Movie Review: “Room at the Top” (1959)

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The English factory town is dreary, but Joe Lampton has landed a job with a future.  To have something to do at night, he joins a theatrical group. His boss’s daughter, Susan, is playing ingenue roles on stage (and in real life). She is attracted to Joe, and Joe thinks about how much faster he will get ahead if he is the boss’s son-in-law.  This plan is complicated by his strong desire to be with an older woman who also belongs to the theatrical group.  Alice is French and unhappily married to a wealthy and powerful older man.  Joe believes he can get away with seeing both Susan and Alice.

IMDB synopsis

Hey readers,

It’s ALMOST Valentine’s Day- good or ill, depending on how your personal life is going!  Don’t look for good clean romance in this controversial (for its time) Brit film!  The anti-hero (Hey, some women LOVE bad boys!) is played by an intense, enigmatic, and engaging actor- Laurence Harvey (who I’ve seen in The Manchurian Candidate). 

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I learned that Laurence Harvey was born in Lithuania; this explains the sharp features.  He grew up in South Africa, and eventually came to the English stage.

Harvey was born to play Joe Lampton, if not in kin, then in kind. Lampton was a working-class bloke who dreams of escaping his social strata for something better. It was a perfect match of actor and role, as the icy Harvey persona made Joe’s ruthless ambition to climb the greasy pole of success fittingly chilling.

 -Excerpt from IMDB  bio

25 y.o. Joe (Harvey) has recently gotten a job as an accountant in a factory in a small industrial town.  He shares a small flat (as the Brits call an apt) w/ a co-worker, and is friendly with the guys around the office.  The audience slowly learns that there are MANY layers to Joe, though he seems quiet and guarded at first. 

From the moment he glimpses his boss’ bubbly young daughter, Susan, he can’t keep her out of his head.  He eyes her hungrily- a prize to be won.  Though she has a steady man in her life, the inexperienced Susan is quickly drawn to Joe.  “I’ve never met a man like you,” she says with wonder in her eyes.  While Susan ponders what Joe is REALLY like, another woman catches his eye.  

Alice (Simone Signoret- an Oscar winner for this role) is a blonde, buxom, older woman w/ a sad look in her eyes.  When Joe snaps angrily at another man for mocking his working-class roots, Alice goes to console him.  From her expressions, you can see that she relates to him.  Soon they are a VERY hot item!  (This movie contains dialogue and romantic scenes QUITE different from other ’50s films.)

Though Susan wants to see Joe, her family and friends treat him like an interloper to their moneyed circle.  Joe replies politely to these snobs, but his anger is bubbling underneath.  George, another man who likes Susan, mentions his own war record.  We learn that even during wartime, not all men were treated equal! 

Joe lets the rage out when he’s with Alice, but it doesn’t scare her.  Alice stands up to him, saying that he is a “coward.”  Joe is insecure about his background.  He holds double standards, too.

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Joe shares some tender and happy moments with Alice, giving his calculating side a rest.  You may wonder if he really DOES love her!  Signoret does a terrific job of portraying a passionate, vulnerable, yet also strong woman.  Her character really pops off the screen; she kept it “real” (as the kids would say).  Harvey has a strong physical presence and a sense of danger about him- fitting for this role.  He makes Joe a very compelling young man!  Both actors handled some great/snappy dialogue and played emotional scenes very well. 

Check this film out if you want something different, multi-faceted, and intelligent.  Room at the Top is about ambition, lust, love, morality (different for men than for women), and above all- social class. Accent is sometimes tied to class; Joe switches to his Northern accent (Sean Bean has one!) when he’s angry or talking with family.  But at other times, that accent is much lighter.   The posh set don’t have such an accent, or they hide it!  (Joe is NOT the only one in the town w/ a contradictory nature.) 

Morality is underlying everything, too.  Joes’ roommate/friend warns him that flaunting an affair in this little town is dangerous.  People start to talk- Alice does NOT escape unscathed.  Susan’s patience and virtue are also tested by Joe, but she thinks they can live happily ever after.  Go see for yourself what happens!

