Category: Desis

What To Watch Now

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On Netflix:

Broadchurch – Veteran Brit powerhouse actresses (Charlotte Rampling; Marianne Jean Baptiste) join the strong ensemble cast as dueling barristers (lawyers) in S2 of the crime drama set in the quiet, beautiful, close-knit town. It’s time for the trial, BUT there is still suspense. We learn more re: another crime from the past of DI Alec Hardy (David Tennant). I’ve seen the first 3 eps so far.

Orange is the New Black – This show continues to grow (new guards and inmates come in, incl. a young/hijabi/black/Muslim woman and a celeb akin to Martha Stewart, played by Blair Brown). How will Sophia deal w/ being in isolation?  What will Piper do next now that she has the rep of being a badass?  Will Crazy Eyes ever find real love?  The jail is overcrowded now, w/ a large pop. of  Latinas bused in.  I have only seen 3 eps- need to get back into it soon!  

In Theaters:

Finding Dory – My mom (big fan of Finding Nemo) & I saw this yesterday afternoon (TOO hot to be out)- we LOVED it! The short film (Piper) was SO cute/well-made/touching!  The octopus, Hank (Ed Oneill) was my fave; it was esp. cool how he blended into the environment around him (like a chameleon).  Gorgeous Brits Idris Elba & Dominic West play two seals. Veteran comedy actors (Eugene Levy & Diane Keaton) voice Dory’s kind/encouraging parents.

Free State of Jones – The McConaughssaince  continues w/ this (based on a true story) historical drama set during the Civil War. But I must admit that the first 5 mins are tough to watch (bloody/gory/realistic); the diverse audience I saw it w/ gasped and cringed at some scenes. There is absolutely NOTHING glam re: war, and boy does this film show us that! The pitch-perfect Matthew is joined by luminous Gugu Mbatha-Raw (Belle) and Mahershala Ali (who MANY will know from House of Cards on Netflix). In his role as Moses, an escaped field slave separated from his wife and young son, Ali gets to show us a LOT more of his talent. Even in the quiet moments, he is a strong screen presence.

No man outta tell another man what he’s gotta live for or what he’s gotta die for!  –Newton Knight declares to his small band of followers- runaway Confederate soldiers, poor white farmers (including widows w/ children), & runaway slaves

I can’t believe that history like this is NOT taught in schools!  I’m SO glad that I got to see it for free at a pre-screening. Unlike what Col. Robert Gould Shaw (played by Matthew Broderick in Glory) said in one his letters to his mother (“I do not know these men, their jokes, their songs”)- Knight can relate to the blacks around him. He lived in the swamps w/ them, foraged for food/fished w/ the men, etc.  Check this film out if you can!

On TV:

The Night Of – This is an HBO limited series starring British-Pakistani actor, Riz Ahmed, and veteran actor, John Turturro (who had to take over after the death of James Gandolfini). The story centers on a Pakistani-American college kid from Queens, Nas Khan, who is questioned, then arrested, for the murder of a young woman he picked up in his father’s cab one night while on the way to a party.  The original story comes from across the pond (England), where the accused suspect was played by boyish/waifish Ben Whishaw; that story was focused on class from what I’ve heard.  This version doesn’t shy away from the fact that the suspect is a Muslim male, or the inherent suspicions that come w/ that in post-9/11 era. 


“The Who and the What” (Round House Theatre: Bethesda)

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This domestic comedy (w/ dramatic themes) is a MUST-SEE for theater fans in the DC area! It’s a powerhouse production (laughter, tears, and VERY timely themes) playing until SUN, 6/19, at the Round House in Bethesda. I was interested in seeing this play from the day that I got the flyer in the mail! My friend (who is Pakistani-American, like the lead characters) and I went to see the 2nd pay what you can (PWYC) show- a SUN matinee. We both LOVED it, as did most of the audience (which included just a sprinkling of POC).

