Tag: Romance

A Variety of Movies: It Happened One Night, Cape Fear (1962), Miller’s Crossing, White Palace & Shattered Glass

Emma2 Comments

It Happened One Night (1934)

Peter (Clark Gable) & Ellen (Claudette Colbert)
Peter (Clark Gable) & Ellie (Claudette Colbert)

This is one of Hollywood’s earliest rom coms… but it ALWAYS seems fun, fresh, and witty whenever I see it.  (I’ve probably seen it 4X so far.)  It was directed by Frank Capra.  Basically, it’s about two VERY different people who fall in love (over a few days) while traveling from Miami to NYC.  My fave part is when the would-be couple is getting ready to sleep in the haystack.  You can see that Ellie is falling in love w/ Peter, and he ALMOST gives her a kiss as he tucks her into “bed.”  The lighting is VERY romantic in that scene!

Peter puts up a "wall" in the cabin
Ellie and Peter are separated by “the walls of Jericho”

See, people used to wear pjs- LOL!  This may NOT be a PC movie (to viewers today), but it’s still a GREAT one!    Watch how grumpy news reporter Peter cares for heiress Ellie- she’s a sheltered young woman who has never been alone for many days or w/o money.  He acts tough/brusque to hide the fact that he’s interested in her.  Peter is prejudiced against the super-wealthy, as we learn from several scenes.

When trying to hitch a ride, Peter insists "it's all in the thumb"

Who can forget the hitchiking/leg-revealing scene?  Peter is mad about her bold move; Ellie says “the limb is mightier than the thumb.”  Many fans of this film regret the fact that there is no kiss at the end.  The finale was rushed b/c both actors were scheduled to do other movies.  This film was shot w/in 4 wks- WOW!!!

Did you know that there is a 1956 update to this movie (w/ song/dance added in)?  It’s called You Can’t Run Away From It (w/ Jack Lemmon and June Allyson).

 

Cape Fear (1962)

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I’ve seen this film before, as well as the remake Scorcese did w/ DeNiro and Nolte.  The original is thought of as the better version by fans, though I think Nolte was quite good as the father/lawyer, Sam Bowden.  To be senisitive to viewers, there is nothing more troubling than “assault” to describe the violation of women.  Some scenes were cut to make the film less troubling.  But after seeing Law & Order: SVU, the main issue in this thriller isn’t controversial (to modern eyes).

The consummate villain- Max Cady (Robert Mitchum)
The consummate villain- Max Cady (Robert Mitchum)

The best acting here is done by Mitchum- he TOTALLY inhabits Max Cady, an EVIL man out for revenge against the witness who helped put him in prison.  He can be charming, compelling AND menacing!  While in prison, Cady studied law, so he knows how to use it to his advantage.  After he beats/assaults the young female traveler he met at a bar, she is reluctant to file a report (b/c everything will be exposed in public.)  Times have changed, thank goodness!

The concerned family man- Sam Bowden (Gregory Peck)

Peck has some nice moments in this film, esp w/ his wife and teen daughter.    After all, he’s one of Hollywood’s most solid/trustworthy heroes.  However, I thought his demeanor was sometimes a BIT too cool/controlled.  There are nice parts here for helpful police chief (Martin Balsam) and clever PI (Telly Savalas).  But as many fans have said, Mithchum stole the show!

  

Miller’s Crossing (1990)

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I didn’t know anything about this Coen bros film before I saw it.  This film has a small (but VERY loyal) fan base.  It’s a gangster pic filmed in New Orleans (b/c that city has blocks of untouched ’20s bldngs.)  At first, I thought the city was Chicago (but it goes unnamed in the film).  Now, it MAY take you a mins to get used to the dialogue, esp b/c Gabriel Byrne had a much thicker Irish accent then.  You’ll also hear insults/slang from the Prohibition era.

