Her youth and beauty, her poise and charm of manner captivated them all. She had warmth, vitality. She had authentic magnetism. Wherever we went, she stood out. Men admired her; women envied her.
Waldo Lydecker (Clifton Webb) describes businesswoman Laura Hunt (Gene Tiermey) in glowing terms to Detective Mark McPherson (Dana Andrews) after her (presumed) death. Lydecker is an influential, wealthy, sharp-tongued, witty columnist in NYC. He narrates part of this 1944 film noir, and for the first half of the film, he creates for the audience a picture of Laura. She was gorgeous, mysterious, confidant- the type of woman that men dream about.
How singularly innocent I look this morning.
Lydecker served as her mentor, and they spent the past 5 years together. What was the nature of their relationship? He is imperious, but effeminate in manner- looks non-threatening to the audience.
Because of Laura’s status and the terrible manner of her death, the media flocks to the doorstep of her 5th Ave apartment. Though Waldo (a man in his 50s) was close to Laura, she was engaged to the charming, handsome, easy-going Shelby Carpenter (Vincent Price). Shelby is very friendly with Laura’s wealthy, widowed, middle-aged aunt, Ann Treadwell (Judith Anderson).
Waldo, who often tags along with Mark during his investigation, warns the detective.
You’d better watch out, McPherson, or you’ll finish up in a psychiatric ward. I doubt they’ve ever had a patient who fell in love with a corpse.
McPherson is a tough, no-nonsense cop who’s not fazed by dealing with society people; he keeps calm by playing with a little handheld game. He goes over her apt, her letters, and diary. Laura’s portrait fascinates and unsettles him. This is not just a typical murder case to him!
One thought on “Classic Movie Review: “Laura””
Great flick! A classic in clever script writing as the character development serves to draw you in without the benefit of the lead actress appearing on screen other then in that huge portrait. I too loved Vincent Price in this film. Such a departure from his absolute magnificence in Dragonwyck (a movie that should receive far more attention then it does – the story being so much different when you look under the facade presented to you. The victim, in reality, being the understood villain from start to finish leaving the audience to be smarter then the conclusions our brainwashing often wants to jump to. Anyway – he and Gene Tierney are a powerhouse together as ever. (i.e. Leave Her To Heaven)