Criss Cross (1949)

Steve Thompson (Burt Lancaster) watches his ex-wife
Steve Thompson (Burt Lancaster) watches his ex-wife

Tagline: The savage drama of an amazing double double-cross! 

This meaty film noir is a follow-up to The Killers (1946).  It reteams German director Robert Siodmak with star Burt Lancaster (age 35 here), who once again finds himself in a deadly love triangle.  Lancaster, cast against type as a loser, Steve Thompson, a man who returns to his native LA after a year of wandering about the country.  He doesn’t call up his ex-wife, Anna (Yvonne De Carlo), but they bump into each other. Steve still “has her in his blood,” much to the dismay of his mother.  Maybe it was bad luck?  Or fate?   

Anna (Yvonne de Carlo) & Slim (Dan Duryea) in the club
Anna (Yvonne de Carlo) & Slim (Dan Duryea) in the club

She’s all right, she’s just young.  -Steve

Hah! Some ways, she knows more than Einstein.  -Mrs. Thompson

Anna and Steve rekindle their relationship for a time, but then she sneaks off to marry gangster Slim Dundee (Dan Duryea), who operates out of a local bar/nightclub.  Steve almost can’t believe his ears when the sympathetic bartender breaks the news.  Does Anna only care about money? 

That's young Tony Curtis!
That’s young Tony Curtis!

This is also the film debut (not credited) of Tony Curtis, who dances in the rhumba scene.  Later, Curtis and Lancaster would costar in Trapeze and Sweet Smell of Success

Steve is warned to stay away from Anna by old pal/cop Pete (Stephen McNally)
Steve is warned to stay away from Anna by old pal/cop Pete (Stephen McNally)

I should have been a better friend.  I shoulda stopped you.  I shoulda grabbed you by the neck, I shoulda kicked your teeth in.  I’m sorry Steve.  -Pete

This film is unusual for the genre, because Steve is not a loner, with no one to look out for his well-being.  He has a loving family- mother, jovial little brother, and future sister-in-law. He has a good friend in Lt. Pete Ramirez, a cop he’s known since childhood.  The many minor characters lend flavor to this film. 

Steve's fellow armored car guards at work
Steve’s fellow armored car guards at work

In time, he draws himself into Slim’s sphere, proposing an armored car heist.  This heist involves a elderly co-worker who’s seeing his widowed mother.  The main action scene was very well-done, as it looked quite modern. 

Love…  love!  You’ve got to watch out for yourself!  -Anna

The last scene of the film
The last scene of the film

He [Siodmark] fragments the narrative through flashbacks, counterposing the hopes of Lancaster’s return home with the desperation into which he has fallen.  He also slows down for virtuosic sequences that only a great director could bring off: a long scene when the heist is being plotted, with the bored DeCarlo smoking cigarettes (“It passes the time”) while the railway criss-crosses the window behind her; and an equally long one in the hospital, involving a cranked-up bed, a tilted mirror on the bureau, and a visitor in the corridor- a good Samaritan who turns out to be his worst nightmare.  -IMDB review excerpt

Anna is not like a typical femme fatale, as she’s not the planner.  Steve takes agency in the robbery, though he never wanted anyone to be killed, if possible.  He thinks naively, as he “wasn’t born into this” (Pete comments).  He cared about love, not the money.  The last quarter of the film is atmospheric, intense, and very well done.  Anyone can become a fool for love, even Lancaster.  Look at how young/sad/lost Steve looks when he sees Anna in the club (dancing carelessly) after so long.  This is a fine performance, layered yet accessible.

Phillip Seymour Hoffman (1967-2014): Thoughts on the “flawless” actor

PSH starred opposite DeNiro in "Flawless" (1999)
PSH starred opposite DeNiro in “Flawless” (1999)

Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money.  Do plays.  It’s not worth it if you are just in it for the money.  You have to love it.  -Advice to young actors

One afternoon several years ago, I was bored and flipping through channels for something to watch, when I first came across Phillip Seymour Hoffman (PSH) in the indie drama Flawless (1999).  He plays flamboyant (loud/proud) drag queen Rusty Zimmerman who lives on the same floor as Walt (Robert DeNiro), a cranky/homophobic ex-cop.  Since Walt has suffered vocal chord damage, his doctor (Madhur Jaffrey) recommends singing  lessons.  Of course, Rusty loves singing, and herein begins the (unlikely) friendship.  I was on the edge of my seat, wondering how these two opposites would get along!  There was humor, too, as the two hard-headed men launched insults (many quite funny) at each other.  PSH brought such a fire to RustyWho is this guy, and why didn’t I know more about him!? 

PSH as a home health care nurse in "Magnolia" (1999)
PSH as a home health care nurse in “Magnolia” (1999)

PSH took on a totally different role in Magnolia (1999)- he was Phil Parma, a nurse who took care of a dying man.  This wasn’t a big role, and the film was confusing/annoying to many people.  However, the kindness and quiet dignity of Phil stayed with me.  Here I discovered one of the recurring themes of PSH’s career- turning the notion of traditional masculinity on its head.  

