“The Visitor” (2007)

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This is a must-see indie film about NYC, immigrants, and (above all) the importance of connection.  It’s a small budget film that packs a big emotional punch!  His role as Walter Vale, a lonely/ widowed academic, earned veteran character actor Richard Jenkins a Best Actor Oscar nomination at age 62. 

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The Visitor was written/directed by another character actor, Tom McCarthy. 

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Walter (Richard Jenkins) travels from his suburban home in Connecticut to his NYC apartment to attend a seminar (about global development issues) at NYU.  The mild-mannered professor is shocked to discover that his apartment is already occupied by a young couple in their 20s- a Syrian drummer, Tarek Khalil (Haaz Sleiman), and his Senegalese girlfriend, Zainab (Danai Gurira), who makes/sells jewelry.  These young people(both Muslim, BTW) are very embarrassed by the situation, but they have nowhere else to go.  Walter gives them permission to stay for as long as they need.  He is intrigued by Tarek and Zainab, two people a guy like him doesn’t meet every day.

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Walter is also intrigued by the drum that Tarek, a joyous/big-hearted guy, plays in Central Park and little clubs around the city.  Tarek encourages the hesitant Walter (a classical music fan) to try the drum as well.  Soon, they are good friends, much to the chagrin of Zainab.  She often has a serious expression on her face, and we sense that she is nervous about something.  On the street, Zainab is wary of police.  One night, she admits to Walter that she and Tarek overstayed their visas (so are now of illegal status). 

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One day, while getting on the subway, Tarek is stopped by two plainclothes NYPD officers.  “He did nothing wrong!” Walter exclaims with bewilderment.  Walter can’t believe his eyes when his new friend is quickly taken into police custody, and then to a detention center in Long Island City, Queens.  (Well, he is a Muslim man living in the U.S. post-9/11.)  Even more shocking is the fact that over 300 people are in that center, including children! 

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Walter consoles Zainab by explaining that he’s arranged for an immigration attorney to handle Tarek’s case.  “He can’t stay in that place!” Zainab exclaims, feeling that being in such an environment will crush Tarek’s spirit.  Zainab can’t bring herself to visit the detention center, but Walter goes each day to check on Tarek.  Zainab is grateful for Walter’s help, yet deeply saddened by the turn of events.  Zainab leaves Walter’s apartment to stay with a cousin.

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Tarek’s mother, Mouna (Hiam Abbas), arrives from Michigan when she doesn’t hear news from her son.  She’s surprised to learn that Tarek shared a place with Walter.  Sensing Mouna’s sadness and worry, he  insists that she stay in the apartment, too.  “You can use Tarek’s room,” Walter says.  He tries to make her feel comfortable during a very difficult time.  They share a strong connection as well, though it doesn’t turn romantic.    

Will Walter’s kindly efforts help Tarek stay in the US?  How will Zainab, Mouna, and Walter come to terms with the final decision?  Watch the film to find out! 

Movie Trailer:

http://www.youtube.com/watch?v=RlFcmm1pq9g

More details:

http://www.imdb.com/title/tt0857191/

Two GREAT Mamet films

The Spanish Prisoner (1997)

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This film has an air of mystery and tension throughout.  Pay attention to the little moments and the props to figure out all that’s going on!  Joe Ross (Campbell Scott, son of renowed actors Colleen Dewhurst & George C. Scott) is a plain-spoken, well-mannered company man who’s flown down to a (fictional) Caribbean island called St. Estephe.  Why?  Because it’s his reward for  inventing a formula (inside a red leathbound ledger).  This secret formula, his boss Mr. Klein (Ben Gazzara) says, must be safeguarded from the wrong hands.  Joe is glad to have a little vacation (along w/ spending money and posh clothes), but anxious about the promotion/money he has yet to receive for his hard work.

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In St. Estephe, Joe and his friend/co-worker, a lawyer named George Lang (Ricky Jay), meet a young, pretty and chatty secretary named Susan Ricci (Rebecca Pidgeon, Mamet’s wife and a singer).  Susan has been working on the island (also w/ Mr. Klein’s company) for a month.  Susan is pleasantly surprised by Joe’s gentlemanly ways; she develops a crush on him.