“His [Ayad Akthar’s] characters are well-defined and three-dimensional. His dialogue is nearly peerless in American writing.” -Ryan Taylor (DCTheaterScene.com)

The Who and the What centers on successful, pious, Atlanta businessman, Afzal (Tony Mirrcandani), and his two grown-up daughters: scholarly Zarina (Anu Yadav) and bubbly Mahwish (Olivia Khoshatefeh). Since his wife was lost to cancer many years ago, and he is now retired, his daughters are now his main concern.  Since Mahwish has had a serious boyfriend since age 16, Ali (a Pakistani-American young man from a well-off, local family), Afzal is worried re: Zarina’s singlehood.  He takes some steps to find her a husband (using an online platform, of course) w/o her knowledge. Ayad Akthar was partly inspired by Shakespeare’s comedy, The Taming of the Shrew, and also by the stories of many 1st gen Pakistani-American/Muslim women he knew growing up.

In his search, Afzal finds Eli (Brandon McCoy), who he feels has the right mindset to be a good match for Zarina. Eli MAY seem like an odd choice to a LOT of the audience- he’s a white convert who came to Islam while living in inner-city Detroit w/ activist parents. But he’s also the imam of a humble masjid, very smart, and passionate about putting faith into action (which Afzal admires).

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Zarina is amazed and (a BIT) angry when she hears about her father’s matchmaking!  She has ONLY been focused on writing a book for the past 3 yrs, neglecting her personal life. But Zarina decides to give Eli a chance, much to the joy of BOTH Afzal and Mahwish. There is NO denying that they have a LOT in common, which helps create chemistry between the two. Zarina doesn’t intimidate Eli- he is intrigued by her… and her book (though she is reluctant to divulge much info about it).  In the second half of the play, this book’s controversial content will be the main point of conflict between Afzal and Zarina.

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Disgraced, for all its brilliance, is a cold piece of work, mechanical in its stripping down of its character’s dignity. The Akhtar of The Who & The What is a gentler sort, more interested in the possibility of his flawed characters finding a little bit of grace and Eleanor Holdridge’s fine production at Round House is one of my favorites of the year.” -Ryan Taylor (DCTheaterScene.com)

Mr. Mirrcandani is a standout here- he is NOT only very adept w/ the text, he ALSO connects to it (unlike what I saw in the recent Arena Stage production of Disgraced). Though there are universal themes in this play, it will have a special resonance for those from Muslim/South Asian/immigrant backgrounds.  “Everyone looked familiar,” my friend commented (wiping away her tears) after the final scene.  I couldn’t agree more!    

Recent Hits: TV, Film, & Theater

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All the Way (now showing on HBO)

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Bryan Cranston (Breaking Bad; Malcolm in the Middle) TOTALLY transformed himself into LBJ- vocally and physically!  It was also a treat to see Melissa Leo (who plays Lady Bird) after a LONG time; I’ve been a fan of hers since her days on Homicide: Life on the Street.  I saw the play (Arena stage production) about 2 mos. ago; the film is V true to that, though there are changes made (as you can do more w/ cinema).  Anthony Mackie (who has NOT aged by much) has a meaty role as MLK, Jr.  Wingnuts (fans of The West Wing) will be happy to see Bradley Whitford (who portrays liberal Democratic senator- Hubert Humphrey).    

 

The Man Who Knew Infinity (now in select theaters)

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I went to go to a free screening about 3 wks ago; I had no expectations.  Well, I really liked it- and NOT just b/c of Jeremy Irons, the music, or cinematography!  Toby Jones (who often plays baddies) is just SO sweet/delightful as G. H. Hardy’s (Irons’) BFF/fellow mathematician.  Jeremy Northam has a side role as charming philospher Bertrand Russell; it was a nice surprise to me.   This is in the time just before WWI- that conflict also affects the lives of the Oxford community.

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British-Indian actor, Dev Patel (Slumdog Millionnaire; The Newsroom), does a FINE job as S. Ramanujan, a devout Brahmin Hindu math whiz who went from Southern India to Oxford U. at the age of 26.  Patel, who is still in his 20s, has a penchant for wide-eyed/innocent/eager characters; it works well here.  Ramanujan left behind his strong-willed widowed mother and lovely new wife, Janaki (Indian-American actress Devika Bhise). It’s been a LONG time since I’ve seen a modern/Western young woman portray a traditional/demure Indian housewife in SUCH a convincing manner! 

 

The Taming of the Shrew (STC: MAY 17-JUNE 26)

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I just saw this last SAT (preview matinee) w/ a gal pal (who luckily got free tickets online)- it was FABULOUS!  This production, directed by Chinese-Indonesian Brit, Ed Sylvanus Iskander, has a beautiful/intricate set and songs (by Duncan Sheik) which are performed by characters (who were NOT given monologues in Shakespeare’s original play).  