 I’m waiting for somebody to say I’m at least cute.  But nobody has.  -On Hollywood’s view of his appearance

PSH was a pale blonde, stocky, and not very tall- lacking the looks of  a typical leading man.  However, this became an advantage to PSH, who immersed himself into each role (unencumbered by vanity). 

PSH as yuppie Freddie Miles in "The Talented Mr. Ripley" (1999)
PSH as yuppie Freddie Miles in “The Talented Mr. Ripley” (1999)

Actors are responsible to the people we play.  I don’t label or judge.  I just play them as honestly and expressively and creatively as I can, in the hope that people who ordinarily turn their heads in disgust instead think, ‘What I thought I’d feel about that guy, I don’t totally feel right now.’  – On his responsibility as an actor

How many actors can steal a few scenes from Matt Damon!?  PSH did just that in Anthony Minghella’s The Talented Mr. Ripley (one of my favorite films), playing yuppie snob/jazz lover, Freddie Miles.  He was shallow, but no dummy, so had to be dealt with by Damon’s character.  PSH only needed a few lines/moments to establish his character.   

PSH as a writer in "State and Main" (2000)
PSH as a writer in “State and Main” (2000)

PSH played Joseph Turner White, a humble/somewhat befuddled novelist/screenwriter in David Mamet’s sly comedy State and Main (2000).  It was a rare role- he got a love interest.  Joseph was dealing with the fact that Hollywood producers had a very different view of the story he created.  He was making money because of the film, but felt uneasy about being a sellout.

PSH as the title character in "Capote" (2005)
PSH as the title character in “Capote” (2005)

The much-respected character actor finally achieved leading man status with “Capote” (2005).  I didn’t know much about Truman Capote, but thought the film was quite atmospheric.  I especially liked the scenes were PSH was working alongside Catherine Keener (who played writer Harper Lee, Capote’s close gal pal). 

PSH as a CIA agent in "Charlie Wilson's War" (2007)
PSH as a CIA agent in “Charlie Wilson’s War” (2007)

I really loved PSH’s role in Charlie Wilson’s War!  He plays Gust Avrakotos, a brash/whip-smart CIA agent and first gen Greek-American.  Some in the agency have questioned his loyalty, due to his ethnic background, we learn in one scene.  PSH and Tom Hanks make a dynamic duo.  Below is my brief review (from earlier blog post):

I also saw Charlie Wilson’s War (over in Lincoln Center area).  It was GREAT!!!  There were MANY laughs, as well as things we can relate to (in our time).  Tom Hanks was EVEN better than usual, but Phillip Seymour Hoffman was TERRIFIC!  Honestly, whenever I see that guy, I wonder how he gets so deep into character!  He is not even middle-aged yet… WOW! 

PSH as Father Flynn in "Doubt" (2008)
PSH as Father Flynn in “Doubt” (2008)

The theatrically-trained actor got to marry his first love with film in Doubt (2008), based on the stage play by John Patrick Shanley, who grew up attending Catholic school in 1960s BronxPSH worked with rising star Amy Adams and the fabulous Meryl Streep- one of the highest points in any actor’s career.  (Shanley wondered who was an actor who could “stand up to Meryl Streep?”)  Here is my review of the film. 

PSH won the Best Actor Oscar in 2006 for "Capote"
PSH won the Best Actor Oscar in 2006 for “Capote”

I’m probably more personal when I’m acting than at any other time. More open, more direct. Because it allows me to be something that I can’t always feel comfortable with when I’m living my own life, you know? Because it’s make- believe.  -On his process

PSH consolidated his rep as one of the finest actors under 40 with Capote (2005).  He won the Los Angeles Film Critics Award as Best Actor.  In 2006, he was awarded the Best Actor Oscar.  When I heard (on NPR) that he had died, I didn’t think it was true!  How can someone his age die without any warning?  I didn’t know about his personal life or struggles with addiction (alcohol at a young age, then heroin).  Sadly, the flaws were offscreen, and couldn’t be edited out. 

 

Dallas Buyers Club (2013)

Promo poster
Promo poster

Matthew McConaughey (transformed physically) disappears into his role of real-life ’80s AIDS crusader, Ron Woodruff.  This film was made with a very small budget, and directed by a French-Canadian, Jean-Marc Vallee (The Young Victoria).  I never heard of this story until my friends and I went to see it (just before the holidays)! 

Ron (McConaughy) can't believe his diagnosis
Ron (McConaughy) can’t believe his diagnosis

Ain’t nuthin’ out there can kill Ron Woodruff in 30 days! 

Ron is an electrician by trade, but (part-time) bull riding is his real love.  Drinking and hooking up with random women (many of whom follow the rodeo) is also part of his dangerous lifestyle.  When Ron gets injured at a jobsite, he’s taken to the local hospital.  The attending doctor (matter-of-factly) tells him that he has HIV and only 30 days to live.  Yes, it’s a very serious/heavy film!   

