Game of Thrones: Season 5, Episode 4 (“Sons of the Harpy”) – Memorable Scenes

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SPOILERS: Don’t read this review if you have not yet seen or don’t want to know details from Season 5, Episode 4 of Game of Thrones.

What would you say if I told you about a great sinner in our very midst, shielded by gold and privilege?  -Cersei asks the High Sparrow

At first, I was like which sinner?  Is it Tyrion?  But then, I saw Lancel (w/ a seven-pointed star freshly carved into his forehead- YIKES) and several Sparrows come to where Loras Tyrell was jousting w/ his men, seize him, and toss him in jail.  Joanna Robinson (A Cast of Kings podcast) thinks that Littlefinger wrote to Cersei re: Loras.  After all, Olyver was a pro who spied for Littlefinger, and has been hooking up regularly w/ Loras.   

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Aren’t you and mother getting along?  -Tommen asks Margaery

LOL!  Poor King Tommen, he’s in WAY over his head in his new marriage and (we later learn) in ruling!  Cersei has given The High Sparrow (now High Septon, Joanna Robinson points out) a LOT of power by reinstating The Faith Militant, who violently “clean up” the streets of King’s Landing.

I need to be with my family right now!  -Margaery declares to Tommen before rushing out of their chamber

Both Joanna and her co-host Dave Chen noticed that this is where we get to see the REAL Margaery.  Her usual façade is gone, as she’s VERY worried for her brother.  She goes to write to her grandmother (Lady Olenna).  Diana Rigg was in the previews for the next ep; it’ll be cool to have her back!

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I’ve lived an exciting life.  I want my death to be boring.  -Bronn says to Jaime

You know how we LOVED the Bronn/Tyrion friendship?  Well, this season we get the (budding) friendship between Bronn and Jaime, who the sellsword taught how to “fight dirty” in Season 4.  On the ship, when Bronn mentions his former employer, Jamie coldly says “If I see him again, I’ll split him two.”  Whoa, that was a BIT harsh-  I didn’t think Jaime would say THAT!  Tyrion killed Tywin at the end of Season 4, and Jaime can’t forgive that.

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I think I can speak for all of us three who are playing Sand Snakes: We are all so grateful to him for the work that he [Pedro Pascal] did. As an actor, he set up so much of our world. He was only on the show for eight episodes, and he made such an impact. It’s incredible. So much of my performance, especially, was based on him. It was really important that the movement was similar, because Obara is the most like Oberyn. She has trained her entire life with him to use the spear like he does.  -Keisha Castle Hughes

Next is the scene w/ Ellaria Sand and Oberyn Martell’s three daughters (Obara, Nym, and Tyene).  I just expected more, BUT  did enjoy seeing Keisha Castle-Hughes all grown up; she plays Obara, the eldest of the Sand Snakes.  You may know the now 25 y.o.  from the critically-acclaimed indie Whale Rider or The Nativity Story, where she co-starred w/ rising star Oscar Isaac.  (FYI: Her mother is Maori and her father is white.) 

My father pointed to the spear and then to my mother’s tears.  I made my choice long ago.  -Obara explains to Ellaria

When Obara mentioned tears, I thought of Sansa, who can’t fight w/ weapons like these young women of Dorne.  Well, Arya and Brienne can fight, but they’re NOT typical Westerosi gals!

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How many tens of thousands died because Rhaegar chose your aunt?  -Littlefinger muses to Sansa

We see Sansa in the family crypt below Winterfell, looking rather solemn.  She picks up a feather, looks at it quizzically, but we recall that it was the token King Robert Baratheon left for Lyanna back in Season 1.  Littlefinger walks in, tells the story about Rhaegar Targaryen preferring Lyanna Stark (Sansa’s aunt) over his wife Elia Martell, then says he has to leave b/c Cersei has called him back to King’s Landing.  Then he says that Ramsay has already fallen for her already, so she doesn’t need to worry.  Um no, Ramsay is just acting grateful and humble b/c Sansa is a lady with the right name!  Oh, and he also fears his father.  Now I’m even MORE worried for Sansa!

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I was told you’d die… or worse..  the Grayscale would go slow and let you know the world before taking it away from you.  Everyone advised me to take you to the ruins of Valyria to live out your short life with The Stone Men, before the sickness spread through the castle.  I told them all to go to Hell.  I called in every maester on this side of the world, every healer, every apothecary.  They stopped the disease and saved your life, because you do not belong across the world with the bloody Stone Men.  You are the princess Shireen of the House Baratheon… and you are my daughter.  -Excerpt from Stannis’ speech to his daughter

Like Joanna, I teared up at the end of the scene w/ Stannis and Shireen- it was FAB!  Thank goodness, we are seeing MORE of Stannis- he’s not just a cold/calculating warrior!  He declared that Selyse his wife would “never strike” their daughter in that memorable Season 4 dinner scene.

