Movie Review: “Enemy at the Gates”

Action, friendship, romance- this film has it all!  This war/suspense drama (unfortunately) didn’t do well at the box office in 2001.  When you see it you’ll wonder:  Why the heck not!?  It has an all-star international cast, great cinematography, and a very compelling story (based on true events).  The setting is Stalingrad in Fall/Winter 1942.  Stalin and Hitler are no longer buddies.  The German army has been mounting a large scale attack on Stalingrad, but the Red Army will not give up so easily! 

The film opens with the arrival of a group of rag-tag soldiers from all over Russia, including wide-eyed Vassili Zaitsev (Jude Law) to the big city.  We learn later that he is a shepherd from the Ural Mountains.  The soldiers traveling with Vassili are not all men- a young woman reading a book is in the same car as him.  He is struck by her beauty.

The action of this film comes at you from the start- huge crowds, gunshots, explosions, etc.   Many men fall around the newcomer, but when Vassili gets his hands on a rifle, he takes down 5 German officers!  Danilov (Joseph Fiennes), a political officer, is amazed by the young soldier’s skill.  They become fast friends.

The educated, idealistic Danilov makes Vassili into a larger-than-life war hero; he writes about his deeds in the army newspaper.  Soon, the quiet, simple man is promoted to the sniper division, meeting politicians like Krushchev (Bob Hoskins), and a legend in his own time.  

Danilov: “Here, the men’s only choice is between German bullets and ours. But there’s another way. The way of courage. The way of love of the Motherland. We must publish the army newspaper again. We must tell magnificent stories, stories that extol sacrifice, bravery. We must make them believe in the victory. We must give them hope, pride, a desire to fight. Yes… we need to make examples. But examples to follow. What we need… are heroes.”

Khrushchev: “Do you know any heroes around here?”

Danilov: “Yes, comrade. I know one.”

 

People write him letters, greet him warmly in the streets, and a local shoeshine boy, Sacha, invites Vassili home for dinner.  There he meets the boy’s mother and their close friend/neighbor, Tania (Rachel Weisz), the woman who captivated him on the train.  She was at university in Moscow recently; she volunteered to be part of the militia.  Danilov can’t keep his eyes off her.  But Tania is interested in Vassili; a love triangle is formed!

 

Vassili becomes so famous that the Germans send for their best sniper, the cool, aristocratic Major Konig (Ed Harris) to kill him.  This is the heart of Enemy at the Gates– a duel between two men (both with intense blue eyes) who are the best in their field.  The large-scale war is brought down to these two snipers- to the human level.  Vassili tells the adoring Sacha that you have to face a man to kill him, and that stays with you.

A battle between two nations became a conflict between two men.

Vassili: He [Konig] shot him [another expert sniper] on the run. It was an impossible shot.”

Danilov: “Vassili… ”

Vassili: “You’ve promised people a victory I can’t deliver. I don’t stand a chance against this man.” 

Will Vassili conquer his doubts and defeat Konig?  Which man will get the girl?  Find out for yourself!

Two Classic Movie Reviews: “All About Eve” and “Hud”

Anne Baxter as Eve
Anne Baxter as Eve, the theater newbie

Ruthless people can be fascinating to watch, as we learn from two wonderful classic (black and white) films, All About Eve and Hud.  Both films are character-driven (my fave kind!), thought-provoking, and intelligent.  The ruthless person in All About Eve (nominted for 14 Oscars!!!) is Eve Harrington (Anne Baxter; you can see her each Thanksgiving as the gorgeous Queen Nefretiri in The Ten Commandmants). 

Yul Brynner and Anne Baxter
Anne w/ Yul Brynner- WOW!!!

Eve is petite, with intense eyes, and (unusually) humble and ingratiating at the start of the film.  She adores Broadway star Margot Channing (Bette Davis) and wants to be a part of her world.  The kind-hearted wife of a great playwright, Karen Richards (Celeste Holm; she co-starred as the grandmother in the TV show Promised Land) introduces Eve to Margot and their circle of theater insiders.  They are touched by her sad life story and her sweet demeanor.  Soon, she becomes Margot’s personal assistant and lives in her apartment.  Margot’s long-time friend/housekeeper, Birdie, thinks that Eve is too good to be true!  What are Eve’s true feelings and intentions?  We wonder this because people are rarely so helpful, humble, and grateful like her.

