FanstRAvaganza 4: Re-watching North & South (Episode 2)

Opening

Richard Armitage week continues!  Episode 2 starts with a very cute little boy and girl who are picking up extra cotton from the floor.  They have to move fast, or the mechanized looms that the weavers are using will run over them!  Mrs. Thornton, a woman with a “stern brow” (like her son), is walking through the mill, scrutinizing the workers.  The workers refer to her as “the dragon.”   

Margaret & Thornton in the mill courtyard

Mr. Thornton & Margaret talk at the mill
Mr. Thornton & Margaret talk at the mill

Maragret gets the name of a good doctor (Donaldson) from Mrs. Thornton, who is concerned about a possible strike.  We can see that Margaret has a concern for the workers at the mill.  She asks the (teen) girls if they like working and they give their opinions freely, until they spy their boss approaching.  

Here in the North, we value our independence.

When Margaret explains she came to his house, Thornton wonders if she’s ill (note the seriousness/concern on his face).  Then they have a discussion about the  “duty” of being a master.  Here Richard Armitage reveals more of Thornton’s ethical values, as well as his attraction toward Margaret.  She is a bit surprised that he openly tells her about the workers’ conditions.  Note his eyes as he speaks- he is clearly enjoying their little talk.    

Margaret has a chat with Bessie

They joke a bit about the Thorntons.  We learn the seriousness of Bessie’s condition (cotton “fluff” in her lungs from when she was little).  Then, Margaret reveals the truth of her older brother, Frederick (Rupert Evans), who was unfairly branded with being a traitor after a mutiny.  He lives in Cadiz, Spain, after a time in South America.  The Hales miss him deeply and wonder if they’ll ever see him again.  This grows upon one of the big themes in North & South– fairness.     

The Thorntons at home

Mr. Thornton talks with his mother
Mr. Thornton talks with his mother

I wish you would try to like Miss Hale, mother.

With the strike potentially looming, Mrs. Thornton is a bit apprehensive about having her dinner party.  She and Fanny reveal their dislike for Margaret, which bothers John.  They think she “gives herself airs” (acts superior), though her family is “not rich” and “she cannot play” (piano).  Mrs. Thornton reveals that “she’ll never have you.”  You can see the disappointment flicker across John’s face, then a little smile, and acceptance.  (He thinks he’s not good enough for Margaret at this time.)  John tries to play it cool, saying that they should try to like her because she’s the daughter of his friend. 

Planning the strike  

No, no violence.  Masters expect us to be violent.  We will show them we are thinking men.

Workers from several mills are getting ready for the strike, urged on by Nicholas (who works at Hamper’s), who is repected by most of the men.  He says that they must all stick together, not like five years ago, when half of them succumbed.  The men chant and cheer, thinking that they will get a wage increase this time.  Boucher (who works at Marlborough Mills) has very strong doubts still.

Meeting Mr. Bell

Mr. Hale’s closest Oxford friend, Mr. Bell (Brian Protheroe), comes for a visit and compliments Margaret (calling her a “goddess”).  At first, she is embarassed, as she doesn’t see herself in that way.  Mr. Bell is in town to see his banker, as he’s heard about the possible strike.

Higgins vs. Boucher

Boucher, who has grown very desperate, can’t stand to see his family go hungry and says that the union has no pity.  Nicholas (angrily) gives him some money from the union’s strike fund, but it’s not enough.  Later, we see Margaret leave some food outside the Boucher home, as his wife won’t directly take charity.

Mrs. Thornton’s dinner

Mrs. Thornton's dinner party
Mrs. Thornton’s dinner party

Oooh, this is the point where we see Thornton all dressed up!  There is also the hottest handshake in history- he doesn’t want to release Margaret’s hand.  The camera lingers on their hands.  They are clearly attracted to each other on some level.  John looks at her like she’s the only one in the room for a time.  I love the little sigh (barely perceptible) he gives before he has to leave Margaret!

When they sit down to dinner, it’s a different story.  The guests are surprised to learn that Margaret is friends with the likes of Higgins.  Thornton thinks that giving Boucher a basket is just prolonging the strike.  Margaret shoots back: “But surely, to give  dying baby food!”   

