The Company Men (2010)

company-men-poster

This is a slice-of-life indie film (set in the mid-sized city of Gloucester, MA) centering on several executives working for GTX, a fictional manufacturing company that has had some heavy lay-offs.  It was written/directed by John Wells (ER, Mildred Pierce, The West Wing, etc.); Maria Bello (also from ER) has a role in the film as a shrewd businesswoman.  Though it focuses on white, upper-middle class men, I could relate to it on several levels.   

Discussion of lay-offs in the boardroom
Glen McClary (Tommy Lee Jones), Sally Wilcox (Maria Bello), and others discuss lay-offs

Old friends James Salinger (Craig T. Nelson) and Glen McClary (Tommy Lee Jones) have built GTX from the ground-up, but Salinger, the president, wants to trim costs in order to raise profits.  McClary feels like he’s going about it the wrong way; he also feels guilty for benefitting from the rise in company stock.  Sally Wilcox (Bello) handles the lay-offs, which come as a shock to Robert Walker (Ben Affleck), a top sales exec (w/ MBA) who’s worked for the company for 13 years (all of his career).

Bobby and Maggie
Bobby (Ben Affleck) & his wife Maggie (Rosemarie DeWitt)

Bobby drives a Porshe, lives in a beautiful house (beside a golf course), and has a lovely family.  However, he’s reluctant to share the bad news with his family (including parents), or rely on them for support.  Bobby thinks that he can get a job right away, but turns out to be wrong (you’ve been there).  Bobby’s understanding wife, Maggie (Rosemarie DeWitt), goes back to work as a nurse.  She urges him to cut back on costs, but he exclaims: “I need to look successful!”  When you don’t have a job, you feel anxious, depressed, irritable, and- perhaps this is more so for males- useless.

Tommy Lee Jones as Gene McClary and Chris Cooper as Phil Woodward
Gene McClary (Tommy Lee Jones) & Phil Woodward (Chris Cooper)

Phil Woodward (Chris Cooper, one of my favorite character actors) is let go in the second round of lay-offs; he takes it very hard.  He worked his way up from the factory floor (where he installed parts on ships) and is pushing 60.  One of his daughters is in college (Brown, no less) and the other is eager for her school’s senior trip to Italy.  His wife suffers from headaches and doesn’t seem like much of a helpmeet.  Phil tells Gene: “My life ended and nobody noticed.”

Jack Dolan (Kevin Costner) and Bobby (Ben Affleck)
Jack Dolan (Kevin Costner) & Bobby

When his brother-in-law Jack Dolan (Kevin Costner, in a low-key but pivotal role) offers Bobby a job with his small carpentary business, Bobby quickly rebuffs him.  That’s not the type of work he sees himself doing (been there, too).  After a few months of disappointment, Maggie reminds him that they can’t pay the mortgage.  Bobby has to swallow his pride and make some uncomfortable decisions. 

What drew me to this film is it’s ensemble cast.  I thought Cooper, DeWitt, and Jones performed their roles especially well.  Affleck and DeWitt have good chemistry in their scenes.  Most of the situations are very relateable.  Bobby is still a lucky guy, even without the trappings of success. 

 

The Hobbit (2012)

Thorin: [singing] Far over the misty mountains cold / To dungeons deep and caverns old
Dwarves: [singing] The pines were roaring on the height / The winds were moaning in the night / The fire was red, it flame spread / The trees like torches blazed with light…

The Hobbit poster featuring Richard Armitage and Martin Freeman

Well, I can honestly say this was the most anticipated film for me in 2012.  I saw it with my mom and little brother on New Year’s day (in Fishers, IN).  We saw the 2D, since none of us are fans of 3D.  Mom and I were most excited to see one of our favorite (British) actors, Richard Armitage, on the big screen for the first time.  The eyes and the voice are the same! 

Thorin: Loyalty, honor, a willing heart, I can ask no more than that.

Poster featuring Martin Freeman as Bilbo

Bilbo Baggins: I have… I have never used a sword in my life.
Gandalf: And I hope you never have to. But if you do, remember this: true courage is about knowing not when to take a life, but when to spare one.