What's she REALLY up to?

 Don’t get up. And please stop acting as if I were the queen mother. -Margot

The ruthless person in Hud (winner of 3 Oscars) is Hud Bannon (Paul Newman- taking on an anti-hero role), the 34 y.o. son of an old, honest cattle rancher, Homer (Melvin Douglas).  Hud is handsome, charming, reckless, and insensitive to the feelings/needs of others. 

Paul Newman as Hud

Movie tagline: The man with the barbed wire soul!

When he’s not (begrudgingly) working for his dad, Hud is living a protracted adolescence- driving too fast, drinking too much, sleeping with married women, and generally being a bad example to the real adolescent in the family, 17 y.o. nephew Lonnie (Brandon de Wilde).  Lonnie is cute, sweet, and thoughtful; he’s an orphan who also works/lives on the Bannon ranch.   

The only question I ever ask any woman is “What time is your husband coming home?”

Hud flirts shamelessly with the ranch’s wise and earthy housekeeper, Alma (Patricia Neal).  But she is one woman in town that won’t be had easy!  When hoof and mouth disease threatens the cattle (and the family fortune), Hud suggests an underhanded plan.  Homer is surprised and disappointed by his son’s lack of principles.  But that’s not the only reason there is a distance/coldness between father and son!

 

If nothing else, there’s applause… like waves of love pouring over the footlights. 

Eve

Though Eve wins the trust and friendship of Margot, Karen, Bill (Margot’s director bf), and Lloyd (Karen’s hubby; a great playwright), she is not afraid to step on/use them on her way to stardom.  There is something disconcerting (notice the eyes) about her intensity and single-mindedness.   She is truly “a wolf in sheep’s clothing”- the ambition behind her smile knows no bounds!

…you don’t value anything. You don’t respect nothing. You keep no check on your appetites at all. You live just for yourself. And that makes you not fit to live with. 
-Homer
Hud, on the other hand, does nothing to disguise his “bad boy” side from his family and small Texas community.  He doesn’t apologize for his behavior because he sees nothing wrong with it!  Hud lives for pleasure (Jack Daniels whiskey, beautiful women, etc.) because he can’t live up to his father’s high moral standards (honesty, plain-speaking, moderation).  In one intense scene, Hud blames Homer for how he turned out, like an immature teen.  Lonnie, who observes his uncle carefully, is actually the bigger man in the film.  He grows to realize that Hud is no role model.

Eve is not the type of character that many viewers will sympathize with, though she is fun to watch.  Hud is self-destructive; only a dedicated actor like Newman can bring (a bit of) humanity to such a guy!  To discover those special moments, pay attention to his eyes, facial expressions, and body language during silent moments.  Sometimes the silence reveals more re: a character than his/her speech. 

Infants behave the way I do, you know. They carry on and misbehave – they’d get drunk if they knew how – when they can’t have what they want, when they feel unwanted or insecure or unloved.

Funny business, a woman’s career – the things you drop on your way up the ladder so you can move faster. You forget you’ll need them again when you get back to being a woman. That’s one career all females have in common, whether we like it or not: being a woman.

Margot Channing is a more well-developed character than nemesis Eve.  Though she is smart, talented, successful, etc., the actress is insecure about her love life.  She worries about getting old, even though her writer calls her “age-less.”  Margot creates drama where there is no need, trying the patience of her old pals.  Unlike Hud and Eve, Margot knows her faults and craves acceptance despite them.  She can laugh at herself- a great quality! 

 

Claudia: Oh, waiter!
Addison: That is not a waiter, my dear, that is a butler.
Claudia: Well, I can’t yell “Oh butler!” can I? Maybe somebody’s name is Butler.
Addison: You have a point. An idiotic one, but a point.