Margaret learns about her mother’s health

Dixon has been hiding the fact that Mrs. Hale’s condition is getting worse.  Dr. Donaldson has been visiting relgulary, Dixon admits.  Margaret and her mother have a emotional talk; her mother breaks down in tears.  They decide to keep the truth from her father (he’ll worry too much).  Margaret explains to Dixon that she “can bear it better” than Mr. Hale.

The strikers strike back

Thornton has brought in the Irish workers via an agent under cover of night.  The next morning, Margaret comes to the Thornton home to see about the “water mattress” which Fanny said she could borrow.  Fanny is very scared of the strikers who are at the gates.  Eventually, the strikers push open the main gate and rush the courtyard.

Margaret tells Thornton to go down and “face them like a man.”  Note the surprise on Thornton’s face.  A few moments later, she follows him out, realizing that he’s in danger.  When he refuses to send the Irish back, the crowd gets even angrier.  Margaret puts her arms around Thornton’s neck, insisting that “they will not hurt a woman.”  But it’s too late, Boucher hurls a rock which hits her on the left side of her head.  She falls to the floor, unconscious and  wounded, much to the shock of Thornton.  The soldiers arrive on horseback and beat some of the strikers down.  The others run off as fast as they can.

Consequences of the strike

Mr. Thornton thinks about Margaret being hurt
Mr. Thornton thinks about Margaret being hurt

While Thornton is off talking with the other masters, all he can think about is Margaret lying bloodied.  (Some viewers commented that there is more blood on her face, in his mind, than in actuality.  Hmmm… that could be the case!)  Margaret has decided to go home, after Dr. Donaldson checks her out.  Mrs. Thornton and Fanny are amazed to hear such a thing.  However, her mother is unwell and knowing of such an event would be too much for her.

She’s such a reckless young woman!

When Thornton returns home, he’s amazed that Miss Hale has gone.  His mother insists that “everything was done properly.”  He says he’s going to check on her, but she asks him not to go.  Then there is a dialogue-free sequence where we see that he has goes for a walk instead.  Meanwhile, Margaret tends to Bessie, who’s gotten worse.

The mother-son talk

This is one of the best scenes in the mini-series!  John comes back from a long walk and starts to tell his mother what he’ll “have to say” to Miss Hale.  (We assume that he wants to thank her.)  However, Mrs. Thornton point s out that “she made her feelings plain for all to see” by rushing out to save him.  The servants all saw and the whole town will be gossiping about it.  As a man of honor, her son should propose to Margaret.  John is very surprised to hear this interpretation, because he didn’t even dare to think that Margaret could love him.  He doubts that she cares for him.  Notice how his face softens as he reveals his true feelings to his mother (as she is the only person he can be vulnerable around).  Armitage and Sinead Cusack not only look like they could be related, they have terrific chemistry together! 

The proposal (end of Episode 2)

Margaret reacts to Mr. Thornton's unexpected proposal
Margaret reacts to Mr. Thornton’s unexpected proposal

I understand you completely.

As regular readers know, I wrote about the proposal scene before.  (I prefer the extended scene which is under the special features.)  John and Margaret really push each other’s buttons in this scene!  They are both very proud, spirited individuals with strong value systems.  They start off talking about the strike, then he switches the subject to feelings.  Now, Margaret is not thinking in that vein, so she stops him fast with some cutting remarks (recall her word choice).  This wounds his pride- he shoots back, claiming that he loves her (not doing this to protect her reputation).  They don’t yet understand each other.  Wow, just a perfect ending to the episode!

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FanstRAvaganza 4: Re-watching North & South (Episode 1)

Introduction

For Richard Armitage Week on the Web, I’m re-watching my favorite miniseries, North & South (BBC, 2004).   As I wrote before, I learned a little about it from the (many) YouTube fan videos created by its loyal fans.  Wow, I guess something about this film really touched people!  I saw it first in 2009 (Spring), not long after I’d moved to a city I didn’t know and had no local friends/connections (just like Margaret’s predicament at the start of Episode 1). 

The Backstory

Margaret Hale (Daniela Denby-Ashe) is looking back on the London wedding of her vivacious/blonde cousin, Edith, as she takes the train from Helstone (her home in the rural South- Hampshire) to Milton (a growing industrial city modeled after Manchester by novelist Elizabeth Gaskell).  We meet Aunt Shaw (a wealthy widow who was married to a much older man) and Margaret’s parents, the Hales (married for love).

