Tag: Family

“One Royal Holiday” (2020) starring Laura Osnes & Aaron Tveit

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When Anna offers a stranded mother and son shelter in a blizzard, she learns that they are the Royal Family of Galwick. Anna shows the Prince how they do Christmas in her hometown, encouraging him to open his heart and be true to himself. -Synopsis (Hallmark)

[1] ...despite the predictability of the final outcome, the writing is fresh, with plot twists and surprises that add layers of emotional depth.

[2] Finally a prince who acts like a prince! This was a sweet coincidental love story. Thank you Hallmark!

[3] Surprisingly fun and trope-filled royal holiday movie is packed with Broadway greats.

-Excerpts from IMDb reviews

I came across this Hallmark Xmas movie last month by chance; you can rent it on Amazon Prime. I noticed that it stars (surprise) Broadway/theater actors/singers: Laura Osnes (who plays cheerful cardiac nurse Anna Jordan) and Aaron Tveit (who plays serious/grumpy Prince James Gallant). Some of y’all MAY recognize Tveit from the 2012 adaptation of Les Miserables; he played the friend/fellow rebel to Marius. Here he uses a British accent and has slightly longish hair; the actor has the handsome looks of a prince. This movie as shot in June 2020 (during the COVID-19 pandemic); it was the 1st movie to go into production in Connecticut (and the East Coast) at that time.

Anna is NOT intimidated/nervous in the presence of the royals; she pokes fun at James (in a sweet/harmless style). James is a BIT arrogant and acts entitled (at first), BUT he has real worries. As they are snowbound, Anna and James (who seem like opposites) get to know each other. There are cute/funny references to Jane Austen novels and The Sound of Music. Osnes and Tveit have good onscreen chemistry; you can see their relationship develop.

Unlike a LOT of other Hallmark movies, the supporting characters get stuff to do. Queen Gabriella (Victoria Clark) is V supportive of her son; she is BOTH down-to-earth and elegant. Anna’s widowed father, Ed (Tom McGowan- a Canadian character actor), is a jolly innkeeper who is close w/ his daughter. Anna’s childhood friend, Sarah (Krystal Joy Brown), is the mayor of the small town; she has a side plot w/ romance. There are 2 scenes where Xmas carols are sung to showcase the actors’ FAB voices.

“Johnny Eager” (1941) starring Robert Taylor, Lana Turner, Edward Arnold, & Van Heflin

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Robert Taylor ‘N Lana Turner – TNT – They’re Dynamite in JOHNNY EAGER -Tagline

Johnny Eager (Robert Taylor, 30 y.o.) is a recent parolee pretending he has quit the rackets (gambling) and working as a taxi driver in NYC. However, he’s still deep into crime; he’s desperate to get a permit to open a dog track. One day, Johnny happens to meet Lisbeth Bard (Lana Turner at just age 20), a college student/step-daughter of the DA, John Benson Farrell (Edward Arnold).

Director Mervyn LeRoy originated the “TNT” idea to promote this movie; it was a box office hit for MGM. I’d never seen Taylor act before, BUT I knew that he was married to Barbara Stanwyck. Life imitated art here, as Taylor fell in love w/ Turner on set and asked his wife for a divorce. Stanwyck is said to have injured her wrists after learning of the illicit romance. Turner quickly broke up w/ Taylor; she was maybe NOT in love w/ him. They do have good chemistry onscreen; those heated looks and kisses aren’t all make believe.

I was curious to see this film noir after learning that it was Van Heflin’s 1st role. He’d been encouraged by Katharine Hepburn (his co-star on Broadway) to try Hollywood. Heflin (looking V slim/youthful) plays Jeff, Johnny’s alcoholic/intellectual best pal. Jeff has some great lines in the movie; Heflin ended up winning the Oscar for Best Supporting Actor!

[1] The glamorous Ms. Turner is at first a little hard to believe as a student studying social work, but she does acquit herself well in some powerfully dramatic scenes with Taylor. Paul Stewart, Glenda Farrell and Edward Arnold chip in fine supporting performances while Van Heflin delivers a magnificent one. Heflin as Eager’s alcoholic sidekick and pickled conscience is not only effectively moving, but also lends a droll sense of wit to the film with his sardonic observations.

[2] The film would never have stood out but for the script (Grant and Mahin) and the direction (LeRoy). The opening sequence and the ending sequence are well crafted and can stand alongside the best of film noir.

-Excerpts from IMDb reviews

“May December” (2023) starring Natalie Portman, Julianne Moore, & Charles Melton

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SPOILER ALERT: Don’t read this post if you haven’t seen, or don’t want to know, details from the movie May December (2023) streaming on Netflix.