Marilyn Monroe has a small (but funny) part in All About Eve; she looks great (of course)!  The theater critic, Addison De Witt (George Sanders- standing by Marilyn in pic above) has some very witty/biting lines in this film.  He’s the bright, charming villain who takes an interest in Eve’s career.  I liked his character because he’s the one person who can go toe-to-toe with the real, ruthless Eve.  The best things about this film is the fast-paced, clever dialogue.

Hud has great cinematography; the B&W made the film look crisp and modern to me.  Paul Newman just becomes the character- one very different from himself.  His accent is flawless, too.  Check out these two films ASAP!

Movie Review: “Becoming Jane”

I first saw this movie (based on the biography of Jane Austen by Jon Spence) on You Tube.  I thought it was okay.  On first glance, I enjoyed the music and scenery (actually Ireland, not Hampshire).  I saw it again, and was very surprised by the superb acting, especially by the younger actors.  There were a few moments, involving Tom Lefroy’s wild behavior that seemed a bit extreme; aside from that, I have no complaints.  This is a beautiful, intelligent movie that I highly recommend to all JA fans!

Warning: My review has MAJOR spoilers!

Anne Hathaway plays the 20 year old Jane who, over one tumultuous summer, falls in love with charming lawyer-in-training Tom Lefroy (James McAvoy).  Tom was sent to the country to stay with his cousins by his uncle, a high court judge.  This uncle, upon whom Tom relied, disapproved of his wild behavior (gambling, boxing, carousing with women, etc.)  Tom is also a great pal of the eldest Austen son, Henry (Joe Anderson, a very cute/blonde young actor).

Did you know Anne did her senior thesis at Vassar on JA’s works?  She takes her role seriously here.  Anne’s take on Jane seems well-researched; she never looks out of place.  She learned to write and play paino like JA did!  Upon first meeting Tom, Jane is not impressed.  In a letter, she calls him “insolent, arrogant, impudent, insufferable, impertinent.”   He is bored with this new “rural” set of people, and thinks he’s above them.  Shades of Mr. Darcy!

The Austen parents, James Cromwell and Julie Walters, are grounded in life’s realities, but they married for love.

“That girl needs a husband. But who’s good enough? Nobody!” -Mrs. Austen laments

Father is more sensitive to Jane’s wishes; mother is more of a realist.

“Jane should have not the man who offers the best price, but the man she wants.” -Rev. Austen

I liked Cromwell very much in this role; it really suited him.  (He can currently be seen as George H. W. Bush in Oliver Stone’s biopic W.)

“I will not marry without affection, like my mother!” -Jane to Mrs. Austen

“Affection is desirable.  Money is absolutely indispensable!” -Mrs. Austen to Jane

Another great supporting character is Jane’s beloved older sister Cassandra (Anna Maxwell Martin).  She is the shy, sweet, obedient girl in the family.  But her fiancé, the young parson-to-be, Mr. Fowl, dies overseas of yellow fever.  Cassie, who feels very deeply, never thinks of another man.  (This would later become the impetus for Persuasion.)  Anna suits her role very well; she had been in many period dramas, including North & South and Bleak House.

Henry, who also has a sub-plot, is pursued by their elegant, widowed older cousin, a French countess by marriage.  Eliza is the voice of the experienced, worldly woman in Jane’s life.  The countess uses her beauty, charm, and (especially) money to gain Henry’s interest.

“Sometimes affection is a shy flower that takes time to blossom.” -Mr. Wisley to Jane

As you may know, Jane received a few marriage proposals over her short life.  One such offer comes from the tall, quiet, socially awkward Mr. Wisley (Laurence Fox) who will inherit the property of his childless, wealthy aunt, Lady Gresham (Maggie Smith).  (Wisley is loosely based on Harris Biggs, a man who proposed to the real JA when she was 27.)

Laurence Fox is the son of actor James Fox and cousin of the lovely Emilia Fox (who appeared as Miss Darcy in the popular Pride & Prejudice miniseries).  Laurence recently played Cecil in the new version of A Room With A View.  Mr. Wisley slowly grows to admire Jane’s independent spirit.  Lady Gresham brings to mind Lady Catherine from P&P, though she is a bit more humane.