You know, sister, sometimes I envy you your quiet country parsonage.  Now, Edith can afford to marry for love.

Daniela Denby-Ashe as Margaret Hale and John Light as Mr, Lennox
Henry picks a rose for Margaret

The older brother of the groom, Captain Frederick Lennox, Henry (John Light), chats with Margaret and compliments her looks, but she doesn’t notice.  (We can tell that he’s interested in her.)  They talk of the perfect wedding and Margaret’s love of her hometown.  Soon after she goes back to Helstone (bright/green/peaceful), Henry comes for a visit, much to Margaret’s surprise.  She is shocked when he proposes to her in the church yard.  Margaret (age 18) insists that she’s “not ready to marry anyone!”  Henry leaves, very disappointed, as he thought that she cared about him (as more than a friend).

Arrival in Milton

There will be no people like us there.

Mrs. Hale (Lesley Manville) is very upset and worried about going to live in such a strange place.  (It’s dark, gray, smoky, and bustling with people and activity.)  The Hales’ loyal housekeeper, Dixon (Pauline Quirke), empathizes with her mistress (who is in poor health).  Why can’t they stay “by the coast” (seaside) while Mr. Hale (Tim Pigott-Smith) looks out for a house?  But her husband insists that she come along.  Margaret tells her father that they should both go see the properties- it’s faster. 

Maragret is visibly annoyed when she overhears Mr. Thornton’s overseer (Williams) and another man (property agent) talking about Mr. Hale in a disrespectful way.  Williams doesn’t want to discuss rent of the townhouse with her, so she insists upon seeing Thornton.  She’s a bit surprised that Mr. Thornton’s house is right beside his mill.  After some minutes, Margaret gets tired of waiting, and walks into the mill.  

Meeting Mr. Thornton

Richard Armitage as Mr. Thornton
Margaret sees Mr. Thornton for the first time

There is cotton fluff going all around- Margaret has never seen such a place!  The workers are busy, aside from one man, who is trying to smoke.  Mr. Thornton (Richard Armitage) sees him before he can light up and chases him across the floor.  In one corner, he gets hold of the man (Stephens), and starts punching him (very hard), while shouting about the danger of fire in a mill.  Margaret is horrified to be witnessing such a fight; she yells “Stop!”  Stephens begs for his job and cowers on the floor (with blood on his face).  Thornton kicks him and yells over at his manager: “Get that woman out of here!”  Margaret chastises the master for his behavior before she’s urged away by Williams.

I was angry.  I have a temper.  Fire is the greatest danger in my mill aside from-

Richard Armitage as Mr. Thornton
Meet Mr. Thornton

I love how Thornton stands up straighter and puffs out his chest before Mr. Hale introduces him to Margaret!  (He wanted to make a good impression.)  She’s not happy to see him- her expression is one of disgust and disappointment throughout the scene.  But she is surprised when he (passionately) tells the story of the burning of a mill in Yorkshire the previous year.  And the voice- WOW!

Introduction to the Higgins & Thorntons

They don’t much like strangers in my house.

There is some class and culture clash when Margaret meets the Higgins.  (Class difference is still a common theme, even in modern TV/films from the UK.)  They will become close friends, though the Higgins are working folks and she’s a gentleman’s daughter.  Bessie (Anna Maxwell Martin) admires how Maragaret stood up to Thornton.  We learn it was her father, Nicholas (Brendan Coyle), who helped Margaret in the stampede in an earlier scene.

Our Milton craftsmanship can compare with the very best.

Well, that was an awkward tea!  Mrs. Thornton (Sinead Cusack) is very stern and humorless.  She says that her son is “sought after by all the ladies” in town. When Margaret smiles and gives a little laugh at that, she is offended.  Fanny (Jo Joyner) is hilarious (without knowing it). 

The Masters’ Dinner

Mr. Thornton at the mill owner's dinner
Mr. Thornton at the mill owner’s dinner

I do not run a charitable institution.  My workers expect me to be hard. 

This is an especialy well done scene!  The director and cinematographer work with light, shadow, and angles to cast Thornton as an ambiguous character.  We don’t yet know if he’s a good or bad guy.  We also learn a bit about the other mill owners, too, as they discuss “the wheel” and how they deal with their workers.

