This is a film I’d NEVER heard of, BUT was curious to see (since it has both Hepburn and Mitchum). It was shown on TCM last week and is directed by the famed Vincente Minnelli (husband of Judy Garland and father to Liza). Minnelli does a VERY good job w/ a domestic drama mixed w/ film noir, which is NOT something you’d expect if you know his more well-known works (Meet Me in St. Louis, Father of the Bride, Gigi). He also directed The Bad and the Beautiful, which shows the dark side of Hollywood.
Hepburn is cast against type here, which fans (like me) may enjoy, and even some haters will be pleasantly surprised to see. She plays Ann Hamilton, the quirky/single daughter of small-town professor, Dink (Edmund Gwenn from Miracle on 34th Street). Ann prefers playing w/ her dog and tinkering in her home chemistry lab, eschewing ideas of marriage pushed upon her by cranky housekeeper, Lucy (Marjorie Main) and eager academic, Prof. Bangs (Dan Tobin).
Alan Garroway (Robert Taylor) chats with Ann Hamilton (Katharine Hepburn) at her home.
[1] Call it Film-Noir. Call it Mystery/Suspense. Call it Psychological Thriller. Call it what you may…I call it: absorbing drama.
It moves very deliberately… and the facts are revealed one by one, in true mystery fashion, until the fantastic, thrilling ending.
[2] Hepburn gives her usual intelligent performance, showing a vulnerable, feminine side that is very appealing. There is a scene in a fitting room where she is absolutely stunning. The scenes between her and her father, played by Edmund Gwenn, are delightful and realistic…
[3] As others have noted, the plot has “Rebecca-esque” qualities, but a character completely its own.
-Various IMDB comments
One night, Ann’s life is changed when she meets Alan Garroway (Robert Taylor), a suave/dapper inventor who was meeting w/ Dink. It turns out that his company helped win WWII w/ a cutting-edge missile guidance system. Ann is struck by him at first sight; it’s obvious that he is interested, too. Soon, they’re married and off to DC! Ann meets his (high society) friends, gets a new/stylish wardrobe, and learns that her new husband is more complicated than she thought.
Her father (Edmundf Gwenn) looks on as Ann (Katharine Hepburn) receives roses.
Film Trivia:
BOTH Taylor and Mitchum were younger than Hepburn.
In Minnelli‘s autobiography, he says that Mitchum was very uncomfortable in the role of the sensitive Michael.
Katharine Hepburn and Robert Mitchum did NOT get along during the filming. One day, Hepburn told Mitchum, “You know you can’t act, and if you hadn’t been good looking you would never have got a picture at all. I’m tired of working with people like you who have nothing to offer.” (OUCH!)
NOTE: This review contains SPOILERS for the latest season of the streaming series. Fun fact: My dad also doesn’t like “sorry” (like Claire).
“I will not yield!” Frank (Kevin Spacey) declares to Congress.
“You don’t want me to stand for something,” Frank states to the viewer late in season five. ‘You just want me to stand.” But, uh, reality would beg to differ. We increasingly want politicians to push back against the bland, corporatist kind of politics Frank and Claire represent, to elevate outsiders. House of Cards is a show about the ultimate insiders, and it can’t overcome that central fact. -Vox
Frank’s “war on terror” has deadly consequences for ICO-inspired Joshua Masterson. With a little help from Asst. Dir. Green (FBI), Underwood had stashed the homegrown terrorist in an underground/high-tech prison. Frank tells Green “to get rid of the asset.”So, did you think that Frank was upset re: the reaction of the Millers’ teen daughter at the funeral? It’s like that girl saw through Frank, though she was SO young and grief-stricken (b/c of her father’s murder).
Frank (Kevin Spacey) and Claire (Robin Wright) drink a toast.
…the name of Frank’s secret society can be traced back to Greek mythology. “Elysian Fields” is said to be a true paradise where gods who are gifted immortality are sent. Basically, only the most favored gods got to go to this place and live out their endless lives in bliss. This is especially fitting for a reference point because on House of Cards, Elysian Fields is essentially a place for important men (and only men) to hang out together in the woods. -Bustle
It was one of the most talked about ep of the season, as I learned from Twitter (and later on- few articles). Viewers wondered: “Is that real!?” once it was revealed that prominent men were behind the masks at the weekend retreat (or shall we call is “glamping?”)
