Emma’s Faves of 2015: Film

99 Homes

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99 Homes shouldn’t be described as the typical tour-de-force, but more of a tour-de-fact cinematic achievement.

Holding his own against a larger than life acting force that is Shannon, Garfield’s Nash allows himself to feed off Carver’s greed and sinisterly convincing monologues with scenes of heart-wrench, grit and sensitivity.

-Comments from a viewer from Canada (IMDB)

I saw this film at a pre-screening (w/ my movie Meetup group); I wasn’t expecting it to be this good!  Michael Shannon (who portrays a quite realistic villain) is a shoe-in for the Best Supporting Actor Oscar.  (FYI:  Broadgreen acquired the film late in OCT ’14, then tried to squeeze in a release before the end of that year to qualify for the Oscars.  They decided they didn’t have enough time to mount a proper marketing campaign, so it sat on the shelf until OCT ’15.)

Read my review of director Ramin Bahrani’s first film, Man Push Cart.

Read A.O. Scott’s comprehensive NYT review here.

Ex Machina

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…if the test is passed, you are dead center of the greatest scientific event in the history of man.  -Nathan

If you’ve created a conscious machine, it’s not the history of man. That’s the history of gods.  -Caleb

Quiet dialogue scenes between two characters are filmed in such an impactful way, making them feel hauntingly austere, sweet and innocent, or terrible and frightening, through meticulous use of composition, light and sound.

The performances are excellent, most notably Alicia Vikander as the beguiling Ava, who absolutely passes for being ‘almost human.’  Domhnall Gleeson also delivers a quiet and focused performance as Caleb. Like Ava, he is relatable… in complete contrast to the boorish, reckless Nathan (Oscar Isaac).

The dialogue feels real and non-cliché. The ending probably will not satisfy everyone…  Overall I found it to be enthralling and disturbing stuff.

-Comments from a viewer in Ireland

This year, I’ve been listening to a few different movie podcasts; ALL of them reviewed and praised this sci-fi film.  I FINALLY saw it 2 weeks ago and was VERY surprised (which is rare these days- stories becoming more and MORE repetitive, cliched, and just plain boring).  Alex Garland, the writer and director, is going to be one to watch in the future (no pun intended).  This is more like a 3-person play, as one critic noted, NOT a typical sci-fi film.  Even the music is out-of-the box!  You can watch it on Netflix; don’t forget to recommend to your friends who don’t usually go in for sci-fi (they’ll thank you later).

Do y’all remember when I FIRST wrote re: Issac?

Inside Out

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When I was asked to do this, the script was amazing. I went up to Pixar and I cried. I was just in a meeting with these guys and they showed me the story and I started weeping.  -Mindy Kaling

This is another film I saw at a pre-screening (w/ my movie Meetup group): I went in knowing almost nothing about it, aside from the fact that Kaling, Amy Poehler, and Louis Black were playing some of the voices.  It ALSO turned out to be a pleasant surprise (Bing Bong was one of my faves)!  The crowd was moved throughout the animated film; we were almost ALL grown-ups from 20s-50s.  You can see this film w/ the entire family- each person will get something different out of it!   

Read my full review.

Brooklyn

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I went to see this film w/ my mom- we BOTH loved it!  And can you believe that Saoirse Ronan is ONLY in her early 20s!?  Emory Cohen (who I’d never seen before) does a FINE job as Tony; I think he was channeling a young, BUT more low-key version of Brando.  This is another film w/ Domhnall Gleeson- here, he plays Jim, the handsome (check out that darker red hair and preppy wardrobe), well-settled Irish bar owner; this is a far cry from his roles in Ex Machina and the new Star Wars film. 

Read Virginia’s VERY well-written review here.

Listen to Me Marlon

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A MUST-SEE for fans of classic films!  It has been playing on Showtime for the past 2 wks or so; it will be on WED, 12/30 at 10PM EST.  It kept me glued to my seat past midnight, even though I should’ve been sleeping.  