Troubled couple: Tom (Gabriel Byrne) & Verna (Marcia Gay Harden)
Tom (Gabriel Byrne) & Verna (Marcia Gay Harden)

Tom is a complicated/tough/clever anti-hero.  He’s loyal to his boss Leo, but having an affair w/ Leo’s gf, Verna.  John Turturro plays Verna’s bookie brother, Bernie.  He’s the one who stirs things up in this film!  The Italian mob boss is played by Jon Polito w/ loads of gusto.

Irish mob boss- Leo (Albert Finney)
Irish mob boss, Leo (Albert Finney)

All the main characters are GREAT in their roles, esp Byrne.  (You’ve rarely seen a character like Tom!)  I was VERY impressed by how effortlessly Marcia Gay Harden (in her 1st movie role) stands up to Byrne.  IMHO, this film doesn’t always flow very well.  I watched it b/c the characters were compelling, and I wanted to know what Tom’s final move would be.  Will he kill for the 1st time in his life?

 

White Palace (1992)

Max (James Spader)- a VERY young widower
Max (James Spader) plays a young widower

Opposites attract in this simple/formulaic Hollywood romance.  Max Baron (James Spader) is a 27 y.o. Jewish ad exec.  Since losing his wife in a car accident 2 yrs ago, he hasn’t looked at another woman.  His friends/fam keep badgering him to start dating.  (They have a list of pretty/Jewish/single gals ready for him.)   Nora Baker (Susan Sarandon) is a 43 y.o. lapsed Catholic who waitresses at White Palace, a popular burger joint in the inner city.  She lives in a little house (that she decorates w/ pics of Marilyn Monroe) in an area known as Dogtown.

Max cooks dinner for Nora (Susan Sarandon)
Max cooks dinner for Nora (Susan Sarandon)

After his best pal’s bachelor party one night, Max doesn’t feel like going home.  He decides to stop at a bar and have a drink.  Nora approaches him, wondering what a guy like him (wearing a tux, no less) is doing there.  He isn’t in the mood for talking, but she compliments him w/ “you have a beautiful face” and “you remind me of Tony Curtis.”  Then they both reveal a painful secret from their respective pasts.

Hmmm... will this relationship last?
Hmmm… will this relationship last?

In no time, Max and Nora are involved in a steamy relationship.  Nora wants to keep him at arm’s length (emotionally), but Max says “I can’t get you out of my head.”  But is this love?  And even so, can they overcome their differences: age, education, social status, etc?  The dialogue in this film is rather simple, but what keeps it from being boring is the fine acting by the two leads.  (The fact that they look GORGEOUS doesn’t hurt either!)

 

Shattered Glass (2003)

Stephen Glass (Hayden Christensen) entertains his co-workers
Stephen Glass (Hayden Christensen) entertains his co-workers at The New Republic

This small indie film is based on a true news scandal, not unlike that of NYT reporter Jayson Blair (who was exposed in 2003).  It involves Stephen Glass, a 25 y.o reporter for the small (yet VERY prestigious) magazine, The New Republic.  The year is 1998, and Stephen is juggling his stressful job AND law school (to please his parents).  He goes out of his way to please his co-workers, some of whom are also his friends.  It becomes clear to the viewer that Stephen is VERY nervous and insecure, thanks to the characterization by Christensen.  (Like many viewers said, he’s NOT wooden like in the Star Wars films.)

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When one of his stories “doesn’t check out,” Stephen frantically tries to cover it up.   A reporter from Forbes Online in NYC discovers holes w/in the story, too.  The New Republic editor, Chuck Lane (Peter Sarsgaard), grows more suspicious w/ each new piece of info that’s unverifiable.  He wonders if Stephen is merely a “scared kid” who failed to check his sources.  When he questions the reporter, Stephen feels unfairly persecuted.

Sarsgaard plays his (understated) role VERY well, and steals the last 1/3 of the movie.  He’s a natural/believable actor who can fit into ANY role!  Chloe Sevigny plays a friend/fellow reporter who feels Stephen did no wrong.  If you want to see a smart movie about an interesting topic, check this movie out.