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Traditions are the only thing that will hold this city, your city, together. Without them, former slaves and former masters have nothing in common but centuries of mistrust and resentment.  -Hizdahr zo Loraq explains to Dany

I liked the above line a LOT!  Hizdahr pleads w/ Dany (again) to reconsider opening the fighting pits.  Though “the city looks peaceful” from her high perch on the pyramid, there is turmoil (as we see that in that final scene where the rag tag Sons of the Harpy take on several Unsullied… and even Ser Barristan Selmy)!

I LOVED that scene where the knight quit the Kingsguard!  Looks like Ser Barristan (who has been on the series since early in Season 1) has wielded his sword for the last time- TOO BAD!  Grey Worm is wounded, but I’m sure he’ll survive.

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Game of Thrones: Season 5, Episode 3 (“High Sparrow”) – Best Quotes

GOT503_091714_HS__DSC1881_1__0SPOILERS: Don’t read this review if you have not yet seen or don’t want to know details from Season 5, Episode 3 of Game of Thrones.

King’s Landing:

What is the proper way to address you now, Queen Mother or Dowager Queen? 

The alternate title of this scene could’ve been “Queen Margaery For the Win.”  She passive-aggressively asks Cersei a few questions the day after her wedding night w/ Tommen, surrounded by her retinue of young attendants.  And that dig about the wine was SO apropos… and funny!

Cersei’s face said it all, BUT she had to swallow her anger.  As Nina Rastofi (Vulture) wrote: “Is there anything scarier (or better) than Lena Headey’s fake-Cersei smile? It’s like she just pulls the edges of her mouth back and bares those chompers in order to distract you from her dead, cold, eyes. It’s a masterful face performance.”

So, you were administering to these devout prostitutes?

LOL!  Qyburn (skeptically) asks the High Septon when the religious leader comes to complain to the Small Council re: his treatment by the Sparrows in the streets.  He may NOT be a real maester, BUT Qyburn is becoming one of my fave characters on the show.  You MUST wonder what in the name of Frankenstein he’s doing w/ The Mountain!

HighparrowHypocrisy is a boil.  Lancing a boil is never pleasant.

The High Sparrow (Jonathan Pryce, a veteran of theater/film) explains to Cersei when she goes to visit him in his (smelly) part of town.  I was BIT surprised to hear that Cersei had the High Septon thrown in jail for his behavior.

game-of-thrones-cersei-high-sparrow-hbo-longThe faith and the crown are the two pillars that hold up this world. One collapses, so does the other.

Cersei explains the importance of BOTH government and religion to the High Sparrow.  Hmmm… will he be an ally for Cersei?

On the road/The North (Winterfell):

He didn’t love me!  He didn’t want me!  He danced with me because he was kind.  He kept me from being a joke… from that day until his last day. 

Brienne of Tarth (FINALLY) tells the origin of her devotion to Renly Baratheon.  This was a GREAT scene (that almost had me teary-eyed)!  The actor who portrays Pod did a good job w/ the way he was listening to Brienne speak.

Nothing’s more hateful than failing to protect the one you love.

Brienne concludes the scene, and we can tell from her eyes that she’ll do anything to revenge Renly’s death.

game-of-thrones-season-5-episode-3-the-high-sparrow-sansa-littlefingerThat marriage proposal… it wasn’t for you.

Sansa says to Littlefinger (Well, what  sort of behavior did you expect from a pimp!?) when they stop on the road to Moat Caillin, which is now held by Bolton bannermen.  In my mind, I shouted “NOOOOOO!!!”  Poor Sansa- she has been promised to Ramsay Bolton (shudder), now legitimized by Roose,The Warden of the North.

Stop being a bystander, do you hear me? Stop running. There’s no justice in the world. Not unless we make it. You loved your family. Avenge them.

Well, Lord Baelish (Littlifinger) isn’t completely wrong.  Sansa’s best way to get revenge would be getting close to her enemies by using her beauty, manners, etc.  After all, she can’t fight with swords (like Arya and Brienne), BUT she has learned a LOT from being at court and traveling w/ Littlefinger.

The best way to forge a lasting alliance isn’t by peeling a man’s skin off. The best way is marriage.  -Roose Bolton explains to his son Ramsay

1227430903071222373I need her name, not her virtue.