Tom Lefroy was believed to be the one love of Jane’s life.  Below is a pic of the real Tom!

The young couple are ill-suited for each other, according to the prevailing thought of the day.  Though Tom seems like a free-wheeling, carefree guy, Tom is from a poor family in Limerick who depend upon him for support.  (His mother married his father for love, and they had many children.)  He’s the kind of young man who must marry for money, or wait until he has made some on his own.  But, like Jane, he has a non-conformist side.

Tom recommends that Jane read Tom Jones to learn more about the world of young men.  He never says anything negative about her desire to be a novelist.

“If you wish to practice the art of fiction, to be considered the equal of a masculine author, experience is vital.” -Tom advises

“I think that you, Miss Austen, consider yourself a cut above the company.” -Tom comments during a public assembly (dance).

“Me?” -Jane replies with surprise.

 “You, ma’am. Secretly.” -Tom observes wisely.

The main reasons to see this movie: James (and his very fine eyes- a great compliment in JA’s time), the terrific chemistry between him and Anne, and the gorgeous music.  James (the more I see of him, the more I want to see!) is full of energy, empathy, grace and style in this film.  He sinks seamlessly into his character, and these costumes look (especially) good on his frame.  He’s one of those (rare) young men who’s not afraid to look vulnerable.  His eyes are very expressive.  Anne calls him “a legend in the making” on the special features.  Check out Becoming Jane ASAP!

Classic Movie Review: “Laura”

Her youth and beauty, her poise and charm of manner captivated them all. She had warmth, vitality. She had authentic magnetism. Wherever we went, she stood out. Men admired her; women envied her.

Waldo Lydecker (Clifton Webb) describes businesswoman Laura Hunt (Gene Tiermey) in glowing terms to Detective Mark McPherson (Dana Andrews) after her (presumed) death.  Lydecker is an influential, wealthy, sharp-tongued, witty columnist in NYC.  He narrates part of this 1944 film noir, and for the first half of the film, he creates for the audience a picture of Laura.  She was gorgeous, mysterious, confidant- the type of woman that men dream about. 

 

How singularly innocent I look this morning.

Lydecker served as her mentor, and they spent the past 5 years together.  What was the nature of their relationship?  He is imperious, but effeminate in manner- looks non-threatening to the audience.     

Because of Laura’s status and the terrible manner of her death, the media flocks to the doorstep of her 5th Ave apartment.  Though Waldo (a man in his 50s) was close to Laura, she was engaged to the charming, handsome, easy-going Shelby Carpenter (Vincent Price).  Shelby is very friendly with Laura’s wealthy, widowed, middle-aged aunt, Ann Treadwell (Judith Anderson).

 

Waldo, who often tags along with Mark during his investigation, warns the detective.

You’d better watch out, McPherson, or you’ll finish up in a psychiatric ward. I doubt they’ve ever had a patient who fell in love with a corpse.

 

McPherson is a tough, no-nonsense cop who’s not fazed by dealing with society people; he keeps calm by playing with a little handheld game.  He goes over her apt, her letters, and diary.  Laura’s portrait fascinates and unsettles him.  This is not just a typical murder case to him!

Since Laura is a murder mystery, I don’t want to give too much away.  However, I can tell you that it’s a film worth watching.  You won’t see some surprises coming!  The dialogue is sophisticated and entertaining.  The characters are distinct, interesting individuals.  I especially liked Vincent Price’s performance; he seemed very modern and realistic as a down-on-his-luck Kentucky playboy.  Judith Anderson has a great scene where she describes why they are suited for each other.  Clifton Webb has a lot of terrific lines in the film; he reminded me of Oscar Wilde’s writing. 