Tea with the Hales

Mr. Thornton admires Margaret
Mr. Thornton admires Margaret

Margaret is ironing the curtains.  Thornton smiles when he comes to the door of their house- love that!  He admires (checks out) Margaret as she pours him tea, but she remains stand0ffish. He tries to connect with her in this scene, but fails.  When Mrs. Hale talks about the new decor, he makes a comment on “Milton taste” and smiles over at Margaret. Again, no positive response from her.  But when he mentions the South, she gets ticked off, saying he “knows nothing about the South” and there being “less suffering” there than in  his mill.  Look at the (obvious) disappointment on his face! 

I do know something of hardship…

But things really get serious (we are more drawn in) when Thornton tells the story of his past.  Notice the change in his posture, voice, and expression with each sentence- just subtle/superb acting!  The Hales are silent and admit to being taken aback by his (emotional/forthright) disclosure.  Mr. Thornton is reading the great books and discussing them with Mr. Hale to improve his education (which was abruptly halted as a boy). 

Margaret, the handshake is used up here in all forms of society. 

Mr. Thornton is offended when Margaret refuses to shake his hand.  He wanted to leave her with a positive impression. 

The Meeting of the Millworkers

Nicholas rallies the men (from different mills) at the Lyceum Hall for the first time.  (Mr. Hale said they could meet during his lecture time.)  Boucher, who has a wife and six young children, speaks his concerns.  The strike fund can’t help men like him, he thinks.  They millworkers are not striking yet, but need to be ready for the future.

Conclusion of Episode 1

Stephens comes back to Marlborough Mills to beg for his old job, saying he can act as a spy and find out what the other workers are up to.  Thornton yells a him and shoves him out.  Part of this encounter is witnessed by Margaret and her father, who don’t approve of such harshness.  Margaret wishes she could tell Edith how she really feels- she’s “lonely” and Milton is “hell.”

Richard Armitage Week on the web

The Company Men (2010)

company-men-poster

This is a slice-of-life indie film (set in the mid-sized city of Gloucester, MA) centering on several executives working for GTX, a fictional manufacturing company that has had some heavy lay-offs.  It was written/directed by John Wells (ER, Mildred Pierce, The West Wing, etc.); Maria Bello (also from ER) has a role in the film as a shrewd businesswoman.  Though it focuses on white, upper-middle class men, I could relate to it on several levels.   

Discussion of lay-offs in the boardroom
Glen McClary (Tommy Lee Jones), Sally Wilcox (Maria Bello), and others discuss lay-offs

Old friends James Salinger (Craig T. Nelson) and Glen McClary (Tommy Lee Jones) have built GTX from the ground-up, but Salinger, the president, wants to trim costs in order to raise profits.  McClary feels like he’s going about it the wrong way; he also feels guilty for benefitting from the rise in company stock.  Sally Wilcox (Bello) handles the lay-offs, which come as a shock to Robert Walker (Ben Affleck), a top sales exec (w/ MBA) who’s worked for the company for 13 years (all of his career).

Bobby and Maggie
Bobby (Ben Affleck) & his wife Maggie (Rosemarie DeWitt)

Bobby drives a Porshe, lives in a beautiful house (beside a golf course), and has a lovely family.  However, he’s reluctant to share the bad news with his family (including parents), or rely on them for support.  Bobby thinks that he can get a job right away, but turns out to be wrong (you’ve been there).  Bobby’s understanding wife, Maggie (Rosemarie DeWitt), goes back to work as a nurse.  She urges him to cut back on costs, but he exclaims: “I need to look successful!”  When you don’t have a job, you feel anxious, depressed, irritable, and- perhaps this is more so for males- useless.

Tommy Lee Jones as Gene McClary and Chris Cooper as Phil Woodward
Gene McClary (Tommy Lee Jones) & Phil Woodward (Chris Cooper)

Phil Woodward (Chris Cooper, one of my favorite character actors) is let go in the second round of lay-offs; he takes it very hard.  He worked his way up from the factory floor (where he installed parts on ships) and is pushing 60.  One of his daughters is in college (Brown, no less) and the other is eager for her school’s senior trip to Italy.  His wife suffers from headaches and doesn’t seem like much of a helpmeet.  Phil tells Gene: “My life ended and nobody noticed.”