Roose Bolton (I LOVE this actor’s voice!) flatly tells Littlefinger re: Sansa.  I liked ALL the interactions between Michael McElhatton and Aiden Gillen; their characters are like two (rotten) peas in a pod.  The main difference- one uses his sword the other uses his words.

Welcome home. Lady Stark.  The North remembers.

Oooh, I LOVED this little scene w/ Sansa and the elderly maidervant who shows her to a chamber!  Now that she’s back in her home territory, Sansa has supporters (though she may not know them yet).

gameofthrones15_28_0_0The North (The Wall/Castle Black):

You’re as stubborn as your father, and as honorable.  -Stannis
I can imagine no higher praise. 
-Jon
I didn’t mean it as praise. Honor got your father killed.
-Stannis

You have to like ANY scene that mentions Ned Stark!

I heard it was best to keep your enemies close.  -Jon

Whoever said that didn’t have many enemies.  -Stannis

Stannis suggests that Jon send Ser Alistair Thorne as far away as possible.  Ser Davos (Liam Cunningham gets a meaty scene- FINALLY) later tells Jon that Stannis sees something in him.  Stannis’ respect for Jon is growing, as we learn from that silent nod after Jon executes Ser Janos Slynt (YAY!!!)

The South/city of Volantis:

Someone who inspires priests and whores is worth taking seriously.  -Varys

We saw a new place this ep- Volantis (home of the deceased Talisa, wife of Robb Stark).  Slavery is common, as Talisa explained before.  There is another Red Priestess and (a VERY popular) pro with hair and dress like Dany.  At the final scene, Ser Jorah Mormont (Iain Glen- LOVE him!) kidnaps Tyrion is such a smooth/expert way!

Game of Thrones: Season 5, Episode 1 (“The Wars to Come”)

SPOILERS: Don’t read this review if you have not yet seen or don’t want to know details from the Season 5 premiere of Game of Thrones.

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The woods:

Who is this little blonde girl?  Is it Myrcella (who was taken to Dorne for her protection)?  No, it’s a pre-teen Cersei (notice the same hairstyle and nasty attitude)!  This is the first flashback scene in GoT, showrunner David Benioff notes. Cersei learns of her future from a witch (played by British actress Jodhi May) living deep in the woods.  Instead of marrying the prince she was betrothed to, Cersei will marry a kind and become a queen.  Her future husband (Robert Baratheon, of course) will have 20 children, but she’ll have 3 (as we know Joffrey, Tommen, and Myrcella).     

Gold will be their crowns.  Gold will be their shrouds.  -The witch 

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Queen Cersei Lannister & Ser Jaime Lannister in The Grand Sept:

Many lords and ladies are lined up to see/pay respects to Tywin (killed by Tyrion at the end of Season 4).  See those creepy stones on Tywin’s eyes?  Cersei (Lena Headey) doesn’t care, saying that they can wait a bit longer.  Inside the sept, a somber Jaime (Nikolaj Coster-Waldau) is guarding the corpse.  He says that their enemies are outside, eager to see Tywin’s dead body.  Cersei says their enemy is Tyrion, who Jaime let escape from jail, and now “look at the consequences.” 

He loved you more than anyone in this world.  –Cersei

Lord Tyrion Lannister & Lord Varys arriving in Pentos:

There is a cool POV shot of Tyrion (Peter Dinklage) breaking out from the crate.  The fluffy beard on him shows us that a good amount of time has passed since the end of S4.  Varys (Conleth Hill) says that they are at the home of his old friend, Ilyrio Mopatis (who was an ally of the Targaryens and arranged the marriage in S1). Tyrion throws up, but then continues to drink (red wine, as usual).

Westeros needs to be saved from itself.  -Varys

Meereen:

The (main?) harpy statue is pulled down from a high pyramid and smashes to the ground.  An Unsullied visits his usual pro in the city, hoping for some cuddling, but gets his throat slit by someone in a creepy gold mask and shapeless robe. When Danerys (Emilia Clarke) and her council talk, Ser Barristan (Ian McElhinney) explains that the killer was one of the Sons of the Harpy, an “insurgent” group.  Dany declares that she’s “not a conqueror.”  Notice the young freed slave in her council? 

Missandei (Nathalie Emmanuel) goes to ask Grey Worm (Jacob Andersen) about some of the Unsullied being seen in brothels (awkward).  He says that he doesn’t know anything about that. (Um, what’s the point of this scene?)

