Movie Review: Masterpiece Theater’s “Wuthering Heights”

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This young lady (Emily Bronte) wrote one of the most scandalous books of her time!  (Some consider it a pretty outrageous book in our time, too.)  She was the daughter of a clergyman, rarely left home, never married, and died at age 30.

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Here is a portrait of Emily painted by her older brother, Bramwell.  Many literary experts think that Bramwell was the inspiration for the charater of Heathcliff.  Bramwell was much more a person of the world than his sisters (Charlotte, Emily and Anne); he was said to have a hot temper, drink heavily, and gamble.

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Emily’s Heathcliff, unlike Charlotte’s Mr. Rochester (Jane Eyre), is not merely a brooding romantic hero who can be turned around by a good woman.  Healthcliff is an anti-hero- more like a force of nature than a man.  When Cathy lies ill and pregnant in this latest ITV adaptation, she begs Nelly (the ever-loyal housekeeper) to throw open the windows.  She wants to feel the wind upon her- feel close to Heathcliff.

This adaptation is not very close to the book, but it has several strong points.  The music suits the mood of the story very well.  The use of unknown actors works well, as we have no preconceived notions of what we’ll see.  As characters changed over time, and the actors’ portrayals became more believable.

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Heathcliff, in deed, stands unredeemed.  -Charlotte Bronte

Tom Hardy, though not conventionally handsome, makes an excellent Heathcliff.  This Healthcliff is “very changeable” (like Mr. Rochester), but filled to the brim w/ rage.  Hardy is somehow able to make the audience feel some empathy with him at crucial times in the story.  I especially enjoyed these scenes: Heathcliff coming to tea after Cathy and Edgar Linton’s marriage, confronting her on the moors after she’s been w/ Edgar, and holding/comforting the nearly-dead Cathy at the crag.

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Tom Hardy does a lot of acting with his eyes and facial expressions, as Healthcliff is a mysterious man.  But he’s also able to say the dialogue with conviction.  The low/deep voice he uses makes you lean forward and pay attention.  He created good chemistry with Cathy (Charlotte Riley), but I felt he was a much stronger actor.  He’s older and has had much more experience.  (While I watched him, I thought of Gene Hackman, another actor who is very masculine, intense, and able to stay in the moment.)

Burn Gorman, an actor you may’ve seen in Bleak House, did a terrific job as the depressed, unstable, and alcoholic Hindley.  The young lady who played little Catherine (Cathy’s daughter) did very well also; she was full of her mother’s curiosity and energy.  Edgar was handsome, likeable, but weak (as in the book).

There were many things different from Bronte’s book, most notably Healthcliff shooting himself.  Also, no one mentions that Healthcilff might be Mr. Earnshaw’s son by a Liverpool whore.  There is no way to be certain that he and Cathy “hooked up” at the crag (as plainly shown/said in Part I).  Could it have happened?  As my mom said- yes, but people didn’t state these things explicitly then.   Heathcliff doesn’t physically abuse wife Isabella, though he says hurtful things and neglects her.

What didn’t work was the scene where Cathy confesses to Nelly her feelings for both Edgar and Heathcliff.  The actress didn’t put too much emphasis on these important lines.  Before he rode off, Healthcliff was supposed to hear part of her speech (Edgar wants to marry her, it would degrade her to marry a “servant”, and so on.)  But in this film, Healthcliff goes off while she starts talking about Edgar.  Too bad- missed opportunity for the director!

Ultimately, Heathcliff and Cathy’s love was obsessive and destructive.  Cathy was torn between Heathcliff (passion/uncertainty) and Edgar (wealth/respectability).  Because of his tortured past, Heathcliff was “more full of hate than love,” as Cathy says.  He wanted revenge so badly that he nearly destroyed the younger generation.  When he came back a rich gentleman, Healthcliff was unable to rid himself of his emotional baggage.  He was his own worst enemy!