Yes, ALL the actors are male, BUT diversity is built into the show!  Indian- American actor Maulik Pancholy (Weeds) plays Kate, Sri Lankan-American veteran actor Bernard White (Silicon Valley) plays Baptista and Dutch/Mexican-Brit, Peter Gadiot (Tut), plays Petruchio.  Chinese-American actor, Telly Leung, has the best singing voice in the cast; he recently appeared as one of the leads in Allegiance (opposite George Takei). 

Get more info here!      

 

 

“Disgraced” (Arena Stage)

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Introduction

Ayad Akhtar has composed an exacting tale for our turbulent times.  His script demands that I bring forth the lyricism of a clarifying order from the chaos of cultural misunderstanding that is the woven fabric of this remarkable play, while being ever vigilant in spotlighting genuine insight into the complexity of perception in what it is to be Muslim and American.  –Timothy Douglas, director (Arena Stage)

As my regular readers know, I’ve written about this play before; I heard about it nearly 2 yrs ago, then read the play.  I had NEVER read anything like it before!  One of my NYC gal pals went to see it during its Broadway run in 2014 (wow, was I jealous of her then)!  On SUN, May 1st, I went to see the new production at Arena Stage (w/ one of my gal pals).   

Synopsis  

Amir Kapoor, a Pakistani-American, is a successful lawyer living on the Upper East Side of Manhattan w/ his beautiful/blonde artist wife (Emily). With the hope of becoming a partner at the firm around the corner, it seems like nothing can stop him. But when he hosts a dinner party for an African-American co-worker/friend (Jory) and her Jewish husband (Isaac), the conversation quickly turns to everything Amir has spent his  adult life trying to suppress (race, religion, etc.)  All these characters, as well as Abe/Hussein (Amir’s college-going nephew), are confronted with the struggle between culture and identity.  Below is a trailer for the show:

 

Review & Analysis

SPOILERS: Don’t read from this point if you don’t want to know details from Disgraced.

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Portrait of Juan de Pareja (1606-1670) by his master,  Diego Velazquez

After a waiter is incredibly rude to her husband (offstage), Emily (who has been focusing recently on Islamic art) decides to paint a portrait of Amir, inspired by the one of Juan de Pareja. (FYI: He was a Spanish painter of Moorish descent, born into slavery. He was a member of the household of painter Diego Velázquez who freed him in 1650.)  Amir doesn’t understand why she’s making such a big deal, but she comments:”He didn’t SEE you!” That waiter didn’t realize what a success Amir was- he just saw his brown skin.

The couple are interrupted by  the son of Amir’s older sister, Abe Jensen (who has recently changed his name from Hussein Malik); this is a source of humor for Amir.  The young man, who was born in Pakistan, has come to plead w/ his uncle re: representing an imam (“a harmless old man who didn’t do anything wrong.”)  This man is in FBI custody accused to raising funds for Hamas- Amir wants nothing to do w/ it (besides, there are two OTHER lawyers on the case).  When Amir pointedly comments that the imam is “not comfortable w/ Jewish lawyers,” Abe insists that’s not the issue (the imam liked Amir when they met before).  Emily says: “Just TALK to him!”  (She is the one who advocates for Abe, when Amir ignores his phone calls in the story.)  Amir’s  eventual decision to appear in court, beside the other lawyers, will have repercussions on his career. 

Emily excitedly shows her painting (reminiscent of tile work found in Andalucía from the Moorish period) to a curator from The Whitney, Isaac (who is married to Amir’s co-worker, Johri). This painting, white and blue w/ a hint of red, is hung on the mantle of the apartment’s living room (the sole set for this play). 

The crux of the action occurs a few months after during the dinner party.  Amir is already in a terrible mood (Emily doesn’t realize why) and drinking more than usual (Scotch) when the guests arrive earlier than expected.  Emily has made appetizers, fennel salad and pork tenderloin.  She wants to make a good impression b/c she wants to be in a new show which Isaac is putting on at his museum. 