3 must-see period films

Emma1 Comment

Lost in Austen (BBC, 2008)

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This show (seen last year on BBC) is a MUST-SEE for all Jane Austen fans!  It has a great cast (including gorgeous/talented new faces), looks beautiful (costumes, cinematography, lighting), and is full of humor.  There are jokes viewers of ALL ages will get, BUT there are also in-jokes for devoted fans of Jane.  (I liked those jokes best, of course!)

Amanda (Jemima Rooper) and Elizabeth (Jemma Arterton)

Amanda Price is a modern-day JA fan who enters into her fave novel, Pride and Prejudice.  She takes the place of P&P’s main protagonist Elizabeth Bennett.  But life in Georgian England is NOT as easy as it seems in the book!

The newest Mr. Darcy (Elliot Cowan)

Amanda meets the the entire P&P gang, plus a few NEW characters (Mr. Collins has brothers- LOL!)  Alex Kingston (ER) and Hugh Bonneville (Daniel Deronda, Miss Austen Regrets) are TERRIFIC as the Bennett parents.  

But the best part is Amanda’s complicated relationship w/ the newest Mr. Darcy!  As in the novel, Darcy is tall, imposing, and irritatingly proper.  (His voice is VERY cool, too!)  At first, he is shocked by Amanda’s (modern/odd) behavior.  She doesn’t want to fall for Darcy- she wants to keep  things EXACTLY like the novel.  But things quickly go wrong!     

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An interview w/ Elliot Cowan:

http://women.timesonline.co.uk/tol/life_and_style/women/celebrity/article4635114.ece

 

 

Middlemarch (BBC, 1994) 

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I bought this DVD a few weeks ago b/c it was a VERY good price.  (If you’re a fan of Austen or Dickens, you should definitely check it out!)  It’s a miniseries based on George Eliot’s most famous novel.  She (the pen name of George was in honor of her long-time love, George Henry Lewes) was a writer who could describe a wide swath of society, much like Dickens.  There are MANY interesting/young people trying to carve out a place in the world w/o compromising their dreams.  (These include Jonathan Firth, Colin’s younger brother, and the unusually handsome/intense Rufus Sewell.) 

Dorothy (Juliet Aubrey)

The main female character is intelligent, serious-minded, natural beauty Dorothea Brooke (Juliet Aubrey).  She and her younger sister Cecilia (a more conventional girl) were orphaned before their teens, so they live on the estate of their wealthy bachelor uncle, Mr. Brooke.  (The estate is near to the town of Middlemarch.)  Though she has many fine qualities, Dorothea wants to “do something more” w/ her life than what’s expected of a young woman of her time.  She draws up a plan for improving the cottages of Brooke’s tenants, but he doesn’t want to spend money on the project.   

Even though her youthful/outgoing neighbor (Sir James Chettam) is in love with her, Dorothea merely sees him as a friend.  But she quickly grows interested in Rev. Casuabon, a VERY serious/middle-aged/scholarly man.  Dorothea thinks that she can help him in his work.   They have a brief courtship before marrying, much to the disappointment of her family/friends.   

During most of their honeymoon in Italy, Casuabon buries himself in libraries while Dorothea sees the sights with handsome/young Will Ladislaw (Casuabon’s cousin).  Will paints for fun, but wants to find a profession where he can make an impact.

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Back home, Dorothea is impressed by the painting of a beautiful lady hanging in her house.  Will tells her the story of the unconventional romance between his British grandfather and Polish grandmother (in the picture).  Sadly, the lady wasn’t treated very well by her in-laws.  As he tells it, she is full of quiet amazement at the idea of such a relationship.  (We KNOW Dorothea hasn’t married for love.)     

Casuabon is emotionally distant and refuses his young wife’s help w/ scholarly work.  Dorothea desperately wants to make him happy, but she grows disenchanted with the cold, lonely marriage.  But she never complains. 

Will, who begins work as her uncle’s assistant, continues to see her as a friend.  Casuabon suddenly prohibits Will from coming to his house.  Dorothea is shocked- they did nothing wrong!   Did her husband sense something neither she nor Will can admit?              

