Absolute Power (1997)

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I recall first seeing this film, based on the book by David Baldacci (a former lawyer), a few months after it came out (with my mom).  We liked it a lot- the acting (it has a fantastic cast), pacing (editing), and  even soundtrack (which enhances the film, but isn’t invasive).  It’s directed by Clint Eastwood, who also plays the lead role of master thief Luther Whitney. 

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While robbing one of the homes of billionaire philanthropist Walter Sullivan (E.G. Marshall; one of the 12 Angry Men), Luther witnesses the brutal assault and murder of the elderly man’s young wife, Christie.  The cover-up involves the President’s cold-blooded Chief of Staff, Gloria Russell (Australian Judy Davis) and two Secret Service agents- stoic Vietnam vet Bill Burton (Scott Glenn) and sadistic eager beaver Tim Collin (Dennis Haysbert).  This was one of Haysbert’s first movie roles, but you can sense the strong screen presence- something that can’t be taught. 

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Do you know what it was like to be the only kid in class that got to talk about visiting day? -Kate bitterly comments to Luther

I love true crime.  -Luther works his charm on Det. Seth Frank

To make things more complicated, Luther’s daughter Kate (Laura Linney, also in one of her first big roles), is an ambitious young DA!  At first, she wants nothing to do with him, but then learns of the gravity of what her father has experienced.  This is the movie that made my mom a fan of Linney.  Kate’s a very relatable young lady, trying to do the right thing.   

Since Luther is such a skilled thief, the cops decide to question him about the crime.  The lead investigator on the case, Det.  Seth Frank (Ed Harris), seems to admire Luther a bit (he was a war hero).  He also develops a big crush on Kate-  a (needed) sweet/humorous aspect to the story. 

Every time I watch this movie the highlight for me is the scene between Clint and Ed Harris.  Their little cat and mouse is not only fun to watch, but they both genuinely seem to be enjoying the scene.  Eastwood’s line about being the star of his AARP meetings is priceless, as are Ed Harris’s reactions.  -IMDB comment

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…despite his criminal behavior he’s an “honorable” thief…  -IMDB comment

One of the scenes that stands out in my mind is the dance/talk between Davis and Gene Hackman, who plays President Alan Richmond.  It’s especially well done, and fun to watch.  Davis’ character is a source of humor in a few moments, too. 

Oops, I almost forgot to say how great Glenn (one of Eastwood’s close friends) is in this movie!  Now you have it.  His character is very conflicted- a good guy who takes a terrible turn at the end of his career. 

luther_kateI couldn’t have my daughter thinking I was a murderer.  -Luther explains to Kate

I also enjoyed all the father-daughter scenes in the film; Luther and Kate’s strained relationship grew and changed over the movie.  After all, it’s very difficult (perhaps impossible) to turn your back on family.  When Kate tries to help the police peacefully arrest her father, she puts her own life in danger.  This kicks Luther into high gear- he has to protect his little girl and clear his name.  After all, he’s a thief, not a murderer!       

The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

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In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.   

Green Dolphin Street (1947)

MGM wanted June Allison to play Marguerite opposite Lana Turner.  She turned the role down because she didn’t think anybody would believe that William could prefer her to Lana.  MGM then essentially drafted Donna Reed into the role, whose misgivings were also strong (but she had no clout at the studio). 

Doona Reed as Marguerite
Donna Reed as Marguerite

On the island of St. Pierre in 1847, young adult sisters Marianne (Turner) and Marguerite (Reed) lead happy, comfortable lives as the daughters of shipping magnate Octavius Patourel (Edmund Gwenn, who played Kris Kringle in Miracle on 34th Street) and his wife Sophie (Gladys Cooper).  Marianne has a sharp mind and knows a lot about her father’s work, which he thinks is not quite ladylike.  Marguerite is more reserved and dreamy.  From afar, Marianne is loved by a young local man, Tim Haslam (Van Heflin), much to the dismay of his girlfriend.   

When new neighbors move in next door, the sisters rush over to welcome the family: Dr. Edmund Ozanne (Frank Morgan, who played the wizard in The Wizard of Oz) and his handsome son William (Roger Hart).  At first, William is not that impressed with the girls, but thinks they’re very pretty.  But in no time, the three become good friends.  

William and Marianne dream of adventure
William and Marianne dream of adventure

One day, Marianne insists on taking William out to see a large shipping vessel, The Green Dolphin.  It’s under the command of a gruff, yet kind-hearted Irishman, Captain O’Hara (Reginald Owen, who played Scrooge in A Christmas Carol).  He proudly shows the young people around his ship, and tells them a bit about his adventures.  He’s been as far away as New Zealand!  Both Marianne and William are fascinated by the thought of such a life.

Marianne with her father
Marianne with her father

Since William wants to be a sailor, Marianne convinces her father to provide the funds.  (Being a man, he can do the things she’s always dreamed of doing.)  William goes off to London for 2 years. Their families don’t realize that William and Marguerite have fallen in love; they decide to keep it a secret.  They do, however, write letters to each other.    

Lana captured Marianne’s pragmatic, incisive, ambitious nature which veils a deep-seeded vulnerability and need to be loved.  And Donna Reed was certainly lovely even next to Lana, and did well with Marguerite, who is sweet-tempered, feminine and agreeable, but not as intellectually captivating as her sister.  Marguerite is more like William.  They are both indolent, romantic and playful.  But Marianne has the drive, savvy and fortitude…  –Comment on IMDB

I’m not going to reveal too much, because I want you all to check it out!  I recommend this movie to anyone who enjoys large-scale, old-fashioned epics (such as Gone with the Wind).  However, because of its few main leads and focused theme (first love vs. love that grows over time), it seems like a small picture.  There is fine acting, sharp dialogue, and lots of character development.  I especially liked Heflin’s anti-hero character.