Movie Review: “Becoming Jane”

I first saw this movie (based on the biography of Jane Austen by Jon Spence) on You Tube.  I thought it was okay.  On first glance, I enjoyed the music and scenery (actually Ireland, not Hampshire).  I saw it again, and was very surprised by the superb acting, especially by the younger actors.  There were a few moments, involving Tom Lefroy’s wild behavior that seemed a bit extreme; aside from that, I have no complaints.  This is a beautiful, intelligent movie that I highly recommend to all JA fans!

Warning: My review has MAJOR spoilers!

Anne Hathaway plays the 20 year old Jane who, over one tumultuous summer, falls in love with charming lawyer-in-training Tom Lefroy (James McAvoy).  Tom was sent to the country to stay with his cousins by his uncle, a high court judge.  This uncle, upon whom Tom relied, disapproved of his wild behavior (gambling, boxing, carousing with women, etc.)  Tom is also a great pal of the eldest Austen son, Henry (Joe Anderson, a very cute/blonde young actor).

Did you know Anne did her senior thesis at Vassar on JA’s works?  She takes her role seriously here.  Anne’s take on Jane seems well-researched; she never looks out of place.  She learned to write and play paino like JA did!  Upon first meeting Tom, Jane is not impressed.  In a letter, she calls him “insolent, arrogant, impudent, insufferable, impertinent.”   He is bored with this new “rural” set of people, and thinks he’s above them.  Shades of Mr. Darcy!

The Austen parents, James Cromwell and Julie Walters, are grounded in life’s realities, but they married for love.

“That girl needs a husband. But who’s good enough? Nobody!” -Mrs. Austen laments

Father is more sensitive to Jane’s wishes; mother is more of a realist.

“Jane should have not the man who offers the best price, but the man she wants.” -Rev. Austen

I liked Cromwell very much in this role; it really suited him.  (He can currently be seen as George H. W. Bush in Oliver Stone’s biopic W.)

“I will not marry without affection, like my mother!” -Jane to Mrs. Austen

“Affection is desirable.  Money is absolutely indispensable!” -Mrs. Austen to Jane

Another great supporting character is Jane’s beloved older sister Cassandra (Anna Maxwell Martin).  She is the shy, sweet, obedient girl in the family.  But her fiancé, the young parson-to-be, Mr. Fowl, dies overseas of yellow fever.  Cassie, who feels very deeply, never thinks of another man.  (This would later become the impetus for Persuasion.)  Anna suits her role very well; she had been in many period dramas, including North & South and Bleak House.

Henry, who also has a sub-plot, is pursued by their elegant, widowed older cousin, a French countess by marriage.  Eliza is the voice of the experienced, worldly woman in Jane’s life.  The countess uses her beauty, charm, and (especially) money to gain Henry’s interest.

“Sometimes affection is a shy flower that takes time to blossom.” -Mr. Wisley to Jane

As you may know, Jane received a few marriage proposals over her short life.  One such offer comes from the tall, quiet, socially awkward Mr. Wisley (Laurence Fox) who will inherit the property of his childless, wealthy aunt, Lady Gresham (Maggie Smith).  (Wisley is loosely based on Harris Biggs, a man who proposed to the real JA when she was 27.)

Laurence Fox is the son of actor James Fox and cousin of the lovely Emilia Fox (who appeared as Miss Darcy in the popular Pride & Prejudice miniseries).  Laurence recently played Cecil in the new version of A Room With A View.  Mr. Wisley slowly grows to admire Jane’s independent spirit.  Lady Gresham brings to mind Lady Catherine from P&P, though she is a bit more humane.

Tom Lefroy was believed to be the one love of Jane’s life.  Below is a pic of the real Tom!

The young couple are ill-suited for each other, according to the prevailing thought of the day.  Though Tom seems like a free-wheeling, carefree guy, Tom is from a poor family in Limerick who depend upon him for support.  (His mother married his father for love, and they had many children.)  He’s the kind of young man who must marry for money, or wait until he has made some on his own.  But, like Jane, he has a non-conformist side.

Tom recommends that Jane read Tom Jones to learn more about the world of young men.  He never says anything negative about her desire to be a novelist.

“If you wish to practice the art of fiction, to be considered the equal of a masculine author, experience is vital.” -Tom advises

“I think that you, Miss Austen, consider yourself a cut above the company.” -Tom comments during a public assembly (dance).

“Me?” -Jane replies with surprise.

 “You, ma’am. Secretly.” -Tom observes wisely.