Ron is initially very angry and in denial that he would have a disease that only gay men have.  Upon quick reflection, he comes to the realization that the diagnosis is probably true. (He’s no dummy!)  Ron starts reading up on HIV/AIDS, which (at that time) seems to be most effectively treated by AZT,  which was only in clinical trials. 

Rayon (Jared Leto) becomes Ron's (unlikely) friend
Rayon (Jared Leto) becomes Ron’s (unlikely) friend

Ron can’t get into the clinical trials, he learns from a sympathetic doctor, Eve (Jennifer Garner), a woman he mistakes for a nurse.  So, he goes searching for meds on his own.  Ron goes to a doctor in Mexico.  He even flies to Japan to meet with a bigwig in the drug industry.  In time, Ron forms an alliance with Rayon (Jared Leto), a transvestite who is on and off the wagon (struggling with heroine addiction).  Rayon is in the clinical trial, and also shares a childhood connection with Eve.  In one of the film’s most revealing scenes, Rayon puts on a suit to settle monetary concerns with a banker (also his father).   

Eve (Garner) also becomes an ally to Ron
Eve (Garner) also becomes an ally to Ron

This film is educational, not merely entertainment.  It was a big labor of love for all involved, including Brad Pittt and Ryan Gosling.  Check it out before the Oscars! 

The Killers (1946) starring Burt Lancaster & Ava Gardner

The Swede (Burt Lancaster) falls head over heels for Kitty (Ava Gardner)
The Swede (Burt Lancaster) falls head over heels for Kitty (Ava Gardner)

This film noir is based on a short story by Ernest Hemingway.  It was Burt Lancaster’s first film role (at age 32).  I thought he looked/acted much younger.  There is that openness and vulnerability in his eyes that fans will recognize.  Even battered and bruised, he has potential.  Lancaster plays Ole Andresen (known to most as “The Swede”), a quiet gas station attendant in Brentwood, New Jersey.  

Jim Riordan (Edmond O'Brien) investigates the why of the murder
Jim Riordan (Edmond O’Brien) investigates the why of the murder

We learn that there’s much more to The Swede than meets the eye, thanks to an insurance investigator, Jim Riordan (played by noted character actor Edmond O’Brien).  He later went on to play Big Daddy in The Long Hot Summer (starring Paul Newman and Joanne Woodward).  The movie gains momentum after a murder by two strangers to the small town.  Riordan comes to deal with the $2,500 insurance policy left behind by the deceased.   He eventually teams up with one of Ole’s oldest friends from Philly, Lt. Sam Lubinsky, to get to the crux of the matter.  The femme fatale of the story is Kitty Collins (Ava Gardner), the girlfriend of a well-known hood in Atlantic City.   

Kitty (Gardner) is the catayst in this tale.
Kitty (Gardner) is the catayst in this tale.

Most people seem to think I’m the kind of guy who shaves with a blowtorch. Actually I’m bookish and worrisome.  –Burt Lancaster

If you liked this movie, you’ll love Out of the Past (1947), starring Robert Mitchum, Kirk Douglas, and Jane Greer.  BOTH Mitchum and Lancaster were able to show the masculine man’s sensitive side.  But maybe Mitchum had a BIT more danger and unpredictability?  They’re both fabulous actors who used their presence and physicality to enhance their roles (think Denzel Washington).  After all, it takes more than height and looks to make a leading man! 

Burt Lancaster Film Series (AFI Silver Spring)

Young Burt Lancaster in a publicity photo (1947)
Young Burt Lancaster in a publicity photo (1947)

As my dad once said (in Bengali): “Ki ekta beta!”  (This translates to “What a man!”  This is an exclamation of admiration for a guy who other men want to emulate.)  He “popped” (as the kids say) onscreen.  Burt Lancaster was one of Hollywood’s (unusual) leading men- stunning on the outside and able to create compelling characters from the inside. Why unusual?  He didn’t primarily rely on his looks or strong screen presence to get by;  he took on challenging anti-hero and villainous roles, too.  I believe today’s audiences will be able to connect with his work, as his method is quite modern.  The born and bred New Yorker showed a vulnerability and passion in his acting (which more stoic leading men of his generation lacked). 

Lancaster in Sweet Smell of Success (1957)
Lancaster in Sweet Smell of Success (1957)

AFI Silver Theatre and Cultural Center (just a few blocks from me) will be showing some of Lancaster’s films from February 7-April 17.  Below are the films that I’m most interested in. 

The Killers (with Ava Gardner) – UPDATED 2/8: Read my review! 

Criss Cross – UPDATED 2/17: Read my review!

Here is the full list of films, show times, & descriptions. 

My reviews of Lancaster’s films:

Elmer Gantry

From Here to Eternity

Trapeze & Sweet Smell of Success