The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

b&b_final

In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.   

Green Dolphin Street (1947)

MGM wanted June Allison to play Marguerite opposite Lana Turner.  She turned the role down because she didn’t think anybody would believe that William could prefer her to Lana.  MGM then essentially drafted Donna Reed into the role, whose misgivings were also strong (but she had no clout at the studio). 

Doona Reed as Marguerite
Donna Reed as Marguerite

On the island of St. Pierre in 1847, young adult sisters Marianne (Turner) and Marguerite (Reed) lead happy, comfortable lives as the daughters of shipping magnate Octavius Patourel (Edmund Gwenn, who played Kris Kringle in Miracle on 34th Street) and his wife Sophie (Gladys Cooper).  Marianne has a sharp mind and knows a lot about her father’s work, which he thinks is not quite ladylike.  Marguerite is more reserved and dreamy.  From afar, Marianne is loved by a young local man, Tim Haslam (Van Heflin), much to the dismay of his girlfriend.   

When new neighbors move in next door, the sisters rush over to welcome the family: Dr. Edmund Ozanne (Frank Morgan, who played the wizard in The Wizard of Oz) and his handsome son William (Roger Hart).  At first, William is not that impressed with the girls, but thinks they’re very pretty.  But in no time, the three become good friends.  

William and Marianne dream of adventure
William and Marianne dream of adventure

One day, Marianne insists on taking William out to see a large shipping vessel, The Green Dolphin.  It’s under the command of a gruff, yet kind-hearted Irishman, Captain O’Hara (Reginald Owen, who played Scrooge in A Christmas Carol).  He proudly shows the young people around his ship, and tells them a bit about his adventures.  He’s been as far away as New Zealand!  Both Marianne and William are fascinated by the thought of such a life.

Marianne with her father
Marianne with her father

Since William wants to be a sailor, Marianne convinces her father to provide the funds.  (Being a man, he can do the things she’s always dreamed of doing.)  William goes off to London for 2 years. Their families don’t realize that William and Marguerite have fallen in love; they decide to keep it a secret.  They do, however, write letters to each other.    

Lana captured Marianne’s pragmatic, incisive, ambitious nature which veils a deep-seeded vulnerability and need to be loved.  And Donna Reed was certainly lovely even next to Lana, and did well with Marguerite, who is sweet-tempered, feminine and agreeable, but not as intellectually captivating as her sister.  Marguerite is more like William.  They are both indolent, romantic and playful.  But Marianne has the drive, savvy and fortitude…  –Comment on IMDB

I’m not going to reveal too much, because I want you all to check it out!  I recommend this movie to anyone who enjoys large-scale, old-fashioned epics (such as Gone with the Wind).  However, because of its few main leads and focused theme (first love vs. love that grows over time), it seems like a small picture.  There is fine acting, sharp dialogue, and lots of character development.  I especially liked Heflin’s anti-hero character.