The main reasons to see this movie: James (and his very fine eyes- a great compliment in JA’s time), the terrific chemistry between him and Anne, and the gorgeous music.  James (the more I see of him, the more I want to see!) is full of energy, empathy, grace and style in this film.  He sinks seamlessly into his character, and these costumes look (especially) good on his frame.  He’s one of those (rare) young men who’s not afraid to look vulnerable.  His eyes are very expressive.  Anne calls him “a legend in the making” on the special features.  Check out Becoming Jane ASAP!

Emma meets Richard Belzer (L&O: SVU’s Det. Munch)!!!

This evening, I went to a book reading/signing at the Barnes & Noble at Lincoln Center (66th St & Broadway) for actor/comedian Richard Belzer’s latest book, a mystery novel that blends real life, fiction, and humor- I Am Not A Cop!  Richard was HILARIOUS!  He’s very quick with his humor, but also very approacheable. 

HLOTS cast photo

He has played Detective John Munch (on various shows) since 1992.  But the producers initially “wanted a Jason Priestley type” for Munch on Homicide: Life on the Street, a smart, gritty police drame set in Baltimore.  (This comment got BIG laughs from the audience!) 

Reading from his book
Reading from his book

“I hope you’re enjoying this.  I am.  I mean- how many times do you have a famous actor read to you?”

Richard’s glamorous-looking wife (Harlee) and two dogs (Django and Bebe) were also present.  (He is the spokesman this year for the North Shore Animal League.)  The dogs were walking about the room; people thought that was cute.  They were well-behaved (for the most part).  Did you know “the Belz” (as some fans call him) spends his time away from NYC in France? 

SVU stunts
A question re: SVU stunts

A young lady asked if he had a stunt double; Richard instantly fell on the stage!  LOL!!!  “Of course I do,” he said, pretending to be injured after getting up.  “But some actors have a need to do their own stunts.  Meloni does a lot of his own stunts.”   

SVU cast photo
L&O: SVU cast photo
TBJ
Jerry Orbach

When asked about his great chemistry with Jerry Orbach (they worked together on Homicide: Life on the Street and Law & Order crossover shows), Richard said: “He’s one of the people that I never heard anything bad about.  We shared a dressing room whenever we’d do crossover shows.  And did you know he was voted as one of the top 100 performers on Broadway?  Think of that- out of all the thousands of performers who’ve appeared on Broadway.  You know- he was New York.”  Very sweet! 

Chatting and signing books
Chatting and signing books

Richard, unlike Det. John Munch, has a much more positive tone to his voice.  He looked very relaxed, even when an older gentleman made an odd/rambling comment.  I liked how he related to the audience, and took the time to chat a bit and pose for photos.

Chat with fan
Chat with fan

Another SVU fan asked if there are any plans for Munch to have a love interest.  Richard asked one of the show’s directors (sitting in audience); he said “no” firmly.  Richard would like to have a girl, though.  (I thought he and Jennifer Esposito had GREAT chemistry when she was on; too bad her character died!)  

A few people commented that they wanted to see more of Munch, because he wasn’t very prominent last season.  (I agreed!)  Richard replied that he was “very flattered” but liked to have freedom to do other projects that were of interest to him, too. 

With his dog, Bebe
With his dog, Bebe

Richard read a few pages from his book; he said he’d been writing for a long time.  His plan is to get 2 more novels published soon; one is already completed.  When asked about his motivation/influence, he said he admires (pulp mystery writers) like Dashiell Hammett.

Me and Richard!!!
Me and Richard- one of the actors I’ve watched for a LONG time!!!

I took a pic for the young lady ahead of me in line, so she took one for me- YAY!  She looked excited because SVU is her mom’s fave TV show, and she’d be able to give a COOL b-day present.

Now the BEST part… my little chat with Richard: 

Me: “It’s really great meeting you.  If you have some pull… could you maybe get Andre Braugher to guest star on SVU?  That’d be great!”

RB: “You know, nothing would make me happier.  He used to beat me in chess.”

Andre REALLY should be famous!
Andre REALLY should be famous!

Classic Movie Review: “Laura”

Her youth and beauty, her poise and charm of manner captivated them all. She had warmth, vitality. She had authentic magnetism. Wherever we went, she stood out. Men admired her; women envied her.

Waldo Lydecker (Clifton Webb) describes businesswoman Laura Hunt (Gene Tiermey) in glowing terms to Detective Mark McPherson (Dana Andrews) after her (presumed) death.  Lydecker is an influential, wealthy, sharp-tongued, witty columnist in NYC.  He narrates part of this 1944 film noir, and for the first half of the film, he creates for the audience a picture of Laura.  She was gorgeous, mysterious, confidant- the type of woman that men dream about. 

 

How singularly innocent I look this morning.