Dr. Lydgate (Douglas Hodge)

The main male character is intelligent, ambitious, and worldly Dr. Tertius Lydgate (Douglas Hodge).  Unlike most of the others in the provincial town of Middlemarch, he is a well-trained MD (w/ specializations done in Scotland and Paris.)  Most docs of that day were NOTHING like ours!  Lydgate is a newcomer who elicits much attention- sometimes of the negative kind.  The other doctors bristle against his techniques (such as warning patients against wacky potions and refusing to operate when not needed).   They feel he’s too young to overstep them.

Like Dorothea, he gives part of his time to the poor.  (They become friends as the story goes along.)  Lydgate’s an idealist who hopes to create BIG changes.  In his personal life, he is quickly drawn to the vivacious and chatty Rosamund Vincy, the daughter of a tradesman.  They fall in love and marry, though he’d intended to wait until he was financially/professionally more stable.   Rosamund dreams of status and money, ignorant of the goals he has.  Will marriage curtail Lydgate’s ambitions?

A GREAT in-depth review of this film:

http://costumedramas.wordpress.com/2009/04/18/middlemarch-1994/

The Wind That Shakes the Barley (2006)  movie_WindThatShakes

  We have a responsibility to attack the mistakes and brutalities of our own leaders, past and present.  If you lie about the past you won’t tell the truth about the present.– British director Ken Loach  playing

You may not have heard of this film that came on recently on Encore; I saw it first in the BBC catalog.  It’s a glimpse into the Irish war for independence in the early 1920s as seen through the eyes of a group of very young men in rural County Cork.  At the center of the group is idealistic/sensitive Damien O’Donovan (Cilian Murphy- a native of Cork; The Way We Live Now, Red Eye, Batman Begins) and his older/charismatic brother Teddy (Padraig Delaney).  Damien is soft-spoken, slightly built, and well-respected for his smarts.   Teddy is tall, talks forcefully, and a natural leader.    harassment

Though most of his scrappy country pals are IRA (led by Teddy), Damien is about to go to a London hospital for training.  Then he witnesses some humiliating, unnecessary, and violent events perpetrated by the Black and Tans (British soldiers sent to quash the growing rebellion).         damien_sinead

He takes up arms quickly- his community needs him.  Even Damien’s long-time female friend is part of the rebellion- she works as a messenger.      bros

This film juxstaposes the beauty of Ireland with the violence of the rebellion.   In some cases, long-time friends are pitted against each other b/c they have to preserve themselves.   Freedom is not the only issuse; in one scene Damien examines a little boy who’s near starvation.  How will this rag tag group of guys defeat the soldiers?  When a compromise is reached with England, Damien and Teddy are pitted against each other.  

More info re: this film: http://en.wikipedia.org/wiki/The_Wind_That_Shakes_the_Barley_(film) http://www.imdb.com/title/tt0460989/   cillian

More info re: Cilian Murphy: http://en.wikipedia.org/wiki/Cilian_Murphy http://www.imdb.com/name/nm0614165/

“Body of Lies” (2008)

Emma4 Comments

poster_bol

I saw this film last week and REALLY enjoyed it!  It’s a fun, fast-paced, and smart spy thriller.  I’m not going to reveal TOO much about it, b/c you should see for yourself.

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Leonardo DiCaprio stars as Roger Ferris- a young CIA operative based in the Middle East.  (Leo’s hair is dyed dark brown, he sports fluffy facial hair, and speaks w/ a North Carolina accent.)  Not only is Ferris fluent in Arabic, he’s knowledgeable about AND respectful of the ways of the Arab world.  In the opening of the film, Ferris is being assisted by a local (a young family man) in getting intel about terrorist activity in Iraq.

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His DC-based boss is Ed Hoffman; Russell Crowe gained about 30 lbs for the role.  Unlike Ferris, Hoffman plays politics, enjoys manipulating others, and is highly prejudiced against the Middle East.  Hoffman constantly talks about ending the war on terror by any means necessary, but Ferris isn’t always comfortable with all his tactics.  Sometimes Hoffman ignores Ferris’ info and shoots off w/ his own plan!  You’ll get a kick out of how Hoffman goes about his daily life in suburbia (family dinner, car pool, soccer games, etc.) while making life/death decisions on the phone w/ Ferris.