Classic Movie Review: “A Streetcar Named Desire”

Captivating, troubled, unpredictable, vulnerable- these words could describe Vivien Leigh, Marlon Brando, and the characters they played in this multi-Oscar winning movie. A Streetcar Named Desire was re-mastered and re-released in 1993; I have that 2-disc director’s edition of the film containing 3 minutes of extra/extended scenes and loads of special features.  (I love special features!)  

Blanche: I don’t want realism.  I want magic!

One of Hollywood’s most successful and controversial directors, Elia Kazan, was hand-picked by playwright Tennessee Williams for this film.  Kazan had directed the Broadway play, too; his body of work includes: A Tree Grows in Brooklyn, Gentleman’s Agreement (starring Gregory Peck), East of Eden (starring James Dean; Marlon Brando tested for the part, too), and On the Waterfront (also with Brando).  All the major actors (Brando, Kim Hunter, and Karl Malden) had worked in theater.  Though Jessica Tandy was on Broadway, she wasn’t a big enough star, according to Warner Bros.  So, Vivien Leigh, who’d done the play in London, was brought on-board.

 

Stanley: Be comfortable. That’s my motto up where I come from. You gonna shack up here? Well, I guess I’m gonna strike you as being the unrefined type, huh?

Well-bred, well-educated Blanche DuBois (Leigh) travels (via train and streetcar, of course) from small-town Mississippi to visit her younger sister Stella (Hunter) in hot, crowded New Orleans.  Blanche, a sensitive woman, almost can’t believe to what depths her sister has sunk.  Stella and her husband make their home in a stuffy, run-down apartment in the French Quarter. Their rowdy neighbors/friends drink too much, gamble, and make noise around the clock.  But most shocking of all- Stella has married Stanley Kowalski (Brando in a star-making role).  Stanley is a crude, volatile, working-class man of Polish descent.  (There are derogatory remarks about his background, denoting the prejudice of that time.)  Blanche is definitely not shy speaking about Stanley’s faults!

 

Stanley: That’s pearls, Stella, ropes of ’em. What is your sister – a deep sea diver?

 

We realize quickly that Stanley resents the presence of Blanche (with her fine clothes, jewels, perfume, and criticism).  Perhaps he sees her as a threat to his relationship with Stella?  Blanche is herself nervous and guarding secrets beneath her genteel Southern belle facade.  (I won’t give you too many details!)  Stella senses something is wrong.  Why has Blanche come to visit before the end of Spring term?  (She’s a high school English teacher.)  How did she lose their family estate?  But Stella mainly wants to keep the peace in her home, because who knows what will set off her husband?

 

Stella and Stanley’s relationship is based on lust; this repulses Blanche (she calls it brutal desire).  

Stella: I wish you’d stop taking it for granted that I’m in something I want to get out of. 

 

Stella seems happy about her life while Blanche is in a precarious situation: aging (over 30) and nearly penniless.  Then, tall and quiet Mitch (Malden) takes an interest in Blanche.  Could Blanche find some happiness with Mitch? 

 

Mitch and Blanche

Mitch: I have never known anyone like you.

 

Brando, though not yet 30, is simply amazing in this film; you won’t be able to take your eyes off him!  Brando was considered “naturalistic” and “realistic”- an actor who broke the mold of leading man in the 1950s.  And because of his penetrating eyes, brooding face, and muscular physique, Stanley is both attractive and repugnant to us.  Stanley is a drunken brawler one minute, then a contrite and confused little boy the next.  There is “ambivalence” in Stanley and in Brando, as Kazan said, that makes us wonder at his motivations.  “Brando was a genius,” says Malden in a behind-the-scenes interview on the DVD.  Check out this movie classic ASAP!

      

You showed me a snapshot of the place with them columns, and I pulled you down off them columns…