Reflections of a “good” girl

Love, InshAllah's avatarLove, InshAllah

Eds. Note: This is a response to Thursday’s guest post, How I met my son’s mother. Have a perspective to share on love and relationships? Read our guidelines, here.

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The setup is all too familiar.  Some odd years of rishta searching have clued me in to the familiar tone in my mom’s voice: “Aunty was telling me about this boy…”

Here we go again.

Many failed setups have me well-attuned to what to expect, so I usually brace myself as I listen quietly to the details I’m given – professional and personal, in addition to the usual qualifiers:

“Apparently they’re only looking for a hijabi.”

“The girl has to be willing to move to so and so city.”

“They want a professional girl, but they’re looking for a quick marriage so there can’t be any career tie-downs.”

“They want a girl who’s tall and fair and slim…

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The Purchase Price (1932)

Introduction

Iconic American director Frank Capra called her “the greatest emotional actress the screen has yet known.”  Barbara Stanwyck was Brooklyn-raised, not conventionally pretty (to many producers), but very confident in her skin (onscreen).  She was very accessible, yet enigmatic, at the same time.  Her appeal came from within- those sharp eyes and unmistakably husky voice.  Stanwyck was not stuck to the prototypical “good girl” roles (early in her career, nude photos surfaced, though she denied it was her in those images).     

AFI Silver recently had a Stanwyck film retrospective.  One weekend, Victoria Wilson (author of A Life of Barbara Stanwyck: Steel-True, 1907-1940) gave introductions to the films and had Q&As afterward.  She also signed books for classic movie fans.  Wilson, a former book editor, took 15 years to write the biography, though she conducted “decades of research.” 

 The Purchase Price (1932)

Joan (Stanwyck) sings in a nightclub in NYC
Joan (Stanwyck) sings in a nightclub in NYC

Joan Gordon (AKA Francine La Rue): I’ve been up and down Broadway since I was fifteen years old.  I’m fed up with hoofing in shows.  I’m sick of night clubs, hustlers, bootleggers, chislers [scam artists], and smart guys.  I’ve heard all the questions and I know all the answers.  And I’ve kept myself… fairly respectable through it all.  The whole atmosphere of this street gives me a high-powered headache. I’ve got a chance to breathe something else, and boy, I’m grabbing it.

Joan (Stanwyck, just aged 25) seems to lead a glamorous life, wearing fancy gowns and singing at a posh nightclub.  Too bad her dapper, small-time hood boyfriend Eddie (Lyle Talbot) is already married.  One night, she decides to give it all up.  Joan takes a new name and begins working at a lounge in Montreal, Canada.  Though he acted like the break-up was no big deal, Eddie has two men tail Joan!  Then her busybody maid gives her an idea- going as a “picture-bride” (akin to a mail-order bride) for a lonely farmer in North Dakota.  Eddie will never find her there, right?  The maid already sent in Joan’s picture, thinking that the farmer would prefer it to hers.  Joan gives the maid $100 and gets on the train to her new home.  

Jim Gilson (George Brent) and Joan marry
Jim Gilson (George Brent) and Joan marry

When Joan gets to small-town North Dakota in late Fall, she discovers that her new husband Jim (George Brent) is very handsome, yet quite serious.  They get married in town in a brief, yet funny, ceremony.  They drive (horse cart, not car) many miles to his wheat farm.  But after she rejects him on the wedding night, Jim becomes very cold toward her.  He sleeps in one corner of the living room; she takes the bedroom.

There is a role reversal- she has to win him over!  This is very rare for early Hollywood, Wilson noted.  Joan cooks, cleans, and entertains their wild neighbors without complaint.  A wealthy/divorced landowner hits on her several times, making things even more tense with Jim.  Her husband has money problems, Joan learns after a few weeks; they could lose the house/farm.  Jim suggests she go back to Montreal, but Joan refuses.   She wants this marriage to work, because she now loves her husband.  One wintry/dangerous day, Joan helps another farmer’s family after a baby is born, showing how capable Joan has become as a farmer’s wife.