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While in Amman, Jordan, Ferris develops a keen interest in an (unconventionally) pretty nurse, Aisha (Golshifteh Farahani, a big star in her native Iran).  Though this part of the movie seemed contrived to many reviewers, the two actors have good chemistry.   Also, we get to see a sweet, respectful, budding romance between a Christian and a Muslim (very rare in Hollywood)!

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In my opinion, the main reason to see Body of Lies is Brit actor Mark Strong (who played Mr. Knightley in the A&E version of Emma).  Strong (who is actually of Italian and Austrian heritage) plays Hani Salaam, the sharply-dressed, well-spoken, and enigmatic head of Jordanian intelligence.  Hani prefers to use “punishment” instead of “torture” to get info from suspected baddies; Ferris feels bad about this.  Strong has a terrific accent suiting his character; Hani is portrayed as intelligent, arrogant (he’s of high status), and funny in a  sly way.  He’s far removed from the Arab Muslim Holywood stereotype, thank goodness!

Related Links:

A video interview w/ Mark Strong:

http://www.youtube.com/watch?v=91MtjruZrdU

A newspaper interview w/ Mark:

http://www.independent.co.uk/news/people/profiles/my-secret-life-mark-strong-actor-age-45-926736.html

Movie Review: “Room at the Top” (1959)

Emma2 Comments
room_2

The English factory town is dreary, but Joe Lampton has landed a job with a future.  To have something to do at night, he joins a theatrical group. His boss’s daughter, Susan, is playing ingenue roles on stage (and in real life). She is attracted to Joe, and Joe thinks about how much faster he will get ahead if he is the boss’s son-in-law.  This plan is complicated by his strong desire to be with an older woman who also belongs to the theatrical group.  Alice is French and unhappily married to a wealthy and powerful older man.  Joe believes he can get away with seeing both Susan and Alice.

–IMDB synopsis

Hey readers,

It’s ALMOST Valentine’s Day- good or ill, depending on how your personal life is going!  Don’t look for good clean romance in this controversial (for its time) Brit film!  The anti-hero (Hey, some women LOVE bad boys!) is played by an intense, enigmatic, and engaging actor- Laurence Harvey (who I’ve seen in The Manchurian Candidate). 

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I learned that Laurence Harvey was born in Lithuania; this explains the sharp features.  He grew up in South Africa, and eventually came to the English stage.

Harvey was born to play Joe Lampton, if not in kin, then in kind. Lampton was a working-class bloke who dreams of escaping his social strata for something better. It was a perfect match of actor and role, as the icy Harvey persona made Joe’s ruthless ambition to climb the greasy pole of success fittingly chilling.

 -Excerpt from IMDB  bio

25 y.o. Joe (Harvey) has recently gotten a job as an accountant in a factory in a small industrial town.  He shares a small flat (as the Brits call an apt) w/ a co-worker, and is friendly with the guys around the office.  The audience slowly learns that there are MANY layers to Joe, though he seems quiet and guarded at first. 

From the moment he glimpses his boss’ bubbly young daughter, Susan, he can’t keep her out of his head.  He eyes her hungrily- a prize to be won.  Though she has a steady man in her life, the inexperienced Susan is quickly drawn to Joe.  “I’ve never met a man like you,” she says with wonder in her eyes.  While Susan ponders what Joe is REALLY like, another woman catches his eye.  

Alice (Simone Signoret- an Oscar winner for this role) is a blonde, buxom, older woman w/ a sad look in her eyes.  When Joe snaps angrily at another man for mocking his working-class roots, Alice goes to console him.  From her expressions, you can see that she relates to him.  Soon they are a VERY hot item!  (This movie contains dialogue and romantic scenes QUITE different from other ’50s films.)

