Magnificent Obsession (1954) starring Jane Wyman & Rock Hudson

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Nancy (Jane Wyman) drives Joyce (Barbara Rush) to see her father at the hospital.

I saw this film (in color, NOT in black and white as it was shot) on TCM recently, hoping it’d be on par w/ All That Heaven Allows (1955), which also stars Jane Wyman and Rock Hudson. Boy, was I wrong! This is a melodramatic mess that doesn’t make sense w/ regards to characterization (esp. that of Bob Merrick), time lapses, and many of its events. The actors do what they can w/ the material, BUT you can tell that Hudson still has more to learn. He was NOT yet famous at this time; Wyman (8 yrs older than her co-star) is quite capable.   

[1] I always thought Jane Wyman had a beautiful complexion and a lovely smile. No, she’s not the Marilyn Monroe type which would have been completely out of the context of this movie

[2] The problem, I believe, is that Jane Wyman had what you rarely saw in actresses then, and never see today: grace. Not to mention dignity and intelligence. Her characters were complex, independent women…

-IMDB comments re: Jane Wyman 

Helen Phillips (Wyman) becomes a widow after only a 6 months of marriage to her husband, a respected/older doctor in upstate New York. The paramedics were too late in coming to help Dr. Phillips; instead, the life of “sportsman” (playboy, I’d say)- Bob Merrick (Hudson)- was saved. The issue was that there was ONLY one “resuscitator” available in the area. This incident racks Bob w/ guilt.

Nancy Ashford (Agnes Moorehead), a nurse and friend of the Phillips’, is upset by this loss, and also worried re: the future of the hospital. Soon, Helen learns that her husband left her almost nothing to live on; he often saw patients for free and donated money for a school in Mexico. (Um OK, why keep monetary issues hidden from his wife? That’s NOT cool!)

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Bob Merrick (Rock Hudson) finds a new philosophy for his life.

Bob discovers that Helen (who he met earlier when he was escaping from the hospital) was the widow of the dead doctor. He had been VERY impressed by her (yeah, in just a few mins.) and badgered her to go out to dinner w/ him (though she’s a total stranger and NOT his type).  

He later runs into Joyce (Barbara Rush), Dr. Phillip’s grown-up daughter, as well as some of the hospital staff who’d treated him. They look at him like he’s crazy, barging into the place and insisting on giving $25,000 to Nancy (to assuage his guilt). She refuses the money, of course, thinking him TOO rash. 

[3] A lot of films of this era would place a “God” character into the narrative. Randolph serves that function. …it’s made very clear in the operating room scene. In that scene, he literally looks down on Rock from above, a serene smile on his face, and gives him the strength to continue.

-IMDB comment (re: character of Edward Randolph)

One evening, Bob gets drunk and ends up near the home of Dr. Phillips’s old friend, Edward Randolph, a painter.  The older man explains the philosophy by which the doctor lived- doing good for others w/o expecting any recognition or reward in return. Bob listens intently, thinking how he’s lived his life in recent years (dropping out of med school to spend the inheritance from his dead father).  

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Bob (Rock Hudson) relentlessly pursues Nancy (Jane Wyman)- yeah, even in her black (widow) attire!

[4]…this is the weakest of the Douglas Sirk/Ross Hunter melodramas. Maybe the wild plot has something to do with it, but I think Sirk simply lacks control over the proceedings and has yet to properly develop the style that flourishes in the following films (All That Heaven Allows, Written on the Wind, Imitation of Life, etc.) 

-IMDB comment 

The story goes downhill from there, as Bob continues to pursue Helen. (Does he think he’s in love? Or does his guilt contribute to his obsessive behavior?) While trying to get away from him, she rushes out of a taxi, and is hit by a passing car. She ends up blind (getting into cheesy soap opera territory)!