Gracie: I thought you were taller. You look taller on television, but we’re basically the same size.

Elizabeth: We’re basically the same.

Natalie Portman (who plays an actress named Elizabeth) brought the script to director Todd Haynes as a potential collab; he loved the script and suggested Julianne Moore (w/ whom he worked on 4 other films) for Gracie. This film was acquired by Netflix for $11M following its premiere at Cannes (May 2023). It was shot in 23 days on location in Savannah, Georgia. Charles Melton (Riverdale) gained 40 lbs. for his role as Joe. Melton’s mother is an immigrant from Korea; she met her white/American husband while he was serving overseas in the military. A prolific character/NYC theater actor, D. W. Moffett (Gracie’s ex-husband Tom), heads the film and TV dept. at the Savannah College of Art and Design; students from the acting program appear in the movie.

Joe: [to his son] God, I can’t tell if we’re connecting, or if I’m creating a bad memory for you in real time, but I can’t help it.

Gracie and Joe met at the pet store where they worked when she was 36 y.o. and he was 13 y.o. As some of you MAY recall, the story IRL was even more problematic: Vili Fualaau was only 12 y.o. and Mary Kay Letorneau (39 y.o.) was his teacher. The 3 lead characters are a LOT more complicated than they initially appear. We start at a backyard BBQ of a (seemingly happy) family headed by Gracie Atherton-Yoo (a baker in her 50s) and her handsome/36 y.o. husband, Joe Yoo (a X-ray tech). They have 3 teen children together; one daughter is in college and the twins (a boy and girl) are preparing to graduate H.S. Through Elizabeth’s eyes, we gradually begin to learn more about this couple. It’s hard to understand why Gracie acts the way she does. Can she truly be as naive as she acts? Joe is still a boy in his mind, though w/ an adult’s body and responsibilities. His kids are half his age, BUT seem to be more mature.

You’re kinda dangerous in this movie. I never knew what she [Gracie] was gonna do. -Annette Bening commented to Moore during Variety’s Actors on Actors interview

This story NOT only delves into the predatory relationship btwn Gracie and Joe, it also comments on how (self-important) actors can predatorily insert themselves into strangers’ lives. For a woman who has transgressed in a big way, Gracie is V concerned w/ appearances and image (publicly). She has a V feminine (girly) persona; she speaks sometimes w/ a lisp (a decision Moore made to sound younger). Weirdly, as she gets to know Gracie more, Elizabeth copies the lisp. Melton walks as if he’s being dragged forward by an unseen force; he often has his shoulders hunched (to make himself smaller). Elizabeth flirts w/ Joe when they’re alone at the hospital during her observation of his work life.

There is an unsettling kind of tension that permeates this movie. Though I loved the acting (incl. from the kids), I was NOT a fan of the (cheesy) soundtrack. Haynes chose it from a ’70s drama he discovered. The (grainy/sun-drenched) visual style works here IMO, though it may be unappealing to some viewers. Is this supposed to be a comedy or a drama? As I was watching, I thought it had elements of a dark comedy. There are unexpected scenes, though I did guess what happened at the climax. Check it out for yourself!

[1] …this is a very well done movie about adults who are really just children. They never healed from their traumas and what ensues is a vision of how life is when you ignore that stuff. […]

The movie is for people that love film as art – not narrative. It is very well done. All the acting is based on nuanced subtext. The score and the cinematography are also very well done (I love slow zooms…sue me).

[2] Elizabeth is polite and apologetic as she initially treads carefully in asking probing questions of the family and their friends. Her approach generates some awkward moments, and although Gracie seems to hold firmly to her did-nothing-wrong stance, it’s Joe who begins to question things… mimicking the slow development of the Monarch butterflies he breeds.

-Excerpts from IMDb reviews

“The Bigamist” (1953) starring Edmond O’Brien, Joan Fontaine, Ida Lupino, & Edmund Gwenn

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Wanted by two women! -A tagline for the film

Harry Graham (Edmond O’Brien) and his wife of 8 yrs, Eve (Joan Fontaine), are trying to adopt a baby; they have a successful/small business. The head of the adoption agency, Mr. Jordan (Edmund Gwenn), senses that Harry is hiding something, so does some investigating. There are several in-jokes about Santa Claus here; Gwenn played Kris Kringle in the holiday classic Miracle on 34th Street (1947). The agent soon discovers that Harry has done a LOT of traveling from his (luxury/condo) home in San Fran to L.A. Mr. Jordan goes to a lovely house in LA, where Harry has a 2nd wife- Phyllis Martin (Ida Lupino, also the director)- and (shocker) a baby! Desperate to explain himself, Harry reveals to Mr. Jordan (via flashbacks) how he ended up w/ 2 lives.