Though Susan wants to see Joe, her family and friends treat him like an interloper to their moneyed circle.  Joe replies politely to these snobs, but his anger is bubbling underneath.  George, another man who likes Susan, mentions his own war record.  We learn that even during wartime, not all men were treated equal! 

Joe lets the rage out when he’s with Alice, but it doesn’t scare her.  Alice stands up to him, saying that he is a “coward.”  Joe is insecure about his background.  He holds double standards, too.

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Joe shares some tender and happy moments with Alice, giving his calculating side a rest.  You may wonder if he really DOES love her!  Signoret does a terrific job of portraying a passionate, vulnerable, yet also strong woman.  Her character really pops off the screen; she kept it “real” (as the kids would say).  Harvey has a strong physical presence and a sense of danger about him- fitting for this role.  He makes Joe a very compelling young man!  Both actors handled some great/snappy dialogue and played emotional scenes very well. 

Check this film out if you want something different, multi-faceted, and intelligent.  Room at the Top is about ambition, lust, love, morality (different for men than for women), and above all- social class. Accent is sometimes tied to class; Joe switches to his Northern accent (Sean Bean has one!) when he’s angry or talking with family.  But at other times, that accent is much lighter.   The posh set don’t have such an accent, or they hide it!  (Joe is NOT the only one in the town w/ a contradictory nature.) 

Morality is underlying everything, too.  Joes’ roommate/friend warns him that flaunting an affair in this little town is dangerous.  People start to talk- Alice does NOT escape unscathed.  Susan’s patience and virtue are also tested by Joe, but she thinks they can live happily ever after.  Go see for yourself what happens!

Movie Review: “Sweet Bird of Youth” (1961) starring Paul Newman & Geraldine Page

EmmaLeave a comment

Hey readers!

Are we all ready for MORE Paul Newman?  He’s not a straight-shooting hero in this picture- he’s immoral, ambitious, and even… desperate.  He still looks SUPER-HOT!

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I saw this film last week on TCM; it’s based on a Tennessee Williams play, but not as well-known as say A Streetcar Named Desire, Cat on aHot Tin Roof, or The Glass Menagerie.  This film is a MUST-SEE for anyone who likes snappy dialogue, complex characters, and SMART classic stuff!

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Chance Wade (Paul Newman) drives into his little hometown (a tropical Southern locale near the sea) with drunken/depressed actress Alexandra Del Lago (Broadway star Geraldine Page).  At a large/fancy hotel, he checks her in as “Princess.”  He has to carry her up to the room; the staff starts to gossip about them (of course).  Then Chance sets off to locate his boyhood love, Heavenly Finley (a very blonde and thin Shirley Knight; you may’ve seen her in As Good As It Gets).

But getting together w/ Heavenly is NOT easy; her father Boss Finley (a wealthy/powerful politician) keeps tabs on her every move.  Her older brother Tom (Rip Torn- back then he didn’t have red hair) is a violent thug in a suit.  Heavenly’s maiden aunt is the only sympathetic one in the bunch.  Even the servants on the Finley estate warn Chance to stay away.

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We learn (via flashbacks) that Chance was very friendly with the Finleys growing up.  He and Waverly fell in love, and planned to marry.  But her father had other ideas… 

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Chance: I had my picture on the cover of Life magazine! Woo-ha!  And at the same time I was… employing my other talent…

Why is Chance with Princess if he STILL can’t forget Heavenly?  What does he want from her?

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Chance: I like you. You are a nice monster.

I pondered on these questions as I watched:

Why do we find it odd when men use their handsome faces/great bodies to get ahead? 

Why can’t women be in charge of their own bodies?  

How does aging affect women, particularly beautiful ones? 

How/why is a daughter’s behavior tied to family honor?  

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Chance: This is pretty high-class pot. Where’d you get it?
Alexandra: You beautiful, stupid young man. That is not pot.  It’s hashish, Moroccan, and the finest.

Yes, they’re talking about drugs.  This movie deals w/ difficult ADULT matters; it’s NOT a feel-good film. But you definitely MUST check it out!

Best to all, EMMA.