We had seen Martin Freeman in the Sherlock series (BBC) and earlier in Love Actually, and thought he was a very fine actor as well.  (That Brit rom com is one of my little sister’s favorites.) 

Illustration of ThranduilActor Lee Pace

Lee Pace plays Thranduil, Legolas’ father, in two brief (yet crucial) moments in the film.  Unlike most of the cast, he’s an American. 

Luke Evans as The Bard and Orlando Bloom as Legolas - Entertainment Weekly magazine

Legolas (Orlando Bloom) will appear in the later films (so no worries, teen gals)!  There will also be a new (human) character, played by Luke Evans. 

Bilbo smoking pipe

FYI: Martin’s co-star in Sherlock, Benedict Cumberbatch, will provide voices for two characters in the later movies.  I thought he’d be good as an elf.  Elijah Wood is back, as are Cate Blanchett, Hugo Weaving, Christopher Lee, Andy Serkis (Gollum; second unit director), and the much beloved Gandalf, Ian McKellan.

Dwarves overtake Bag End

In the introduction to the story, we see old Bilbo Baggins (Ian Holm) and his young nephew/heir Frodo (Wood), in their cozy home in Hobbiton.  (For this prequel to The Lord of the Rings, Elijah’s 30 year old face was de-aged using computer technology.)  Bilbo is planning his birthday party and also putting the finishing touches on his memoirs.  He thinks back (60 years), and we transition from Holm to Freeman smoking a pipe outside Bag End.  The wizard dressed all in gray, Gandalf, comes to his door and mentions an adventure.  “No!  We don’t want any adventures here!” Bilbo exclaims.

Bilbo riding a pony

Gandalf: Home is now behind you. The world is ahead.

In time, the reluctant hobbit meets 13 dwarves (some young/inexperienced, some battle-hardened), who are on a quest “to claim their long forgotten gold” and their homeland, which was taken over by the dragon Smaug.  The group are lead by a displaced king, Thorin Oakenshield (Armitage). 

Still from the official trailer

These dwarves are nothing like Snow White’s friends- they love to drink (like hobbits), fight (get better with age), have a lot of pride, and are secretive in nature.  We learn why dwarves distrust the elves.  In this film, they uncover some elvish weapons, which they quickly adapt to using.  Bilbo finds a little sword, too. 

James Nesbitt as BofurAs Leo on BallyK

Fans of the Irish TV series Ballykissangel may recognize one dwarf, Bofur (James Nesbitt).  From 1996-1998, the Belfast-based actor played Leo, the big city journalist.  Bofur likes to have fun! 

Dean O'Gorman as Fili and Aidan Turner as Kili

Fili (Dean O’Gorman) and Kili (Aidan Turner) have been termed the “hot dwarves,” which Turner said makes him “cringe a little.”  LOL!  Since they are young dwarves, they are eager to see some fighting and contribute as much as they can.   

Galadriel and Gandalf

Galadriel: Why the Hafling?
Gandalf: Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay… small acts of kindness and love. Why Bilbo Baggins? That’s because I am afraid and it gives me courage.

Cate Blanchett as Galadriel

Cate’s part is not big, but she looks more beautiful than ever as Galadriel (The Lady of Light)!  She has a different sort of crown and a cool dress (with a long train, of course). 

Hugo Weaving as Elrond examines map

The company go to Rivendell, where Elrond (Hugo Weaving) helps the company by reading ancient dwarvish on a very important map.

Company meet The Goblin King

Orcs and trolls are different in The Hobbit than in the trilogy.  They are more developed; they also look different. 

Jed Brophy as Nori

One of the toughest orcs is now a dwarf- Jed Brophy (a New Zealand actor and skilled stuntman) plays Nori.  Even his eyebrows are braided! 

Gollum in his cave

Bilbo Baggins: Why don’t we have a game of riddles and if I win, you show me the way out of here?
Gollum: And if he loses? What then? Well if he loses precious then we eats it! If Baggins loses we eats it whole!
Bilbo Baggins: Fair enough.

We find out how Bilbo got the ring.  He and Gollum have a battle of riddles in a cave.  Well, don’t want to give too much info… 

The music (composed again by Howard Shore) is even better than in the trilogy.  The Misty Mountains song is sung by Richard and the company of dwarves- very cool!  The (New Zealand) scenery, along with the special effects, are stunning.   The acting is quite fine, especially from McKellan, Armitage (creating a natural leader/heroic), and Freeman (who makes the perfect hobbit).   