Jack Dolan (Kevin Costner) and Bobby (Ben Affleck)
Jack Dolan (Kevin Costner) & Bobby

When his brother-in-law Jack Dolan (Kevin Costner, in a low-key but pivotal role) offers Bobby a job with his small carpentary business, Bobby quickly rebuffs him.  That’s not the type of work he sees himself doing (been there, too).  After a few months of disappointment, Maggie reminds him that they can’t pay the mortgage.  Bobby has to swallow his pride and make some uncomfortable decisions. 

What drew me to this film is it’s ensemble cast.  I thought Cooper, DeWitt, and Jones performed their roles especially well.  Affleck and DeWitt have good chemistry in their scenes.  Most of the situations are very relateable.  Bobby is still a lucky guy, even without the trappings of success. 

 

Les Miserables (2012)

Anne Hathaway as Fantine

Tom Hooper (just 40 years old) is the British director who brought us these compelling/gorgeous miniseries: John Adams (2008), Elizabeth I (2005), and Daniel Deronda (2002).  Though I haven’t seen it yet, he made a big mark with The King’s Speech (2010), which won 4 Oscars.  He brings a very well-known, large-scale tale down to a (small) human level.  No doubt, the star of Les Mis is American Anne Hathaway, who shed not only 15 lbs., but almost all of her long hair, for the role of Fantine.  Oh, and Hathaway can sing, too!  Wow…  Viewers will want to see more, but she appears in the first third of the film only.

Russell Crowe as Javert

One person who defininitly should not sing is Australian Russell Crowe, I’m sorry to say.  His songs are tolerable (unlike that of Gerard Butler in The Phantom of the Opera), but he doesn’t have a strong voice, and is clearly not very comfortable with this element of the film.  (I love Crowe-a fabulous actor-but the producers/studio should’ve looked for a more suitable voice.  Everyone can’t do any job.)  The film seemed to slow down when Javert came onscreen, aside from the swordfighting scene.

Hugh Jackman as Jean Valjean carrying young Cosette

Hugh Jackman (another Australian; got his start in theater) stars as Jean Valjean, a man who transforms his life by taking Fantine’s young daughter, Cosette, into his care.  Jackman can sing (but you probably knew that already).  In the many close-ups, you can see his emotional range.  I was pleasantly surprised, and feel that he needs to challenge himself even more with his next film roles (no offence to X-Men fans).

The Thenadiers with young Cosette

Students protesting on the streets

The film gets a jolt of energy when we meet the money-grubbing Thenardiers (played by Brits Sascha Baron-Cohen and Helena Bonham-Carter) and young, idealistic men who call for revolution (led by Enjolras, American Aaron Tveit).

Amanda Seyfried as Cosette and Eddie Redmayne as Marius

Then the love-at-first-sight thing happens between the teenage Cosette (American Amanda Seyfried) and idealistic Marius (Brit Eddie Redmayne).  A few in the audience wanted to see more of Eponine (British newcomer Samantha Barks).  Her voice was lovely!  (She also worked in theater.)

Samantha Barks as Eponine

I felt that Cosette and Marius had good chemistry together; their singing was pretty good, too.  However, the film is too long; editing a bit wouldn’t have hurt.  Why draw things out that most of the audience already knows about?

Colm Wilkinson as The Bishop

Long-time fans of Les Mis are in for a treat- Colm Wilkinson plays The Bishop, the man who gives Valjean the “gift of silver” to “become an honest man.”  Wilkinson, an Irishman, played Valjean onstage for many years; his voice is amazing!

Richard Armitage & Ori’s Slingshot: Celebrating Creative Exchange

fedoralady's avatarthe armitage effect

This came up on Twitter yesterday, an excerpt from the Chronicles book that someone had posted on Tumblr. In the snippet,  Adam Brown (Ori) is describing how his signature weapon for The Hobbit came about:

“. . . . I recall being in a weapons meeting and the others were all going crazy over their weapons. It was Richard [Armitage] who said to me ‘You should have a slingshot’ and it just kind of stuck . . .”

Adam Brown fromThe Hobbit: An Unexpected Journey Chronicles: Art and Design by Daniel Falconer and Weta Workshop

hobbit-ori-adam-brown-600x450

He’s so adorable.  You just want to give Ori a big hug. 😉

I added “Armitage” to the above as there was some confusion over whether it was Weta Design and Special Effects Supervisor Richard Taylor or actor Richard Armitage who made the comment, but Adam Brown himself confirmed in a tweet that it was indeed RA who…

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