Lydecker served as her mentor, and they spent the past 5 years together.  What was the nature of their relationship?  He is imperious, but effeminate in manner- looks non-threatening to the audience.     

Because of Laura’s status and the terrible manner of her death, the media flocks to the doorstep of her 5th Ave apartment.  Though Waldo (a man in his 50s) was close to Laura, she was engaged to the charming, handsome, easy-going Shelby Carpenter (Vincent Price).  Shelby is very friendly with Laura’s wealthy, widowed, middle-aged aunt, Ann Treadwell (Judith Anderson).

 

Waldo, who often tags along with Mark during his investigation, warns the detective.

You’d better watch out, McPherson, or you’ll finish up in a psychiatric ward. I doubt they’ve ever had a patient who fell in love with a corpse.

 

McPherson is a tough, no-nonsense cop who’s not fazed by dealing with society people; he keeps calm by playing with a little handheld game.  He goes over her apt, her letters, and diary.  Laura’s portrait fascinates and unsettles him.  This is not just a typical murder case to him!

Since Laura is a murder mystery, I don’t want to give too much away.  However, I can tell you that it’s a film worth watching.  You won’t see some surprises coming!  The dialogue is sophisticated and entertaining.  The characters are distinct, interesting individuals.  I especially liked Vincent Price’s performance; he seemed very modern and realistic as a down-on-his-luck Kentucky playboy.  Judith Anderson has a great scene where she describes why they are suited for each other.  Clifton Webb has a lot of terrific lines in the film; he reminded me of Oscar Wilde’s writing. 

 

 
 

 

 

Movie Review: “The Ghost and Mrs. Muir”

I couldn’t believe my luck in finding this film on sale at F.Y.E. in Astoria recently!  I had wanted to see The Ghost and Mrs. Muir for a long time.  This is an exceptionally well-made Hollywood classic (out in 1947) film starring theatrically-trained/powerhouse actor Rex Harrison (the ghost, Captain Daniel Gregg), one of Hollywood’s most beautiful movie stars Gene Tierney (Mrs. Lucy Muir), charming/rakish comedian George Sanders (Miles Fairley), respected character actor Edna Best (Martha), and a very adorable 8 year old Natalie Wood (Anna Muir).  The unusually beautiful music will stay with you long after the film; the composer also worked on Citizen Kane and collaborated many times with Hitchcock.  It was a big success when it first came out, and also received great reviews from critics- you’ll see why!  It combines the genres of thriller, romance, and comedy.  But romance is key!

 

The story opens at the start of the century (1900 that is) in London.  Young widow Mrs. Lucy Muir, whose husband passed away a year ago, is living with her mother-in-law, sister-in-law, daughter, and housekeeper.  The ladies are all dressed in mourning clothes.  She expresses a strong desire to live on her own (with the income from her husband’s gold shares), much to the shock and disapproval of the in-laws (two hysterical, overbearing ladies).  Mrs. Muir has decided that the seaside will suit her well; she sets off with the eager Anna and loyal Martha. 

 

Upon arrival at Whitecliff-by-the-Sea, Mrs. Muir seeks out a “house agent” to find a suitable place.  Mr. Coombe, the agent, thinks he knows better than the young lady, but Mrs. Muir decides to rent Gull Cottage, a house said to be haunted by the ghost of Capt. Gregg (a seaman who died mysteriously 4 years ago).  She is not frightened away by disembodied laughter like previous tenants.  She says the house is “perfectly fascinating.”  So begins the adventure…

 

The cranky ghost of Capt. Gregg, dressed all in black except his silver buckled belt, reveals himself to Mrs. Muir soon after the family moves in; he’s not happy to have people in his house.  But she stands up to him; she’s not scared by his actions (noises, swearing, extinguishing candles).  She earns respect for that.  In that (first meeting) scene, their faces are only lit.   Light and shadow are used very cleverly and purposefully in this film.

 

Capt. Gregg is unlike the ethereal, other-worldly ghosts we’re used to in modern/special-effects laden movies.  He seems “real” to the audience, because Rex Harrison creates a very masculine, humorous, and witty character.  Harrison uses his strong physical presence (a must for any leading man), commanding voice (after all, he was chosen for My Fair Lady even though he couldn’t sing), and (especially) his eyes to “bring life” to the ghost.  But we also wonder if he is a figment of Mrs. Muir’s imagination?  Harrison is great at reacting to his fellow actors- a big part of acting.  In my honest opinion, the only way to get through the over-hyped Cleopatra is to focus on his portrayal of Julius Caesar.    