Marc Ursher (Campbell Scott) and Will Conway (Joel Kinnaman)
Will Conway, the Republican presidential candidate was clearly modeled on Obama (w/ a side of Kardashian-level status on social media, as we saw in S4). We learn that he has PTSD, which he keeps hidden from even Marc Usher (Campbell Scott- still slim and handsome) and retired Gen. Brockhart (Colm Feore- one of Canada’s best theater actors). The CEO from Pollyhop, also Conway’s old pal, knows about the PTSD.
Marc finds out what’s up when Conway loses his cool on a small jet, demanding that pilots let him fly (“I’m going to be the president and you’re going to flip me those motherf****ing controls!”) This rant is caught on tape, then later leaked to the Underwoods. The tall telegenic family man is a damaged individual (after serving in Afghanistan after 9/11).
Eric AKA Augustus Underwood (Malcolm Madera) comes to the White House.At the peak of Frank’s unpopularity, it seems that Eric [who role plays Confederate soldier Augustus Underwood- Frank’s grandfather] is just about the only person left who truly believes that the man could make a great president… -BustleEric never openly states why he thinks Frank could be a good president; I think it’s his youthful naiveté. Eric and Frank get closer over his visits; he starts working as a personal trainer (his day job). Over talking about the world and laughing about how Eric actually made up Augustus’ backstory, the two become fast friends (something rare/unexpected for Frank). Things eventually get VERY intimate (which I expected) and also a BIT scary (nope, did NOT see that). Secretary of State Catherine Durant (Jayne Atkinson) decides to testify to the senatorial investigation into the President’s misdeeds. She goes to the White House and delivers the news to her frenemy Frank (VERY bad idea). “You need to take a fall,” he says, before pushing Cathy down a flight of steps. She’s alive, but won’t be testifying any time soon. Poor Cathy- she was one of the FEW good characters on this series! Jane Davis (Patricia Clarkson) in the Oval Office.
Something terrible always happens when I go to a party.-Jane tells Claire
…I’m more interested now, going forward, with how this murder [Tom Yates’] will wind up compromising Claire since Mark Usher knows about it and – perhaps Jane Davis too! The two people Claire’s now relying on to steer her forward have a big advantage over her, and she doesn’t fully trust them. -Mark Fowler (IGN)
Some of you on Twitter thought that Miss Davis was NOT a believable character. Is she a war profiteer? She has created this unassuming personality, BUT under it all, is a force to be reckoned w/, no doubt.
Claire turns more to Jane over time, shutting out LeeAnn (Neve Campbell), who is worried re: her old friend Aiden Macallan (Damian Young). It took me a BIT of time to figure out what was going on w/ Mac! I felt bad for the guy, even though he was NOT the most exciting character.
Tom Yates (Paul Sparks) and Claire (Robin Wright)
Stamper has never made peace with killing Rachel Posner – shouldering the responsibility for Barnes’ death is his penitence. –The Telegraph
Lisa (Rachel Posner’s girlfriend) turned to drugs, and also became a threat, BUT Doug (Michael Kelly) decided NOT to kill her. The story of Anthony Moretti being bumped off the organ donor list, then dying to save Frank, is found out by Sean, Seth, and Claire. Back in S2, then VP Underwood murdered Washington Herald reporter, Zoe Barnes, by shoving her in front of a metro train. Over dinner, Claire and Frank share their plan w/ the ever-loyal Doug: “We need you to implicate yourself in the death of Zoe Barnes.”
Tom, don’t cheat on my wife. –Frank tells Yates (after seeing photos of him w/ a White House tour guide)
Yates’ death cannot be considered a surprise. He had persisted in writing thinly-disguised accounts of the Underwood’s double-dealings and, as his ill-considered interview with a journalist early in the season confirmed, had a big mouth to boot. Applying patented Underwood logic, he had to go. -The Telegraph
Now, I was NO fan of Tom Yates (Paul Sparks), BUT I was troubled by his death. Claire poisoned him; like Lady Macbeth, there is “blood” on her hands now. Did she ever love Tom? We see that Tom became possessive over time, which she was turned off by (duh).
