Remember the Night (1940)

Introduction

I think Christmas is almost a “device” in this movie. It isn’t a “Christmas” movie, although Christmas certainly helps.  Rethink it as MacMurry taking Stanwyck home for the Fourth of July parade and picnic. I think it almost works, although there is nothing like the atmosphere that Christmas conjures up.

-IMDB comment

Stanwyck and MacMurray in Double Indemnity
Stanwyck and MacMurray in Double Indemnity

I saw this secular Christmas-themed film (at AFI Silver) with my parents, who are also fans of Double Indemnity, which also stars Barbara Stanwyck and Fred MacMurray.  This film was made 4 years prior to that film noir.  Once again, the theme is redemption- a thief who realizes what she’d been missing in her childhood, falls in love (with a man and his family), then faces the consequences of her crime.  (Don’t you think Benedict Cumberbatch resembles a young MacMurray?  )

Remember the Night (1940)

Lee Leander: Now there’s nothing as dangerous as a square shooter. If all men were like you, there wouldn’t be any nice girls left.

On the night before Christmas Eve, up-and-coming ADA John Sargeant (MacMurray), decides to bail out Lee Leander (Stanwyck), the thief (with tree strikes) whose case was postponed for the holidays.  The bail bondsman takes her over to John’s apartment, much to his confusion/shock.  John, being a decent guy (see above quote), decides to take Lee out for dinner.  They run into the judge who presided over their trial- oops! 

John wonders how a normal person like her can turn to crime, and she tells him her way of thinking.  They get to know each other a bit- turns out their both from small towns in Indiana.  Every Christmas, John drives home for the holidays, and he offers to take Lea along with him.  Lee’s tough gal façade fades, and she becomes very emotional.   She doesn’t even know if her mother is alive, since she’s “never” been back home after coming to NYC.      

Lee and John in a cow field
Lee and John in a cow field

There are some funny/wacky scenes in small-town Pennsylvania, after they (unknowingly) trespass on a very angry/gun-toting farmer’s land.  They end up at the justice of the peace’s office, but John is not very adept at lying, but Lee is an old hand.  Lee creates a little fire in a small wastebasket, enabling them to get away.  John is shocked, yet also impressed, by her quick thinking.  

When they reach Lee’s hometown, her mother (remarried) wants nothing to do with her.  It’s a dark, well-done scene- not what you’d see in the cloying/unrealistic Hallmark holiday movies of recent times.  While Lee tries to explain her side to her mother, John is quietly/calmly supportive. 

The scene at Lee’s childhood home when John takes her back home to her mother’s house is such a chilling scene…  Listening to her mother’s “good riddance” speech and Lee’s comments in the yard afterward… it’s just such a creepy, lonesome moment, filled with utter rejection…

But when he asks Lea’s mother her name and she responds “The name doesn’t concern you.”  His delivery of “It certainly does not” gives me the chills.  It just says so much of his character.

-IMDB comments

With John's loving family
With John’s loving family

There’s a moment when John is playing the piano and his family is gathered around when Lee looks around her in wonder.  Barbara Stanwyck did a brilliantly subtle job of expressing the thought “What would it have been like to have grown up in a home like this?” in that brief moment.

-IMDB comment

Jack’s family includes his level-headed mother Mrs. Sargeant (played by Beulah Bondi, Ma Bailey from It’s a Wonderful Life), doting Aunt Emma, and (comic relief) farm boy, Willy.  They rush about getting everything perfect for John’s arrival.  (John explained earlier that he grew up quite humble, but in the past few years, has been able to provide well for his family.)  Lee is happily surprised by their lovely farmhouse and friendly demeanor.  They gather about the piano (John plays some) and sing songs. 

Being the honest man, John admits to his mother that Lee is a thief with no family to go to, not his “special lady.”  His mother is still sympathetic toward Lee.  The next morning, they even give Lee a few presents!