After a few months, we see that Helen is still quite positive-minded and getting around well, w/ help from friends and Joyce. She esp. likes going down to the local beach and chatting w/ a young girl who plays/reads there. Bob comes upon this same beach and begins a friendship w/ Helen; he calls himself by a different name, thinking that she’d NEVER care for him otherwise. (Groan, as if she doesn’t know his voice!?) There is more to the story…  Well, YOU can check this film out yourself, BUT I wouldn’t recommend it. 

Lion (2017) starring Dev Patel, Sunny Pawar & Nicole Kidman

NOTE: This review contains SPOILERS for the movie.

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A poster for the film Lion.

I went to see this MUST-SEE film 3 weeks ago (w/ the NetSAP book club); I had read a FEW chapters of the book upon which its based (A Long Way Home) by Saroo Brierley. The theater (Landmark E St in DC) was packed that SUN afternoon- like nothing I’d seen before! I heard that MANY people has been coming to see La La Land; however, the Oscar buzz had been strong re: several other recent films (incl. Fences, Hidden Figures, and Moonlight). Last year, #OscarsSoWhite was a VERY popular hashtag on Twitter (and other social media); this year, there are diverse movies in the mainstream theaters… AND they’re making money, too.

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Five year-old Saroo (Sunny Pawar) with his eldest brother, Guddu (Abhishek Bharate)

As soon as I saw him, he just felt like the kid that I’d been imagining and feeling, and then we got him into the rehearsal space and I put a camera on him. I just felt like we were watching our movie. -Garth Davis, director (on Sunny Pawar)

The MAIN reason to see this film is Sunny Pawar, the unknown child actor who plays Young Saroo. He had never acted before and didn’t speak English. The ONLY other performance I can compare it to is that of the tween Anna Paquin in The Piano. Unlike Paquin, Pawar doesn’t have a LOT of dialogue; he expresses himself mainly through his eyes and actions. At the start of the film, Saroo is living with his siblings and mother (played by Priyanka Bose) in the village of Ganesh Talai in the Khandwa District of Central India. He and his older brother, Guddu, go out each morning in the hopes of getting some change, fruit, or (if they’re lucky) milk. His mother works in a quarry, hauling rocks; her husband left her for another woman in a different town (this is discussed a BIT in the book). They are a happy family, though VERY poor and uneducated.

Sunny Pawar stars in LIONPhoto: Mark Rogers
Young Saroo (Sunny Pawar) in the homeless children’s center in Calcutta.

One night, after Guddu goes off to work (telling him to wait), Young Saroo goes to sleep at the nearby train station. When he wakes up, he doesn’t see ANYONE around, so he gets on an empty train to explore… and it takes off! He ends up in the busy city of Calcutta and somehow survives on the streets for 2 mos. (though he doesn’t know the language, Bengali). One day, a seemingly kind woman, Noor (Tannishtha Chatterjee- star of Brick Lane), living near the train tracks takes him to her apartment. She feeds him, gives him a bath, and asks about his life. Young Saroo suspects something is wrong when Noor’s male friend (played by Nawazuddin Siddiqui- one of India’s BEST character actors) visits and checks him out. In no time, the quick-witted (and fast-running) kid is out the door! 

After some time at a crowded homeless center (more like a prison) for kids, Saroo gets the news from Mrs. Sood (a kind social worker) that an Australian couple- Sue (Nicole Kidman) and John (David Wenham) Brierley- want to adopt him. He wonders if everything possible was done to try and find his mother, and Mrs. Sood confidently says “yes.” The local police had interviewed him, ads had been put in the newspapers, BUT his family was a LONG way from Calcutta (which is located in West Bengal). 

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Sue (Nicole Kidman) and Saroo (Sunny Pawar) meet for the first time.

When Saroo reaches Australia (Tasmania to be exact), he easily takes to his new life w/ the Brierleys, who are solidly middle-class and run a charter boat business. He is a comfort to Sue after the family faces challenges w/ his younger brother, Mantosh, who suffered much before he was adopted (also from India). John instills in Saroo a love of the outdoors. 

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The adult Saroo (Dev Patel) uses Google Earth to find his way home.

