Tag: Mystery

Hitchcock on Catholic Guilt: “I Confess” (1953) starring Montgomery Clift, Anne Baxter, & Karl Malden

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German refugees, Otto Keller (O.E. Hasse) and his wife Alma (Dolly Haas), work as caretaker and housekeeper at a Catholic rectory in Québec City, Canada. While robbing the house of a lawyer (who he sometimes works for), Otto ends up killing the man. Racked w/ guilt, he heads to the church where Father Michael Logan (Montgomery Clift) is up late. Otto confesses to murder; he says he wore a cassock that night as a disguise. After two schoolgirls come forward as witnesses, the police question all the local priests. Inspector Larrue (Karl Malden) suspects Fr. Logan from the start, sensing that he’s hiding something. It turns out that the deceased was blackmailing Ruth (Anne Baxter), who grew up w/ Logan and loved him before he went off to fight in WWII. She loves him still, though is married to a politician.

Fr. Logan: I never thought of the priesthood as offering a hiding place.

Sir Alfred Hitchcock (who was raised Catholic) told a New York Times reporter in August 1952, that he chose Québec for filming because “in no American city do you find a priest walking down the street in a cassock.” This movie was based on the 1902 play “Nos deux consciences” by Paul Anthelme, a journalist. In the play, the priest and his lover had a baby, and the priest was hanged at the end. These elements had to be removed from the movie b/c of the Hays Code. I Confess was banned in Ireland b/c it showed a priest having a relationship w/ a woman (even though it took place before the character took orders). The screenwriter (George Tabori) wanted the script to be a subtle dig at the McCarthy hearings, as it centered on a man unable to tell the truth when questioned by authorities. Tabori found that Hitchcock only wanted to make a thriller. Peter Bogdanovich noted that this is a favorite of French New Wave directors.

Hitchcock created detailed storyboards for each scene, as was his custom. He couldn’t understand Clift’s Method acting technique; he became frustrated after the actor blew take after take, failing to follow instructions. Tension occurred over Clift’s insistence on having his acting coach (Maria Rostova) by his side. Hitchcock found that Clift didn’t listen to him at all. Karl Malden, who was friendly w/ Clift, found the process difficult. Clift would immediately turn to Rostova for feedback after each scene. Clift was drinking heavily also; he’d come on-set hungover (which wasn’t unusual for leading men in Hollywood’s Golden Age). As a closeted gay man, I’m sure he had a lot of pressure on his shoulders.

This isn’t your typical Hitchcock- it lacks the sly humor, memorable music, and (of course) the suspense he was known for. However, it’s atmospheric, moody, w/ a thread of foreboding running throughout. French is spoken a bit by supporting characters. There are towering old churches, crosses and crucifixes of all styles, marble statues, and houses of Parliament. There is a flashback section that’s quite engaging, where you see a lighter side of Clift and Baxter. I liked Clift and Malden together; they project very different energies. Malden famously played a priest in On the Waterfront; fans of The West Wing know him as President Bartlet’s priest. Baxter has her hair dyed blonde (which I thought was distracting) and wears some stylish outfits, thanks to Orry Kelly.

[1] Forced into complicity with the murderer, Father Logan behaves as though he is guilty despite his innocence…

[2] The movie is a somber psychological drama, and the story of a forbidden love, and perhaps a Christ allegory (the priest has to suffer for another man’s sins- he has to bear his own cross).

[3] When the camera sweeps up to a full screen view of Clift’s face and you see those glowing, brooding eyes, you fall under their collective spell.

-Excerpts from IMDB reviews

“Star Trek: DS9” – Season 1, Episode 6 (“Q-Less”)

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The runabout Ganges returns to the space station in serious trouble, as it has no power, the hatch can’t be opened, and oxygen is running out. There seems to be an extra person on board. O’Brien opens the hatch and recognizes someone from his time on the Enterprise. Vash (Jennifer Hetrick) has been traveling in the Gamma Quadrant for two years and brought back some artifacts, including a beautiful geode. Dangerous blackouts keep happening, putting the crew and the nearly 300 residents in danger. Could this be one of Q’s jokes, or something much worse?

Q: Really, Vash, I can’t believe you’re still pining for Jean-Luc, that self-righteous do-gooder.

This is one of the S1 stories meant to raise ratings and draw in fans of TNG; it assumes that the viewer has watched TNG. The teleplay is by Robert Hewitt Wolfe; he also wrote the memorable TNG ep “A Fistful of Datas.” Not much time is spent on introducing Q (John de Lancie). Vash, the shady lady version of Indiana Jones in space, was one of Picard’s few love interests. Q and Vash are two of the most memorable guest stars in the ST universe; they operate in shades of gray (which is not unlike some characters you’ll meet later in DS9). Vash met Picard on Risa in “Captain’s Holiday.” “Qpid” is the ep where Q took Vash to travel the galaxy as his companion. No, they aren’t a romantic pair, but they bicker like one!