The Duchess

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A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire, who reviled for her extravagant political and personal life. She is a vibrant beauty and celebrity of her time. But she is trapped in an unhappy triangle with her husband and his live-in mistress. She falls passionately in love with an ambitious young politician, and the affair causes a bitter conflict with her husband and threatens to erupt into a scandal.  -IMDB synopsis

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Is it me, or are the movies (in general) becoming too simple, predictable, and just plain dull?  I’m not feeling strongly about most of the (mainstream) movies these days.  Many people I know feel the same, too.  However, I went last weekend to see two new films: The Duchess (with a group of ladies from NYBAP) and W (by myself; my mom saw it before me, and said it was interesting).  Though I wasn’t “wowed” by either of these movies, I recommend you see them (when they come out on DVD).  Below is a review of The Duchess; I will soon write about W as well. 

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There is no denying that Keira Knightley has a strikingly beautiful face; she reminds you of Brooke Shields as a very young woman.  She has gotten a lot of exposure, and grown as an actress since making a big splash as a teen tomboy in the Bend it like Beckham.  Not all the projects she’s chosen haven been hits, but I’m sure she’s learned a lot from them.  In The Duchess (based on actual events), Keira plays Georgiana, an independent-minded young lady who becomes the Duchess of Devonshire in 18th century England.  Her husband, the Duke, is played by Ralph Fiennes (his family is distantly related to British royalty).  He is always interesting to watch, both as a hero and villain.  Unfortunately, in the first half of the movie, he comes across as a rather cartoonish villain.  Subtlety is one of the main things missing from modern pictures!         

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G (as she is called by family and friends) goes from being a bubbly teen girl to a troubled married woman before you can say “corset.”  Her husband is nothing like a girl expects- he’s distant, uncommunicative, and has many affairs.  He becomes even colder when G fails to provide a (male) heir.  Her mother, played very well by Charlotte Rampling, says that women must bear many burdens.  (Divorce was very rare at that time.)

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G’s closest friend, Lady Elizabeth Eshton, is one of the bright spots in her life.  Hayley Atwell, who plays Lady Elizabeth, is a well-developed character who brings (much-needed) depth to this film.  She’s a “woman of the world” who has lived through many trials; she cares deeply for her friend.  While Keira is thin and light on her feet, Hayley is very curvaceous and earthy.  G is a wide-eyed “people-pleaser”; Lady Elizabeth is tougher.  She observes others closely with her small, dark, curious eyes.

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G, though unloved by her husband, becomes a popular fashion icon.  The hairdos, costumes, and (especially) jewels in this film are gorgeous.  She also gets involved in politics, supporting men like Lord Fox (who spoke against slavery, among other injustices).  A young lawyer, played by Dominic West, from G’s girlhood is Fox’s right-hand man.  He has strong feelings for G, even after several years apart.  G is torn between her duty (as wife, mother, high society figurehead, etc.) and desire to experience real love. 

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This film does a good job of re-creating 18th century high society and laying down the (often unspoken) rules of the day.  If you are familiar with that stuff (like me), then it won’t be a biggie to you.  (You’ll be bored, honestly!)  I felt sorry for Ralph Fiennes because he’s (obviously) capable of more subtle acting.  He was too much of a baddie in The Duchess; I don’t think many husbands of that day acted like the Duke.  (I won’t give it away, but he does some heinous stuff.)   There was an (obvious) lack of chemistry between Keira and Dominic; if you want to see real sparks of young love, check out Atonement.  Keira looks great with James McAvoy in that film; they feel like a real couple.  There are some bright moments here and there, like the (unusual) friendship between G and Lady Elizabeth.  The sets and scenery are fabulous, and there is a great moment of drama involving G and one of her children.  It wasn’t a great film, but it wasn’t a bad way to spend two hours.  

Movie Review: “Enemy at the Gates”

Action, friendship, romance- this film has it all!  This war/suspense drama (unfortunately) didn’t do well at the box office in 2001.  When you see it you’ll wonder:  Why the heck not!?  It has an all-star international cast, great cinematography, and a very compelling story (based on true events).  The setting is Stalingrad in Fall/Winter 1942.  Stalin and Hitler are no longer buddies.  The German army has been mounting a large scale attack on Stalingrad, but the Red Army will not give up so easily! 

The film opens with the arrival of a group of rag-tag soldiers from all over Russia, including wide-eyed Vassili Zaitsev (Jude Law) to the big city.  We learn later that he is a shepherd from the Ural Mountains.  The soldiers traveling with Vassili are not all men- a young woman reading a book is in the same car as him.  He is struck by her beauty.