Dev Patel does a good job as the grown-up Saroo (incl. accent), a young man who loves his adopted family, but feels compelled to find his birth mother. She “could be out there suffering,” wondering where he is, he tells long-time girlfriend Lucy (Rooney Mara). Some friends in his graduate certificate program think that w/ modern technology (Google Earth) he could try and find his old hometown. 

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Nicole Kidman and Dev Patel at the BFI London Film Festival

Nicole Kidman (an Aussie), has been nominated for a Best Supporting Actress Oscar; she does a fine job as a kind, understanding, and VERY emotionally strong mother. Saroo and Mantosh are “not blank slates” as her own children would’ve been, Saroo explains in one of my favorite scenes. Sue could’ve had her own (natural) children, she admits, BUT she and John chose to adopt knowing there are already MANY kids out in the world that need good homes. (Kidman, in real life, has adopted children.) 

Another element that makes this SUCH a compelling film is it’s superb editing; the life of the adult Saroo is intercut (at times) w/ that of his younger self. Seeing the plate of jalebi at his Indian friends’ house takes Saroo back to when he saw that sweet treat being fried in the marketplace. The music is very good (never over the top), which is quite suited for the film. This story has a big pay-off in the end, which is true to life!   

 

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Singin’ in the Rain (1952)

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A poster for the film.

This is a FUN (which we REALLY need these days) Technicolor musical full of dancing, singing (duh), and witty humor!  The tale centers on a trio: Don Lockwood (Gene Kelly)- popular star of MANY silent films, Cosmo Brown (Donald O’Conner)- Don’s comical accompanist/best pal, and Kathy Selden (Debbie Reynolds)- a unknown talent that Don meets by chance.  He brags about his work, BUT she is NOT impressed, calling herself a serious actress who works on the stage (NOT film).

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Kathy Selden (Debbie Reynolds) performs at a party, along with other dancers.

At a big studio party one night, Don is amused to discover Kathy popping out of a false cake and performing w/ a troupe of dancers. Don’s co-star/wannabe fiancee, Lina Lamont (Jean Hagen), is VERY jealous when she sees him chatting w/ Kathy. Don has NO romantic interest in Lina, who is a self-centered bimbo, BUT the magazines have linked them together (w/ help from their studio).

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A director talks to Lina Lamont (Jean Hagen) while Don Lockwood (Gene Kelly) watches.

The studio head insists that Don and Lina make a talkie next; silent films are on the out (audiences are crazy for sound). The MAIN problem: Lina, though familiar to moviegoers, has a terrible voice (screechy w/ an unrefined New York accent)! Hmmm… HOW will this get solved? 

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Cosmo (Donald O’Conner), Kathy (Debbie Reynolds), and Don (Gene Kelly) perform “Good Morning”- an impromptu song.

Don and Cosmo realize (after spending some time w/ Kathy) that she has MANY talents, incl. her lovely voice.  SHE can do the talking for Lina in the new film; after that, she will get HER own work.  What could go wrong?

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Cyd Charisse (famed dancer/choreographer) with Don (Gene Kelly) during a number.

There is some VERY interesting trivia re: this film.  In 2007, the American Film Institute (AFI) ranked this as the #5 Greatest Movie of All Time. Reynolds (only 19 y.o. when filming began) was NOT a trained dancer; Fred Astaire saw her crying on the set (after Kelly insulted her), and decided to help her prepare.  After the “Good Morning” number, Reynolds had to be carried to her dressing room b/c she had burst some blood vessels in her feet- OUCH!  Are you a fan of Star Trek: Deep Space Nine?  Cyd Charisse is the maternal aunt of Major Kira Nerys (Nana Visitor); you’ll see the obvious resemblance.

Hell or High Water (2016) starring Chris Pine, Ben Foster & Jeff Bridges

NOTE: This is a SPOILER-FREE review.

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Tanner (Ben Foster) and Tobey (Chris Pine) drink beer on their ranch.