Castle Black:

That young orphaned boy (from S4) is training with Jon. Gilly (Hanah Murray) asks Sam (John Bradley) why he’s not fighting (oh, please).  He reminds her that he’s killed a Whitewalker and a Thenn- a rare feat for any man. (It’s cool to see Sam w/ some confidence!)  Gilly worries that she and baby Sam will be sent away if Ser Alistair (Owen Teale) is chosen as the next Lord Commander.

Melisandre (Carice Van Houten) comes to fetch Jon (Kit Harington, looking mature/intense).  She (sorta) hits on him on the long lift up to the top of The Wall, but he’s not amused.  Stannis (Stephen Dillane) asks Jon: “Don’t you want to revenge him [Robb]?”  But Jon has pledged himself to The Night’s Watch.  Stannis decides that Mance Rayder will either “bend the knee” or be burned at the stake.

They were born on the wrong side of The Wall.  They’re not monsters.  -Jon

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The Riverlands at Lord Royce’s castle:

We learn that Robin Arryn is now 13, but can’t fight worth squat (to the dismay of his new protector, Lord Royce).  Littlefinger (Aiden Gillen) says that some boys don’t need to fight- they have the right name/title.  He gets a message (via raven, of course) and Sansa (Sophie Turner, now an even more striking young woman) wonders what’s up.

Back on the road w/ Pod & Brienne of Tarth:

Brienne (Gwendoline Christie) is in a bad mood- she’s not really a knight, so Pod’s not a proper squire.  Pod reminds her that Sansa Stark is still out there somewhere, even if Arya refused her protection.  On the road nearby, Littlefinger, Sansa, and their retinue go by (irony).

The good lords are dead.  The rest are monsters.  -Brienne

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Lord Tywin Lannister’s wake (at the palace in Kings Landing):

Guess who’s back?  Cousin Lancel, now one of the Sparrows (a religious order), is wearing a threadbare robe and a very short haircut (which suits him actually).  When they are alone, Lancel asks her forgiveness for their “unnatural relations” and what happened w/ the King.  (Yes, I knew he had something to do w/ it!  Lancel probably poisoned Robert’s wine before he went out on that boar hunt in S1.)  Well, Cersei is not happy to hear this spoken out loud- watch out, Lancel! 

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Tyrion & Varys in Ilyrio’s garden:

A very depressed Tyrion wants to drink himself to death- calling himself a “coward.”  Varys disagrees, saying that Tyrion can have an important role in deciding who rules the Seven Kingdoms.  There is someone he should meet in Essos (Dany, of course)!

I will never sit on the Iron Throne.  -Tyrion

No, but you could help another to climb those steps… take that seat.  -Varys 

Meereen: Dany’s court, her chamber, & in the dragons’ cell:

We learn that many people in Yunkai want “the fighting pits” to be reopened, though Dany thinks it’s barbaric.  Later on that night. Daario (still don’t buy this actor, Michiel Huisman, in the role) tells her how he saw sold by his mother (a pro) into slavery.  In time, he became a good fighter (“I wasn’t big, but I was quick…”) in those pits, earned money for his master, and eventually was freed. Dany is worried about ruling, but also about Drogon, (“hasn’t been seen in weeks.”) When Dany visits the two other dragons, this huge head comes out of the dark and breathes fire at her (scary and effective)!

Castle Black: Mance Raydar’s jail cell, then the courtyard:

When Jon comes in to talk, Mance (Ciaran Hinds, underused on this series) already knows what Stannis wants.  “I’ll never serve him,” Mance says calmly.  Jon tries to change his mind, telling him to “think of your people.”  (Jon has become more serious- good to see!)  Mance explains that the Wildlings follow him b/c they respect him; they don’t care about Stannis. 

Oh, I am afraid… no shame in that.  -Mance   

Everyone is waiting/watching (even Gilly, the young boys, and Shireen) when Mance is brought before Stannis, then put on a big wooden pyre and tied up.  Melisandre says a speech about choosing “the true God or the false” (whatever, you nutjob) and sets the pyre aflame.  Mance begins to sweat and shake as the flames get higher/hotter.  Jon decides to end Mance’s suffering by shooting an arrow right through his heart.  (This was a heroic thing to do and also a great ending for the ep!) 

“We” are nuanced people, too!

Islam is not a race, yet Islamophobia partakes of racist characteristics.  Most Muslims do not “choose” Islam in the way that they choose to become doctors or lawyers, nor even in the way that they choose to become fans of Coldplay or Radiohead.  Most Muslims, like people of any faith, are born into their religion.  They then evolve their own relationship with it, their own, individual, view of life, their own micro-religion, so to speak.