Claire (Robin Wright) as the Acting President
Hauled before young/upstart Arizona Congressman Romero (James Martinez) and his House Intelligence Committee, Underwood snaps and says he is resigning- WHOA!
In real American politics, the Congressional Progressive Caucus is composed of 75 representatives, led by co-chairs Rep. Raúl Grijalva (a Democrat from Arizona) and Rep. Mark Pocan (a Democrat from Wisconsin). There’s a good chance Alex could be loosely based on either of the co-chairs of the caucus or any of the 75 representatives who are members, though the the House Of Cards showrunners have not indicated that there’s any real inspiration behind the character. -Bustle
What is this job?-Angela asks her boss
Not what it used to be. –Tom Hammerschmidt replies
Perhaps the biggest surprise in this is that Frank has himself become a leak to Tom Hammerschmidt as the Washington Herald, revealing insider secrets to add press interest on the crumbling administration and justify monitoring of the entire White House and its staff… –Screenrant
Frank will walk away from it all, so that Claire will step in as the new President, and pardon him for his crimes. Then, in the private sector, Underwood will become a source of power, working in tandem with his wife, to “own this house.” It turns out that Claire will NOT be pardoning him too soon!
If she doesn’t pardon me, I’ll kill her. -Frank states in his last monologue
But while he’s thought of every possibility, like the constitutional loopholes he took advantage of to get here, there’s one eventuality not accounted for; while Frank is functioning on a higher sociopathic level than seemingly anyone else in Washington D.C. and able to connive his resignation and transition of power, he doesn’t consider his wife’s fury. –Screenrant
Claire also breaks the fourth wall (NOT a total surprise, as it had been hinted at before). I think MANY of you enjoyed those moments. Did you notice how Claire’s outfits became more conservative, buttoned, and (somewhat) militaristic as the season went on?
It is the time now for women to come and speak up. Until now, we were listening to men, and they were the ones to run everything. -Maysaloun Hamoud (writer/director)
Arab-Israelis make up about 20 percent of Israel’s citizenry. They share the same ethnicity, language, and culture of Palestinians in the West Bank and Gaza Strip; many identify as Palestinians rather than Israeli. This film (written and directed by 35 y.o. Maysaloun Hamoud- pictured below) tells the story of three 20-ish Arab women (two Muslim and one Christian) who have left their hometowns to work/study in Tel Aviv. They find themselves stuck between traditional Arab society (which values modesty, virginity, arranged marriage) and a more open/Westernized Israeli society (w/ dating, alcohol, drugs).
Laila (Mouna Hawa) is an attorney sharing an apt. w/ close friend, Salma (Sana Jammeieh). Into their world enters Noor (Shaden Kanboura), a hijabi Computer Science major who is prepping for finals. We can see that the pals are dismayed to be stuck w/ this new roomie. Though Noor is religious, she is NOT judgmental re: Laila and Salma’s smoking, drinking, and parties w/ a diverse group of friends. She focuses on studying and keeping in touch with her fiance, Wissam. She cooks for him when he comes over to her new place. Wissam keeps pressuring her to move up the date of their wedding. He does NOT approve of her new building or roomies (who slowly become her friends).
Laila (who loves to flirt) starts seriously dating a man, Ziad, who had his eye on her from a wedding they both attended. Ziad is VERY attracted to Laila, particularly b/c she is an uninhibited/beautiful/strong woman. Salma quits her restaurant job, after she and a fellow Palestinian coworker are yelled at by their (Israeli) boss for joking around (in Arabic) in the kitchen. She also has to deal w/ dinners set-up by her wealthy parents to introduce her to single men.
[1] …the movie is also very much about sisters doing it for themselves. There’s an automatic solidarity whereby women– at least young women of similar ages– are all automatically soulmates; and men, it almost goes without saying, are swine. Despite those stereotypes, the movie holds interest by virtue of believable acting and believable situations.