Imitation of Life (1959)

This melodrama is based on a novel and directed by Douglas Sirk (known for his distinct style and focus on “women’s problems”).  In our time, his influence can be seen in Todd Haynes’ Far from Heaven and the AMC’s Mad Men.  

Widowed/single mother, Lora Meredith (Lana Turner), temporarily loses her 6-year old daughter, Susie, at the beach on Coney Island.  She scrambles to find the girl amid the crowd, and runs into a handsome photographer, Steve Archer (John Gavin), who offers his help.  When she finds Susie, she is with a kind black woman, Annie Johnson (Juanita Moore) and her 8-year old daughter, Sarah Jane (who has dark brown hair and looks white).  “Her father was almost white,”  Annie explains to the surprised Lora, who thought Annie was the girl’s nanny.  It turns out that Annie is also a widow, and she and her child have no place to stay.  Lora asks them over to her humble Manhattan apartment. 

In no time, the four are functioning as family.  Lora goes out into the theater world to seek work as an actress; Annie takes care of the home, kids, and picks up little jobs now and then.  The girls go to school and grow up like sisters, though conflicts arise when Sarah Jane insists on hiding her true racial identity.  For many months, Steve and Lora date.  Though he loves his art, he gets a stable job in marketing.  He’s good with Susie, too.  But he’s not as perfect as he seems…

In time, Lora achieves the success she dreamed of professionally.  She becomes a star of theater, then movies, working with notable directors.  The family moves to a spacious house on Long Island.  Annie is always there- the “wind beneath her wings”- serving as a homemaker, confidant, and partner.  In one poingnant scene, Lora admits that Annie was more of a mother to Susie than she was (because of her high ambitions).

The girls grow into beautiful, charming, independant-minded teenagers.  Susie (petite, blonde Sandra Dee) has a positive outlook on life, though Sarah Jane (Susan Kohner, an actress of Czech and Mexican heritage) is troubled and restless. 

There is much to admire in this film, but also troubling aspects (reflecting the limitations of Hollywood and US.)  Why is Annie always humble, obliging, and wise?  Why doesn’t she have weak moments, like Lora?  Why weren’t African American actresses chosen to play Sarah Jane (as in the 1934 version)?  I’ll have to watch that version, too.  Some of the themes in this film are very modern: navigating a man’s world without a husband, raising a child as a single parent, and mother-daughter conflicts. 

Lora and Annie are like two sides of a coin- one has the strength to face the outside world (with her beauty and confidence), while the other has a quiet, inner strength (stemming from her spirituality).  Moore won a Best Supporting Actress Oscar for her performance. 

I was impressed by Kohner’s performance; I thought she did a fine job of a rebellious, conflicted individual seeking a place in the world. 

Gilda (1946)

In post-WWII Buenos Aires, Argentina, petty American gambler Johnny Farrell (Glenn Ford) is rescued by wealthy businessman Ballin Mundson (George Macready).  In no time, Johnny becomes his “right-hand man,” managing his casino.  Why does Mudson help Johnny so much?  (Many critics pointed to the homoerotic dialogue and imagery in the first section of the film.)  

Ballin goes to the US for a short time; when he returns, Johnny learns that his wife is an American dancer, Gilda (Rita Hayworth), Johnny’s former love.  We can tell that they had a bitter, nasty break-up.

When Gilda is brought back to Argentina by Tom, she slaps Johnny hard across both sides of his face. In reality, Rita Hayworth’s smacks broke two of Glenn Ford’s teeth. He held his place until the take was finished.   -IMDB

Gilda: If you’re worried about Johnny Farrell, don’t be.  I hate him!
Ballin: And he hates you.  That’s very apparent.  But hate can be a very exciting emotion.  Very exciting.  Haven’t you noticed that?

While her controlling, disinterested husband is busy running his hotel/casino and overseeing a tungsten cartel, Gilda is left to her own devices.  She buys beautiful, expensive things and openly flirts with several men, so Ballin decides to make Johnny her watchdog.  The younger man resents this position, and bites back at Gilda.  He stops her from fooling around with any men, delivering her to her husband’s mansion. 