Writer/producer Collier Young was then the husband of Fontaine; he’d previously been married to Lupino. Wow, Hollywood is a small world! This is the ONLY time Lupino directed herself; she’s one of the 1st female stars to direct herself. Her best known film is the “The Hitchhiker”(1953) which also co-starred O’Brien. All of Lupino’s (small-budget/indie) films are marked by a concern for the lives of ordinary folks.

Harry Graham [re: meeting Phyllis]: For the first time, I felt needed; I loved Eve, but I never felt she needed me.

This is a small gem of a film that MAY surprise you; the issues delved into are modern. The acting from the 3 main actors is V good. Some reviewers commented that their sympathies were mostly w/ Eve; after she became “career-focused,” Harry felt like he was NOT needed. It turns out that Eve is a great assistant to her husband, so they BOTH benefit from the resulting success. Phyllis is a waitress who lives in a rented room; she’s NOT the type of woman who’d be “threatening” to most men. As this is in the public domain, so you can watch it for free.

[1] I found this to be an interesting film; it certainly wasn’t the sort of topic I expected to be explored in a film of this era… especially given its sympathetic portrayal of Harry. […] Edmond O’Brien does an impressive job as Harry and gets fine support from Joan Fontaine and Ida Lupino as Eve and Phyllis. Ida Lupino also does an impressive directing…

[2] The movie is shown through flashbacks. And, despite the sensational plot, the movie is actually done very sedately and avoids sensationalism. Instead, it tries to portray O’Brien in a pretty sympathetic light–while not excusing his actions. And, by doing so, the movie really gets you thinking. An excellent job of acting by all, but the star of this picture is Ida Lupino…

[3] Lupino and the script manage to provide an honest look at the situation with few hindrances from the strict production code of the era. Only at a couple of odd moments can you tell that they had to shift gears slightly, so as to placate the censors. Although the movie is low-key and straightforward, it’s a commendable effort, and it makes for good drama.

-Excerpts from IMDb reviews

#Noirvember: “Abandoned” (1949) starring Dennis O’Keefe, Gale Storm, Jeff Chandler, & Raymond Burr

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NO NAME FOR HER BABY…only a PRICE! -A tagline for the movie

This B-movie delves into an unusual/sensitive topic for its day: black market baby adoptions. A young woman, Paula Considine (Gale Storm), from a small-town comes to a police station in L.A. She is looking for info on her missing younger sister; a local newspaper reporter, Mark Sitko (Dennis O’Keefe), offers to help. There is a burly/tall man, Kerric (Raymond Burr), lurking in the shadows and following Paula. Her sister’s dead body is in the morgue; there is evidence that she recently gave birth! Though it looks like suicide to the coroner, Paula insists there must’ve been foul play. Also, what happened to the baby?

Mark [to Kerric]: You couldn’t sleep, so you decided to take your gun out for a walk.

I saw this film (free on YouTube) last week; it moves along quickly, w/ snappy dialogue, and a variety of characters. Several of these actors went on to long/successful careers in TV. Burr (best known as Perry Mason) is working for the main baddie, a matronly “society lady” w/ a cane, Mrs. Donner (Marjorie Rambeau). In one tense scene, Burr fights one of her henchmen, played by Mike Mazurki (another “heavy” often in noirs). As for the good guys, Major Ross of The Salvation Army (Jeanette Nolan- looking FAB after 40), is an ally to pregnant women w/ no place to turn. Mark’s handsome/cop friend is Chief McCrae (Jeff Chandler); I hadn’t seen this actor before, BUT learned that he became a TV star.

[1] This excellent thriller deals with the sale of stolen babies by baby broker racketeers. It is thus more relevant to today, when this problem is much more widespread, than it was in 1949. The plot is sound, the script first rate, and the acting is extremely good. […]

A sinister sub-plot about the father of the two sisters making his daughter get rid of her illegitimate baby seems to have been cut because it was too shocking, but enough of it survives to show that it was clearly once there.

[2] I loved the camerawork… particularly in the early portions of the film. The angles and shadows are great… and very moody. I also loved the incredibly violent and gritty ending, where evil clearly is punished big time! Overall, a well written and acted film that never is dull and is well worth your time.

[3] Despite an obviously low budget, “Abandoned” benefits from location filming, which adds a documentary touch, enhanced by narration that implies some truth to the story. A fine cast of “B” players, memorable photography, and steady direction by Joe Newman, a veteran of modestly budgeted second features, together produced an entertaining, engaging film noir that is well worth catching.

-Excerpts from IMDb reviews