played by a Pakistani-American actor- Faran Tahir. VERY exciting…  I’m going to be seeing it SUN, FEB 28 (7:30PM).

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Some of you will recognize him from the first Iron Man movie and the J.J. Abrams Star Trek reboot films.

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Link to 2014 podcast interview with Faran Tahir

Link to play website

Use promo code OTHELLO20 for 20% off price.

Disgraced (Arena Stage: APR 22-MAY 29)

I’m VERY excited to go see this play; one of my gal pals and I got tickets as part of a package!  Actor-turned novelist and playwright, Ayad Akthar (who I blogged about before) won the 2013 Pulitzer Prize for this play, which was also his first. 

This play is being produced in 40 different theaters in the 2015-2016 season- WOW!  In some ways, it looks to be a simple domestic play, as it has only one set and five actors.  The play is set in the Upper West Side Manhattan apartment of South Asian American corporate lawyer, Amir, and his artist wife, Emily.  They hold a small dinner party w/ Amir’s work friend Johri, an African-American woman, and her secular Jewish husband, Isaac.  As the night goes on, more and more alcohol is consumed, the conversation gets  heated- the mood of the play turns serious.  Amir, who seems to have totally separated himself from his Pakistani and Muslim identities, is revealed as a complex and troubled man.

I read this play less than 2 years ago, after seeing clips about the Lincoln Center production (which starred The Daily Show’s Aasif Mandvi).  One of my acquaintances saw it when it premiered on Broadway; Hari Dhillon (an Indian-American of Sikh heritage) played the lead role. The PBS Newshour piece (see video below) features Dhillon and How I Met Your Mother actor Josh Radnor (who played Isaac). 

Akthar said that he wrote this play “for the global Muslim audience” (many of whom will never see it, given restrictions on freedom of speech) and the “typical (mostly white) theatergoing audience here in the U.S.”  Something important to keep in mind- the major influences for Disgraced were Othello and Death of A Salesman by Arthur Miller. 

Link to play website

The Who & The What (Round House Theatre – Bethesda: MAY 25 -JUNE 16)

“The Who & the What” (the title of Zarina’s novel)… explores intergenerational and interfaith conflicts with fluid eloquence and intelligence. Mr. Akhtar writes dialogue that, while often funny and always natural, crackles with ideas and continually reveals undercurrents of tension that ratchet up the emotional stakes.  -Charles Isherwood (NYT) re: 2014 Lincoln Center production

I read this play soon after Disgraced.  It focuses on an upper-class Pakistani-American family in Atlanta, which includes the father, a widower and religious Muslim- Afzal (who runs successful donut shops) and his two daughters- complicated and intellectual Zarina and the more simple and beautiful Mahwish.  Since his younger daughter is almost done w/ grad school and unofficially engaged to her  (father-approved, Pakistani-American) beau, Afzal is eager to find a husband for Zarina, who is around 30 at the start of the story.  (It may remind you a bit of The Taming of the Shrew.)  Like MANY people, Afzal turns to an online platform for Muslim singles; he meets a smart and caring man who is a white convert.  Eli, who grew up in Detroit with liberal parents and many Muslim friends, is the imam of a small and humble masjid.  Zarina decides to give Eli a chance, but her main focus is a book on the life and times of Prophet Muhammad.  The topic of this book is VERY controversial- it could jeopardize her closest relationships!

Link to play website

PWYC: WED, MAY 25 (7:30 PM) & SAT, MAY 28 (2 PM)

Related Videos

Ayad Akthar’s TED Talk

 

 

 

Guards at the Taj by Rajiv Joseph

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I first learned about playwright Rajiv Joseph (pictured above) from a brief theater piece on PBS.  Though only in his early 40s, he has achieved much in his brief career, including being a finalist for the 2010 Pulitzer Prize.

Theater Review Bengal Tiger at the Baghdad Zoo

Yes, that is comic genius Robin Williams (above w/ castmates)- he appeared a few years back as the tiger in Joseph’s critically-acclaimed play, Bengal Tiger at the Baghdad Zoo.

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Mr. Joseph dramatizes a dark myth about its building that stands as a grim allegory of the supreme divide between the powerful and the powerless in 17th-century India and, perhaps by extension, many places today.

Babur’s lively imagination drives the conversation, as he fantasizes about elaborate flying machines and wonders about the provenance of the stars. “I think God wants us to learn more and more things,” he says.

-Charles Isherwood (NYT Review: June 11, 2015)

This play can be seen from FEB 1-28 at the Woolly Mammoth Theater in DC. It consists of only 2 characters, Humayun and Babur, lowly imperial guards in the city of Agra, India (referred to then as Hindustan).  Their duty it is to stand in front of the building site of the Taj Mahal, facing away from it.  Babur has the energy of an overgrown kid.  He arrives late and keeps breaking the silence that the guards are supposed to maintain, to the disapproval of Humayun. Obeying the rules is something Humayun takes seriously. There are severe punishments for various levels of civil disobedience.

I saw an existential allegory about the struggle of incompatible universal impulses within human nature.  –Comment from NYT reader

We will probably never know what was done to the artisans who built the Taj, but we do know, like those who slaved for years to build the Pyramids, the Taj artists have remained invisible.  –Comment from another NYT reader

The Taj is a memorial tomb for Shah Jahan’s favorite wife, has been hidden by a wall during its  16 years of construction. The guards, longtime friends (who call each others “bhai,” meaning brother) are awaiting dawn, when the tomb will be unveiled to the public.