[2] The three women characters were believable, warm, expressing solidarity to each other despite their very different personalities and lifestyles. The theme of personal conflicts between tradition and modernity is not new. What makes this film different is that the issues are very real and current and those outside the tradition don’t see it.
Indeed, it’s difficult to separate the “real Olivier” and the “real Leigh” from their parts here—and the parts that had made them who they now were: he the more conservative and guilt-ridden son of a parson, she the reckless flibbertigibbet who nevertheless had a shrewd eye for power and manipulation.
-Molly Haskell, The Criterion Collection
Closeup of Emma (Vivien Leigh) and Nelson (Laurence Olivier)
It was 1940, Britain was in peril. Hoping to enlist the Americans in the fight against Hitler, producer/director Alexander Korda hatched the idea for this film. Cables went back and forth between London and Hollywood (where the soon-to-be Mr. and Mrs. Olivier were living temporarily, awaiting the finalization of their respective divorces). Korda had both actors under contract; he offered them bonuses, as well as the opportunity to recoup some of the money lost after their failed stage production of Romeo and Juliet. The production had to be done quickly- five weeks. Churchill would later say that it was his favorite movie.
So, your nephew sent me to you with his paintings and the bric-à-brac because he’s broke! -Emma exclaims to Sir William Hamilton
A housemaid turned wannabe fiance to one British gentleman, Emma Hart (Leigh), is suddenly shipped off to Sir William Hamilton (Alan Mowbray). He is a middle-aged widower, even-tempered, and a collector of great works of art. Sir William admires beauty. As he wishes, Emma learns languages, singing, dancing, etc. Her doting mother, Mrs. Cardogan-Lyon (Sara Allgood), is her loyal companion through it all. In time, Sir William marries Emma (making an honest woman out of her); they live in a palatial seaside home in Naples, since he is Ambassador to Italy. Though she could not be presented at court in England, the clever/vivacious Emma becomes a close confidante of the Queen of Naples.
Nelson (Olivier) and Emma (Leigh) meet for the first time
One day, a British battleship arrives in Naples, and Cmdr. Horatio Nelson (Olivier) meets with Sir William re: docking and affairs of state. Emma bursts in on them, worried about a party she is planning. Her husband doesn’t mind, BUT Nelson insists on speaking to the ambassador in private. Emma starts to wonder if her life of is frivolous.
Emma (Leigh) and Nelson (Olivier) at the opera
They told us of your victories but not of the price you paid! -Emma exclaims to Nelson (after seeing his wounds)
Five years later, Emma meets Nelson (now a lord, thanks to his MANY victories in the Napoleonic Wars) again. She is glad to see him alive, BUT also shocked by the fact that he has lost the sight in one eye and an arm. Emma wants to help, she tells Nelson, and uses her influence w/ the queen to get more troops for the war. They talk, plan, attend plays, and become close friends. Rumors start to spread…
[1] …when it comes to the cinema, her acting technique on screen is every bit as expert as Laurence Olivier’s. (In fact, Olivier himself admitted this when he saw her as Scarlett O’Hara.)
[2] Vivien Leigh and Laurence Olivier make a terrific pair and of course have great chemistry together, which really complements this true story. The actors give great performances, and I think the film really tries hard not judge the actions of Lady Hamilton and Lord Nelson which caused a tremendous scandal in their own time. Anyone who likes historical drama and wants to escape into another world for a few hours is bound to enjoy.
[3] Although the film was made by Hollywood, it is British to its core and fiercely patriotic. It was intended as an anti-Nazi propaganda piece… The Nazi allegory is most clearly seen in the scene when Sir William explains to his wife that the British Empire is periodically attacked by military adventurers, in Nelson’s line “We are alone but unafraid” and his speech denouncing the idea of negotiating with dictators… I imagine that it was quite a stirring film for the Britons of the day.
Director John Sayles at AFI Silver Theater on May 17, 2017.
I’d never seen this movie (part of DC Labor Film Fest this year) before, though I’m a BIG fan of independent director John Sayles. On this blog, you’ll find reviews of Passion Fish and Casa de Los Babys– two of his more female-centered works. In my view, Sayles was a “masculine feminist” even before the term became popular. He writes BOTH male and female characters who are multi-dimensional living inside stories which are realistic.