John and Lee embrace
John and Lee embrace

Over the next few days, Aunt Emma sees that Lee and John are falling in love.  At the barn dance, she beams with happiness as she watches the couple dance and kiss.  Mrs. Sargeant is worried, so she  has a serious (yet gently worded) talk with Lee the night before they leave for NYC.  She explains exactly how hard John worked to get to where he is in his life.  Lee says she’d never ruin his life, but admits that she’s in love with her son.  

On the way back, they take a road through Canada, and end up in Niagara Falls.  They admit their love for each other.  John tells Lee that she can get away now, if she wants.  She refuses, because she wants to face up to her sentence.  John feels guilty, since the jury was about to acquit her (before the holiday recess).  

Back in the courtroom, John begins to treat Lee in such a harsh manner, garnering her sympathy from the jury.  After a few questions, Lee realizes what he’s doing, and begs the judge to allow her to plead guilty.  In the final scene, before Lee is taken away by the prison matron, John explains that her sentence probably won’t be too long.  Lee’s ready to face anything (now that she’s loved).        

My problem with traditional desi marriage

Love, InshAllah's avatarLove, InshAllah

Eds. Note: This is a response to yesterday’s guest post, How I met my son’s mother. Have a perspective to share on love and relationships? Read our guidelines, here.

Update 11/26/13: Congratulations to writer Aisha Saeed on this post being chosen by the editors of WordPress for Freshly Pressed, highlighting the best posts on WordPress. In an email to LoveinshAllah.com, WordPress said: “Aisha Saeed’s response to your guest post about arranged marriages was a really powerful and articulate call for fairness and equality. She delivers her points with a great balance of passion and reason, which makes this piece engaging even for those who aren’t intimate with the debate surrounding marriage in south Asian communities. It’s a great post that deserves a wider audience.”

aisha

 

There’s a befuddling conundrum afoot in the desi (South Asian) community. You must first understand a few things:

a) For whatever reason…

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Short reviews of recently viewed films

Admission

Admission

This is an above average rom-com, starring Tina Fey (who doesn’t love her!?) and Paul Rudd  (ditto), but w/ some unexpected twists and some smart/funny dialogue.  The young characters performed pretty well, I thought.  It was cool to see Michael Sheen (has own Showtime series now) and Gloria Reuben (ER), who plays Fey’s rival co-worker, after a long time! 

The Butler

Lee-Daniels-The-Butler-

Director Lee Daniels said that he envisioned this film (based on a true story) primarily as “a love story between a father and son.”  Forest Whitaker, who plays apolitical/humble/hard-working butler Cecil Gaines, is flawless (as usual).  Oprah has an unique air/look about her (in the role of bored/troubled housewife); she does a good job.  English actor David Oyelow0 does a fine job as Louis, the older son in the family, who becomes immersed in Civil Rights movement after going off to college.  Louis’ strand of the story is the most interesting part of the film. It’s a good film, but not great (as several viewers agreed).  It didn’t evoke much emotion from me, aside from the shocking early tragedy and the lunch counter/protest scenes.  Something (intangible) is missing!

Diana (NOW PLAYING)

Diana - 2013

It’s refreshing to see a South Asian man, English actor Naveen Andrews (who plays Dr. Hasnat Khan, a brilliant Pakistani surgeon/PhD student), on the big screen.  And portrayed as a love interest to Naomi Watts (Diana, Princess of Wales)- pretty neat, right?  No, sadly, this film is a bore.  Maybe it’s the pedestrian dialogue?  Or the slow pacing?  It looks like a TV movie, as one journalist and many viewers commented.  Watts gets Diana’s mannerisms and girlish vulnerability right, but she has little else to work with here.  What a waste of talent! 

Django Unchained

Django-Unchained-Tarantino

django-unchained-ld

django-unchained-3

Oh, it’s well produced, filmed and edited. But that can’t save the totally bizarre banality of the story and the plot – never mind the gratuitous violence. 

Exactly- the (bloody/brutal) wrestling scene between the two men in Candie’s private club was almost too much to take! 

I thought DiCaprio and Waltz were brilliant, but brilliant performances can’t save a bad film. 

Christoph Waltz did a fine job (as in Inglourious Basterds).  It’s a difficult task to act in one’s second language, also.  And DiCaprio gets better with age. 