Variations among believers:

There are more than a billion variations of lived belief among people who define themselves as Muslim – one for each human being, just as there are among those who describe themselves as Christian, or Buddhist, or Hindu. Islamophobia represents a refusal to acknowledge these variations, to acknowledge individual humanities, a desire to paint members of a perceived group with the same brush. In that sense, it is indeed like racism. It simultaneously credits Muslims with too much and too little agency: too much agency in choosing their religion, and too little in choosing what to make of it.

Lived religion is a very different thing from strict textual analysis. Very few people of any faith live their lives as literalist interpretations of scripture. Many people have little or no knowledge of scripture at all. Many others who have more knowledge choose to interpret what they know in ways that are convenient, or that fit their own moral sense of what is good. Still others view their religion as a kind of self-accepted ethnicity, but live lives utterly divorced from any sense of faith.

On women and Islam:

I have female relatives my age who cover their heads, others who wear mini-skirts, some who are university professors or run businesses, others who choose rarely to leave their homes. I suspect if you were to ask them their religion, all would say “Islam”. But if you were to use that term to define their politics, careers, or social values, you would struggle to come up with a coherent, unified view.

Stereoptypes of Muslim men:

In my early 20s, I remember being seated next to a pretty Frenchwoman at a friend’s birthday dinner in Manila. Shortly after we were introduced, and seemingly unconnected with any pre-existing strand of conversation, she proclaimed to the table: “I’d never marry a Muslim man.” “It’s a little soon for us to be discussing marriage,” I joked. But I was annoyed. (Perhaps even disappointed, it occurs to me now, since I still recall the incident almost two decades later.) In the cosmopolitan bit of pre-9/11 America where I then lived, local norms of politeness meant that I’d never before heard such a remark, however widely held the woman’s sentiments might have been.

-Mohsin Hamid, writer (from a recent Guardian op ed piece)p017j094

2015 New African Film Festival – Triangle: Coming to America

This film (released in Ethiopia in 2012) was the centerpiece of the festival; the theater was almost full when I went to see it on a Saturday night.  The audience included viewers of Ethiopian and Eritrean heritage, particularly in their 20s and 30s.  My friend had seen it the previously and raved about it.  Writer/director Theodros Teshome (who held an after-show Q&A w/ two of the lead actors) was inspired to write this film after hearing the story of a fellow Ethiopian man’s dangerous/illegal journey to the U.S.  Teshome then performed some research, and discovered hundreds of similar stories of immigration.  He quickly realized that this story had to be told. 

Kaleab (Solomon Bogale, dubbed “the Denzel Washington of Ethiopia”) is part of a small group of Ethiopians being led through the desert by an Arab guide (who is dressed traditionally in a white jilbab and turban).  The Arab carries a rifle for protection, but he also uses it to threaten the group.  We learn that Kaleab’s good friend, Jemal, and his young wife are leaving b/c they eloped against her parents wishes.  Jemal provides some well-needed humor, but he can also fight (though short and wiry). 

Along the way, this group merges with a small band of Eritreans, which includes a young woman named Winta (Mahder Assefa).  Unlike some of the others, Winta doesn’t have a relative or friend traveling w/ her, so Kaleab watches out for her.  Jemal and his wife urge Kaleab to speak to Winta, though he is shy/reluctant.  There’s more than love in the air- they must deal w/ a sand storm, then another storm at sea (on the way to Italy).  One man (who used to be a soldier/lived overseas) is heartbroken when he loses his lovely young wife to pneumonia after landing in Italy. He wails and says he doesn’t have the desire to go on, leaving her body buried in a strange land.  The others, particularly Jemal, convince him to forge ahead.   

On the journey, Kaleab helps Winta, then she returns the favor (in a big way) when they reach Mexico.  Shared hardship, respect, and kindness between them grows into love.  I think this theme of the story helped the viewers deal w/ the hardships- a bit of hope, silver lining, and such.  I was surprised that such a serious tale could be told w/ bits of (real-world) humor.  The audience enjoyed the film a LOT- I could tell from reactions during and comments afterward.  

In the Q&A session, Teshome said that there will be a part two of this story, which will be about these characters’ lives in America. He explained that it’s very difficult to make a film in Ethiopia, though there is a wealth of acting talent and a great interest in movies from the general public.  The special effects had to be created in LA, which took up most of the (VERY modest, even for an indie film) $650,000 budget.  The cast and crew spent four days shooting in the desert.  It takes a good chunk of money to get theaters to screen films, but after two shows at AFI, more were added at the Columbia Heights Educational Center.  One woman said that she came all the way from Ohio to attend this festival-WOW!