This is (most likely) the “dark horse” in the Best Picture category in the Oscars, BUT if you like fine films, you need to check it out! I heard great reviews of it on 2 different podcasts, BUT finally saw it tonight (thanks to Redbox). This film takes you on a journey (not TOO long or short); it has interesting characters (including the bit players); and Jeff Bridges is in it (so what’s NOT to like!?) 

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Deputy Marcus Hamilton (Jeff Bridges) and his partner.

Deputy Marcus Hamilton (Bridges- one of my faves) is 3 weeks from retirement when he gets VERY interested in a curious case. Two men have been robbing branches of a particular West Texas bank for moderate sums of cash. These men are our main protagonists- brothers Tanner (Ben Foster) and Tobey (Chris Pine) Howard. Tanner is a loud-mouthed ex-con ONLY out of jail for a year; he enjoys robbing banks.  Tobey is more quiet, and his reluctant partner. Though they are VERY different men, they love and protect each other. 

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Tobey Howard (Chris Pine) has his eyes on the future.

This is labeled as a crime drama and a Western, BUT I feel it defies genre conventions. There is much humor, thanks in part to Bridges and his Native American/Mexican partner, Alberto (Gil Birmingham). There is easy chemistry between Foster (a bundle of energy and volatility) and Pine (somber, scraggly haired, and unglamorous). I NEVER saw what the fuss was about Pine until this film! The music and cinematography (by Giles Nuttgens, who has worked w/ BOTH Deepa Mehta and Mira Nair- two of my fave directors) are VERY well-done; too bad I didn’t see it earlier on the big screen.

Piku (2015) starring Amitabh Bachchan, Deepika Padukone & Irrfan Khan

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Piku (Deepika Padukone) gets ready to clean the house; the maid was fired by her father.

I heard about this film from MANY young (20s/30s) desi people.  It was released in the Spring of 2015; it’s NOT a typical Bollywood film, though the stars hail from mainstream Indian cinema. Amitabh Bachchan (Bhashkor Banerjee) and Deepika Padukone (Piku) play Delhi-based Bengali father and daughter respectively. One of my favorite actors- Irrfan Khan (Rana) plays the driver who takes them from Delhi to Calcutta.   

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Father (Amitabh Bachchan) and daughter (Deepika Padkone) share a hug.

General Thoughts about the Film:

‘Piku’ is about relationships and responsibility. You feel for the characters & that kind of connect, is a huge bonus for any film. 

what is wrong with movies that are mostly dialogue and the interactions of close knit families? I found it realistic and I am not from India. Seemed kind of representative of one of the elements of the universal human experiences to me.

Excerpts from IMDB reviews

If you’re a sensitive viewer who takes offense to toilet humor, this is film is NOT for you!  In fact, there is NOT much to the story, aside from the road trip that this trio (along w/ a loyal manservant) go on.  Piku is a very concerned, stressed-out young architect who lives w/ her 70 y.o. cranky and constipated father.  She is a partner in a small architecture firm w/ her friend, Syed (Jishu Sengupta).  Though Piku is nearing 30 and not yet married, her father isn’t concerned.  Syed sets her up w/ a single guy he knows, BUT Piku has nothing in common w/ him.

Marriage without purpose is for the low IQ.  -Bhaskor’s philosophy on marraige 

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Rana (Irrfan Khan) and Piku (Deepika Padukone) share a snack on the road

Opinions re: Irrfan Khan’s performance

Irrfan is fabulous. He’s given some of the film’s best moments and the talented actor only elevates those moments with his superior act.

Irrfan Khan is known for his gifted talent of never disappointing his viewers. With this film, once again, he proves how worthy his presence is.

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Rana (Irrfan Khan) and Piku (Deepika Padukone) seeing the sights of Kolkata.

The MAIN reason I wanted to see this film (now streaming on Netflix) was Irrfan Khan.  Though Rana now runs his family’s car rental business, he had planned for in a different life.  He is a decent, hardworking man w/ family obligations of his own.  Rana has a LOT of patience- he’ll need that on the road w/ Piku and her father!