The action of this film comes at you from the start- huge crowds, gunshots, explosions, etc.   Many men fall around the newcomer, but when Vassili gets his hands on a rifle, he takes down 5 German officers!  Danilov (Joseph Fiennes), a political officer, is amazed by the young soldier’s skill.  They become fast friends.

The educated, idealistic Danilov makes Vassili into a larger-than-life war hero; he writes about his deeds in the army newspaper.  Soon, the quiet, simple man is promoted to the sniper division, meeting politicians like Krushchev (Bob Hoskins), and a legend in his own time.  

Danilov: “Here, the men’s only choice is between German bullets and ours. But there’s another way. The way of courage. The way of love of the Motherland. We must publish the army newspaper again. We must tell magnificent stories, stories that extol sacrifice, bravery. We must make them believe in the victory. We must give them hope, pride, a desire to fight. Yes… we need to make examples. But examples to follow. What we need… are heroes.”

Khrushchev: “Do you know any heroes around here?”

Danilov: “Yes, comrade. I know one.”

 

People write him letters, greet him warmly in the streets, and a local shoeshine boy, Sacha, invites Vassili home for dinner.  There he meets the boy’s mother and their close friend/neighbor, Tania (Rachel Weisz), the woman who captivated him on the train.  She was at university in Moscow recently; she volunteered to be part of the militia.  Danilov can’t keep his eyes off her.  But Tania is interested in Vassili; a love triangle is formed!

 

Vassili becomes so famous that the Germans send for their best sniper, the cool, aristocratic Major Konig (Ed Harris) to kill him.  This is the heart of Enemy at the Gates– a duel between two men (both with intense blue eyes) who are the best in their field.  The large-scale war is brought down to these two snipers- to the human level.  Vassili tells the adoring Sacha that you have to face a man to kill him, and that stays with you.

A battle between two nations became a conflict between two men.

Vassili: He [Konig] shot him [another expert sniper] on the run. It was an impossible shot.”

Danilov: “Vassili… ”

Vassili: “You’ve promised people a victory I can’t deliver. I don’t stand a chance against this man.” 

Will Vassili conquer his doubts and defeat Konig?  Which man will get the girl?  Find out for yourself!

Two Classic Movie Reviews: “All About Eve” and “Hud”

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Anne Baxter as Eve, the theater newbie

Ruthless people can be fascinating to watch, as we learn from two wonderful classic (black and white) films, All About Eve and Hud.  Both films are character-driven (my fave kind!), thought-provoking, and intelligent.  The ruthless person in All About Eve (nominted for 14 Oscars!!!) is Eve Harrington (Anne Baxter; you can see her each Thanksgiving as the gorgeous Queen Nefretiri in The Ten Commandmants). 

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Anne w/ Yul Brynner- WOW!!!

Eve is petite, with intense eyes, and (unusually) humble and ingratiating at the start of the film.  She adores Broadway star Margot Channing (Bette Davis) and wants to be a part of her world.  The kind-hearted wife of a great playwright, Karen Richards (Celeste Holm; she co-starred as the grandmother in the TV show Promised Land) introduces Eve to Margot and their circle of theater insiders.  They are touched by her sad life story and her sweet demeanor.  Soon, she becomes Margot’s personal assistant and lives in her apartment.  Margot’s long-time friend/housekeeper, Birdie, thinks that Eve is too good to be true!  What are Eve’s true feelings and intentions?  We wonder this because people are rarely so helpful, humble, and grateful like her.

What's she REALLY up to?

 Don’t get up. And please stop acting as if I were the queen mother. -Margot

The ruthless person in Hud (winner of 3 Oscars) is Hud Bannon (Paul Newman- taking on an anti-hero role), the 34 y.o. son of an old, honest cattle rancher, Homer (Melvin Douglas).  Hud is handsome, charming, reckless, and insensitive to the feelings/needs of others. 

Paul Newman as Hud

Movie tagline: The man with the barbed wire soul!

When he’s not (begrudgingly) working for his dad, Hud is living a protracted adolescence- driving too fast, drinking too much, sleeping with married women, and generally being a bad example to the real adolescent in the family, 17 y.o. nephew Lonnie (Brandon de Wilde).  Lonnie is cute, sweet, and thoughtful; he’s an orphan who also works/lives on the Bannon ranch.   