Now, you may be thinking- HOW does Sayles keep doing his own high-quality, yet rather low-budget projects!? He explained that his day job is “writer for hire”- he worked on movie and TV scripts, many of which didn’t get made by the big Hollywood studios. “In the past 15 years or so, studios seem to want their leads to be like Tony Soprano,” Sayles explained in the Q&A session after the film. (Most of the audience laughed at this part.)
Union organizer Joe Kennehan (Chris Cooper) addresses the miners.
Matewan is based on true events which occurred in a rural town in 1920s West Virginia. Some of the character names are real; others are amalgams of several people. When I first saw the trailer for the film two weeks ago, it reminded me of the Western genre (which Sayles was inspired by). The cinematographer here was Hollywood veteran Haskell Wexler (d. 2015); he won two Oscars, one for Who’s Afraid of Virginia Woolf? (1966) and the other for Days of Heaven (1978)- considered one of the MOST beautiful films by critics and fans alike. The music is also a crucial element here; there is a blending of different styles.
A stranger- Union organizer Joe Kennehan (Chris Cooper in his first film role)- arrives in the town of Matewan. (Cooper plays the lead in Sayles’ Lone Star, which also stars a young Matthew McConaughey.) He gets a room at a boarding house run by a widow, Elma Radnor (Mary McDonnell- lead in Passion Fish), and her teenage son Danny (Will Oldham, then just 17 y.o.) Danny recently went to work in the mines, though he’s NOT yet 15 y.o. His real passion is preaching.
Few Clothes (James Earl Jones) is a representative/leader of the black miners.
Joe meets w/ (white/native born) coal miners at the local restaurant. These workers, struggling to form a union, are up against the Stone Mountain Coal Company operators and thugs from the Baldwin-Felts agency (basically guns for hire). Black and newly-arrived Italian immigrants, brought in by the company to break the strike, are caught in the middle. A tall, burly black miner- nicknamed Few Clothes (James Earl Jones)- boldly comes to this meeting. He’s an advocate for the African-American men brought in to work recently from further South. The local white miners don’t want to include the black men (or Italians) in the union; they consider these two groups to be a threat to their livelihood. (Well, some things NEVER change! And yeah, Italians were NOT considered “white” at this time in American history.)
You think this man is the enemy? Huh? This is a worker! Any union keeps this man out ain’t a union, it’s a goddamn club! They got you fightin’ white against colored, native against foreign, hollow against hollow, when you know there ain’t but two sides in this world – them that work and them that don’t. You work, they don’t. That’s all you got to know about the enemy. -Joe explains to the white miners
Police chief Sid Hatfield (David Strathairn) readies his pistol in his office.
I’ve met Mr. Felts. I wouldn’t pee on him if his heart was on fire. -Sid Hatfield tells the men from the Baldwin-Felts agency
This film contains some colorful characters, including stone-faced cop Sid Hatfield (David Strathairn). Kevin Tighe (a veteran of film and TV) and Gordon Clapp (who later made a name on NYPD Blue) play the main villains. Sayles is in the small role of a fiery, anti-union Baptist preacher. Producer Maggie Renzi (herself of Italian heritage) takes on the role of Rosaria, wife to one of the Italian miners and mother to several kids. Sayles and Renzi have been creative and life partners since their days as students at Williams College. Sayles also met Strathairn at Williams; they’re good friends. Local people (NOT professional actors) were used in MANY of the scenes of Matewan; they give authenticity to the film, as does the setting.
I think ALL the actors did a fine job; I esp. liked the characters played by Jones (what a great get for young filmmakers) and Renzi (who spoke in Italian). Cooper was the first actor who auditioned for the role of Joe; he had ONLY done theater before. Sayles revealed that several well-known actors also went in for the part, BUT he and Renzi kept thinking back to Cooper. As for Jones, they wanted someone like him, b/c they thought there was a small chance of the man behind Darth Vader taking on a supporting role. Well, you NEVER know until you try!
Knightleyemma 