Joan tries to get close to her husband
Joan tries to get close to her husband

One night, Eddie shows up, seeking refuge from a terrible snowstorm.  Jim overhears them talking, and realizes that they have a past.  He is furious at Joan, shouting “I thought you were decent!”  Joan tells Eddie they are done, but he isn’t convinced, deciding to stay in town for a while.  Joan tells Jim about her relationship with Eddie, then breaks down in tears. 

Jim goes to the bank, hoping to get an extension on his mortgage ($800).  Boldly, Joan goes to the saloon to talk to Eddie, and gets the money from him.  Jim and Eddie get into a fistfight (no stuntmen used back then), while Joan takes the money over to the banker.  Jim soon receives a letter stating he has the extension until next season. 

Joan and Jim work side by side to plant and harvest their crop, but are still living like roommates.  Their wheat turns out very well, invoking jealousy from that landowner.  One night, fire consumes most of their crop, though Jim and Joan try to stop it.  (Stanwyck did that herself, and her ankles got singed.  Her stand-in didn’t look right in the scene).  Joan collapses due to the smoke, and Jim finally realizes that he loves her, too!    

This is a small film, but you can already see the star potential in Stanwyck (her teeth weren’t yet fixed), especially in the emotional scenes.  (Not unlike Brando, Stanwyck is unafraid of revealing messy emotions, even if it looks unattractive.)  Joan redeems herself with her hard work and (unselfish) love for her husband, a stranger at the start of the film.  But what about the lack of romance?  This viewer has a good take on it:

I think she sees and appreciates the authenticity of, and the genuine goodness in, Jim, and that those qualities (not to mention he’s very handsome!) are what she falls in love with.  Also, feeling bad that she shut down his decidedly awkward, abrupt, unpolished wedding night advances, but realizing it isn’t his fault that he so totally lacks finesse with women… and that he’d meant no offensiveness, she is eager to make things right with him, and falls in love with him in the process.  -IMDB comment

My problem with traditional desi marriage

Love, InshAllah's avatarLove, InshAllah

Eds. Note: This is a response to yesterday’s guest post, How I met my son’s mother. Have a perspective to share on love and relationships? Read our guidelines, here.

Update 11/26/13: Congratulations to writer Aisha Saeed on this post being chosen by the editors of WordPress for Freshly Pressed, highlighting the best posts on WordPress. In an email to LoveinshAllah.com, WordPress said: “Aisha Saeed’s response to your guest post about arranged marriages was a really powerful and articulate call for fairness and equality. She delivers her points with a great balance of passion and reason, which makes this piece engaging even for those who aren’t intimate with the debate surrounding marriage in south Asian communities. It’s a great post that deserves a wider audience.”

aisha

 

There’s a befuddling conundrum afoot in the desi (South Asian) community. You must first understand a few things:

a) For whatever reason…

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ISNA: Take Two

Over the past Labor Day weekend (SAT & SUN), I attended the ISNA conference at the DC convention center.  Last year, I went on SAT (not knowing what to expect) for the speed dating (which the organization refers to as a “matrimonial banquet”).  Laugh or scoff, if you will, but over 400 Muslims (of course, in such a short time, it’s hard to scrutinize level of religious engagement) singles attended.  I only met a few local guys, so was disappointed.  “It’s OK, you had a new experience,” my mom said.  Maybe I overdid it this year?  I spent a good amount of time, money, and energy to prep for this event: facial (first time), hairstyling (smoothing), new (good quality) makeup, and even a few new accessories, clothes, and 2 pairs of shoes (cute, but comfy). 

On SAT, I was (pleasantly) surprised to see an acquaintance of mine (Pakistani-American) outside the hall.  We had hung out twice before earlier in the year, when we were in the same Meetup group.  We got to chat, sit together (she’s 31, so in my age group), and generally commiserate over the (somewhat bemusing) event.  She is tall, a practicing Muslim, and grew up in a mid-sized Southern city.  She has several degrees and works currently for a large non-profit.  I know she’s serious about finding a potential spouse- she regularly goes to Muslim speed dating events and has also used ISNA online.  (Here is her account of this event!)