Vash: It’s over, Q, I want you out of my life. You’re arrogant, you’re overbearing and you think you know everything.

Q: But… I do know everything.

Vash: That makes it even worse.

I saw this ep on it’s first run on TV, but didn’t recall some of the details (such as Vash teaming up w/ Quark to sell the artifacts). Bashir is used for comedy in the opener and closing; this is too on-the-nose, but some fans may enjoy re-watching. At the start of the ep, he is on a date w/ a Bajoran woman, trying to impress her w/ his medical smarts. A few scenes later, he asks Vash out on a date; she flirted w/ him in Sick Bay. Quark also gets a little crush on her, as she also has her mind on profit.

Q: You hit me! Picard never hit me.

Sisko: I’m not Picard.

Q: Indeed not. You’re much easier to provoke. How fortunate for me.

There is an alternate scene that is must-see, even if you don’t watch the ep. You can find the blooper on YouTube. In an outtake from the fight scene between Sisko and Q, de Lancie replied to Avery Brooks’ order to bring back the DS9 inhabitants w/ the line: “Or what? What? You’ll ravish me?” Then, de Lancie laughed and apologized. Brooks seductively replied: “I might.” The crew laughed and applauded. ROTFLMAO!

[1] The plots seems a bit disjointed…

[2] The dialogue here is written well and both Hetrick and De Lancie do well with their roles.

[3] What doesn’t make sense in this episode is her relationship with Q. Although Q is all-powerful and clearly very condescending, he chases after her like a love-starved puppy…

-Excerpts from IMDB reviews

“Star Trek: DS9” – Season 1, Episode 5 (“Captive Pursuit”)

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Tosk: [on holosuite programs] I have no use for fantasy adventure. I live the greatest adventure one could ever desire.

Michael Westmore and his makeup department won an Emmy for their work on this ep. The story was inspired by the 1924 Richard Connell short story The Most Dangerous Game (which is taught in many junior high schools). An unknown ship is coming from the Gamma Quadrant on the other side of the wormhole- could be exciting! The ship has engine trouble and the pilot (a new race of alien to DS9) seems nervous and reluctant to accept help. O’Brien convinces him to come on board and the alien introduces himself as “Tosk” (Scott MacDonald). The make-up was based on an alligator featured in Smithsonian Magazine. Tosk says the wormhole caused his ship’s problems. O’Brien senses that he has a secret. Some viewers noted that Tosk may be of a closely related species to the Jem’Hadar, who are created by the Dominion. Don’t miss this one- it’s considered a highlight of S1!

I loved how O’Brien was very tricky and behaved most unlike a Federation officer. The same, to a lesser extent, can be said for Sisko.

Despite Tosk’s reptilian appearance and mannerisms, Meaney and MacDonald give their characters a certain odd and subtle chemistry which helps to carry the intelligently plotted story and well-written script. Avery Brooks also makes a very nice impression…

This story hits all the notes of a classic Trek- moral issues, human moments, conflict between Federation and alien value systems, tension and suspense, sci-fi technology, exploring the unknown, and Prime Directive invocations.

-Excerpts from IMDB reviews

“Star Trek: DS9” – Season 1, Episode 4 (“Babel”)

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Those of you fed up w/ quarantine life, coronavirus updates, and related topics may want to skip this one- LOL! This is the first time that Ira Stephen Behr wrote a teleplay for the series. Naren Shankar (who has a science background and started out as an intern on TNG) contributed to the story. The title is based on the biblical story of the The Tower of Babel in Genesis. Man wanted to be closer to God, so built this high tower. God was angered, destroyed the tower, and punished the men by making them speak many different languages (babbling), thus beginning the various nations and cultures.

The ep starts off comedic, then gets serious, building tension from scene to scene. Chief O’Brien is very busy as systems (built by the Cardassians) all over DS9 are failing. He has to free people stuck in an airlock and Dax wants him to repair a malfunction in the science lab. O’Brien must also repair the navigational computer for Kira, but Sisko can’t get good coffee, so wants the Ops replicator fixed ASAP. All of a sudden, he becomes aphasic- the words coming out of his mouth don’t make sense. Bashir has no clue what happened, as nothing is physically wrong w/ O’Brien. The crew works to find a cure before the entire station is effected. Eventually, Dax also turns aphasic during a meeting in Ops. People all over the station start displaying the symptoms- it’s an epidemic!

[1] Pretty unnerving though how relevant this still is in 2020.