The only question I ever ask any woman is “What time is your husband coming home?”

Hud flirts shamelessly with the ranch’s wise and earthy housekeeper, Alma (Patricia Neal).  But she is one woman in town that won’t be had easy!  When hoof and mouth disease threatens the cattle (and the family fortune), Hud suggests an underhanded plan.  Homer is surprised and disappointed by his son’s lack of principles.  But that’s not the only reason there is a distance/coldness between father and son!

 

If nothing else, there’s applause… like waves of love pouring over the footlights. 

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Though Eve wins the trust and friendship of Margot, Karen, Bill (Margot’s director bf), and Lloyd (Karen’s hubby; a great playwright), she is not afraid to step on/use them on her way to stardom.  There is something disconcerting (notice the eyes) about her intensity and single-mindedness.   She is truly “a wolf in sheep’s clothing”- the ambition behind her smile knows no bounds!

…you don’t value anything. You don’t respect nothing. You keep no check on your appetites at all. You live just for yourself. And that makes you not fit to live with. 
-Homer
Hud, on the other hand, does nothing to disguise his “bad boy” side from his family and small Texas community.  He doesn’t apologize for his behavior because he sees nothing wrong with it!  Hud lives for pleasure (Jack Daniels whiskey, beautiful women, etc.) because he can’t live up to his father’s high moral standards (honesty, plain-speaking, moderation).  In one intense scene, Hud blames Homer for how he turned out, like an immature teen.  Lonnie, who observes his uncle carefully, is actually the bigger man in the film.  He grows to realize that Hud is no role model.

Eve is not the type of character that many viewers will sympathize with, though she is fun to watch.  Hud is self-destructive; only a dedicated actor like Newman can bring (a bit of) humanity to such a guy!  To discover those special moments, pay attention to his eyes, facial expressions, and body language during silent moments.  Sometimes the silence reveals more re: a character than his/her speech. 

Infants behave the way I do, you know. They carry on and misbehave – they’d get drunk if they knew how – when they can’t have what they want, when they feel unwanted or insecure or unloved.

Funny business, a woman’s career – the things you drop on your way up the ladder so you can move faster. You forget you’ll need them again when you get back to being a woman. That’s one career all females have in common, whether we like it or not: being a woman.

Margot Channing is a more well-developed character than nemesis Eve.  Though she is smart, talented, successful, etc., the actress is insecure about her love life.  She worries about getting old, even though her writer calls her “age-less.”  Margot creates drama where there is no need, trying the patience of her old pals.  Unlike Hud and Eve, Margot knows her faults and craves acceptance despite them.  She can laugh at herself- a great quality! 

 

Claudia: Oh, waiter!
Addison: That is not a waiter, my dear, that is a butler.
Claudia: Well, I can’t yell “Oh butler!” can I? Maybe somebody’s name is Butler.
Addison: You have a point. An idiotic one, but a point.

Marilyn Monroe has a small (but funny) part in All About Eve; she looks great (of course)!  The theater critic, Addison De Witt (George Sanders- standing by Marilyn in pic above) has some very witty/biting lines in this film.  He’s the bright, charming villain who takes an interest in Eve’s career.  I liked his character because he’s the one person who can go toe-to-toe with the real, ruthless Eve.  The best things about this film is the fast-paced, clever dialogue.

Hud has great cinematography; the B&W made the film look crisp and modern to me.  Paul Newman just becomes the character- one very different from himself.  His accent is flawless, too.  Check out these two films ASAP!

Movie Review: “Becoming Jane”

I first saw this movie (based on the biography of Jane Austen by Jon Spence) on You Tube.  I thought it was okay.  On first glance, I enjoyed the music and scenery (actually Ireland, not Hampshire).  I saw it again, and was very surprised by the superb acting, especially by the younger actors.  There were a few moments, involving Tom Lefroy’s wild behavior that seemed a bit extreme; aside from that, I have no complaints.  This is a beautiful, intelligent movie that I highly recommend to all JA fans!

Warning: My review has MAJOR spoilers!