I liked the father/son symbolism when Schultz told Django the Brunhilde Story.  It was tender and touching…

Django wasn’t the hero- Dr. Schultz was, I was surprised to discover.  Tarantino’s direction/writing and Foxx’s acting turned the lead man into the sidekick.  Oops!   

What was that scene with the masked vigilantes even there for?  The scene was a complete waste if footage… comic relief that fell flat on its face.

There is not much to laugh at in this disjointed film.  If you can’t deal respectfully with a topic like slavery… I don’t know what to say.  And talk about self-indulgent- Tarantino has a distracting cameo and the film clocks in close to 3 hours!   

Candie is fascinated by Django, and sees in him, possibly, the ability and will to do what Old Ben could not.  Django can see that Candie is captivated, even when Schultz cannot.  The change that Django represents is not the kind of change that Candie will accept.

One journalist wrote that the “love story in the film is between Django and Candie,” not his wife (played by Kerry Washington, star of Scandal).  Kerry’s fans won’t have much to applaud- Broomhilda is merely a damsel in distress in the film.  What a waste of a multi-faceted actress!   

-Viewer comments from IMDB (with my analysis)

The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

b&b_final

In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.   

Green Dolphin Street (1947)

MGM wanted June Allison to play Marguerite opposite Lana Turner.  She turned the role down because she didn’t think anybody would believe that William could prefer her to Lana.  MGM then essentially drafted Donna Reed into the role, whose misgivings were also strong (but she had no clout at the studio). 

Doona Reed as Marguerite
Donna Reed as Marguerite

On the island of St. Pierre in 1847, young adult sisters Marianne (Turner) and Marguerite (Reed) lead happy, comfortable lives as the daughters of shipping magnate Octavius Patourel (Edmund Gwenn, who played Kris Kringle in Miracle on 34th Street) and his wife Sophie (Gladys Cooper).  Marianne has a sharp mind and knows a lot about her father’s work, which he thinks is not quite ladylike.  Marguerite is more reserved and dreamy.  From afar, Marianne is loved by a young local man, Tim Haslam (Van Heflin), much to the dismay of his girlfriend.   

When new neighbors move in next door, the sisters rush over to welcome the family: Dr. Edmund Ozanne (Frank Morgan, who played the wizard in The Wizard of Oz) and his handsome son William (Roger Hart).  At first, William is not that impressed with the girls, but thinks they’re very pretty.  But in no time, the three become good friends.  

William and Marianne dream of adventure
William and Marianne dream of adventure

One day, Marianne insists on taking William out to see a large shipping vessel, The Green Dolphin.  It’s under the command of a gruff, yet kind-hearted Irishman, Captain O’Hara (Reginald Owen, who played Scrooge in A Christmas Carol).  He proudly shows the young people around his ship, and tells them a bit about his adventures.  He’s been as far away as New Zealand!  Both Marianne and William are fascinated by the thought of such a life.

Marianne with her father
Marianne with her father

Since William wants to be a sailor, Marianne convinces her father to provide the funds.  (Being a man, he can do the things she’s always dreamed of doing.)  William goes off to London for 2 years. Their families don’t realize that William and Marguerite have fallen in love; they decide to keep it a secret.  They do, however, write letters to each other.    

Lana captured Marianne’s pragmatic, incisive, ambitious nature which veils a deep-seeded vulnerability and need to be loved.  And Donna Reed was certainly lovely even next to Lana, and did well with Marguerite, who is sweet-tempered, feminine and agreeable, but not as intellectually captivating as her sister.  Marguerite is more like William.  They are both indolent, romantic and playful.  But Marianne has the drive, savvy and fortitude…  –Comment on IMDB

I’m not going to reveal too much, because I want you all to check it out!  I recommend this movie to anyone who enjoys large-scale, old-fashioned epics (such as Gone with the Wind).  However, because of its few main leads and focused theme (first love vs. love that grows over time), it seems like a small picture.  There is fine acting, sharp dialogue, and lots of character development.  I especially liked Heflin’s anti-hero character.