 

 
 

 

 

Movie Review: “The Ghost and Mrs. Muir”

I couldn’t believe my luck in finding this film on sale at F.Y.E. in Astoria recently!  I had wanted to see The Ghost and Mrs. Muir for a long time.  This is an exceptionally well-made Hollywood classic (out in 1947) film starring theatrically-trained/powerhouse actor Rex Harrison (the ghost, Captain Daniel Gregg), one of Hollywood’s most beautiful movie stars Gene Tierney (Mrs. Lucy Muir), charming/rakish comedian George Sanders (Miles Fairley), respected character actor Edna Best (Martha), and a very adorable 8 year old Natalie Wood (Anna Muir).  The unusually beautiful music will stay with you long after the film; the composer also worked on Citizen Kane and collaborated many times with Hitchcock.  It was a big success when it first came out, and also received great reviews from critics- you’ll see why!  It combines the genres of thriller, romance, and comedy.  But romance is key!

 

The story opens at the start of the century (1900 that is) in London.  Young widow Mrs. Lucy Muir, whose husband passed away a year ago, is living with her mother-in-law, sister-in-law, daughter, and housekeeper.  The ladies are all dressed in mourning clothes.  She expresses a strong desire to live on her own (with the income from her husband’s gold shares), much to the shock and disapproval of the in-laws (two hysterical, overbearing ladies).  Mrs. Muir has decided that the seaside will suit her well; she sets off with the eager Anna and loyal Martha. 

 

Upon arrival at Whitecliff-by-the-Sea, Mrs. Muir seeks out a “house agent” to find a suitable place.  Mr. Coombe, the agent, thinks he knows better than the young lady, but Mrs. Muir decides to rent Gull Cottage, a house said to be haunted by the ghost of Capt. Gregg (a seaman who died mysteriously 4 years ago).  She is not frightened away by disembodied laughter like previous tenants.  She says the house is “perfectly fascinating.”  So begins the adventure…

 

The cranky ghost of Capt. Gregg, dressed all in black except his silver buckled belt, reveals himself to Mrs. Muir soon after the family moves in; he’s not happy to have people in his house.  But she stands up to him; she’s not scared by his actions (noises, swearing, extinguishing candles).  She earns respect for that.  In that (first meeting) scene, their faces are only lit.   Light and shadow are used very cleverly and purposefully in this film.

 

Capt. Gregg is unlike the ethereal, other-worldly ghosts we’re used to in modern/special-effects laden movies.  He seems “real” to the audience, because Rex Harrison creates a very masculine, humorous, and witty character.  Harrison uses his strong physical presence (a must for any leading man), commanding voice (after all, he was chosen for My Fair Lady even though he couldn’t sing), and (especially) his eyes to “bring life” to the ghost.  But we also wonder if he is a figment of Mrs. Muir’s imagination?  Harrison is great at reacting to his fellow actors- a big part of acting.  In my honest opinion, the only way to get through the over-hyped Cleopatra is to focus on his portrayal of Julius Caesar.    

 

 

The ghost and the widow become friends; they “occupy the same domestic space like a married couple” (Jeanine Bassinger, chair of the Women’s Studies department at Wesleyan points out on one of the commentary tracks).  However, he has no body, so Mrs. Muir is safe; this satisfied the censors of the day.  When her investments fail, her in-laws come to visit; they urge her to go back with them to London.  But Capt. Gregg forms a plan- he “ghostwrites” a book to boost her finances.  Over some months, Daniel dictates to Lucy (or “Lucia” as he prefers to call her) the story of his lusty, adventurous life.  They work together and fall deeply in love.  It’s a sad fact that she is alive and he is dead! 

 

When Mrs. Muir goes up to London to see a publisher, she catches the eye of Miles Fairley, a well-dressed, smooth-talking, wealthy man in the office.  He’s not exactly her type of man, but he’s real.  Will Mrs. Muir let this (corporeal) man into her heart?    There is a similar choice to be made in Anthony Minghella’s first film, Truly Madly Deeply (if you want to know more). 

 

I highly recommend this film to everyone, not only fans of classic black and white films.  It seems modern to me, in many ways.  The music, lighting, costumes, etc. all work to create a memorable picture.  The exchanges (even the ones without words) that Harrison and Tierney have are terrific; you can see that their characters care about and respect each other.   The film is also “very literate” (Bassinger comments).  This is an intelligent viewer’s movie, though it also evokes emotions.  It is about loss, yearning, and “the dream of love.”  In reality, men are not perfect.  And not everyone has love in their life.  But we all dream!