All of the goings-on of the place are observed by a lowly (yet wise) employee, Uncle Pio (Steven Geray).  He calls Johnny a “peasant” and has empathy for Gilda’s situation. There is a sub-plot involving former Nazis and a local detective.  To find out more, watch the film.

Johnny (to Gilda): What was that word?  It [decent] sounds funny coming from you.

This is an uneven film with a flimsy plot, but it’s also well-loved by many viewers.  It packs a punch because of the presence of the gorgeous femme fatale and the (almost palpable) chemistry between Hayworth and Ford.  If you’re interested in the themes explored in this film, check out Separate Tables (starring Hayworth, Burt Lancaster, Deborah Kerr, & David Niven) and The Lady from Shanghai (starring Hayworth and Welles).  I need to check out more movies with Ford; so far, I’ve seen 3:10 to Yuma, The Fastest Gun Alive, and The Courtship of Eddie’s Father. 

In the Land of Blood and Honey (2011)

Yes, this is Angelina Jolie’s movie (her directorial debut), but don’t let that put you off- it’s quite a tale!  There are no flashy directorial moves, and the pace can seem slow, but I feel the subject matter is worth a look.  However, if you are a sensitive person, this is not the film for you!  (FYI: There are 2 versions of the film- one where actors tell the story in English and the other in Bosnian/Serbian.  I saw the English version.)  The time is the recent past; the setting is the Bosnian War.  Here is some info from Wikipedia:

The war came about as a result of the breakup of Yugoslavia.  Following the Slovenian and Croatian secessions from the Socialist Federal Republic of Yugoslavia in 1991, the multi-ethnic Socialist Republic of Bosnia and Herzegovina, which was inhabited by Muslim Bosniaks (44 percent), Orthodox Serbs (31 percent) and Catholic Croats (17 percent), passed a referendum for independence on 29 February 1992.  This was rejected by the political representatives of the Bosnian Serbs, who had boycotted the referendum and established their own republic. Following the declaration of independence, the Bosnian Serbs, supported by the Serbian government of Slobodan Milošević and the Yugoslav People’s Army (JNA), mobilized their forces inside the Republic of Bosnia and Herzegovina in order to secure Serbian territory, then war soon broke out across the country, accompanied by the ethnic cleansing of the Bosniak population, especially in Eastern Bosnia.

Love in a time of conflict is not uncommon in film, but this is a compelling depiction.  This film focuses on a promising romance twisted and killed by war.  A dark-haired woman, who lives with her sister and baby nephew in a humble apartment, goes out to a bar/nightclub and dances with a blonde man; they are obviously very into each other.  There is a live band playing and the mood is joyous.

     

The encounter each other a time later when the woman, a Muslim painter named Ajla (Zana Marjanovic) is a prisoner in the camp run by the Serbian man, a soldier named Danijel (Goran Kostic).  Danijel meets with Ajla in private, just to talk at first, because there is no one else to relate to in the prison.  He needs to let off steam, and show her that he’s not a monster.  Danijel also softens the blow for her, while the other women are treated horribly (beaten, raped, and worked like dogs cooking and cleaning).  Is she in love with Danijel or merely protecting herself?  (It’s up to the viewer to decide.)  They think of a plan that will enable Ajla to escape the prison.   

       

Ajla is unable to escape; she sees brutality all around her, and somehow stays sane.  Meanwhile, her sister suffers a terrible loss and joins a group of rebels.  Danijel is not the typical grunt soldier, he’s the son of a particularly successful/brutal general, Nebojsa (Rade Serbedzija).  His father is grooming him for leadership.  The stress of war gets to the younger man, and he turns on the woman closest to him.  He keeps her hidden away for quite a whille, but Ajla is not safe- not even from Danijel!  

I wished there was more information in this film about the politics of this war.  The secondary characters needed more development.  This film come off as limited at times, but the lead actors work very well together.  They have great chemistry with each other, and connect deeply with their characters.  (Nobody is a well-known face here, aside from Serbedzija.)  Ajla is dignified and strong even in the toughest situations.  Danijel slowly transforms from a rather sympathetic antagonist into a fallen, broken man.