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Joe also meets a mysterious, suave older man named Jimmy Dell (Steve Martin).  Joe is impressed by Jimmy’s stories, and a promise of friendship when he returns to NYC.  (We sense that Joe has a streak of ambition underneath his unassuming demeanor.)  Jimmy is either a millionaire businessman or a master con man.  Watch to find out!

 

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David Mamet’s dialogue will sound unnatural if you’re not used to it; his work is meant for the stage.  He’s very good at showing how men talk to and relate to other men.  (Another director who does this well is Barry Levinson.)  The actors Mamet uses are top-notch, even when scenes are a bit too stagey.

 

The Winslow Boy (1999)

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This terrific film (inspired by real events in early 1900s England) reveals deep meaning by being subtle and gentle.  It’s a character-driven family drama with a hint of romance.  It takes us back to a time when a man’s word was taken as truth, even if the man was a young boy (like title character Ronald Winslow).

 

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The Winslows are a comfortable middle-class family in London; they’ve all gathered together before Christmas.  Aging patriarch/banker Arthur Winslow (Nigel Hawthorne) presides over the family with a gentle voice and easygoing nature.  Grace (Jemma Jones) is the sensitive , yet strong, matriarch.

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Oldest child Catherine (close to 30) is a whip smart, independant-minded suffragette.   She’s supported in her cause by the family (unusual for that time).  Cate’s engaged at the start of the film.

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The baby of the family, 13 y.o. Ronnie (Guy Edwards), attends a prestigious boarding school- the Royal Naval Academy.  But he’s hastily expelled for (supposedly) stealing a postal order.   His father believes him when Ronnie declares he’s innocent, and a historic legal battle ensues.

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The Winslow case is discussed on the street and in the press; public support for the boy is strong.  But the court case goes badly until the family expend their influence/money to hire Sir Robert Morton (Jeremy Northam), the noted lawyer/member of the House of Commons.  He and Cate are attracted to each other from their first meeting, but their politics may keep them apart.  (Sir Robert is a staunch conservative.)

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Sir Robert, a restrained man from a high sphere of society, grows to admire the ordinary family.  Mr. Winslow won’t give up the case, even when his health worsens.  Cate regularly comes to court (the Ladies’ Gallery) to watch the proceedings.  What sacrifices will the Winslows make to support Ronnie?  Will he be found innocent?

NOTE: The DVD I bought has a commentary track w/ Mamet, Pidgeon, Hawthorne, and Northam.  It’s informative and fun!

 

Related Links:

About writer/director/ David Mamet

http://en.wikipedia.org/wiki/David_Mamet

About Campbell Scott (currently on USA’s Royal Pains)

The Campbell Scott Compendium: a fan site

http://cscompanion.tripod.com/

Rebecca Pidgeon’s Official Web Site

 http://www.rebeccapidgeon.com/

“The Picture of Dorian Gray” (1945)

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This dramatic, witty, and very memorable film is based on the Oscar Wilde novel of the same title.  It’s a must-see for fans of intelligent cinema!  In the opening, we meet the talkative, confidant, well-dressed Lord Henry Wooton (George Sanders), a character not unlike Wilde.  Lord Henry visits the home of his close friend Basil Hallward (Lowell Gilmore), a painter.  Basil is nearly finished with the portrait of a new, handsome young friend, Dorian Gray (Hurd Hatfield).  Basil tells Lord Henry that everyone who meets Dorian adores him, including the painter’s little niece, Gladys.

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Lord Henry admires the picture and the young man, declaring “youth and beauty are the most important things in life.”  He also comments that it’s a shame that his portrait will look the same, but Dorian will grow old with age.  Dorian is strongly affected by Lord Henry’s words; fear, disappointment, and panic flash across his face.  Dorian silently wishes that he’d stay the same, but the painting would change.  Somehow, his wish comes true!

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There are crucial moments in the film where it switches from black and white to color.

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A very pretty young Angela Lansbury (age 19 or 20) has a crucial role in the movie.

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Another beauty here- the grown-up Gladys (Donna Reed).

Coming soon to theaters:

Dorian Gray (starring Ben Barnes & Colin Firth)

 

A new version will be out in September!
Ben plays Prince Caspian in the  Narnia films

About the film:http://www.imdb.com/title/tt1235124/"Dorian Grey" stars Ben Barnes and Colin Firth.

About actor Ben Barnes:

http://www.imdb.com/name/nm1602660/

http://benbarnesfan.com/