[2] The O’Brien scenes at the start are great. I love his sarcastic comments, and Colm Meaney is such a great actor (with an awesome accent)…

[3] Some unusual partnerships are forged. Never question the strength of the Ferengi immune system.

-Excerpts from IMDB reviews

The frenemy relationship between Odo and Quark is explored further; we get moments of humor. When Odo discovers Quark accessing crew quarters illegally to make use of a replicator, Quark says: “Never ask when you can take.” This is the first example of a collection of Ferengi sayings which will later be called The Rules of Acquisition. Quark takes on responsibility when the command officers have been affected by the virus. To add to the excitement, a ship tries to break quarantine which threatens to cause an explosion (since it’s clamped to the station when the engines power up).

Odo: I need to get to Docking Port V now. That ship’s gonna explode in five minutes!

Quark: I’ll beam you over.

Odo: You?

Quark: Relax. I served on a Ferengi freighter for eight years.

Odo: All right.

[He rushes onto the transporter pad.]

Quark: I must have witnessed the procedure hundreds of times!

Odo: Witnessed? You mean to say you never handled the controls yourself?

Quark: Energizing!

[Waves Odo goodbye as he beams him away.]

“Star Trek: DS9” – Season 1, Episode 3 (“A Man Alone”)

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Jake (Cirroc Lofton) makes friends w/ a teenage Ferengi, Nog (Aron Eisenberg), Quark’s nephew and prone to act mischievous. Chief O’Brien (Colm Meaney) argues w/ his wife Keiko (Rosalind Chao- who co-starred in The Joy Luck Club also in 1993), who hasn’t adjusted to life on DS9. On the Enterprise (TNG), Keiko was a botanist, but now she has no work. Odo (Rene Auberjonois) doesn’t see what’s so great about being a couple, as he comments to Quark (Armin Shimerman). This is a fun scene w/ actors who can do both comedy and drama. You also see their chemistry w/ each other as frenemies. Lt. Dax (Terry Farrell) explains to Dr. Bashir (Alexander Siddig) that her species don’t go seeking romantic relationships. I like the charm and confidence Farrell shows, even in early eps. Siddig also brings the charm, yet his character has much more naivete.

Sisko: [to Odo] If you can’t work within the rules I’ll find someone who can.

The A-story focuses on Odo, the shape-shifting constable w/ a strong sense of justice who is caught up in a mystery. Odo sees a familiar face on the Promenade, the Bajoran smuggler Ibudan, and gives him a day (26 hours in this world) to get off the station. Sisko (Avery Brooks) says that the man hasn’t done anything wrong, so Odo can’t just kick him out. Odo tells of how Ibudan once let a child die b/c the parents couldn’t afford medicine. Ibudan also killed a Cardassian w/o provocation during the Occupation, so Odo turned him in. When Ibudan is murdered on one of the holodecks, Odo becomes the prime suspect. However, things are not as they seem!

Quark: [about Odo] He’s an ill-tempered, overbearing, cross-patch. But he was no Cardassian collaborator, and he’s no killer.

Zayra: I can’t believe you’re defending him, Quark. You’re his worst enemy.

Quark: Guess that’s the closest thing he has in this world to a friend.

There are a lines and scenes which wouldn’t be out of place on a cop show. Kira (Nana Visitor) says that Odo is “the most honorable man on the station.” The actress really seemed comfortable w/ her character from the start of the series. Dax and Bashir sift through evidence gathered at the murder scene and on the ship which Ibudan came on, trying to solve the crime. Some Bajorans on the station, incl. Zayra (Edward Laurence Albert- son of actor Eddie Albert) grow very suspicious of Odo. He is unlike anyone else in this community and worked under the Cardassians for some years. After Odo is relieved of duty by Sisko (for his own safety), he goes to his office. We see that it has been trashed; along one wall, the word “SHIFTER” can be seen. A mob gathers outside and Sisko calls in security to prevent damage and violence.

Keiko’s plan to start a school for the few kids on the station was a practical idea. Sisko liked the idea very much and Jake had grown bored of studying alone w/ a computer (which is what many kids are doing in quarantine). I liked the scene where Keiko convinced Nog’s father, Rom (Max Grodenchik), to allow him to attend. Rom is portrayed as confident and decisive, which changes drastically later in the show. There is an ep focused on Keiko’s teaching at the end of the season which fans esp. comment about.

[1] I enjoy how DS9 gets to work on establishing it’s characters right away– the payoff doesn’t come for quite a while but damn is it delicious when it does.

[2] …the conflict between Odo’s sense of justice and Starfleet rules will be done much better in later episodes…

[3] Odo – who really is a man alone – must learn to trust others to help him figure this one out and clear him of suspicion.

-Excerpts from IMDB reviews