Star Wars: The Force Awakens

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By now, you ALL must have seen this movie- maybe some saw it twice!  There were quite a FEW surprises for me, even though I’d (partly) been spoiled by the time I saw it last week.  Gleeson is here again (getting to REALLY like him), as are Isaac (LOVE him already) and Adam Driver (mostly known for his recurring role on HBO’s Girls).  Harrison Ford is onscreen for a good amount of time- my mom and lil bro BOTH liked that.  The two newbie leads (Daisy Ridley and John Boyega) did VERY well; they also had GREAT chemistry.  My mom also liked the new robot (BB-8).  Go check it out if you haven’t yet- you’ll have a GREAT time for sure! 

Listen to Zaki & Brian’s podcast review here. 

What Kind of Film Buff Are You? by Sam Van Hallgren

The Moviegoer

Barely a week goes by that the Moviegoer has not made a pilgrimage to the local multiplex, perhaps several. This category of movie buff looks forward to watching the latest, checking out at least one new release a week and devoting section of their blogs to discussing new trailers, highlighting the latest film buzz and predicting award winners. If they can afford the time and money, they’ll go to a film festival and watch at least 20 new films, writing about as many as possible. If you want to talk about the latest hit or dud, this is the movie buff to find.

The Classicist

On the other end of the spectrum, The Classicist usually prefers his or her films in black and white, possibly 4:3 aspect ratio and has seen more films starring Bergman, Bogart, Davis and Grant than Hathaway, Pitt, Downey Jr. and Portman.  While these buffs usually hang out in the 40’s and 50’s, they often explore the decades surrounding them. These buffs prefer to dig into the treasure trove of classics that have withstood the test of time than brave the multiplex.

The Cultist

This rebellious movie buff loves exploring the more marginalized areas of cinema: sci-fi, the b-movie, horror and more. These movie lovers both love to praise the bizarre, bad and broken films for their discovered charm as well as love to hate on atrocities against humanity. A lot of cult classics and b-movies comprise their list of favorites. If a film has the title featuring the word blood, demon, world, or a random scientific terms, this is the moviegoer that has probably seen or heard of it.

The Cinephile

Exploring the other margin of cinema, The Cinephile is a globetrotter who explores cinematic gems from directors you probably haven’t heard of from countries you didn’t even know made movies. The Cinephile singing the praises of 3 hour trials in patience and films that strain the boundaries of what film is.

The Curator

Lists, bodies of works, categories. The Curator is often a completionist, looking to either watch all the films of a particular director, or check off all the films on a list. They are known for focusing in specific genres or being experts on certain directors. They are also known for making and sharing their own lists. These lists can range from genre, year, country or any other cohesive label for categorizing films.

The Academic

Three viewings or more later, The Academic dives into exploring a film or set of films in depth, researching theoretical topics and reading as much writings on the film as they can find. These movie viewers, while exploring, often settle down into specific areas and then hone down on very specific films or topics, devoting many hours to watching and rewatching particular films, digging deep into the details in the hope of discovering and contributing worthwhile, well-supported and deep insights about a particular film or film related subject.

NOTE: The above are only excerpts.  For the full article, go to Cinema Sights.

AFI Latin American Film Festival: How to Win Enemies (Argentina)

NOTE: This is a SPOILER-FREE review. 

como-ganar-enemigos-posterLucas Abadi (Martin Slipak), a humble/soft-spoken/kind young lawyer w/ a love for detective novels, is pulled into his OWN real-life crime story in this “neurotic thriller” directed by Gabriel Lichtmann.  The director (in a Q&A after the screening) said that his wife assisted him in writing the final version of the film.  He was influenced by the work of Alfred Hitchcock and Woody Allen, who he thanks in the closing credits.

Como ganar enemigos_brosLuqui (as he is nicknamed by those close to him) has been saving to buy his own apartment.  He’s also to be the best man at his big brother’s (and fellow law partner) wedding.  Luqui is (pleasantly) surprised when a tall/blonde/pretty secretary, Barbara, flirts w/ him, then gives him her card in a local bar.  His friend urges him to go after her.  Of course, drama (and trouble) ensues!

como-ganar-enemigos_spyingThis was a FUN, crowd-pleasing movie (as noted by critics from ALL over the world).  The leading man is VERY likable, even when he gets into shades of gray behavior (to help a needy client).  WHO could be HIS enemy, we think!?  The music suits the film also very well- it’s got a BIT of tension (when needed); that’s a nod to Hitchcock, I’m sure.  Another thing I liked- the Jewish heritage of the main characters is in the background, BUT not a big point in the story.