Anne Hathaway plays the 20 year old Jane who, over one tumultuous summer, falls in love with charming lawyer-in-training Tom Lefroy (James McAvoy).  Tom was sent to the country to stay with his cousins by his uncle, a high court judge.  This uncle, upon whom Tom relied, disapproved of his wild behavior (gambling, boxing, carousing with women, etc.)  Tom is also a great pal of the eldest Austen son, Henry (Joe Anderson, a very cute/blonde young actor).

Did you know Anne did her senior thesis at Vassar on JA’s works?  She takes her role seriously here.  Anne’s take on Jane seems well-researched; she never looks out of place.  She learned to write and play paino like JA did!  Upon first meeting Tom, Jane is not impressed.  In a letter, she calls him “insolent, arrogant, impudent, insufferable, impertinent.”   He is bored with this new “rural” set of people, and thinks he’s above them.  Shades of Mr. Darcy!

The Austen parents, James Cromwell and Julie Walters, are grounded in life’s realities, but they married for love.

“That girl needs a husband. But who’s good enough? Nobody!” -Mrs. Austen laments

Father is more sensitive to Jane’s wishes; mother is more of a realist.

“Jane should have not the man who offers the best price, but the man she wants.” -Rev. Austen

I liked Cromwell very much in this role; it really suited him.  (He can currently be seen as George H. W. Bush in Oliver Stone’s biopic W.)

“I will not marry without affection, like my mother!” -Jane to Mrs. Austen

“Affection is desirable.  Money is absolutely indispensable!” -Mrs. Austen to Jane

Another great supporting character is Jane’s beloved older sister Cassandra (Anna Maxwell Martin).  She is the shy, sweet, obedient girl in the family.  But her fiancé, the young parson-to-be, Mr. Fowl, dies overseas of yellow fever.  Cassie, who feels very deeply, never thinks of another man.  (This would later become the impetus for Persuasion.)  Anna suits her role very well; she had been in many period dramas, including North & South and Bleak House.

Henry, who also has a sub-plot, is pursued by their elegant, widowed older cousin, a French countess by marriage.  Eliza is the voice of the experienced, worldly woman in Jane’s life.  The countess uses her beauty, charm, and (especially) money to gain Henry’s interest.

“Sometimes affection is a shy flower that takes time to blossom.” -Mr. Wisley to Jane

As you may know, Jane received a few marriage proposals over her short life.  One such offer comes from the tall, quiet, socially awkward Mr. Wisley (Laurence Fox) who will inherit the property of his childless, wealthy aunt, Lady Gresham (Maggie Smith).  (Wisley is loosely based on Harris Biggs, a man who proposed to the real JA when she was 27.)

Laurence Fox is the son of actor James Fox and cousin of the lovely Emilia Fox (who appeared as Miss Darcy in the popular Pride & Prejudice miniseries).  Laurence recently played Cecil in the new version of A Room With A View.  Mr. Wisley slowly grows to admire Jane’s independent spirit.  Lady Gresham brings to mind Lady Catherine from P&P, though she is a bit more humane.

Tom Lefroy was believed to be the one love of Jane’s life.  Below is a pic of the real Tom!

The young couple are ill-suited for each other, according to the prevailing thought of the day.  Though Tom seems like a free-wheeling, carefree guy, Tom is from a poor family in Limerick who depend upon him for support.  (His mother married his father for love, and they had many children.)  He’s the kind of young man who must marry for money, or wait until he has made some on his own.  But, like Jane, he has a non-conformist side.

Tom recommends that Jane read Tom Jones to learn more about the world of young men.  He never says anything negative about her desire to be a novelist.

“If you wish to practice the art of fiction, to be considered the equal of a masculine author, experience is vital.” -Tom advises

“I think that you, Miss Austen, consider yourself a cut above the company.” -Tom comments during a public assembly (dance).

“Me?” -Jane replies with surprise.

 “You, ma’am. Secretly.” -Tom observes wisely.

The main reasons to see this movie: James (and his very fine eyes- a great compliment in JA’s time), the terrific chemistry between him and Anne, and the gorgeous music.  James (the more I see of him, the more I want to see!) is full of energy, empathy, grace and style in this film.  He sinks seamlessly into his character, and these costumes look (especially) good on his frame.  He’s one of those (rare) young men who’s not afraid to look vulnerable.  His eyes are very expressive.  Anne calls him “a legend in the making” on the special features.  Check out Becoming Jane ASAP!