This movie is very touching, and it is broader than just culture by itself. It also talks about individual identity and family responsibility, life and death, and the human experience.
 Lulu Wang has written an absolutely beautiful and personal film and has clearly poured her heart out into it. Her dialogue is funny, human, and poetic.
 This story is absolutely deserving of an audience, and combines together through a beautiful lens a clashing of Western & Eastern philosophies of life that really should be examined.
 …one film that as you watch entertains you with thought, and fun laughs and has the drama of pain and emotion all wrapped up in one. It has themes of trust, love, and most of all secrets something that all families can relate to.
-Excerpts from IMBD reviews
Writer/director Lulu Wang’s indie film centers on Billi (Awkwafina- a rapper/actress from Queens raised by her grandmother), a 31 year-old aspiring writer (also living in Queens, NY). She discovers that her Nai Nai (“grandma” in Mandarin) is dying of Stage 4 lung cancer. The extended family has decided not to reveal this to Nai Nai (which is common in China and perhaps a few other Asian cultures). Billi’s father, Haiyan (Tzi Ma- a prolific Chinese-American character actor) and his older brother construct a story: the family will say goodbye when they return to China for the wedding of Haibin’s son, Hao Hao and his Japanese bride, Aiko. For an Americanized, individualistic, and independent woman like Billi, this lie seems wrong.
Awkwafina does very well in her role; you almost forget that she started out in comedy. (FYI: She was cast in this role before her breakout roles in Crazy Rich Asians and Ocean’s 8.) Billi obviously loved her grandma; she calls Nai Nai daily just to talk from NYC. Several film critics have pointed out that the actress has the (rare) ability to do much while seeming to do little. Just notice her posture, sighs, and expressions. Her mother, Lu Jian (Diana Lin- a Chinese-Australian actress) warns Billi that she must participate in the lie. This is tough for Billi, who wears her emotions on her sleeve. Nai Nai (Shuzhen Zhao- a very popular actress in China) is a well-rounded character, full of life, jokes, and joy.
As a (Jewish) viewer of this film noted on IMDB, it follows in the tradition of Taiwanese filmmaker Ang Lee’s The Wedding Banquet (1993) and Eat Drink Man Woman (1994). Though these three movies center on East Asians, they have universal themes and will appeal to diverse audiences. The parents (or older generations) get their share of screen time and are fully-fleshed out characters.
It was very difficult for Wang to get funding; after all, the film has an all Asian cast, is mostly subtitled, and she had only directed one feature film before. Even one of the potential Chinese investors said it’d be “more interesting” if she added a white guy (“real American”) character for Billi to bring home- WOW! After Wang appeared on NPR discussing her problem, an experienced producer (Chris Weitz) reached out to her. His credits incl. About a Boy (2002), The Golden Compass (2007), and Rogue One: A Star Wars Story (2016).