 

 

The ghost and the widow become friends; they “occupy the same domestic space like a married couple” (Jeanine Bassinger, chair of the Women’s Studies department at Wesleyan points out on one of the commentary tracks).  However, he has no body, so Mrs. Muir is safe; this satisfied the censors of the day.  When her investments fail, her in-laws come to visit; they urge her to go back with them to London.  But Capt. Gregg forms a plan- he “ghostwrites” a book to boost her finances.  Over some months, Daniel dictates to Lucy (or “Lucia” as he prefers to call her) the story of his lusty, adventurous life.  They work together and fall deeply in love.  It’s a sad fact that she is alive and he is dead! 

 

When Mrs. Muir goes up to London to see a publisher, she catches the eye of Miles Fairley, a well-dressed, smooth-talking, wealthy man in the office.  He’s not exactly her type of man, but he’s real.  Will Mrs. Muir let this (corporeal) man into her heart?    There is a similar choice to be made in Anthony Minghella’s first film, Truly Madly Deeply (if you want to know more). 

 

I highly recommend this film to everyone, not only fans of classic black and white films.  It seems modern to me, in many ways.  The music, lighting, costumes, etc. all work to create a memorable picture.  The exchanges (even the ones without words) that Harrison and Tierney have are terrific; you can see that their characters care about and respect each other.   The film is also “very literate” (Bassinger comments).  This is an intelligent viewer’s movie, though it also evokes emotions.  It is about loss, yearning, and “the dream of love.”  In reality, men are not perfect.  And not everyone has love in their life.  But we all dream!   

 

 

Movie Review: “Appaloosa”

Ed Harris and Viggo Mortensen in France: WOW- talk about aging gracefully!!!

Last Sunday afternoon, I was feeling a little down, so I went to check out a new movie I was curious about.  (I wrote a previous post about Appaloosa.)  I would catagorize it as a subtle, low-key Western drama.  The small audience (mostly folks 50 and up) seemed to like the sly humor, in-depth characterization, and development of the female character (she’s not a one-dimensional woman like in traditonal Westerns).

 

The stars are: Ed Harris (lawman for hire Virgil Cole; he also co-wrote the screeplay and directed), Viggo Mortensen (Cole’s quiet, observant, long-time partner in “gun work” Everett Hitch), Renee Zellweger (young widow Allie French), and Jeremy Irons (rich bad guy/rancher Randall Bragg).

Cole and Hitch have been partners for many years.  They have traveled through little Southwestern towns enforcing the law whenever called upon.  Appaloosa is under siege by Bragg and his men; they drink too much, fight, don’t pay bills, and aren’t hesitant to use their guns.  The town leaders (scared stiff by the mention of Bragg) think he may have killed the former lawman of the town.  They quickly agree to the terms set by Cole (he carries his own list of laws), and he becomes marshall.  Hitch, who always carries a 12-gauge (a big gun), is his deputy.

Into the town comes Mrs. Allison French, a pretty, young, well-mannered widow.  She is cheerful and plays the piano, but hasn’t much money.  Cole takes an instant interest in her; he says she can stay in the town’s hotel as long as she likes.  Before you can say “Gunsmoke,” Allie is overseeing building a house and Virgil is helping choose curtains!  Everett is a bit surprised by his friend’s behavior.

Feelings get you killed.  (One of the taglines for the film)

Bragg, his men, and two newcomers to the town eventually use the budding romantic relationship to their advantage.

 

I liked the way that the film built things up, often in unexpected ways.  Issues that come across as simple in old Westerns are not so here.  (Remember that old Hollywood had to deal with stricter censorship codes.)  In those films, you had the bargirls/whores, married woman, and little girls- that’s all.  There weren’t many respectable single women hanging about.

Allie, who has an air of mystery, changes the dynamics (a little) between the two old friends.  She’s trying to survive in a man’s world, so she must rely on men (and all that comes with it).  Another woman in the town, a prostitute that Hitch sees, wonders if Allie “even knows how she feels.”  She can be sweet, bubbly, but is tough on the inside.  You’ll wonder about her past…

Viggo’s character, we learn in the opening narration, is a West Point graduate who served in the Civil War.  But his heart was not in “soldiering,” so he traveled West.  He helped Virgil out of a tough situation, and the men became partners.  Their friendship is very strong- almost like that of brothers.  In one great scene, Everett has to (physically) stop the older man from doing something rash.

There are humorous little moments, too.  Virgil has trouble with long, complicated words- Everett fills them in for him.  Jeremy Irons is pretty good as a evil guy, though I kept expecting him to revert back to his English accent!  (I guess we’re not used to seeing him as an American much.)  The scenery, music, and small characters all work well together, too.  Appaloosa is a very well-made, intelligent film with different layers.  It makes you think!