Even before the doors were opened, I recognized a few people I had met before.  There was a petite Bangladeshi-American woman (my age) who was attending w/ 2 gal pals (or perhaps cousins).  I’d met her years ago when I first moved to the DC area; we both went to a few Bangladeshi non-profit events.  There were (at least) 4-5 guys I’d met last year, I realized later.  (Yes, the Bangladeshi engineer from Phoenix, who doesn’t shake hands w/ women, was there.  He was much more relaxed!  We know some of the same people from Tucson days.) 

As before, I was in the group of gals aged 30-35.  We did the “round robin” (term used by the organizer which elicited chuckles) w/ guys aged 32-37.  We were sitting in groups of 6 to a table- 3 men and 3 women.  The tables were pretty small/narrow this time.  People were dressed well, for the most part, though SUN was more casual.  The makeup was there, but not overly so (as I’d seen last year).  Maybe I was just more relaxed?  I tend to get nervous before these types of events, not during.  

Last year, I noticed that most of the people were Pakistani-American.  I was (pleasantly) surprised to see a more diverse group: Arab, Indian, white (at least 1 man in the older age group), black (esp. among the ladies), and biracial (including a man who was Pakistani and black) folks this year.  There were not many parents/relatives in attendance, but a few people did say they came with a sister/cousin/brother/friend (who was also single).  There were 3 male friends all the way from Toronto suburbs! 

Many of the men were doctors- it seemed more than last year.  (“That makes sense- doctors are very busy and don’t have a lot of time for dating,” a Christian friend commented later.)  There were other men who were in accounting, finance, engineering, and academia; at least 3 who were career switchers (not rare these days).  I met more local (DC/MD/VA) guys on SUN, but only a few on SAT.  The event took a long time to start on SAT; we only had 19 rotations (a friendly guy later notified me).  On SUN, there were supposed to be 26 rotations, but I highly doubt we had time for that!  We got 3 minutes to talk to each person, then there was food and social time (6:45 PM-8:45 PM). 

This year, ISNA sent out a profile sheet, which we were to fill out and share with each other.  Well, as I expected, some guys didn’t fill it out.  Some had business cards, but not all.  (“If they’re not serious, then why are they there in the first place?” my mom asked.)  I had the sheet and my networking cards, which I had gotten months back to hand out to possible friends.  

On SUN, the woman sitting directly next to me (a Pakistani-American corporate lawyer from DC), obviously didn’t want to be there.  She wore a long/plain maroon shirt, black leggings, and flat sandals (which were cute).  It turns out that we both know the same woman (also a single lawyer from Muslim family)- small world!  She pushed her chair back from the little table, thus further away from the men.  Even before the event began, she made little effort to be friendly to the others at out table.  There was no smile, just (thinly-veiled) annoyance on her face.  (“What’s the matter?”  “You look preoccupied.”  These were comments I overheard men make to her.)  Each question was met with a brief answer, even from myself and the third woman (a Pakistani-American woman from NJ).  Later, the NJ gal (who also worked for a non-profit) commented: “Seems like some of the people didn’t want to be here… Their parents pushed them into it.”          

On SAT, a very dapper guy (that my friend had met earlier this Summer) approached her while we were in line for food.  They had gone to the same speed dating event, but he hadn’t had time to contact her (since he was traveling for work).  She was a little surprised by this, but he gave her his business card and they chatted a bit.  Maybe something will come of it?   

Also on SAT, we talked (for some time)with an Indian-American family from the Boston suburbs- a brother (specializing in children’s neurological disorders), his sister (moving to NYC for a new job), and their female cousin (who was mistakenly grouped with slightly younger men).  They had never been to such a big gathering, and thought it went pretty well.  “There’s nothing like this in Boston,” the doctor commented.  They don’t speak Hindi, as I assumed, but Gujarati.  All of their family is settled in the US, the cousin said. 

On SUN, I talked with a Pakistani IT security guy (living in Virginia), who came to eat at my table.  He grew up in Qatar and got his masters in Pakistan.  He was nice/polite, but didn’t say too much about himself.  The NJ woman and Pakistani/African-American guy seemed to have some things in common.  They went off to talk on their own; both very nice, friendly, and intelligent people.  Maybe they hit it off?  Who knows?       

The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

b&b_final

In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.