WE are the new Jews!  -Amir explains to Johri

Jory and Amir drink and talk re: work- one of the partners (Mort) has been away for SOME time, traveling, and meditating.  There will soon be a new partner, BUT Amir doubts that it will be he or Jory.  Hey, why don’t they start their OWN firm!?  (We get a little background on how WASP lawyers didn’t want to deal w/ mergers and acquisitions in the past.) 

More drinking, more jokes- this humor here is biting, dark, controversial- perhaps even to the MOST open-minded viewer/reader.  (This was inspired by a dinner party that Akthar had back in 2006.)  Eventually, all hell breaks loose- these civilized folks are ALL revealed to be dysfunctional, duplicitous, and (no shocker) prejudiced!  But Amir is the tragic figure- he loses the MOST in the end. In my opinion, when he strikes Emily, he is NOT only hitting his wife (who is most close to him, yet cheated w/ Isaac), BUT also hitting back at the symbol of white/upper-class patriarchy (though she is female).  There is NO excuse for domestic violence, BUT it does happen (even among very cultured/intelligent couples). 

I was skeptical when I heard Nehal Joshi was going to play the lead. He just did not look old enough, first of all.  Secondly, I’d seen him last year as Sancho in Man of La Mancha (STC); he did a good job w/ the comedy, singing, and dancing. Lastly, the words that I’d read didn’t make much of an impact from ANY of the actors (aside from the actress who played Jory).  One young lady, who had ALSO read the play and attended the same night as I did, tweeted that she “hated it” (but liked the story). I wouldn’t go THAT far- these actors need to get more comfortable w/ the text and project that confidence onstage (in future).   

The audience was (as usual) quite elderly, liberal, and white (esp. in the orchestra section where we were sitting).  I spotted a few desis (South Asians) here and there, along w/ some African-Americans (mainly women).  The Q&A session after the play (w/ a local imam working on his Ph.D.) was fun and informative; he is associated w/ Georgetown University.  He came to the play w/ his four teen kids; they sat very quietly in the same row as me and my friend.  (This material isn’t geared to their age group, but the themes are relevant.)  I think this play is worth reading, BUT I can’t recommend this production.  No fear, there are MANY theaters (around the US) that will be putting on Disgraced this season.   

Related Links

Review: The Not So Unexpected Twist in Ayad Akhtar’s Disgraced

Hanging in a Muslim Neighborhood

 

Game of Thrones: Season 6, Episode 1 (“The Red Woman”)

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SPOILERS: Don’t read this review if you have not yet seen or don’t want to know details from the Season 6 premiere of Game of Thrones.  

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Castle Black:

I saw him in the flames fighting at Winterfell. -Melisandre says despondently re: Jon Snow

I can’t speak for the flames, but he’s gone. -Davos replies solemnly

The wait is over… BUT Jon Snow is STILL dead!  Davos (Liam Cunningham) finds the body, perhaps wondering why there isn’t MORE blood on the ground.  Edd (Ben Crompton) and a few other men (who were loyal to Jon) lock themselves inside (the Lord Commander’s chamber?) and think of what action to take next.  Melisandre (Carice Van Houten) is nearby (in an interior room); she doesn’t come off as her usual self- arrogant and bossy- having suffered setbacks in S5 (incl. the loss of Stannis). 

Winterfell:

Your pain will be paid for 1,000 times over, I wish you could be here to watch.  -Ramsay says to the dead body of Myranda

Ramsay (Ioan Rheon) takes some time to mourn Myranda before declaring that her remains will be fed to the hounds (YIKES)!  Roose (Michael McElhatton) tells his bastard that there will be NO future for Ramsay if he doesn’t get Sansa (a noble gal from Northern fam) back and produce an heir.  We know from S5 that Walda is already pregnant (possibly w/ a son, according to the local maester). 

The ep really kicks into gear when “I’m no lady” Brienne (Gwendolyn Christie) and trusty squire/sidekick Pod (Daniel Portman) come to Sansa (Sophie Turner) and Theon’s (Alfie Allen) rescue. “Brienne is, at this point, the most heroic character in Game of Thrones who actually gets things done… she’s motivated pretty much entirely by the desire to be honorable and find someone worthy to protect. She has no ambitions of her own, no greed, no selfish agenda,” as TV critic Charlie Jane Anders wrote.  I esp. liked how Pod had to help Sansa w/ her side of the oath.   