 

The Lusty Men (1952) starring Robert Mitchum

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One ‘o the things that’s wrong is all the books and rules on success is written by successful men.  Now that’s wrong.  Fellers like you and me’d get a lot more help if the books and rules on success was written by a failure. That’d make sense.  -Jeremiah, the humble, old, bachelor farmer who lives in Jeff’s former family house explains (in a sort of epilogue to the main story)

This is a film that seems tailor-made for Robert Mitchum; it has drama, GREAT dialogue, a love triangle, and plenty of action/thrills (involving the rodeo)!  I just learned that it was directed by the prolific Nicholas Ray (In a Lonely Place, Rebel Without a Cause, King of Kings, etc.)  After he sustains a rodeo injury, star rider Jeff McCloud (Mitchum), returns to his hometown after many years of absence. He signs on as a ranch hand, where he is befriended by fellow ranch hand Wes Merritt (Arthur Kennedy, a strong supporting man, esp. of the Western genre) and his wife Louise (Susan Hayward in a strong/engaging performance).

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Louise: Wes tells me you once made three thousand dollars in one day, rodeoin’.

Jeff: That’s right.

Louise: And threw it all away.

Jeff: Oh, I didn’t throw it away. It just sorta’… floated.

The Merritts seem like a solid, happy couple, though they also have ambitions for their own little farm.  Wes thinks that rodeo winnings (fast money) could help finance it.  Wes convinces Jeff (who is a BIT reluctant) to coach him, but Louise has strong doubts.  She thinks that the couple should just keep saving slowly.  But, despite his easygoing/humble demeanor, Wes has a lust for adventure!

The Lusty Men_truceThere never was a bronc that couldn’t be rode, there never a cowboy that couldn’t be throwed. Guys like me last forever.  -Jeff says to Louise

It turns out that Wes is QUITE good in the events he signs up for in his first rodeo, impressing his new peers on the circuit.  Of course, the money is GREAT, so he decides to go on the road (BEFORE checking w/ Louise).  She is surprised by this hasty decision, BUT goes on the road w/ her husband and Jeff.  How will Wes and Louise deal w/ their new success/lifestyle?  What will become of Jeff… and his burgeoning feelings for Louise?  Watch this film to find out!    

Arabian Sights Film Festival (OCT 16-25)

Hey all,

It’s Fall, which means cooler weather and better movies than the past Summer (which is generally geared toward 12 y.o. boys).  It’s also time for film festivals (here in the DC area)!  Last December, I reviewed Rock the Casbah, which was one of the films in the Arabian Sights Film Festival.  Omar Sharif has a cameo in the film.

Official web site of the festival: http://www.filmfestdc.org/arabiansights/index.cfm

*NOTE: All films will be shown at AMC Mazza Gallerie (5300 Wisconsin Ave, NW, Washington, DC 20015); metro riders need to get off at the Friendship Heights station and walk out using the Western Ave exit.

Below are trailers/some info re: the films that I’m MOST interested in:

The Intruder (SUN, 10/18, 5PM)

A Dutch cop of Moroccan descent goes deep undercover to infiltrate a drug-trafficking Moroccan family. The deeper he embeds himself in the family’s inner circles, the more he realizes a sense of belonging and a feeling of brotherhood that has until now eluded him. It is then he begins to question his allegiance to the police force he pledged to serve. 

Eyes of a Thief (FRI, 10/23, 6:30PM)

After ten years in prison, Tarek is desperate to find his daughter who was an infant when he was imprisoned. A lawless lifestyle seems to have seeped into ten-year old Malak, whom Tarek suspects is his estranged daughter. But her adoptive mother is being forced into an arranged marriage with the town’s main businessman with whom Tarek seems to have unfinished business.

Spread the word to those who enjoy intelligent, international cinema!

Thanks for reading,

EMMA