Kings Landing:

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I don’t know where she came from. She was nothing like me. No meanness, no jealousy – just good. I thought if I could make something so good, so pure, maybe I’m not a monster.  -Cersei comments re: Myrcella to Jaime

Cersei (Lena Headey) runs out to see the Dornish ship, but soon sees that the boat coming toward shore carries Jamie (Nikolaj Coster-Waldau) and a golden shroud (covering the coffin of Myrcella).  In the next scene, she looks defeated, depressed (having lost 3 kids, as the witch prophesied MANY years back), and tired.  Surprisingly, Jaime is the one that vows revenge (though he doesn’t get the BEST lines here).  

Dorne:  

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He is weak.  Weak men will no longer rule Dorne.  -Ellaria declares re: Trystane (while Doran lies dying)

Doran (Alexander Siddig), his personal bodyguard, and a messenger are killed by Ellaria and Tyene in the water gardens.  Trystane is brutally killed by Obara’s spear (while a bemused Nym looks on) in his chamber onboard a ship.  It ALL happened so fast!  I REALLY wanted to see more of Doran.    

Meereen:

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You can’t fight an enemy you don’t know.  -Tyrion explains to Varys

Why are the streets SO quiet!?  The smartest guys in the realm have a walk and talk. They come upon a mother begging w/ her baby; she misunderstands Tyrion (Peter Dinklage) when he speaks in Valyrian, so Varys (Conleth Hill) has to help out. 

On a wall under “Kill the Masters” someone has scrawled “Mhysa [meaning Dany] is a Master.” Are the Sons of the Harpy former slaves or former slaveholders (masters)?  Hmmm… I think they were slaves; after all, they brutally/quickly killed Hizdahr in S5 E8.)  We see a small group of former slaves who have gathered in an alley where a man dressed in a red robe is preaching re: the Lord of Light.  A few moments later, there is smoke coming from the harbor- ALL the ships have been set on fire.

On the road (w/ a Dothraki horde):

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Dany (Emilia Clark) assumed that the Dothraki would be respectful towards her- WRONG!  When the horde that captured her reach Khal Moro, she learns that widows of khals must live out their lives in Vaes Dothrak (“the city of the horse lords”).  Um, why didn’t Dany know this BEFORE!? 

Castle Black:

Mutton.  I’d like some mutton.  I never was much of a hunter.  -Davos provides a light moment when telling Thorne what he’d like for his journey

You haven’t seen her do what I’ve seen her do.  -Davos tells Jon’s friends in the Night’s Watch re: Melisandre

What to make of that final image of Melisandre transformed into an old woman? Was she a crone in disguise all along? Or had she lost her faith in the Lord of Light?  As Steve Buja wrote in his recap: “Given the blood nature of her god, perhaps one of the components to her witchcraft is her own essence. Whatever happens in this game, Melisandre is the turning point…”

SELECTED VIEWER COMMENTS (from NYT.com recap)

He’s only mostly dead.  [This one’s for The Princess Bride fans!]

Regarding Jon Snow’s fate, I think it won’t be determined until episode 3/4, as I think Dan and Dave want to develop other Stark plot lines, and delve into Arya, Sansa, and Bran. 

My current theory: Jon Snow’s spirit is inhabiting Ghost. But he needs a viable human body to warg into, and relatively soon, since to remain wolf too long risks losing the human to the wolf. Melisande is somehow going to donate her vitality to Snow’s corpse and heal it, so Jon Snow can warg back into it. This won’t be easy, of course. A trace of the wolf is likely to remain.

GOT is increasingly a womans’ world, at least plotwise. The men fail to rescue, and at best, like Tyron, strive to serve.

My guess is this new Khal is going to be killed by Drogon, who will obey Dany (for once). This will cow all of the Dothraki because they believe in strength. If anything would make a khalasar follow a woman it would be if she showed she can command dragons. My feeling is that Dany will then lead this khalasar back to Mereen, where she’ll clean out the Sons of the Harpy in short order.

Danaerys being sent to a place reserved for widows of Dothraki leaders. Smells to me like a place where angry women warriors decide to kick ass.  Everywhere Danaerys goes she ends up with an army.

The Melisandre revelation was a bit of a wow, and we got some brief but quality time with Davos and Jorah (whose faces are much more interesting than those of many of the beautiful younger actors). I even felt a drop of pity for Cersei.